Audix Performance Series AP61 & AP62 Wireless System User Guide
Introduction
Congratulations on the purchase of the Performance Series Wireless system from Audix! This system is packed with features to fine-tune performance, yet remains simple to use. For most applications, refer to the Quick Set Up Guide (pages 6-8) to get started. Please read this manual to familiarize yourself with the system components and menus, which are designed to be intuitive.
Safety Instructions & Certifications
Please read this instruction manual to ensure proper use and care of your system.
Quick Safety Tips
- Unplug the receiver from the wall socket when not in use.
- Use only with the power supply provided.
- Keep away from water, moisture, heat-generating devices, and direct sunlight.
- Clean only with a dry cloth.
- Do not block the receiver from ventilation.
- Use only with accessories produced by Audix.
- Operate and store in a safe temperature range of 0°C (32°F) - 43°C (110°F).
Certifications
This product complies with FCC Part 74 regulations and conforms to CE standards. Documentation is available upon request. Operation of wireless devices may require a license in your area. Users of wireless microphones in the USA, on frequencies listed under FCC part 74.801, must comply with eligibility and licensing requirements under FCC Part 74.834.
Quick Set Up Guide
Follow these instructions to get up and running quickly.
-
Install Batteries
Install 2 AA batteries in the handheld transmitter and bodypack. Ensure batteries are positioned correctly according to the diagrams.
- Handheld transmitter: Unscrew the bottom portion to expose the battery holder. Push the first battery up through the housing with the negative side up. Place the second battery below the first, also with the negative side up. Screw the cover back into place.
- Bodypack transmitter: With the bodypack face down, push the spring release to the right to open. Place the left battery with the negative side up, and the right battery with the negative side down. Snap the battery cover to close.
-
Attach Antennas
Attach antennas to the back of the receiver. Screw each antenna straight into the connector. After attachment, bend the antennas into position.
-
Connect Power Supply
Loop the power cable through the metal strain relief as shown before connecting the power supply to the receiver. Plug into a power outlet.
-
Connect Receiver to Audio System
Connect the receiver to a mixer or amplifier. Ensure audio levels on the mixer are muted or off. Use the 1/4" AF output (line level unbalanced) for guitar applications, and the XLR output (mic level) for all other applications.
-
Turn on Transmitter
Power on the transmitter.
-
Turn on Receiver
Power on the receiver.
-
Scan for Clear Channel
On the receiver, press and hold the UP or DOWN button to initiate a scan for a clear Group/Channel. After 8-20 seconds, a Group/Channel will appear on the receiver display.
-
Sync Handheld Transmitter
Unscrew the battery cover of the handheld transmitter and locate the infrared window. From a close proximity (6 inches / 152.40 mm), point the infrared window towards the infrared sensor next to the SYNC button on the receiver. Press the SYNC button. Within seconds, the transmitter's Group/Channel and Frequency will match the receiver.
-
Sync Bodypack Transmitter
Locate the infrared window on the front of the bodypack transmitter. From a close proximity (6 inches / 152.40 mm), point the window below the LCD screen towards the infrared sensor next to the SYNC button on the receiver. Press the SYNC button. Within seconds, the transmitter's Group/Channel and Frequency will match the receiver.
Multiple Systems Setup
Setting up multiple systems uses the Scan – Sync functions. Compatible channels are organized by Group (refer to Group/Channel chart on page 31). Ensure all receivers and transmitters are powered OFF before starting.
- Power up receiver #1 and its matching transmitter. Run the standard Scan and Sync routine. Leave the system ON and move the transmitter at least 6 feet (2 meters) away from the receiver.
- Power up receiver #2 and its matching transmitter. Run the Scan; the receiver will find a clear channel in the same Group. Sync the transmitter to the receiver.
IMPORTANT: Ensure all transmitters are at least 6 feet (2 meters) apart during setup. If using multiple frequency bands, set up all systems in one band before moving to the next.
Receiver Components
R61 Single Receiver - Front Panel
Diagram labels components: 1. POWER switch (Press for ON, hold for 3s to OFF), 2. SYNC button (synchronizes transmitter), 3. Infrared sensor (sends data for sync), 4. High contrast LCD display, 5. UP button (menu navigation, autoscan), 6. DOWN button (menu navigation, autoscan), 7. SET button (enter/save menu, toggle display).
