Welcome Message from the President
Shure represents clear, natural sound reproduction, practical design features, and complete dependability. Since 1925, Shure has maintained an unsurpassed commitment to quality. Their Total Quality Program, the Pursuit of Excellence, continuously evaluates and improves every process, ensuring innovation, thoroughness in design, uniformity, consistency in manufacturing, precision, accuracy, ruggedness, and reliability in real-world usage.
Shure products undergo stringent quality assurance testing, including exposure to extreme temperatures (-20°F to 165°F), high humidity (100%), ultraviolet rays, salt spray, alcohol, sand, water, violent vibrations, and repeated drop tests from six feet onto hardwood floors. This dedication has made Shure 'The Sound of the Professionals... Worldwide', with microphones used virtually everywhere: on stages, lecterns, remote broadcast locations, and production sets.
This catalog introduces a wide variety of microphones for all applications, acclaimed 'FP' Series and 'M' Series circuitry products, and 'specialty audio' products like the Audiomaster® Sound Reinforcement System, the Shure Automatic Microphone System, and Shure Wireless Microphone Systems. Detailed specifications and technical information are found in the technical specifications section at the end of the catalog.
Signed: James H. Kogen, President
Product Details
Vocal Microphones - Dynamic
SM58
The unsurpassed first choice of professional performers globally, the SM58 is an audio legend known for its lively, intelligible, powerful sound and rugged reliability. Ideal for rock, R&B, pop, and country vocals.
- SM58-LC (less cable)
- SM58-CN (with cable)
- SM58S-LC (with switch, less cable)
565
UNISPHERE I 565 Series models are highly relied-upon microphones for sound reinforcement, providing excellent voice reproduction on lecterns, stages, and in church/school applications. Features dual-impedance and optional on/off switch.
- 565D-LC (less cable)
- 565SD-CN (with on/off switch and cable)
- 565SD-LC (with on/off switch, less cable)
SM48
Perfect for aspiring singers, the SM48 includes many outstanding performance features of the SM58, with similar appearance, sound, and ruggedness, at an affordable price.
- SM48-LC (less cable)
- SM48S-LC (with switch, less cable)
SM78
A compact and stylish alternative to the SM58, combining the great 'Shure sound' with an attractive, low-gloss, ebony finish and lighter weight. A great choice for jazz and pop singers.
587SB
Excellent sound and an attractive price make the 587 a popular choice for various applications, including musical performance, sound reinforcement, and recording. Features a locking on/off switch.
588SD
The time-proven versatility and economy champion for general sound reinforcement. Features switch-selectable dual-impedance design, with locking on/off switch.
Vocal Microphones - Condenser
Clarity, depth, precision, and detail are hallmarks of Shure condenser microphones. These models represent significant breakthroughs in condenser microphone design, overcoming traditional fragility. Shure condensers can handle abuse from extended touring, feature exclusive 3-point elastomer space-frame shock mounts for minimal handling noise, and advanced circuitry with unidirectional transducer designs.
869
A perfect choice for vocal applications where cost is a major consideration but quality cannot be compromised. Includes on/off switch, built-in wind and pop filter. Features smooth response with slight presence rise and low-end rolloff, making it excellent for speaking voices and singers. Cardioid pattern. Battery or phantom power.
SM85
For vocalists desiring extra brightness and punch, the SM85's pronounced presence boost makes it popular for TV and video production. Features uniform cardioid polar pattern, 3-stage wind/pop filter, and phantom power only.
SM87
The condenser choice of top entertainers, the SM87 features a smooth frequency response tailored for warm, rich vocal reproduction. Supercardioid polar pattern ensures maximum volume without feedback and excellent rejection of unwanted sounds. Features 3-stage wind/pop filter and phantom power only.
SM96
Top performance features at a moderate price, well-suited for high-quality home recording. Features 3-stage wind/pop filter, battery or phantom power, and cardioid pattern.
Instrument and Lectern - Dynamic
When miking musical instruments and lecterns, professionals turn to Shure for precise definition of instrumental timbres, accurate reproduction of speaking voices, uniform unidirectional polar responses, heavy-duty shock mounting, and total reliability. Shure's wide variety of cardioid dynamic microphones are industry 'workhorses' for both live and studio applications.
SM57
The classic SM57 is the 'workhorse' microphone of stages and studios worldwide. Its contoured presence rise ensures clean, beautifully defined instrumental reproduction and rich, warm vocal pickup on lecterns. The standard for drum, percussion, and instrument amplifier miking.
- SM57-LC (less cable)
- SM57-CN (with cable)
SM77
A compact alternative to the SM57 with a non-reflective ebony finish and sparkling sound. An excellent choice for miking instrument amplifiers.
545
The 545 UNIDYNE III's faithful response makes it a favorite for instrument pickup, lecterns, speakers, and entertainers. Features dual-impedance for use with most sound equipment, available with or without locking on/off switch.
- 545D-LC (less cable)
- 545SD-CN (with on/off switch and cable)
- 545SD-LC (with on/off switch, less cable)
- 545SH-LC (with on/off switch and built-in swivel mount)
- 545L (lavalier version with attached cable)
SM59
Ideal for applications demanding a flat frequency response. Features patented mechano-pneumatic shock mount to minimize stand and handling noise. Provides smooth, natural reproduction of higher pitched voices and instruments.
515
A low-cost, all-purpose performer. Two versions available for sound reinforcement applications, each with a lockable on/off switch.
