Shure Professional Products

SM1 and SM2 Headsets

Shure Models SM1 and SM2 are professional quality headsets providing maximum comfort, durability, and sound reproduction, designed for broadcasting applications. The SM1 (one ear cue) and SM2 (two ear cue) are loaded with deluxe features, making them ideal for professional TV and Radio broadcasters, film and video production crews, and other A/V professionals.

• Headset Features: Patent boom mount for total flexibility in microphone positioning (adjusts for left or right side use), all metal boom less subject to damage, rugged double-braced all metal headband with leather-like covering, and large "pillow-soft" ear pads for maximum comfort and superior external noise isolation.
• Microphone Features: Precision cardioid polar pattern, specially tailored frequency response for accurate voice reproduction with minimal or no equalization. Unidirectional pickup pattern coupled with consistent mouth-to-microphone positioning provides maximum voice isolation.
• Versatility: Detachable cable allows quick and easy cable changes for mono, stereo, or split feed headphone functions.
• Appearance: Handsome matte chrome and black finish. Supplied with cable and windscreen.

SM7 Unidirectional Dynamic Microphone

The SM7, designed in conjunction with professional users, is among the finest studio professional dynamic microphones in use today. Its "smooth and silky" sound has made it extremely popular for voice-over recording in radio and television work. It is also an excellent microphone for use with either instruments or voice in multi-track recording situations.

• Frequency Response: Wide-range, very smooth frequency response with graphic response-tailoring switches to permit choice of four different microphone response curves: (1) flat response from 40 to 16,000 Hz; (2) midrange boost (presence peak) for enhanced speech or vocal intelligibility (+3 dB at 3,000 Hz); (3) low-frequency rolloff for natural close-up miking (-6 dB at 100 Hz); (4) combination response with both midrange boost and bass rolloff. Slide switches provide a visual indication of the response selected.
• Pickup Pattern: Accurate, symmetrical cardioid pickup pattern, uniform with frequency. Provides maximum rejection of unwanted background noise along with minimum coloration of off-axis sound.
• Mounting: Designed for boom or stand mounting. Mechanical noise reduced by a Shure-patented air suspension integral shock mount. Outdoor wind and moving boom noise, as well as breath pop in close-up use, minimized by integral foam windscreen. Electrical hum pickup canceled by built-in humbucking coil.
• Construction: Rigid metal case under the foam windscreen makes the SM7 extremely rugged. Exposed metal parts are non-glare dark gray enamel; foam is dark gray.
• Visual Response Tailoring: Flat Response, Bass Rolloff, Presence Boost, Presence Boost and Bass Rolloff options are available.

SM10A and SM12A Head-Worn Microphones

These microphones provide hands-free operation for drummers and keyboard players. They remain precisely at the distance and angle set, even with movement. The noise-reducing cartridge gives high output for punch in live vocal situations and a crisp, clean, balanced midrange. They reject background noise and minimize leakage from other sound sources on stage.

• Applications: Sports and newsgathering, interviewing, intercommunications systems, special event remote broadcasting, and computer interactive systems.
• Microphone Design: Identical in both models, unidirectional and close-talking, with strong, professional sound quality voice response. Lightweight, padded headphones eliminate user fatigue, and an adjustable boom maintains proper mouth-to-microphone distance and position.
• Variations: SM10A-CN can be removed from headset for attachment to stereo headphones. SM12A-CN features integral, adjustable earphone.

SM57 Unidirectional Dynamic Microphone

The Model SM57 is a slender dynamic microphone built to provide wide range reproduction of music and voice. It features an exceptionally uniform and effective unidirectional pickup pattern. The performance characteristics and unique construction make it ideal for both studio and remote use in broadcasting, recording, motion picture, and critical sound reinforcement applications. It is especially suitable for interview type use where "hand-a-bility" of the microphone is important.

• Applications: Widely used by touring sound companies and artists' staff sound engineers for instrumental pickup and remote recording. Ideal for snare drums, toms, kick drums, wind instruments, electric guitars, acoustic and electric pianos, other electronic keyboards, congas, bongos, and other miscellaneous percussion instruments. Recommended for both male and female background vocals.
• Variations: SM57-CN with C25F cable; SM57-LC without cable.

SM58 Unidirectional Dynamic Microphone

The world-standard professional stage microphone, with the distinctive Shure upper mid-range presence peak for an intelligible, lively sound. A tough, handsome microphone that weighs less than 11 oz. The SM58 is often imitated in appearance, but never duplicated in performance, ruggedness, or reliability. It is still the unsurpassed first choice among rock, pop, R&B, country, gospel, and jazz vocalists.

• Performance: Preferred for its punch in live vocal applications, especially where close miking is important. Slight presence rise in mid-frequencies, fixed low-frequency rolloff to minimize "boominess" accented by close pickup. Built-in spherical windscreen takes the pop out of close-up use and minimizes breath and wind noise distortion. Uniform cardioid pickup pattern greatly reduces off-axis coloration and rejects background noise to permit higher amplifier gain before feedback.
• Durability: World-renowned for its ability to withstand abuse, rugged enough to withstand a six-foot drop onto a hardwood floor with no adverse effects.
• Design: Distinctive shape perfectly fits the hand, superior balance and weight distribution make the SM58 unusually comfortable in hand-held applications. Non-glare gray finish provides for exceptional on-camera appearance.
• Variations: SM58-CN with C25F cable; SM58-LC without cable.

SM61 Omnidirectional Dynamic Microphone

The SM61 is a lightweight microphone with a smooth, wide frequency response, plus a Shure-patented shock mounting system, an effective built-in "pop" screen, and a VERAFLEX® grille. It is well-suited for applications as diverse as remote broadcast interviews or sports coverage to onstage and television hand-held use. The SM61 is finished in champagne enamel and is supplied with a matching swivel adapter.

• Variation: SM61-LC without cable.

