Behringer XENYX 1202/1002/802/502
Premium 12/10/8/5-Input 2-Bus Mixer with XENYX Mic Preamps and British EQs
Important Information and Safety Precautions
⚠️ Electric Shock Hazard - Do Not Open
Equipment with this symbol has high current and poses a shock hazard. Only use high-quality professional speaker cables with 1/4" TS or twist-lock connectors. All installation or adjustment must be performed by qualified personnel.
⚠️ Shock Hazard
This symbol reminds you that there are uninsulated dangerous voltages inside the product, posing a shock hazard.
⚠️ Please Read Manual
This symbol reminds you to consult the enclosed important operating and maintenance instructions. Please read the manual.
⚠️ Caution
To avoid the risk of electric shock, do not open the top cover (or rear panel). There are no user-serviceable parts inside the device. Refer servicing to qualified personnel.
⚠️ Fire and Shock Hazard
To prevent fire or electric shock hazard, do not expose this device to rain or moisture. This device should not be exposed to dripping or splashing, and no objects filled with liquids, such as vases, shall be placed on it.
⚠️ Servicing Instructions
Servicing instructions are for qualified service personnel only. To avoid the risk of electric shock, do not perform any servicing other than that contained in the operating instructions. Refer all servicing to qualified personnel.
General Safety Guidelines:
- 1. Read these instructions.
- 2. Keep these instructions.
- 3. Heed all warnings.
- 4. Follow all instructions.
- 5. Do not use this product near water.
- 6. Clean this product with a dry cloth.
- 7. Do not block any ventilation openings. Install in accordance with the manufacturer's instructions.
- 8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
- 9. Do not defeat the safety purpose of the polarized or grounding-type plug. A grounding-type plug has two blades and a third grounding prong. If the provided plug does not fit your outlet, consult an electrician for replacement of the obsolete outlet.
- 10. Protect the power-cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
- 11. Use only attachments and accessories specified by the manufacturer.
- 12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
- 13. Unplug this apparatus during lightning storms or when unused for long periods of time.
- 14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
- 15. This apparatus must be connected to a mains socket with a grounding connection.
- 16. Where the mains plug or appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.
- 17. This product is only suitable for use in altitudes below 2000 meters. This product is only suitable for use in non-tropical climates.
For any losses incurred due to reliance on any description, picture, or statement in this manual, Music Tribe assumes no liability. Technical specifications and appearance are subject to change without notice. All trademarks are property of their respective owners. Midas, Klark Teknik, Lab Gruppen, Lake, Tannoy, Turbosound, TC Electronic, TC Helicon, Behringer, Bugera, Oberheim, Auratone and Coolaudio are trademarks or registered trademarks of Music Tribe Global Brands Ltd. © Music Tribe Global Brands Ltd. 2021. All rights reserved.
For applicable terms and other information regarding Music Tribe warranties, please visit musictribe.com/warranty for complete details.
Step 1: Connection Application
The connection diagrams illustrate how to connect various audio equipment to the Behringer XENYX mixers. Typical connections include:
- Microphones (e.g., XM8500) via XLR inputs.
- Instruments like Bass Guitars via DI boxes (e.g., DI100) connected to line inputs.
- Active Speakers (e.g., B3030A, B215D) connected to the main outputs.
- Playback devices such as Drum Machines, Portable Digital Recorders, or MP3 Players connected to line inputs or 2-Track inputs.
- Effects Processors (e.g., FX2000) connected via FX Send and Aux Return.
- Keyboards and other line-level sources connected to line inputs.
- Computers connected via audio interfaces (e.g., UCA222).
- Headphones (e.g., HPS3000) connected to the PHONES output.
Step 2: Controls
This section details the various operational elements on your mixer.
1. MIC Input:
Provides a balanced microphone input via an XLR jack for each mono input channel. Features +48V phantom power for condenser microphones, powered by XENYX preamplifiers for pure, noise-free amplification.