- 515SB (low-impedance, attached cable)
- 515SD-LC (dual-impedance, less cable)
SM62
Shure's smallest handheld dynamic microphone, less than five inches long and weighing four ounces. Features flat, uncolored response with a low-end rolloff to prevent boominess. Excellent for unobtrusive cardioid microphone use in council chambers, conference rooms, and on lecterns.
Instrument and Lectern - Condenser
SM81
The crowning achievement of Shure microphone engineers, the unidirectional SM81 is a world-class studio microphone, providing ultimate precise, detailed sound reproduction. Excellent for miking all acoustic instruments in live performance and recording studio. A superior choice for choir and overhead cymbal miking. Features ruler-flat response, built-in low-end rolloff switch, 10 dB attenuator, and phantom power only.
- SM81-LC (less cable)
- R104A (Omnidirectional cartridge for SM81)
SM94
A moderately-priced unidirectional microphone of exceptional quality. Perfect for recording, instrument and choir pickup on stage, and digital sampling. Well-suited for reproduction of stringed instruments, woodwinds, and cymbals. Battery or phantom power.
849
The first 'studio quality' unidirectional condenser available on a budget. A versatile performer capturing acoustic instruments and ensembles with excellent richness and detail. Features on/off switch, battery or phantom power.
Miniature Condensers
SM98
More than the world's finest miniature musical instrument microphone, it's a complete system with accessories ideal for a wide range of applications. Displays an extremely uniform cardioid pickup pattern, wide-range frequency response, and ability to handle sound pressure levels up to 155 dB. Excellent for miking drums, horns, and other acoustic instruments. Supplied with preamplifier, universal swivel adapter, and foam windscreen. Battery or phantom power.
- SM98 Accessories: A9BSPM Supercardioid Polar Modifier, A98KC 'Keen Clamps', A98MK Drum Mount Kit, A9BHA Hanging Adapter, A98-G18 18-Inch Gooseneck, A98GM Gooseneck Mounting Flange, A98PF Pop Filter and Locking Collar Kit.
SM99
A miniature gooseneck-mount microphone for lecterns, pulpits, conference tables. Features tight supercardioid pattern for plenty of volume without feedback, even in multiple microphone installations. Phantom power only.
Beta Series Microphones
The new Beta Series is the culmination of extensive microphone research and development, offering significant advances in dynamic transducer design and microphone performance. These microphones provide outstanding sound quality with extraordinary gain-before-feedback, optimized parameters, and legendary Shure ruggedness and reliability. They are the first to combine a true supercardioid polar pattern with the extra-hot output of a neodymium magnet, maintaining uniform patterns at all usable frequencies. An advanced shock isolation system minimizes handling and stand noise, extra-rugged steel grilles resist denting, and a humbucking coil reduces lighting and power interference.
BETA 58®
Inspired by the SM58, the premium-quality Beta 58 is the best dynamic microphone for demanding live vocal applications. Its supercardioid polar pattern remains uniform at all frequencies, resulting in unprecedented gain-before-feedback, maximum sound source isolation, and minimum off-axis coloration. Optimized frequency response for vocal use with low-frequency rolloff, Shure presence rise, and extended high-frequency response. Neodymium magnet provides maximum output and sensitivity.
- BETA 58C (chrome grille, less cable)
- BETA 58M (matte grille, less cable)
BETA 57®
Owing its heritage to the SM57, the Beta 57 offers improvements like extended low-bass response, smoother and more gradual presence rise, and extended high-frequency response, resulting in a more open, natural sound. A true supercardioid pattern provides maximum isolation and minimum feedback. Features a hardened steel grille. Designed for acoustic and electric musical instrument miking, live and in the studio. Great for drums, percussion instruments, horns, and instrument amplifiers.
- BETA 57C (chrome grille, less cable)
- BETA 57M (matte grille, less cable)
L2/BETA 58®
Get all the performance of the Beta 58 in a wireless version. The L2/Beta 58 Handheld Wireless Transmitter functions with Shure L Series Wireless receivers, matching the performance levels of its cabled counterpart. Features a 'Beta blue' finish.
Wireless Microphone Systems
Shure L Series Wireless Microphone Systems are highly reliable and packed with professional features, yet affordable. They offer outstanding audio quality, durable, lightweight, and compact construction.
L4 Diversity Wireless Receiver
Two independent RF sections and exclusive MARCAD™ circuitry combine signals for improved signal-to-noise ratio and outstanding reception. Rack mounting hardware supplied.
L3 Receiver
Economical, incorporates professional features for excellent performance and value. Features removable, insulated 1/4-wave whip antenna. Rack mountable with accessory kit. Step-up V-wave antenna and remote cable kit available.
L1 Body-Pack Transmitter
Circuitry design and special shielding provide trouble-free performance with remarkable freedom from interference. Standard 4-pin TA4F connector for various applications. Includes separate audio mute switch and battery indicator.
L Series Handheld Transmitters
Feature outstanding audio quality, durable, lightweight, and compact construction, enclosed loop antennas, and easily interchangeable heads.
- L2/58 (Same performance as cabled SM58)
- L2/96 (Same performance as cabled SM96)
839W Lavalier Microphone
A reliable, unobtrusive wireless lavalier microphone with excellent sound. Includes tie-bar mounting accessory and windscreen.
Additional Wireless Microphones
WM15
Cardioid, head-worn microphone.
WL83
Premium omnidirectional lavalier.
WL84
Premium supercardioid lavalier.
WM98
Cardioid, miniature instrument microphone.