SM62 Unidirectional Dynamic Microphone

Despite its small size, Shure's SM62 is a high-performance microphone. Use it wherever a high-quality compact microphone is needed—on stage, in interviews, on podiums. Less than 5 inches long and weighing only 4 ounces, it's unobtrusive in both hand-held and stand-mounted use.

• Performance: Flat, uncolored frequency response and uniform cardioid pickup pattern provide excellent performance as well as control of feedback and unwanted background noise. Carefully controlled low-frequency rolloff prevents "boominess" associated with close miking.
• Design: Rubber cartridge shock mount keeps handling noise low, and the integral windscreen minimizes breath pop. Finished in beautiful, durable champagne enamel, and comes with matching swivel adapter.
• Variation: SM62-LC without cable.

SM63 and SM63L Omnidirectional Dynamic Microphones

The SM63 is a small, elegant, rugged microphone with very high output (up to 8 dB higher than comparable omnidirectional microphones). Its low profile makes it the perfect choice for on-camera applications. Its design and light weight make it easy to hold and reduce performer fatigue, even when continuously handheld throughout long studio sessions.

• Applications: Particularly well-suited to handheld vocal and electronic news gathering applications. Smooth, extended frequency response provides a clear, crisp sound, and a low-frequency rolloff gives natural sounding pickup with absence of "boominess." Shure-designed and patented mechano-pneumatic shock mount isolation system cuts handling noise to an unobtrusive level. Humbucking coil rejects strong magnetic fields found in broadcast situations and near-stage lighting.
• Durability: Integral wind and pop filter is extremely effective for normal wind and breath pop noise. For adverse conditions, the SM63 is furnished with an accessory dual-density, two-layer windscreen. Features the Shure developed VERAFLEX® grille, which is nearly indestructible and impervious to rust, moisture, and dents.
• SM63L: In every way, the technological equal of the SM63. This model features an extra long, streamlined handle (90 mm (3 1/2 inches) longer than the SM63), making it an exceptional choice for handheld interviewing and electronic news gathering assignments. The longer handle gives the reporter, interviewer or talk show host extra reach, while its superior balance enables the user to hold the microphone in a natural, relaxed position, reducing hand and arm fatigue.
• Appearance: Both SM63 and SM63L offer an innovative blend of handsome appearance and broadcast quality performance. Beautifully finished in durable champagne enamel and supplied with matching swivel adapter.
• Variations: SM63-LC without cable; SM63L-LC same as SM63-LC but features 90 mm (3 1/2 inch) longer handle, without cable.

SM77 and SM78 The STARMAKER™ Series Microphones

The STARMAKER Series consists of two small, lightweight, extremely rugged microphones with a non-reflecting ebony finish.

• SM77: Slim styling, especially effective on instrument pickup where brilliant and defined sound is demanded.
• SM78: Added superior wind and pop protection of a spherical screen and grille, making it a "first choice" microphone for rock, pop, R&B, country, gospel, and jazz vocalists.
• Performance: Both microphones have a fixed low-frequency rolloff plus a slight mid-frequency presence rise in their frequency response, resulting in highly intelligible vocals and penetrating reproduction of rhythm and keyboard instruments.
• Pickup Pattern: Uniform cardioid pattern rejects background noise for maximum amplifier gain before feedback, and prevents coloration when performers are off-axis.
• Weight: STARMAKER microphones are 28% lighter, on average, than similar stage microphones without sacrificing performance, ruggedness, or reliability. This reduction in weight reduces performer fatigue in hand-held applications, and the small profile of the SM77 and SM78 won't obscure the performer's face.
• Finish: Ebony vinyl finish has a great look, is easy to clean, and is durable enough to stand up to the toughest stage performance. Grilles of both microphones are treated with a Shure exclusive coating which never rusts or tarnishes.
• Variation: SM77EB-LC: Slim styling, ebony finish, without cable.

SM81 Unidirectional Condenser Microphone

A matchless standard in high-quality professional condenser microphones, the SM81 is a superb studio instrument that also meets the most demanding needs of location recording and sound reinforcement. Use it for instrument pickup on drums, acoustic guitars, even cathedral pipe organs, or as an overhead microphone for orchestras and choirs. The SM81 is the only high performance, professional quality condenser microphone at a price affordable for home semi-pro recording studios.

• Performance: Extremely wide-range, flat frequency response for exceptionally accurate operation. Low-frequency response can be selected (flat, 6 dB/octave rolloff at 100 Hz, or 18 dB/octave cutoff at 80 Hz). Handles up to 135 dB maximum SPL without clipping, with a built-in selectable 10 dB attenuator for operation at up to 145 dB SPL. Unique backplate structure designed to maximize signal-to-noise ratio and insure long-term charge stability. High signal-to-noise ratio and controlled directional pickup pattern offer outstanding "reach" and discrimination. Unusually low total harmonic distortion below its clipping point. Quiet operation with minimal handling and stand-borne noise and internal electrical noise. Special shielding keeps RF susceptibility extremely low for elimination of hum and buzz.
• Durability: Incredibly rugged and durable, capable of withstanding extreme physical abuse. Transducer and electronics housing are heavy-wall steel construction. Designed to withstand 6-foot drops onto a hardwood floor. Reliable over a temperature range of -20° to +160°F at relative humidity from 0 to 95%.
• Powering: Can be simplex (phantom) powered from the Shure PS1 power supply, or any standard voltage (12 to 48 Vdc) available from most recording consoles.
• Design: In electronic, acoustic and mechanical design, it's truly the state-of-the-art.

SM80 Omnidirectional Condenser Microphone

The SM80 is an omnidirectional version of the SM81 designed for the most demanding professional applications in studio recording, broadcasting and sound reinforcement. It offers the same performance features, ruggedness and reliability that the SM81 is noted for.

• Variation: SM80-LC Omnidirectional condenser microphone supplied without cable.