2. LINE IN:
Each mono input channel also features a balanced line input with a 6.3 mm jack. These inputs can also accommodate unbalanced plugs (mono plugs). Note that you can only use the microphone input or the line input at any given time, not both simultaneously.
3. GAIN:
Adjusts the input gain. This control should always be at its leftmost position when connecting or disconnecting a signal source.
4. Equalizer (EQ):
All mono input channels are equipped with a 3-band equalizer (2-band on the 502 model). Each band can be boosted or cut by up to 15 dB. The equalizer has no effect when set to the center position.
5. LOW CUT:
Mono channels (1002 and 1202) feature a LOW CUT filter (18 dB/octave, -3 dB at 75 Hz) to eliminate unwanted low-frequency signals.
6. FX (FX Send):
The FX Send line (or AUX Send line) allows you to output and group signals from one or more channels. You can tap this signal at an FX Send jack, for example, to send it to an external effects processor. The return path can be via the Aux Return jack (802) or standard channel strips. Each FX Send line is mono and provides up to +15 dB of gain. The 502 model does not have FX Send lines.
7. PAN:
The PAN control determines the position of the channel signal within the stereo field. This control features a constant-power characteristic, meaning the signal level remains constant regardless of its position in the stereo field.
8. LEVEL:
The LEVEL control determines the level of the channel signal in the main mix.
9. CLIP:
The CLIP LED on mono channels lights up when the input signal is too high. Reduce the preamp gain using the GAIN control until the LED extinguishes.
10. LINE IN (Stereo):
Each stereo channel features two balanced line-level input jacks for the left and right channels. If only one is used, use the jack labeled "L". These jacks can also accommodate unbalanced plugs.
11. FX (Stereo):
The FX Send line on stereo channels works the same way as on mono channels. Since both FX lines are mono, the signal on stereo channels is first mixed into a mono sum before being sent to the FX-Bus. The 502 model does not have FX Send lines.
12. BAL (BALANCE):
The BALANCE control determines the relative ratio of the left and right input signals before they are sent to the left and right main mix buses. If a channel operates in mono via the left line input, this control functions identically to the mono PAN control.
13. +4/-10 Switch:
The stereo input channels on the XENYX 1002 and 1202 feature a switch for input level matching. You can switch the input sensitivity between +4 dBu and -10 dBV. At -10 dBV (home recording level), the input is more sensitive than at +4 dBu (studio level).
14. STEREO AUX RETURN (802 Model Only):
The STEREO AUX RETURN jack is the return path for the effect mix created using the FX controls. Connect the output signal from your effects processor here. You can also use these jacks as additional inputs, but you must then route the effect signal into the mixer via another channel. You can adjust the frequency response of the effect signal using the channel EQ. If only the left jack is connected, the AUX RETURN will automatically be set to mono. The AUX RETURN control sets the final share of the effect signal in the main mix.
15. FX SEND:
Connect the input of your effects processor to the FX SEND jack (except on the 502 model). This is where the post-fader FX signal, coupled via the channel's FX control, is output. The level at this jack is adjusted by the FX SEND control in the main section (1002 and 1202 models only).
16. PHONES/CONTROL ROOM:
The PHONES jack (top of the connection area) is a stereo jack. Connect your headphones here. The CTRL ROOM OUT jack (unbalanced jack) is used to control the sum signal (effect mix and main mix) and individual signals. The PHONES/CONTROL ROOM control sets the level for both outputs. The 502 model does not have a CONTROL ROOM output.
17. MAIN MIX:
The MAIN OUT jacks are unbalanced mono jacks. This is where the main mix sum signal at 0 dBu is output. Use the MAIN MIX fader to adjust the volume of this output. The XENYX 502 and 802 models feature a rotary control for this purpose.