Specialty Microphones
SM89
A highly directional professional 'shotgun' condenser microphone, designed for location film/TV production, theater sound reinforcement, and spot news coverage. The first shotgun microphone to overcome off-axis coloration, thanks to its exclusive Accu-Port™ interference tube system. Aircraft aluminum housing makes it lighter and easier to handle. A89SM accessory shock mount virtually eliminates vibration pickup. Most natural sounding 'shotgun' available. Carrying case included.
VP88
A unique single-point MS stereo condenser microphone, capturing realism and drama while withstanding rigorous production environments. Incorporates a forward-facing cardioid Mid capsule, a perpendicular bidirectional Side capsule, and a built-in stereo matrix for wide, natural, uncolored response and optimal stereo imaging. 100% mono compatible. Features three switch-selectable levels of stereo effect control, plus Mid and Side outputs directly. Switch-selectable phantom or 6-volt internal battery power and low-frequency rolloff.
- VP88 Accessories: A88ZM Rycote Pistol Grip Suspension Shock Mount, A88ZP Rycote Zeppelin Windshield, A88WC Rycote Wool Cover Wind Muff, A88WJ Rycote Windjammer, A88SM Microphone Isolation Mount, C110 25-Foot Microphone Extension Cable.
SM7
A fixture in studios worldwide, the 'smooth and silky' unidirectional SM7 is famous for making voices and other sources sound their best. Popular for radio/television work, especially voice-over recording. Features unique graphic tailoring switches for presence boost and low-end rolloff, allowing choice of four different response curves. Yoke assembly allows exact positioning. Acclaimed as one of the finest dynamic microphones.
Surface-Mount Microphones
Surface-mount microphones are popular for enhanced sensitivity and low-profile appearance, solving distant pickup problems on stage floors or conference tables. Shure offers a complete range of models, built with exacting audio performance.
SM18
A favorite in churches and meeting rooms, the SM18 dynamic is low-cost, good-sounding, and amazingly unobtrusive. Brown foam casing blends with wood grain surfaces.
- SM18B-CN (brown, attached cable)
819
For budget-conscious applications, the unidirectional 819 condenser offers an excellent economical alternative to the SM91. Features wide-range frequency response, super durability. Great for general sound reinforcement in churches, schools, and on stages. Single 9-volt battery or phantom power.
809
The omnidirectional version of the 819. Same extraordinary features and performance. Useful when a large area must be covered by one microphone and feedback is not a problem.
SM91
The world's first unidirectional surface-mount microphone, unsurpassed due to its exceptional condenser transducer element and excellent preamplification system. A world-class microphone rugged enough for any application. Ideal for TV settings, news conferences, dramatic productions, and stages where inconspicuous microphone placement is desired. Excellent for miking kick drums and acoustic pianos. Preamp includes switchable low-cut filter. Battery or phantom power.
SM90
An omnidirectional version of the SM91.
Lavalier Microphones
Shure has high-performance lavalier microphones for every requirement in broadcasting, sound reinforcement, film, and video production. Engineered for maximum voice intelligibility, unobtrusive appearance, dependability, and complete serviceability.
SM83
Shure's professional omnidirectional condenser lavalier microphone features an electronically shaped frequency response dip at 730 Hz to minimize 'chest resonance'. Innovative patented accessories for unobtrusive mounting include a 4-way tie bar, double-mic tie bar, multi-purpose mounting blocks, and foam windscreen. Side-exit cable minimizes handling noise and is easy to conceal. Compact, lightweight belt-pack preamp operates on standard 9-volt battery or phantom power.
SM84
Features, performance, and accessories of the SM83, but with a supercardioid polar pattern. Provides excellent rejection of unwanted sounds and minimizes PA system feedback.
839
A low-priced alternative to the SM83 lavalier microphone with excellent sound and reliability. Features low distortion and RF susceptibility. Includes windscreen, 4-way tie bar mount. Omnidirectional. Battery or phantom power.
570S
This versatile performer can serve as either a lavalier or a small handheld microphone. Widely used by lecturers, moderators, panelists, and clergy. Omnidirectional, dynamic; includes on/off switch, lanyard-style lavalier assembly, and 30-foot cable.
SM11
The smallest dynamic lavalier microphone available, no longer than a paper clip. Features Shure ruggedness and dependability. Comes with tie tack and tie bar mounting accessories. Omnidirectional.
- SM11-CN (with attached cable)
- RK279 (Mounting kit to adapt the SM11 to instrument miking applications)
Head-Worn Microphones
Shure offers a wide selection of head-worn microphones with superior sound and user comfort. From broadcasting to sound reinforcement to computer voice recognition, Shure head-worn microphones are consistent hands-free performers and the professionals' choice. All models include cables and removable foam windscreens.
SM2
A professional headset with a close-talking dynamic cardioid microphone and dual-ear headphones for mono or stereo operation. Microphone element designed for excellent rejection of noise and unwanted sounds. Ideal for TV, radio, film, video, and other applications. Features large pillow-soft ear pads for external noise isolation; double-braced, covered metal headband for security; cable supplied without connectors.
512
The great SM10A microphone element mounted on a lightweight headband with a single 'open air' earphone monitor. Easy to adjust. Excellent for economy-minded performers who like to twist and turn; also ideal for voice recognition applications.
SM10A
The favorite of singing drummers, keyboardists, and guitarists who want complete freedom of movement on stage. Adjustable close-talking dynamic microphone element provides excellent isolation and minimal feedback problems.
- SM10A-CN (with attached cable)
SM12A
Same features and performance as the SM10A, but with one earphone monitor.
- SM12A-CN (with attached cable)
Omnidirectional Microphones
When pickup of sound from all directions or freedom from proximity effect is desirable, and feedback is not a problem, an omnidirectional microphone is an excellent choice. Shure omnis are unmatched in versatility and performance.