SM82 Line Level Condenser Microphone

A hand-held, self-contained, unidirectional condenser microphone with a built-in line level amplifier, peak limiter and battery. The exceptional performance and unique features of the SM82 make it an outstanding choice for on-the-spot broadcasting, sound reinforcement, and recording applications where a line level microphone with a built-in limiter is needed. It is also ideal for applications involving long cable runs (up to one mile without equalization) such as sporting events, parades, political rallies, and other live remotes.

• Output: Balanced line level output permits the SM82 to drive telephone lines or other line level inputs directly—without a separate remote amplifier, and using unshielded cable. Built-in limiter begins operating at 100 dB SPL, preventing overload of the microphone line amplifier or remote broadcast amplifier.
• Powering: Operates from an internal 9.8V battery, or can be phantom-powered over a 15V to 50V range—automatically switches to battery power should the simplex power source fail. Unique connector-switch turns the microphone on when a cable is connected.
• Durability: Very low mechanical handling noise, rugged construction and reliable operation over a wide range of temperatures and humidity. Integral wind and pop filter is extremely effective for normal wind and breath pop noise, and an accessory windscreen is supplied for protection against adverse wind and pop conditions.
• Variation: SM82-LC Without cable.

SM83 Omnidirectional Condenser Lavalier Microphone

The SM83 is specifically designed to provide superior quality sound reproduction in professional broadcasting, film, and related sound reinforcement applications. It features a wide-range frequency response, specially tailored to provide more natural sound. This response is achieved by an electronically created dip at 730 Hz to overcome the chest resonance phenomenon, and by an acoustically generated high-frequency boost above 3 kHz resulting in a cleaner, more pleasing sound than other lavalier mics. A 12 dB per octave rolloff below 100 Hz helps reduce room noise and other undesirable low-frequency signals.

• Amplifier: Shure-developed amplifier is compact, lightweight and can easily clip onto a belt or fit into a pocket. Powered by a standard, readily available nine-volt battery or by simplex power from an external source (Shure M267 and M268 Mixers or PS1A Power Supply) or virtually any microphone power supply providing 5 to 52 Vdc phantom voltage. Amplifier has extensive RF and hum shielding.
• Design: Microphone and cable are easily detached from the amplifier for easy storage. To minimize cable visibility, the SM83's cord exits from the side. Unique design feature combined with innovative mounting hardware, small size and non-reflective black finish provide for an inconspicuous on-camera appearance.
• Mounting: Supplied with a versatile system of hardware that permits a wide variety of unobtrusive mounting techniques: single-mount tie bar, dual-mount tie bar (for mounting two microphones simultaneously), and two multi-purpose mounting blocks (may be connected to a lanyard, or sewn, pinned or taped onto clothing). Acoustic windscreen for outdoor use also supplied.
• Durability: Extremely rugged and offers outstanding reliability. Field-serviceable. Cartridge assembly accessible by simply unscrewing the microphone cap. Cable replacement requires only a screwdriver, no soldering is necessary.

SM85 Unidirectional Condenser Microphone

The SM85 is a lightweight, rugged condenser microphone designed for hand-held live or television vocal applications. It is capable of withstanding the physical abuse inherent in on-the-road use, yet maintains the highest quality performance expected of a studio condenser microphone. It is ideal for the most demanding live sound reinforcement applications as well as broadcasting and studio recording requirements.

• Performance: Frequency response tailored to enhance artist performance. Controlled low-frequency rolloff minimizes handling noise and "boominess." Mid-range tailored for "crispness" and presence. Clean, clear scintillating high frequencies delineate subtle overtones and enhance high-frequency timbre. Exhibits remarkably low distortion. Quiet operation with minimal handling and stand-borne noise and internal electrical noise. Special shielding techniques eliminate magnetic and RF interference.
• Construction: Lightweight, extremely tough aluminum case and TEFLON-coated all-steel grille. Exclusive elastomer "space-frame" isolates and cushions the condenser element from virtually all mechanical vibration. Integral wind and multi-stage pop filters eliminate ordinary wind and breath pop noise.
• Powering: Can be phantom-powered from the Shure PS1A power supply or any standard voltage (12 to 48 Vdc).
• Variation: SM85-LC Without cable.

SM87 Supercardioid Condenser Microphone

The SM87 is a studio-quality supercardioid condenser vocal microphone with Shure's legendary ruggedness and dependability. An innovative new cartridge element features a highly directional supercardioid polar pattern, which rejects unwanted sound bleed and allows a surprising amount of gain before feedback. This enables the SM87 to perform flawlessly, even in high gain, multiple-monitor situations.

• Performance: Extremely smooth and accurate response. Vocal contoured response permits quick, easy equalization. Extremely accurate voice reproduction across the entire frequency spectrum by making optimum use of proximity effect. Performs with extremely low distortion and low susceptibility to RF and electromagnetic interference.
• Construction: Exclusive Shure elastomer "space frame" shock mount isolates the capsule from virtually all hand-held and mechanical vibrations. Effective built-in multi-stage filter minimizes pop and wind noise.
• Durability: Withstands years of use and abuse. Exceeds normal specs for resistance to extremes of temperature and humidity.
• Appearance: Non-glare, two-tone, steel gray finish and sleek, handsome shape perfectly complement its outstanding performance capability.
• Powering: Can be phantom-powered from the Shure PS1A power supplies, or any standard voltage (11 to 48 Vdc).
• Variation: SM87-LC Without cable.

SM89 Condenser Shotgun Microphone

Incorporating a truly innovative design, the SM89 was built to fulfill the rigid requirements set down by professional production crews around the world. Designed especially for location film and TV production, theatre sound reinforcement, and spot news coverage, the SM89 features a unique capsule design as well as Shure's exclusive Accu-Port™ interference tube system.