18. 2-TRACK INPUT:
The 2-TRACK INPUT jacks are used to connect an external signal source (e.g., CD player, tape deck, etc.). You can also use them as stereo line inputs to connect the output signal of a second XENYX or BEHRINGER ULTRALINK PRO MX882. If you connect the 2-Track Input to a HiFi amplifier with an audio signal source selector, you can easily monitor additional audio sources.
19. 2-TRACK OUTPUT:
These jacks are parallel to the MAIN OUT and provide an unbalanced stereo sum. Connect the input of your recording device here. The output level is adjusted by the high-precision MAIN MIX fader or rotary control.
20. 2-TR TO MIX:
When the 2-TR TO MIX switch is pressed, the 2-track input is routed to the main mix, serving as an additional input for tape sources, MIDI instruments, or other signals that do not require processing.
21. 2-TR TO CTRL ROOM:
To route the 2-track input to the monitor outputs (CTRL ROOM OUT/PHONES) as well, press the 2-TR TO CTRL ROOM/PHONES switch. This is the simplest way to monitor recorded material through the monitor speakers or headphones.
22. FX TO CTRL ROOM:
If you only want to monitor the FX Send signal on your headphones or monitor speakers, press the FX TO CTRL switch. The main mix signal will be muted, allowing you to listen to the FX Send output signal exclusively. The XENYX 502 and 802 models do not have this switch.
23. +48V Phantom Power:
The red +48V LED lights up when phantom power is activated. The PHANTOM power switch activates phantom power on all XLR microphone inputs.
24. POWER:
The blue POWER LED lights up when the unit is connected to the power supply and ready for operation.
25. Level Display:
The high-precision 4-segment level display allows you to monitor the intensity of the displayed signal at all times.
Step 3: Level Setting
When adjusting levels, set the input channel's LEVEL control to the center position (0 dB) and increase the input gain using the GAIN control to 0 dB. When recording with a digital recorder, the recorder's peak meter should not exceed 0 dB. Unlike analog recording, digital recording can produce unpleasant digital distortion if slightly overloaded, which can occur very suddenly. Your XENYX's peak meters display levels that are largely unaffected by frequency. For any audio signal, we recommend a recording level of 0 dB.
Technical Specifications
| Specification | XENYX 1202 | XENYX 1002 | XENYX 802 | XENYX 502 |
|---|---|---|---|---|
| Mono Inputs | ||||
| Microphone Input (XENYX Mic Preamps) | XLR connector, electronically balanced, discrete input circuitry | XLR connector, electronically balanced, discrete input circuitry | XLR connector, electronically balanced, discrete input circuitry | XLR connector, electronically balanced, discrete input circuitry |
| Mic EIN (20 Hz - 20 kHz) | @ 150 Ω: -129 dB / 130.5 dBA weighted | @ 150 Ω: -129 dB / 130.5 dBA weighted | @ 150 Ω: -129 dB / 130.5 dBA weighted | @ 150 Ω: -129 dB / 130.5 dBA weighted |