SM63L
An extra long (9 3/16"), streamlined handle makes the SM63L an exceptional microphone for interviews and electronic newsgathering wherever extra 'reach' is needed. Features effective wind and pop filter, durable VERAFLEX® grille. Extra-high output (up to 6 dB higher than comparable competitive dynamic microphones).
SM63
Same as SM63L but more compact (handle is 3 1/2" shorter). Rugged and lightweight.
579SB
A slim, rugged, natural-sounding omni, ideal for all kinds of applications, especially recordings that take advantage of natural room reverberation. Great for recording board meetings and conferences. Includes lockable on/off switch.
Classic Microphones
Shure products are famous for becoming standards of the audio industry, and the longevity of some models has caused them to be known as classics. Current versions of these classic models still meet today's demanding performance requirements.
55SH Series II
A technically contemporary microphone with a classic appearance, perfect for performers who want the look and feel of the 50s and 60s. Same appearance as Shure's famous 55 Series UNIDYNE II microphones, but with the latest in dynamic transducers inside.
520D
A legend in the music business, the 520D 'Green Bullet' is the only authentic choice of blues harmonica players who want the funky, down-home sound associated with Little Walter, Sonny Boy Williamson, Walter Horton, Sugar Blue, and other 'Chicago-style' harp masters. Features dual-impedance; supplied without connector.
Automatic Microphone System (AMS)
The Shure Automatic Microphone System consists of dedicated microphones and mixers that function exclusively together. AMS solves the many problems of multi-microphone applications, used in thousands of systems worldwide in boardrooms, legislative chambers, senates, city halls, conference rooms, courtrooms, churches, broadcast studios, and interactive classroom environments.
Shure's patented Automatic Microphone System provides unique direction-sensitive gating by continually 'reading' and comparing separate audio signals from two matched unidirectional capsules placed back-to-back in each AMS microphone. AMS microphones activate only when addressed within a 120° acceptance angle. No threshold or sensitivity adjustments are necessary.
The AMS 4000/8000 incorporates a full complement of logic terminals for functions like LED indicators, mute switches, loudspeaker attenuation, and chairman override. AMS mixers can be linked to control up to 200 AMS microphones.
AMS Microphones
- AMS26: Probe style, dark bronze.
- AMS24: 15" gooseneck mic with attached 20' cable.
- AMS28: For hanging mount or lavalier use.
- AMS22: Low profile, attached 20' cable/connector.
AMS Circuitry
- AMS4000/8000: Four or eight channel versions of AMS mixer. AMS4000 can be expanded up to eight channels. 120/240 Vac. Rack mountable.
- AMS880: (not pictured) Video Switcher Interface. Tells a video switcher which camera to call up based on which AMS microphone is activated.
Professional Circuitry Products
The circuitry products in the Shure FP (Field Production) Series are industry standards for their problem-solving, feature-packed designs and extreme ruggedness. Built specifically for broadcast and Field Production applications, Shure 'FP' products are synonymous with convenience and reliability to audio technicians worldwide.
Shure 'M' Series circuitry products are compact, durable, reliable, and functional. They have become standards for broadcast, sound reinforcement, paging, and audio/visual applications.
FP42 Stereo Mixer
All the features and ruggedness that have made Shure mixers industry standards, plus full stereo capability. Perfect for stereo mixdown in video editing suites. Features four XLR transformer-balanced mic/line inputs and two outputs (one for each stereo channel). Pull-pot cuing on all inputs provides channel previewing. Three standard 9-volt battery or 120/240 Vac power. Rack mountable with A16R.
FP51 Compressor-Mixer
Rides gain automatically, assuring consistent signal output. Combines a 4-in, 1-out mixer with a high-quality compressor featuring a gated memory that provides an adjustable 40 dB compression range. Features XLR transformer-balanced mic/line inputs and outputs, phantom power, 1 kHz tone oscillator, pull-pot cuing on all inputs, 1/4" and mini (3.5 mm) headphone jacks with level control, low-cut filters for each channel, and an illuminated dual-range VU meter. 120/240 Vac or battery (three standard 9-volt) power. Rack mountable with A16R.
FP16A Audio Distribution Amplifier
A 1-input, 6-output portable audio distribution amplifier for routing multiple audio feeds. Ideal as a portable press bridge. Includes XLR transformer-balanced input and outputs (each switchable for microphone or line level operation), phantom power, link jacks, and screwdriver-adjustable gain controls. Battery (three standard 9-volt) or 120/240 Vac power. Rack mountable with A16R.
FP31 Audio Mixer
The world standard in field production, packing many features into a compact package. Includes three XLR transformer-balanced mic/line inputs and two outputs, VU meter, timed meter lamp, peak LED overload/limiter indicator, adjustable limiter, tone oscillator, mini and 1/4" headphone jacks, phantom and A-B (T) power, tape-out mini jack, and more. Built-in slate tone and microphone make it easy to mark takes. Battery powered (two standard 9-volt; three standard 9-volt batteries required for A-B power).
FP32 Stereo Audio Mixer
A stereo version of the Shure FP31 Audio Mixer, with a center-detented stereo pan pot for each input channel, plus a concentric clutched stereo master gain control. Includes all FP31 features, plus a monitor input for the headphone circuit.
M267 Mixer
The most popular field production mixer ever. The industry standard M267 mixer incorporates a switchable limiter, phantom power, LED peak indicator, built-in battery pack, headphone jack and level control, battery check function, tone oscillator, mic/line switches on each input and output, low-cut switches, mix bus jack, and more. Features four XLR transformer-balanced inputs; an XLR output and a binding post output. Battery (three standard 9-volt) or 120/240 Vac power. Rack mountable with A268R.