• Performance: Highly directional polar pattern and fine-tuned frequency response discriminate at a distance in favor of desired dialogue or effects and against ambient noise, and accurately pickup sound without excessive on or off-axis coloration. First professional shotgun microphone to overcome the problem of off-axis coloration. Level drops smoothly and without colorations as you get off axis. On-axis frequency response is very smooth and extended (60-20,000 Hz). Slight presence rise adds clarity and intelligibility to speech reproduction. Low frequency rolloff switch selects either 60 Hz or 160 Hz for optimum response.
• Construction: Made of machined, aircraft-grade aluminum for maximum resiliency and durability. Extremely lightweight: only 195 grams at the optimum length of 20.6 inches. Built-in windscreen for "pop" reduction. Two-piece design for ease of storage and field servicing.
• Powering: Operates over a wide phantom voltage range (11-52V).
• Accessories: Comes complete with foam windscreen and rugged, hardshell nylon carrying case. A89SM Shock Mount available as an optional accessory for exceptional freedom from mechanically transmitted noise.

SM90 and SM91 Surface-Mount Microphones

The SM91 is a surface-mounted, permanently biased condenser microphone with a half-cardioid directional pattern (cardioid in the hemisphere above the mounting surface). It is designed for broadcast and recording as well as installations in meeting rooms, courtrooms, legislative chambers, churches, and stages—anywhere high performance surface-mounted microphones are employed.

• SM91 Performance: Half-cardioid pattern discriminates against sounds from the rear. Permits less reverberant pickup and muddiness than omnidirectional models. Can be used to isolate a particular vocalist, instrument or group. No physically isolating barriers are required. Includes a totally new microphone element developed at Shure, resulting in high output, notably accurate sound reproduction over the entire audio frequency range, and off-axis performance comparable to the finest unidirectional microphones.
• SM90 Performance: Omnidirectional surface-mounted microphone, mounted in the same housing as the SM91, using the same electronics pack. Offers all the aesthetic values of the SM91, and operational characteristics of an omnidirectional microphone, such as smooth pickup in a 360° pattern allowing a single microphone to be used for a group pickup or where feedback is not a concern.
• Powering: Both SM90 and SM91 are supplied with a low distortion preamplifier which powers the microphones either by batteries or phantom power. A low frequency cut-off switch allows tailoring the response.

838 Miniature Lavalier Condenser Microphone

The Shure 838 is a miniature, lavalier condenser microphone, ideal for sound reinforcement applications where high quality is required and where cost is a consideration. The 838 is extremely rugged and reliable and offers outstanding performance. Its wide frequency response, low distortion and low RF susceptibility make it an exceptional microphone for use in churches, schools, hotels and budget-minded broadcast, film and video productions, or for miking musical instruments.

• Performance: Features a specially tailored frequency response designed to provide more natural sound when chest-worn. Achieved by an acoustically generated high-frequency boost for a flatter response in the lavalier position. A 12 dB/octave rolloff below 100 Hz helps reduce room noise and other undesirable low-frequency signals.
• Design: To minimize cable visibility, the 838's cable emerges from the side. Universal tie bar allows mounting in four different positions. Field-replaceable cartridge easily detached from the cable without unsoldering. Attached power supply uses a standard 9-volt battery and can be pocketed or clipped to a belt or waistband.
• Appearance: Finished in an attractive platinum beige color. Microphone and electronics assembly may be stored in the supplied durable vinyl zipper bag. Acoustic windscreen for outdoor use also supplied.

SM98 Miniature Microphone

The Shure SM98 is a professional-quality, miniature unidirectional condenser microphone that combines the convenience and adaptability of small size with outstanding performance capabilities. The advantages and features of the SM98 make it an ideal choice for many acoustic instrument or amplified instrument miking situations—especially drums. The SM98 utilizes a high performance, low-noise, low-distortion preamp, allowing it to be used for close miking of drums, brass instruments, amplifiers and other high SPL sources without danger of overload problems. It features a wide, extremely smooth frequency response for accurate, faithful reproduction of acoustic instruments. Attributed to its small size, the SM98 also boasts a nearly perfect cardioid polar pattern at all frequencies for superior source isolation.

• Applications: Excellent choice for sound reinforcement applications where an extremely small, professional-quality unidirectional microphone is required—such as theater, podium, altar and lectern applications.
• Design: Incorporates a detachable cable. Preamp is powered by two standard 9-volt batteries or an 11 to 52 Vdc simplex (phantom) supply. Features a battery on/off switch and a 12 dB/octave low-end cut-off switch.
• Accessories: Included is a unique swivel adapter which allows the miniature microphone to be used with all standard mic stands, booms and goosenecks. Both microphone and preamp are finished in matte black for a professional appearance. All components fit into a black, hinged storage box with polyurethane inserts for secure storage.

FP11 Mic-to-Line Amplifier

The FP11 is a portable, 1-input, 1-output microphone-to-line level amplifier designed for field production applications including electronic news gathering (ENG), electronic field production (EFP), and on-location film production. It is ideal for use where long lines must be driven at higher than microphone or aux levels. It can also be used to interface between equipment requiring different signal levels.

• Gain: Provides up to 84 dB of gain so that microphone and auxiliary level devices can be boosted to line level. Gain is controlled by a 15-position, precision stepped rotary switch providing accurate gain indication and ease of resetting. Each step provides a 6 dB gain change.
• Connectivity: Balanced, locking XLR input and output provide for excellent rejection of hum and RF interference.
• Features: Switchable peak limiter prevents output overload distortion. Additional features include a peak/limiter LED indicator, aux level mini-phone jack, balanced line-level binding post output, and a removable belt clip.
• Power: Powered by one standard 9V battery.

FP12 Headphone Bridging Amplifier

The FP12 is a 1-input, 2-output headphone bridging amplifier designed to provide headphone feeds from any type of audio input. Unlike other headphone amplifiers that unbalance and "terminate" the input signal, the FP12 may be operated in-line. The signal is greatly amplified to drive headphones while leaving the "looped through" input signal undisturbed. The FP12 can be used for a wide variety of applications such as multiple headphone feeds, audio line troubleshooting, extra power for existing headphone circuits, a two-station intercom system, or a means of practicing electronic instruments through headphones.