| Gain Range | +10 dB to +60 dB | +10 dB to +60 dB | +10 dB to +60 dB | +10 dB to +60 dB |
| Max. Input Level | +12 dBu @ +10 dB Gain | +12 dBu @ +10 dB Gain | +12 dBu @ +10 dB Gain | +12 dBu @ +10 dB Gain |
| Input Impedance | Approx. 2.6 kΩ balanced | Approx. 2.6 kΩ balanced | Approx. 2.6 kΩ balanced | Approx. 2.6 kΩ balanced |
| Signal-to-Noise Ratio | 110 dB / 112 dBA weighted (0 dBu In @ +22 dB GAIN) | 110 dB / 112 dBA weighted (0 dBu In @ +22 dB GAIN) | 110 dB / 112 dBA weighted (0 dBu In @ +22 dB GAIN) | 110 dB / 112 dBA weighted (0 dBu In @ +22 dB GAIN) |
| Distortion (THD+N) | 0.005% / 0.004% A weighted | 0.005% / 0.004% A weighted | 0.005% / 0.004% A weighted | 0.005% / 0.004% A weighted |
| Line Input | 1/4" TRS jack, electronically balanced | 1/4" TRS jack, electronically balanced | 1/4" TRS jack, electronically balanced | 1/4" TRS jack, electronically balanced |
| Input Impedance | Approx. 20 kΩ balanced / 10 kΩ unbalanced | Approx. 20 kΩ balanced / 10 kΩ unbalanced | Approx. 20 kΩ balanced / 10 kΩ unbalanced | Approx. 20 kΩ balanced / 10 kΩ unbalanced |
| Gain Range | -10 dB to +40 dB | -10 dB to +40 dB | -10 dB to +40 dB | -10 dB to +40 dB |
| Max. Input Level | +22 dBu @ 0 dB Gain | +22 dBu @ 0 dB Gain | +22 dBu @ 0 dB Gain | +22 dBu @ 0 dB Gain |
| Crosstalk Attenuation | 90 dB | 89.5 dB | 89 dB | 89 dB |
| Stereo Inputs | ||||
| Type | 1/4" TRS jack, electronically balanced | 1/4" TRS jack, electronically balanced | 1/4" TRS jack, electronically balanced | 1/4" TRS jack, electronically balanced |
| Input Impedance | Approx. 20 kΩ | Approx. 20 kΩ | Approx. 20 kΩ | Approx. 20 kΩ |
| Max. Input Level | +22 dBu | +22 dBu | +22 dBu | +22 dBu |
| Equalizer | ||||
| LOW | 80 Hz / ±15 dB | 80 Hz / ±15 dB | 80 Hz / ±15 dB | 80 Hz / ±15 dB |
| MID | 2.5 kHz / ±15 dB | 2.5 kHz / ±15 dB | 2.5 kHz / ±15 dB | 2.5 kHz / ±15 dB |
| HIGH | 12 kHz / ±15 dB | 12 kHz / ±15 dB | 12 kHz / ±15 dB | 12 kHz / ±15 dB |
| Send/Return | ||||
| Aux Send | 1/4" TS jack, unbalanced | 1/4" TS jack, unbalanced | 1/4" TS jack, unbalanced | N/A |
| Max. Output Level | +22 dB | +22 dB | +22 dB | N/A |
| Stereo Aux Return | 1/4" TRS jack, electronically balanced | N/A | 1/4" TRS jack, electronically balanced | N/A |
| Input Impedance | Approx. 20 kΩ balanced / 10 kΩ unbalanced | N/A | Approx. 20 kΩ balanced / 10 kΩ unbalanced | N/A |
| Max. Input Level | +22 dBu | N/A | +22 dBu | N/A |
| Outputs | ||||
| Main Outputs | 1/4" TS jack, unbalanced | 1/4" TS jack, unbalanced | 1/4" TS jack, unbalanced | 1/4" TS jack, unbalanced |
| Max. Output Level | +22 dBu | +22 dBu | +22 dBu | +22 dBu |
| Control Room Outputs | 1/4" TS jack, unbalanced | 1/4" TS jack, unbalanced | 1/4" TS jack, unbalanced | N/A |
| Max. Output Level | +22 dBu | +22 dBu | +22 dBu | N/A |
| Phones Output | 1/4" TRS jack, unbalanced | 1/4" TRS jack, unbalanced | 1/4" TRS jack, unbalanced | 1/4" TRS jack, unbalanced |
| Max. Output Level | +19 dBu / 150 Ω (+25 dBm) | +19 dBu / 150 Ω (+25 dBm) | +19 dBu / 150 Ω (+25 dBm) | +19 dBu / 150 Ω (+25 dBm) |