M268 Mixer
A compact, lightweight, 5-input mixer for PA/paging applications. Widely used by performers as an add-on mixer for input expansion. Includes four transformer-balanced low-impedance microphone inputs and four high-impedance 1/4" phone jack inputs, plus a high-level auxiliary input. Also features phantom power, mix bus, mic level transformer-balanced output and aux level unbalanced output. 120/240 Vac power. Rack mountable with A268R.
M68A/M68FCA Mixers
Practical, efficient, and low-cost, perfect for applications requiring an economical microphone mixer. Features four microphone channels, each switchable for high-impedance or low-impedance microphones. Also includes aux level input channel, master volume control, aux level and microphone level outputs. Excellent for paging, tape recording, A/V work, and other applications. 120/240 Vac power. Rack mountable with A68R. M68A features male XLR input connectors. M68FCA incorporates female XLR connectors.
FP11 Mic-to-Line Amplifier
Provides up to 84 dB of additional gain in fourteen 6 dB steps for boosting microphone and auxiliary level devices to line level. This compact amplifier includes a transformer-balanced XLR input and output; switchable peak limiter; peak/limiter LED indicator; aux level mini-phone jack input; balanced line-level binding post output; and removable belt clip. Powered by standard 9-volt battery.
FP12 Headphone Bridging Amplifier
A 1-input, 2-output headphone bridging amplifier, a must for remote broadcasts, audio troubleshooting, and boom operators. When operated in-line, it can provide headphone feeds from any audio input without interrupting the input signal. Includes both XLR and 1/4" in/out connectors (two each) and both 1/4" and mini (3.5 mm) headphone jacks. Features Mic/Line input switch, Hi-Z/Lo-Z headphone switch, headphone level control, battery test jacks, and removable belt clip. Takes standard 9-volt battery. Extremely high output makes the FP12 great for high noise situations and for use as a simple intercom.
Audiomaster Sound System
AUDIOMASTER® 1200 Powermixer
The world's best-designed compact sound system is also the most flexible. The feature-packed 6-input Audiomaster 1200 Powermixer can easily be expanded to an 8-input or 10-input powermixer with Audiomaster 1200MX Expansion Modules. All controls and LED indicators are logically arranged and color-coded for foolproof operation. Other features include a 200-watt fan-cooled amplifier, phantom power supply, built-in reverb, monitor mix capability, and switchable power amplifier limiter. Rack mountable (four rack units) or installable in the optional A1200C portable case. 120/240 Vac power.
AUDIOMASTER® 3200 Loudspeaker
Features the exclusive Time Sync™ crossover network, a constant directivity horn, 1-inch compression high-frequency driver, and 12-inch low-frequency driver. All this, plus Shure durability, makes the Audiomaster 3200 an outstanding choice for top quality portable sound reinforcement.
AUDIOMASTER® 3100 Loudspeaker
Same performance as Model 3200, but with a cabinet designed for permanent installation. Beige textured finish (repaintable for custom look), dark brown grille, suitable hardware for permanent mounting.
Prologue Circuitry Products
PROLOGUE® 200M Mixer
An economical, portable mixer with four low-impedance microphone inputs. Input 4 is switch-selectable for low-impedance microphone or an auxiliary level source (e.g., tape recorder). One balanced, low-impedance microphone-level output and one auxiliary phono jack output can be used simultaneously. Two mixers can be connected for more inputs. Stackable with Prologue 210 Amplifier for convenient operation. Available in 120 or 240 Vac versions.
PROLOGUE® 210A Power Amplifier
Ten watts continuous power into 4 ohms. One balanced low-impedance input with female XLR connector accepts a microphone directly or the output of a Prologue 200 Mixer. Two auxiliary level phono jack inputs may be used simultaneously or to link multiple 210 Amplifiers. Two 1/4" speaker jacks will operate two 8-ohm speakers simultaneously. Available in 120 or 240 Vac versions.
Problem Solvers
Shure 'Problem Solvers' are famous for making audio technicians' lives much simpler. They include a wide variety of compact 'in-line' microphone attenuators, equalizers, transformers, adapters, and other devices.
M64A Stereo Preamplifier
A compact stereo preamplifier solving various preamplification and equalization problems. 3-position slide switch selects standard RIAA equalization (PHONO) or NAB equalization for tape heads (TAPE). In the flat position, M64A can be used as a microphone preamplifier or a low-gain buffer amplifier where long cable lengths are necessary. Ideal for interfacing phonographs with PA systems. 120/240 Vac.
PS1A Power Supply
A 20 Vdc power supply that provides phantom power for one or two condenser microphones. 120/240 Vac.
50AC Telephone Acoustic Coupler
Designed to feed audio information to or from a telephone handset. Useful in recorded interview broadcast applications when a tape recorder cannot be 'hard wired' to a telephone line. Can be used as a microphone or speaker for recording or playback. Dynamic transducer with a 300 to 3,000 Hz frequency response.
A120S Accessory In-Line Switch
May be used to add an On/Off, Push-To-Talk, Cough Button, or Transmitter Relay Keying function to a microphone or any other device.
A15AS Switchable Microphone Attenuator
Prevents preamp overload in applications where very strong signals are applied to a microphone input. Provides 15, 20, or 25 dB attenuation.
A15BT Bridging Transformer
Matches balanced or unbalanced devices of different impedances. (33 kilohm primary, 600 or 7,500 ohm secondary.)