• Connectivity: Features two XLR in/out connectors and two 1/4-inch in/out jacks. Two pairs of headphone outputs are provided, each consisting of one stereo 1/4-inch phone jack and one stereo 3.5 mm mini-phone jack.
• Features: Mic/Line input switch, Hi Z/Lo Z headphones switch, headphone level control, and removable belt clip.
• Power: Powered by one standard 9V battery.

FP16 Distribution Amplifier

Shure Model FP16 is a 1-input, 6-output, compact, self-contained audio distribution amplifier for routing multiple audio feeds without sacrificing signal clarity. The FP16 is the first portable distribution amplifier specially designed for field production use and offers features and performance rarely found in other distribution amplifiers. The intelligent design, reliable components and meticulous construction of the FP16 combined with its portability, flexibility, and durability make it the optimum choice for radio and TV broadcasts, ENG vans, live sound reinforcement, microphone splitting, and telecommunications and production facilities.

• Performance: Features a wide-range audio frequency response and extremely low noise, hum and distortion. Input and outputs are transformer-coupled for superlative isolation and common-mode signal handling. Phantom power is available at the input for use with condenser microphones. All 6 outputs, as well as the input, are individually switchable to mic-or-line level.
• Connectivity: Features link input and output jacks for interconnecting several FP16's or adding external signal processing equipment such as equalizers, compressors or limiters.
• Features: Ruggedness and reliable operation over wide temperature and humidity extremes; light weight and compactness for portable/location use or rack-mountable (with accessory rack mount kit) for studio installations; powered by AC or built-in battery pack; recessed, screwdriver-adjustable gain controls; and power, normal, and overload LED indicators.

FP31 Field Production Mono Mixer

A compact, portable microphone mixer specially designed for electronic news gathering (ENG) and electronic field production (EFP) use, including film, video, and remote broadcast applications. Measuring just 6 1/16"x5 5/16"x1 7/8", the FP31 incorporates the features most requested by audio engineers, electronic news professionals, sportscasters, and film and video sound engineers.

• Performance: Provides a wide, flat frequency response, low distortion, and up to +18 dBm output (up to +22 dBm with 18 Vdc supply). Extremely low internal noise and switchable low-cut filters for each input that effectively reject low-frequency handling and wind noise.
• Connectivity: Three XLR connector inputs and two outputs are provided, each switchable for either microphone- or line-level operation. A master level control sets the output level.
• Features: Built-in slate microphone for voice announcements and emergency field use. Microphone is controlled by a pushbutton that also activates a timed (one second) low-frequency slate tone. Flashing LED to remind mixer is on, professional quality VU meter, timed meter lamp, peak LED overload/limiter indicator, adjustable limiter, tone oscillator, and stereo headphone mini- and 1/4" jacks. Headphone outputs can be used as additional unbalanced line feeds.
• Versatility: Switchable phantom (simplex) or A-B power at each input for condenser microphones, tape out mini-jack, coaxial battery jack permitting optional connection to external battery or power supplies, and a battery compartment that accommodates three standard 9V batteries. Batteries can be tested without program interruption.
• Accessories: Supplied with a removable shoulder strap and a rugged carrying case.

FP32 Stereo Audio Mixer

Professional users asked for it, and Shure delivered! Shure's FP32 Stereo Mixer definitively answers the demand for a reliable, rugged, compact stereo audio mixer. Electronic news gatherers and field production specialists agree: the FP32 handles their stringent demands with the utmost aplomb.

• Features: Shares many design characteristics with Shure's spectacularly successful mono FP31 Mixer. Two transformer-coupled outputs (one for each stereo channel) and three inputs, each switchable for low impedance microphone or line level operation. Individual level control, each input channel has a center-detented stereo pan pot for true stereo mixing capability. Concentric clutched stereo master gain control. Built-in slate microphone and slate tone. Built-in tone oscillator for level checks or line tests. Built-in phantom (simplex) and A-B(T) power for condenser microphones. "Phantom" jack permits use of an external microphone power supply (up to 48 Vdc).
• Compact Package: Mini- and 1/4-inch stereo headphone jacks with level control, monitor input for monitoring from VTR, built-in limiter with adjustable threshold, high-quality dual VU meters with lamp and battery check function, 12 Vdc external power jack, stereo aux level tape outputs, and a carrying case.
• Performance: Very low distortion (typically less than 0.2%); excellent gain and dynamic range; low hum and noise; and high output. Four transformer-coupled low-impedance balanced-line microphone inputs and four high-impedance phone jack inputs. Both high- and low-impedance microphones can be used at the same time. High level auxiliary input.
• Reliability: Shure engineers put all these features, professional performance, and outstanding reliability into a package smaller than a cigar box. The FP32 is the compact stereo mixer of choice in the burgeoning field production industry.

FP42 Stereo Audio Mixer

Field production technicians suffering from audio headaches can rejoice. Shure has a cure in the FP42—an extraordinarily reliable, compact, feature-packed stereo audio mixer. The FP42 follows in the illustrious footsteps of Shure's classic, industry-standard M267, combining Shure ruggedness with all the convenient features that make the M267 so popular—plus full stereo capability!

• Performance: Handles remote mixing jobs with its two outputs (one for each stereo channel) and four balanced inputs, each switchable for line or mic level operation. Each input channel also has a low-frequency rolloff switch and a center-detented stereo pan pot for convenient stereo mixing. Concentric clutched stereo master level control and a pull-pot cueing feature that permits cueing or checking each input via headphones.
• Power: Can be battery or AC-operated. Mini- and 1/4-inch stereo headphone jacks with level control are included. Dual VU meters may be calibrated for +4 and +8 dBm with a range switch.
• Features: Built-in stereo peak limiters with LED indicators, battery check function (with no program interruption), phantom power for condenser microphone operation, a tone oscillator for line tests and level checks, a direct mix bus for stacking units—everything a remote broadcast professional needs in a portable mixer.
• Reliability: A true professional unit, designed to provide extremely low noise, distortion, and RF susceptibility. Its wide, flat frequency response and extreme ruggedness make it ideal for the most demanding applications.