| System Data (Noise) | ||||
| Main Mix @ - ∞, Channel Faders @ - ∞ | -106 dB / -109 dBA weighted | -106 dB / -109 dBA weighted | -106 dB / -109 dBA weighted | -106 dB / -109 dBA weighted |
| Main Mix @ 0 dB, Channel Faders @ - ∞ | -95 dB / -98 dB A weighted | -95 dB / -98 dB A weighted | -95 dB / -98 dB A weighted | -95 dB / -98 dB A weighted |
| Main Mix @ 0 dB, Channel Faders @ 0 dB | -84 dB / -87 dB A weighted | -84 dB / -87 dB A weighted | -84 dB / -87 dB A weighted | -84 dB / -87 dB A weighted |
| Frequency Response (Mic Input ~ Main Output) | ||||
| 20 Hz - 20 kHz | +0 dB / -1 dB | +0 dB / -1 dB | +0 dB / -1 dB | +0 dB / -1 dB |
| <10 Hz - 90 kHz | +0 dB / -1 dB | +0 dB / -1 dB | +0 dB / -1 dB | +0 dB / -1 dB |
| <10 Hz - 160 kHz | +0 dB / -3 dB | +0 dB / -3 dB | +0 dB / -3 dB | +0 dB / -3 dB |
| Power Supply | ||||
| Type | Behringer PSU MX5UL | Behringer PSU MX3UL | Behringer PSU MX3UL | Behringer PSU MX3UL |
| Mains Voltage | 120 V~, 60 Hz | 120 V~, 60 Hz | 120 V~, 60 Hz | 120 V~, 60 Hz |
| Type (Europe/UK/Australia) | Behringer PSU MX5EU | Behringer PSU MX3EU | Behringer PSU MX3EU | Behringer PSU MX3EU |
| Mains Voltage | 230 V~, 50 Hz | 230 V~, 50 Hz | 230 V~, 50 Hz | 230 V~, 50 Hz |
| Type (China) | Behringer PSU MX5CC | Behringer PSU MX3CC | Behringer PSU MX3CC | Behringer PSU MX3CC |
| Mains Voltage | 220 V~50 Hz; | 220 V~50 Hz; | 220 V~50 Hz; | 220 V~50 Hz; |
| Type (Japan) | Behringer PSU MX5JP | Behringer PSU MX3JP | Behringer PSU MX3JP | Behringer PSU MX3JP |
| Mains Voltage | 100 V~, 50/60 Hz | 100 V~, 50/60 Hz | 100 V~, 50/60 Hz | 100 V~, 50/60 Hz |
| Type (Korea) | Behringer PSU MX5KR | Behringer PSU MX3KR | Behringer PSU MX3KR | Behringer PSU MX3KR |
| Mains Voltage | 220 V~, 60 Hz | 220 V~, 60 Hz | 220 V~, 60 Hz | 220 V~, 60 Hz |
| Power Consumption | ||||
| 20 Watts | 13 Watts | 13 Watts | 13 Watts | |
| Physical/Weight | ||||
| Dimensions (H x W x D) | 1.9 x 9.5 x 8.7 in / 47 x 220 x 242 mm | 1.9 x 7.4 x 8.7 in / 47 x 189 x 220 mm | 1.9 x 7.4 x 8.7 in / 47 x 189 x 220 mm | 1.9 x 5.3 x 7 in / 47 x 134 x 177 mm |
| Net Weight | 4.8 lbs / 2.2 kg | 3.5 lbs / 1.6 kg | 3.5 lbs / 1.6 kg | 2.6 lbs / 1.2 kg |
Online Registration: Please register your Music Tribe product immediately after purchase at musictribe.com. Registering your product using our simple online form helps us process your repair claims more quickly and efficiently. Please also review the terms and conditions of our warranty.
Limited Functionality: If your Music Tribe product does not function properly, it will be repaired by qualified personnel. Contact your dealer or distributor if you do not have a Music Tribe dealer in your area. You can find contact information under "WHERE TO BUY" on musictribe.com.
Power Connection: Before connecting the unit to the mains, ensure that you are using the correct voltage. If the fuse needs to be replaced, it must be replaced with a fuse of the same type and rating.