A15HP High Pass Filter
Provides a low-frequency cutoff to reduce unwanted low-frequency noise.
A15LA Line Adapter
Provides 50 dB attenuation, allowing a balanced line-level source to be connected to a balanced microphone input.
A15LP Low Pass Filter
Provides a high-frequency cutoff to reduce objectionable high-frequency noises.
A15PA Presence Adapter
Adds presence to vocals or instruments in recording, broadcasting, and PA applications.
A15PRS Switchable Phase Reverser
Provides instant switch selection of normal or reversed phase of a balanced line without modification of equipment.
A15RS Response Shaper
Provides sibilance filtering (removes presence peak) for recording, broadcasting, and PA applications.
A15TG Tone Generator
Produces a continuous 700 Hz mic-level signal capable of driving low-impedance balanced lines. Useful in setting up and troubleshooting audio equipment. Battery operated.
A85F Low to High-Impedance Matching Transformer
Low-impedance connector: 3-pin XLR female. High-impedance connector: standard 1/4-inch phone plug.
A95UF Low to High-Impedance Matching Transformer
Low-impedance connector: 3-pin XLR female. High-impedance connector: Amphenol MC1M-type connector with mating standard 1/4-inch jack and phone plug adapters.
A950 Low to High-Impedance Matching Transformer
Same as A95UF, but with 3-pin XLR male low-impedance connector.
A97A Low- to Medium-Impedance Matching Transformer
Low-impedance connector: 3-pin XLR male. Medium-impedance connector: Amphenol MC1M-type connector with mating standard 1/4-inch jack and phone plug adapters.
A97F Low- to Medium-Impedance Transformer with Miniplug Output Connector
Allows standard balanced low-impedance microphones to be connected to miniplug audio inputs found on most camcorders or small tape recorders.
Windscreens, Stands and Adapters
A58WS Windscreens
Fit all Shure 'ball-type' microphones. Available in Gray, Black, Blue, Brown, Green, Orange, Red, White, Yellow.
A2WS Windscreens
Locking feature. For use with Models 545, SM57, and SM77. Available in Gray, Black.
A81G Filter Grille
For Model SM81.
A55M 'Shock Stopper'™ Isolation Mount/Swivel Adapter
A breakthrough in noise isolation. Reduces mechanical and vibration noise by more than 20 dB. Fits Models SM48, SM57, SM58, SM77, SM78, 515, 545, 565, 587, and 588.
A55HM 'Shock Stopper'™ Isolation Mount/Swivel Adapter (Half-Mount Version)
Permits instant insertion or removal of microphone on stage. Fits same models as A55M.
A53M 'Shock Stopper'™ Isolation Mount/Swivel Adapter
Fits models SM59, SM62, SM63, SM63L, SM81, SM85, and SM87.
A53HM 'Shock Stopper'™ Isolation Mount/Swivel Adapter (Half-Mount Version)
Same as A55HM, except fits Models SM59, SM62, SM63, SM63L, SM81, SM85, SM87, SM94, SM96, 849, and 869.
A25B Swivel Adapter
Black. Designed for use with Models SM48, SM57, SM58, SM77, SM78, 515, 545, 565, 587, and 588.
A25C Swivel Adapter
Designed for use with Models SM94, SM96, 849, and 869.
A27T Triple Microphone Mount
Fits same models as A25M and accepts three microphones.
A57E Swivel Adapter
Black. Fits Models SM85, SM87, SM89, and AMS26.
A57D Swivel Adapter
Same as A57E, but Champagne color. Designed for use with Models SM59, SM62, SM63, SM63L, and SM81.
S37A Desk Stand
Modern, low-profile design. Non-reflective, textured gray finish (2 7/8" x 4 3/4" x 6 1/2").
S39A Vibration Isolation Stand
For tables, desks, lecterns, etc. Provides ultimate isolation of microphone from mechanical vibration.
A27M Stereo Microphone Adapter
Permits mounting of two microphones on one stand for recording, with complete flexibility in positioning. Accepts all Shure microphone mounts and adapters.
A45Z Z-Bracket
Small, lightweight alternative to standard microphone stand and boom combination. Can be positioned on top or underneath any speaker cabinet or guitar amplifier. Includes 5/8"-27 threaded connector.
Microphone Cable Selection Guide
This guide lists various cables available from Shure, providing high durability and shielding for low- or high-impedance microphones.
| Model | Microphone Connector | Equipment Connector | Cable Type | Cable Length | Cable Conductors |
|---|
| C15A | 3-Pin XLR female | 1/4" Phone Plug | Hi-Flex | 15 Feet (4.6 m) | 1 |
| C20B | 3-Pin XLR female | 1/4" Phone Plug | Hi-Flex | 20 Feet (6.1 m) | 1 |
| C20D | 3-Pin XLR female | none | Heavy Gauge | 20 Feet (6.1 m) | 2 |
| C20H | 3-Pin XLR female | 3-Pin XLR male | Heavy Gauge | 20 Feet (6.1 m) | 2 |
| C25B | 3-Pin XLR female-Black | 3-Pin XLR male | Heavy Gauge | 25 Feet (7.6 m) | 2 |
| C25E | 3-Pin XLR female-Black | 3-Pin XLR male | Triple-Flex®** | 25 Feet (7.6 m) | 2 |
| C25F | 3-Pin XLR female | 3-Pin XLR male | Triple-Flex®** | 25 Feet (7.6 m) | 2 |
| C25J* | 3-Pin XLR female | 3-Pin XLR male | Hi-Flex | 25 Feet (7.6 m) | 2 |
| C110 | 5-Pin XLR female | 5-Pin XLR male | Triple-Flex®** | 25 Feet (7.6 m) | 4 |
*Also available in 50-foot (15m) and 100-foot (30m) lengths (C50J and C100J). **Triple-Flex cable features greatly extended flex life, superior hum shielding, and premium connectors.