M64A Stereo Preamplifier

The M64A is a compact, professional stereo preamplifier which solves a variety of preamplification and equalization problems. A three-position slide switch selects different equalization depending on the desired application.

• Phono Position: Provides standard RIAA equalization. Magnetic phono cartridges can operate into auxiliary level inputs, inputs without RIAA equalization or ceramic phono cartridge inputs. Balanced line output can be obtained using a Shure A95U Impedance Matching Transformer.
• Tape Position: Playback heads on tape recorders are provided with NAB equalization.
• Flat Position: Can be used as a microphone preamplifier or a low-gain buffer amplifier where long cable lengths are necessary.
• Connectivity: All input and output connectors are standard phono jacks.
• Power: Can be powered by an external 24-36 Vdc power source.

M267 Microphone Mixer

The Shure M267 compact, lightweight professional microphone mixer offers performance and capabilities never before available in a modestly priced professional mixer. It was designed to fill the specific needs of broadcasters in both studio and remote applications, recording studios and sound reinforcement. Its outstanding performance and versatility also make it an exceptional choice for use in public address systems and as a studio quality "add-on" mixer for expanding existing facilities.

• Features: Industry standard mixer due to outstanding features and performance. Peak program limiter eliminates overload distortion. Phantom power (switchable 30 Vdc) on all microphone inputs. Built-in battery pack switches silently to battery power if AC fails. LED peak indicator. Headphone level control. Automatic muting circuit prevents annoying clicks and thumps. Active gain controls provide lower noise, greater dynamic range and automatic input attenuation. Electronic power supply regulation. Transformer balanced inputs and outputs. Mix bus. VU meter. Low cut filters. Low RFI and line noise susceptibility. Gold-contact Mic/Line switches on each XLR input and output. Battery check function does not interrupt program. Front panel headphone jack and gold-contact tone oscillator switch. Wide, flat frequency response. Extremely low distortion. High output.
• Reliability: Has proved its ruggedness and reliability in thousands of installations. Top-selling mixer in the industry.
• Mounting: Can be mounted in standard audio equipment racks with the addition of a Shure A268R Rack Panel.

M268 Microphone Mixer

The M268 is a compact, lightweight, five-channel microphone mixer that offers significant improvements in design, performance and versatility over other value-priced mixers. It is ideal for public address and paging in hotels, schools, community centers, and hospitals, as well as an excellent add-on mixer for expanding current equipment. It is also an excellent mixer for use by the serious tape recording enthusiast.

• Features: Mix bus for simple mixer interconnections. Phantom (simplex) power (switchable 30 Vdc) on all low-impedance microphone inputs. Automatic muting circuit prevents annoying clicks and thumps. Active gain controls provide lower noise, greater dynamic range and automatic input attenuation. Electronic power supply regulation. When used with the optional accessory battery power supply (A268B), the M268 switches automatically and silently to battery power if the AC fails.
• Performance: Very low distortion (typically less than 0.2%); excellent gain and dynamic range; low hum and noise; and high output. Four transformer-coupled low-impedance balanced-line microphone inputs and four high-impedance phone jack inputs. Both high- and low-impedance microphones can be used at the same time. High level auxiliary input.
• Compatibility: Makes an ideal add-on mixer to the M267 Mixer. The two models are matched in performance and styling, and the mix bus gives the user nine inputs plus the peak indicator and metered output of the M267—no loss of inputs on either mixer.
• Mounting: Can be mounted in standard audio equipment racks with addition of the Shure A269R Rack Panel.

The SC39 Series Phonograph Cartridges

The SC39 Series Phonograph Cartridges are specially designed for use in broadcasting, recording, discos, libraries, and other demanding professional applications. These cartridges offer true high fidelity performance, providing clean, undistorted playback even of the toughest-to-track, hottest recordings.

• Trackability: Shure-designed bearing assembly and telescoped shank structure help the SC39 Series Cartridges achieve exceptional trackability. Response of the SC39EJ and SC39B is extremely flat through the upper mid-range with a smooth rolloff at the highest frequencies to minimize many sources of high-frequency "splatter" in broadcast applications.
• Backcuing: Specially engineered for backcuing. Internal support wire and special elastomer bearing insure stable and accurate backcuing without groove jumping.
• Stylus Protection: Features Shure's patented SIDE-GUARD Stylus Protection System. This unique deflection assembly prevents common causes of stylus damage by withdrawing the entire stylus shank and tip safely into the stylus housing before it can be bent by sideways thrust from contact with a record or turntable edge.
• Stylus Tip: MASART™ polished. Exclusive Shure process reduces surface noise and retards record wear. Gives superlative results on 45 rpm records made from reprocessed substandard vinyl or polystyrene, as well as on lacquer masters.
• Variations: SC39EJ: 1 1/2 to 3 grams; Biradial (Elliptical) stylus; SC39B: 1 1/2 to 3 grams; Spherical stylus.

SC35C Phonograph Cartridge

The SC35C is designed for use on the heaviest and most rugged broadcast tone arms which require a tracking force of 4 to 5 grams. The stylus assembly of the SC35C is rigid enough to withstand the punishment of continuous backcuing, yet compliant enough to offer excellent mid- and high-frequency reproduction. The SC35C has been specifically designed for broadcast studio applications where a closely controlled frequency response and a rugged stylus assembly are required. The blue-colored stylus grip has a cutaway for improved visibility of the irradiant orange-colored stylus tip for accurate set-down in cuing operations. A heavy-duty cartridge shield serves to minimize stray electromagnetic hum pickup. The Model SC35C will mount in virtually all professional and studio tone arms.

PS1A Power Supply

Shure Model PS1A is an AC power supply that provides phantom power for one or two Shure SM80, SM81, SM82, SM85, SM87 or other condenser microphones. It contains a power switch, power-on indicator, two input and two output professional audio connectors.

• Operation: Designed to operate from 90 to 132 Vac, 50/60 Hz, or 180 to 264 Vac, 50/Hz.
• Features: Phantom power for one or two SM80, SM81, SM82, SM85, SM87 or similar condenser microphones. Low noise, hum and RF susceptibility. Short-circuit-proof operation. Handles both microphone and line level signals. Operates over wide AC voltage range. Three-pin professional audio connectors. Lightweight. Rugged construction.
• Certifications: Listed by Underwriters' Laboratories, Inc. and Canadian Standards Association.

A120S In-Line Switch

The A120S Accessory In-Line Switch can be used to add an On/Off, Push-To-Talk, Cough Button, or Transmitter-Relay Keying function to a microphone or other device rated at up to 3 amps ac (0.5 Adc) 125V, non-inductive load. The switch has gold-plated contacts for reliable performance even in low-current circuits.

• Design: Double-pole double-throw type for maximum versatility. Pushbutton combines with a rotary knob to provide either spring-return momentary or locking action. Supplied with a crimp-on strain relief for 6.4 mm (0.25-in.) diameter cable and with a flex relief for either large or small diameter cables. Permanently attached belt clip can be rotated on the case to any of four positions.

A15 Series "Plug-In" Microphone Attenuators, Equalizers and Adapters

Solve acoustic and electrical problems without time-consuming rewiring. Shure "in-line," low-impedance microphone attenuators, equalizers, and adapters plug in to give instant modifications of response and performance in microphones and sound systems. Only 114 mm (4 1/2 in.) long x 19 mm (3/4 in.) dia., with color-coded nameplates for quick identification. Units are intended to be driven from 150 ohm, low level source except for: A15LA—up to 50,000 ohms and +24 dBm; A15PRS—any balanced impedance, any level. Three-socket input and three-pin output professional audio connectors.

• A15AS Switchable Microphone Attenuator: Prevents preamp overload in applications where very strong signals are applied to a microphone input. Inserts a 15, 20, or 25 dB loss. Optimized for use with simplex-powered condenser microphone or other low-impedance microphone.
• A15BT Bridging Transformer: Matches balanced or unbalanced devices of different impedances. (33 kilohm primary, and 600 or 7,500 ohm secondary.)
• A15HP High Pass Filter: Provides a low frequency cutoff to reduce unwanted low-frequency noises.
• A15LA Line Input Adapter: Converts balanced low-impedance microphone input to bridging line level input.
• A15LP Low Pass Filter: Provides a high frequency cutoff to reduce objectionable high-frequency noises.
• A15PA Presence Adapter: Adds "presence" to vocals or instruments in recording, broadcasting, and PA applications.
• A15PRS Switchable Phase Reverser: Instant switch selection of normal or reversed phase of a balanced line without modification of equipment.
• A15RS Response Shaper: Provides sibilance filtering in recording, broadcasting, and PA applications.
• A15TG Tone Generator: Produces a continuous 700 Hz balanced signal capable of driving low-impedance balanced lines, and is extremely useful in setting up and troubleshooting audio equipment. Plugs into microphone input to enable engineer to check levels, connections, mixer inputs, cables and speakers. Permits one person to do the work of two. Powered by a miniature mercury battery.
• Special Note: Only the A15AS and A15PRS are recommended between phantom powered condenser microphone systems and their power supplies. A15PRS and A15PA are symmetrical and can be used in either direction.

A95 Series Low-Impedance to High-Impedance Line Matching Transformers

High-quality transformers that make it possible to connect a low-impedance (38 or 150 ohm) microphone to a high-impedance amplifier input or vice versa. Solve problems of excessive high-frequency loss and objectionable hum when long cable lengths are used.

• A95U: Low-impedance connector—three-pin professional audio connector. High-impedance connector—Amphenol MC1M type connector with mating standard 1/4 in. phone jack and phone plug.
• A95UF: Low-impedance connector—three-socket professional audio connector. High-impedance connector—Amphenol MC1M type connector with mating standard 1/4 in. phone jack and phone plug.

A97A and A97F Low-Impedance to Medium-Impedance Line Matching Transformers

High quality transformers designed to properly match low-impedance (150 ohm to 600 ohm) microphone outputs to medium-impedance (1 kilohm to 10 kilohm) inputs, such as those frequently used in cassette recorders. Mating connectors for both sides are supplied with the transformer.

• A97A: Low-impedance connector—three-pin professional audio connector. Medium-impedance connector—Amphenol MC1M type connector. With mating standard 1/4 in. phone jack and phone plug.
• A97F: Low-impedance connector—three-socket professional audio connector. Medium-impedance connector—Amphenol MC1M type connector with mating short cable, terminated by a 3.5mm (9/64 in.) diameter miniature phone plug.

Windscreens

• A1WS: Gray foam windscreen, controls wind noise and "pop" for the Shure 515 Series Microphones.
• A2WS Series: High performance rugged windscreens with metal collar for snug fit. Effectively minimizes wind noise in outdoor locations and controls explosive breath sounds in any location. For 545, SM57 and SM77 Microphones. Available in Gray and Black.
• A81WS: Unique heavy-duty windscreen, specially designed for the SM80 and SM81. Special dual-density construction overcomes even high wind noise without significantly affecting frequency response. Two distinctly different layers of material are used, each with complementary acoustical properties. Gray foam.
• A58WS Series "Color-Charged" Windscreens: Ends microphone mix-ups when soundmen color-code these eight windscreen rainbow colors with control knobs, connectors, and mic cables. Windscreens fit SM61 and SM62 Series Microphones and all Shure "ball-type" microphones for greater protection from wind noise and "pop". Available in Gray, Black, Blue, Brown, Green, Orange, Red, White, Yellow.
• A81G Pop Filter Grille: Increases the versatility of the SM80 and SM81 by permitting their use in windy conditions with minimal pickup of rushing sounds produced by wind. By attenuating breath popping sounds it allows the SM80 and SM81 to be used in close-talking applications. The grille fastens securely to the microphone and can be used with the standard unidirectional cartridge or the R104A Omni-directional Cartridge.