Additional Accessories
AMS Accessories
- A2406: Black metal adapter. Threads onto AMS24 gooseneck and provides an XLR male connector.
- A26X: 3" black extension tube for table stand.
- RKC188: Input channel expansion kit for AMS4000.
- RKC189: Ribbon cable provides four additional channel board connectors for AMS4000 expansion.
- RKC190: XLR in/XLR out interface. Allows a wireless receiver or any line-level signal to be connected to an AMS input.
- 90RW1371: Mounting Flange for AMS24.
Wireless Accessories
- WA300: Instrument cable. Connects L1 Body-Pack Transmitter to a guitar or other instrument. Cable is 4 ft. with a 1/4" phone plug and Switchcraft TA4F connector.
- WA310: Microphone cable. Connects L1 Body-Pack Transmitter to a dynamic or battery-powered condenser microphone for unbalanced operation. Cable is 4ft. with a 3-pin XLR female connector and Switchcraft TA4F connector.
- WA330: Connector (Switchcraft TA4F 4-pin miniature connector). Adapts small-diameter microphone cable to L1 transmitter.
- WA360: Remote audio mute switch adds an external momentary or locking audio on-off capability.
- WA370: Swivel Adapter for L Series and other handheld transmitters. Standard 5/8"-27 thread.
- WA380: 1/2-wave antenna for use with L3 or L4 Receivers. (WA380A for frequencies from 169-185 MHz; WA380B for 185-200 MHz; WA380C for 200-216 MHz.)
- WA390: Single or double rack mount kit for L3. 1 1/2" high.
- WA400: Antenna distribution system utilizes only two antennas for the operation of four diversity receivers.
- WA410: Output cable. 6-foot output cable for L3. 1/4" phone plug on receiver end; 3-pin XLR male professional connector on other end. Unbalanced.
- WA420: Antenna cable. Cable kit for remote placement of WA380 Antenna with L3 or L4 Receivers. Includes 20-foot RF extension cable with UHF type plugs, adapter for mating with the WA380, and a wall-mounting bracket.
Booms and Floor Stands
- BB-77: Baby Boom. A 31" chrome-plated, adjustable boom arm. Fits Model MS-10C Floor Stand.
- MS-10C: Floor Stand. Quickly and easily adjusts from 35" to 64" high.
- S15: Tripod Floor Stand. Extra-tall, rugged and stable, yet portable and lightweight. Five telescoping sections. Stand may be used at any height between 3 1/2 and 14 ft. Excellent for use with VP88.
Circuitry Mounting Kits
- A16R: Rack panel for FP16A, FP42, and FP51.
- A68R-BL: Rack panel for M68A, M68FCA. Black finish.
- A268R: Rack panel for M267 and and M268. Black finish.
- RKC169: Bracket kit, adapts A68R to fit M267 and M268.
Goosenecks
- GGA: 6" flexible with side vent.
- G12: 12" flexible.
- G12-CN: 12" flexible with 3-pin XLR female professional audio connector.
- G18: 18" flexible.
- G18-CN: 18" flexible with 3-pin XLR female professional audio connector.
- 9081120A: 12" lightweight.
Gooseneck Mounting Flanges
- A12: Mounting Flange. Standard 5/8"-27 external thread, mounts to flat surface.
- A13HD: Mounting Flange. Heavy-duty flange designed to provide increased stability. Standard 5/8"-27 external thread.
Lavalier Mounting Hardware
- A511: Plastic. Fits Model 570S.
- A541: Plastic. Fits Models 545L.
- A57L: Rubber. Fits Models 570S and AMS28.
- RK240SB: Single Mount Tie Bar (package of four). Fits Models SM83, SM84, WL83, WL84, 839, and 839W.
- RK241DB: Dual Mount Tie Bar (package of four). Fits Models SM83, SM84, WL83, WL84, 839, and 839W.
Mounts and Adapters
- A25M: Dual Microphone Mount. Designed for use with Models SM58, SM78, 515, 565, and 588, and with Models SM57, SM77, and 545 when using A2WS windscreens.
- A26K: Desk Stand Extension Stem pipe for AMS26 microphone. Black, threaded on both ends.
- A88SM: Microphone Isolation Mount. For use with VP88. Utilizes dual shock isolators and a cable locking design to eliminate noise associated with stands, booms, fishpoles and cable movement. Six mounting options include 5/8"-27, 3/8"-16, 5/16"-18 threaded adapters for stands and booms, locking 'foot' and 1/4"-20 screw-type adapter for cameras; and a pistol grip adapter plate.
- A89SM: Shock Mount Holder. For use with SM89 Shotgun. Also fits Model SM81.
- CO-1: Stand Adapter. Black. Screw-in type clamp for mounting second microphone on floor stand or for mounting a microphone directly to a desk or table.
Windscreens
- A1WS: For 515 Series.
- A3WS: Fits Models SM94 and 849.
- A61WS: Fits Model SM62.
- A81WS: Specially designed for Model SM81. Large, multiple-layer design for use in high wind environments.
- A85WS: For SM85, SM87, SM96, and L2/96.
- RK184WS: Fits Models SM2, SM10A, and SM12A.
- RK204F: For SM18B (Brown).
- RK229WS: Fits Models SM63, SM63L, AMS24, and AMS26.