Microphone Stands

• BB-44 Baby Boom: A 787 mm (31 in.) chrome-plated, adjustable boom arm. Fits Model MS-10C Floor Stand. Single positive-action triangular knob to control motion and position. Tapered 1.36 kg (3 lb) counter-weight. Use for keyboard, drum vocals and instrument pickup.
• MS-10C Floor Stand: Quickly and easily adjusts from 0.9m (35 in.) to 1.6m (64 in.) high. Positive ring lock maintains desired height. Circular, 254 mm (10 in.), cast iron, 4.54 kg (10 lb) base.
• S55P Low-Profile Microphone Stands: A breakthrough in "distant" miking technique. Holds microphone just a fraction of an inch above the floor for better sound quality in "footlight" type distant pickup recording or sound reinforcement of choral, orchestral, or ensemble musical events or dramatic presentations. Minimizes the "hollow sound" by eliminating phase cancellation caused by floor reflections. Provides very effective mechanical noise isolation. Height: 121 mm (4-25/32 in.). For Models 545D, SM57, and SM77.
• S15 Tripod Floor Stand: Extra-tall, rugged, and stable, yet portable and lightweight. Tripod legs provide an excellent base, even when the stand is fully extended. Stand may be used at any height between 1.07m (3 1/2 ft) and 4.27m (14 ft). Five telescoping sections. Convenient vinyl bag and cable strain relief included. Ideal for stereo orchestra and choir pickup with a pair of SM81 Microphones.
• S37A Desk Stand: Modern, low profile design. Non-reflective, textured gray finish. Stable 681 gram (1 lb, 6 oz) base. Base size: 73 mm H x 116 mm W x 165 mm D (2 7/8 x 4-9/16 x 6 1/2 in.).
• S39A Vibration Isolation Stand: Isolates microphone from even extreme mechanical vibration. For tables, desks, podiums, etc. Heavy-duty "non-fatigue" foam rubber internal isolation element. Low silhouette. Black high-impact, non-glare plastic housing. Weight: 691 grams (1 lb, 8 oz). Base size: 44.5 mm H x 133 mm W x 184 mm D (1 3/4 x 5 1/4 x 7 1/4 in.).

Mounts and Adapters

• A25B and A25C Swivel Adapters: A25B Black. Designed for use with SM57, SM58, SM77, and SM78 Microphones. A25C Black. Designed for use with SM94 and SM96 microphones.
• A57 Series Swivel Adapters: A57D Champagne. Designed for use with Models SM61, SM62, SM63, SM80, SM81, and SM82. A57E Black. Designed for use with Models SM85, and SM87.
• A89SM Shock Mount: For use with the SM89 or other shotguns. 3 thread sizes mount on virtually any professional fitting. Asymmetrical for use with microphones with differing centers of gravity. Positive locking knob. Black matte.
• A53M, A53HM, A55M and A55HM Shock-Stopper™ Isolation Mounts: Black. A breakthrough in noise isolation. Reduces mechanical and vibration noises by more than 20dB. For desk, floor stand and fishpole use. Not recommended for microphones with on-off switches on the handle. A53M Designed for use with Models SM61, SM62, SM63, SM80, SM81, SM82, SM85, and SM87. A53HM Half-mount version of A53M. Permits instant removal of microphone from mount on stage. A55M Designed for use with Models SM57, SM58, SM77, and SM78. A55HM Half-mount version of A55M. Permits instant removal of microphone from mount on stage.
• A27M Stereo Microphone Adapter: Black. Permits mounting two microphones on one stand such as MS-10C or S15. Either microphone can be independently swiveled in a full circle facilitating numerous microphone angles for stereo pickup systems. Standard 5/8"-27 thread. Accepts all Shure microphone mounts and swivel adapters.
• CO-1 Stand Adapter: Black. Screw-type clamp for mounting second microphone on floor stand or for mounting a microphone directly to a desk or table. Adjustable 360° swivel aids horizontal positioning.
• A25M and A26M Dual Microphone Mounts: Black. Ideal for mounting microphones feeding separate systems or when one microphone is needed as a back-up, such as on a speaker's rostrum. A25M Designed for use with SM57 and SM77 Microphones. A26M Designed for use with microphones listed above when using A2WS Windscreen and with SM58 and SM78 Series Microphones.

Goosenecks

• High-quality, flexible goosenecks: "Silent-type" design limits mechanically induced noises. All models have standard 5/8"-27 threads at base.
• G6A: 152 mm (6 in.) flexible gooseneck with side vent.
• G12: 305 mm (12 in.) flexible gooseneck.
• G12-CN: 305 mm (12 in.) flexible gooseneck with three-socket professional audio connector.
• G18: 457 mm (18 in.) flexible gooseneck.
• G18A: 457 mm (18 in.) flexible gooseneck with side vent.
• G18-CN: 457 mm (18 in.) flexible gooseneck with three-socket professional audio connector.
• 90B1120A: 305 mm (12 in.) small diameter, lightweight gooseneck for lightweight microphones.
• A12 Mounting Flange: With standard 5/8"-27 external thread.

26A08 Microphone Bag

Originally designed for Shure's SM83 lavalier condenser microphone and its accessories, the 26A08 offers more than protection. In addition to its padded and zippered main compartment, it has two more separately zippered compartments for accessories. Constructed of durable black vinyl, the bag measures approximately 9 5/16 inches by 4 1/2 inches by 2 inches. A heavy-duty loop permits attachment to a belt, or "piggybacking" on other equipment straps.

Rack Panels

Equips Shure audio components for rack mounting in standard 19 in. x 3 1/2 in. (89 mm x 483 mm) audio equipment racks.

• A16R: For use with FP16 and FP42. Black Finish.
• A268R: For use with M267 and M268 Series components. Black Finish.

Cable Selector Chart

*Also available without connector with stripped and tinned leads (C20D)

**Also available in 50 (15m) and 100 (30m) ft. lengths (C50J and C100J)