- RK242WS: Fits Models SM83, WL83, 839, and 839W.
- RK257WS: For Model SM89.
- 49A43A: Fits Model WM15.
- 49A66A: For SM98.
- 90A2089: For SM7.
- 9084016: For SM99.
- 90RX1371: For 512.
Replacement Parts and Accessories Selection Guide
This section provides a comprehensive table detailing replacement parts and compatible accessories for various Shure microphone models, including cables, cartridges, screen & grille assemblies, swivel adapters, windscreens, and miscellaneous accessories.
| Microphone Model Number | Cable | Cartridge | Screen & Grille Assembly | Swivel Adapter | Windscreen | Misc. Accessories |
|---|
| 55SH Series II | — | R115 | — | — | 90RX1371* | A120S |
| 512 | — | R93 (Microphone) R143 (Receiver) | — | — | 90RX1371* | A120S |
| 515SB | 70A2057 | R15 | RK54G | A25B* | A1WS | — |
| 515SD | ① | R15 | RK254G | A25B* | A1WS | — |
| 520D | 70A2047 | R44D | — | — | — | — |
| 545D | ① | R45 | RK244G | A25B* | A2WS | A26M, A55M |
| 545L | 70A2004 | R45L | RK244G | A25B | A2WS | A26M, 94C282* |
| 545SD | ① | R45 | RK244G | A25B* | A2WS | A26M, A55M, A55HM |
| 545SH | ① | R45 | RK244G | — | A2WS | — |
| 565D | ① | R65 | RS65 | A25B* | A58WS ② | A26M, A55M, A55HM |
| 565SD | ① | R65 | RS65 | A25B* | A58WS ② | A26M |
| 570S | 70A295 | R70 | RK91G | A57E | — | A57L* |
| 579SB | ① | R50 | RK221G (Champagne) | A57D* | A58WS ② | — |
| 587SB | ① | R136 | RK252G | A25B* | A58WS ② | A26M, A55M, A55HM |
| 588SD | ① | R15 | RK253G (Champagne) | A25B* | A58WS ② | A26M, A55M, A55HM |
| 809 | — | R130 | — | — | — | PS1A |
| 819 | — | R129 | — | — | — | PS1A |
| 839 | 90A3875 | R133 | — | — | RK242WS* ③ | PS1A, RK240SB ③ |
| 839W | 90A4015 | 90DT2600 | — | — | RK242WS* ③ | RK240SB ③ |
| 849 | ① | R138 | — | A25C* | A3WS | PS1A, A53M, A53HM |
| 869 | ① | R137 | RK256G | A25C* | A58WS ② | PS1A, A53M, A53HM |
| AMS22 | 90CH2600 | 90CJ2600 ⑤ | — | — | 49C55* | 90RW1371* |
| AMS24 | — | 90BZ2600 | — | — | 49C55* | 90RW1371* |
| AMS26 | C25E | 90CK2600 ⑥ | 90CS2600 | A57E* | RK229WS* | A26X |
| AMS28 | — | 90CL2600 ⑥ | — | — | — | A57L |
| SM2 | C108 | R93 (Microphone) R135 (Receiver) | — | — | RK184WS* | — |
| SM7 | C25E | 99A673 | 90A3004B | — | 90A2089 | — |
| SM10A | — | R93 | — | — | RK184WS* | A120S |
| SM11 | C91 | R99 | — | — | — | A120S |
| SM12A | — | R93 (Microphone) R94 (Receiver) | — | — | RK184WS* | A120S |
| SM18B | 90B3111 | 99C669 | — | — | RK204F | — |
| SM48 | ① | R136 | RK248G | A25B* | A58WS ② | A26M, A55M, A55HM |
| SM57 | ① | R57 | RK244G | A25B* | A2WS | A26M, A55M, A55HM |
Notes: ① See Cable Selection Guide on Page 19. ② A58WS Windscreens are available in an assortment of colors. ③ Kit contains four. ④ See Accessories on Pages 17, 18 and 19. ⑤ Includes transducer and amplifier. ⑥ Includes transducer, amplifier and cable. * Indicates accessory cannot be used with product. ** Furnished accessory.
Technical Specifications
This section provides detailed technical specifications for various Shure microphones and audio circuitry products. For each model, information typically includes:
- Type: Dynamic or Condenser
- Frequency Response: Range in Hz (e.g., 50 to 15,000 Hz)
- Polar Pattern: Cardioid, Supercardioid, Omnidirectional, Hypercardioid, or Bidirectional (for stereo configurations)
- Impedance: In ohms (actual values often provided)
- Output Level: Open Circuit Voltage (in dBV or mV) and Power Level (in dBm or mW/10 µbar)
- Maximum Sound Pressure Level (SPL): In dB SPL (for wireless units and some condensers)
- Battery Life: For battery-powered units (e.g., 10 hours typical life)
- RF Carrier Frequency Range: For wireless systems (e.g., 169 to 216 MHz)
- Working Range: For wireless systems (e.g., 30m to 300m depending on conditions)
- Distortion: Total Harmonic Distortion (THD) percentage
- Dynamic Range: In dB, A-weighted
The document includes numerous frequency response graphs illustrating the output level across the frequency spectrum for various models, as well as polar pattern diagrams showing microphone sensitivity at different angles relative to the sound source. These detailed graphs and tables provide comprehensive performance data for each product.
RF frequency range on all wireless units is 169-216 MHz, VHF-FM. *0 dB = 1 V/µbar **0 dB = 1 mW/10 µbar ***With alkaline batteries, continuous use, normal operating conditions.