R62 Dual Receiver - Front Panel
Diagram labels components: 1. POWER switch, 2. SYNC button, 3. Infrared sensor, 4. High contrast LCD display, 5. UP button, 6. DOWN button, 7. SET button. (Functions are the same as R61).
R61 Single Receiver - Back Panel
Diagram labels components: 1. BNC connector for Antenna B, 2. Ground lift switch, 3. Mic level balanced XLR output, 4. Unbalanced 1/4" output, 5. Metal strain relief for power cable, 6. DC power jack (12V), 7. BNC connector for Antenna A.
R62 Dual Receiver - Back Panel
Diagram labels components: 1. BNC connector for Antenna B, 2. Ground lift switch, 3. Mic level balanced XLR output, 4. Unbalanced 1/4" output, 5. Metal strain relief, 6. DC power jack (12V), 7. BNC connector for Antenna A.
R61 & R62 LCD Display
Diagram illustrates LCD screen elements: 1. RF (Radio Frequency) signal strength, 2. AF (Audio Frequency) signal strength, 3. Lock indicator (unlocked/locked), 4. Active group/frequency display, 5. Active channel/frequency display, 6. Level (gain) or Squelch setting, 7. Battery level indicator (4 bars = up to 14 hours, 3 bars = 9 hours, 2 bars = 7 hours, 1 bar = 3 hours, 0 bars = 1 hour), 8. Active antenna indicator (A or B).
Transmitter Details
H60 Handheld Transmitter
The H60 is a 64 MHz wide spectrum transmitter covering the 522-586 MHz frequency group.
Components:
- 1. Grill ball: Protects the capsule, replaceable.
- 2. Capsule housing: Threads onto the transmitter body, interchangeable.
- 3. Transmitter housing: Contains PCB boards and RF transmission electronics.
- 4. LCD display: Shows "Group/Channel", "Frequency", and "Battery Status".
- 5. Power ON/OFF and MUTE button.
- 6. Battery cover: Access for batteries and power selection.
- 7. Transmitter antenna housing.
- 8. Power dip switch (see page 14).
- 9. Battery compartment.
- 10. Infrared sync circuit.
Battery Compartment & Controls
The battery compartment houses AA batteries. A dip switch allows selection between 10 Milliwatt (LO) and 30 Milliwatt (HI) RF power output.
Top Controls
A dip switch on the top provides 3 output gain settings for the capsule: 0 dB, -6 dB, -12 dB.
Power ON/MUTE
Press the button below the display to power ON. Press and hold for 2 seconds to power OFF. A quick touch MUTES the transmitter, another touch restores signal.
LCD Display
The display shows the transmitter's frequency and "Group/Channel". The transmitter frequency must match the receiver's for operation. Use Sync mode if they do not match.
OM Series Capsules
Designed for maximum gain before feedback, with a hypercardioid pattern to reject stage instrument sound. For best results, sing within a few inches of the microphone.
Controlling Distortion
Audix capsules handle high sound pressure levels. If distortion occurs, adjust mixing console gain controls first. If distortion persists, adjust the capsule's gain via the dip switch on the PCB inside the housing (0 dB, -6 dB, or -12 dB). Padding sensitivity at the source is the most effective way to control distortion without altering natural sound quality.
B60 Bodypack Transmitter
The B60 is a 64 MHz wide spectrum transmitter covering the 522-586 MHz frequency group.
Components (Front Panel):
- 1. Infrared panel: For SYNC button on receiver.
- 2. 3-pin connector: For microphone or guitar cable.
- 3. LCD Display: Shows "Group/Channel" and "Battery Status".
- 4. Power ON/OFF and MUTE button.
- 5. Antenna: Plugs into bodypack, threaded, replaceable.
- 6. SET button: Enter Menu and Save settings.
- 7. UP button: Scrolls forward through menu.
- 8. DOWN button: Scrolls backwards through menu.
- 9. Battery compartment.
Setting RF Power Output
Press and hold SET, then UP until "RF AMP" or "RF OUTPUT" appears. Press SET. The current setting ("HIGH"/"LO" or "10mW"/"30mW") will flash. Use UP to toggle between HIGH (30mW) and LO (10mW). Press SET to save.
Hint: LO gain is useful on smaller stages or in congested RF areas, and improves battery life.
Gain Controls
Two level settings: Line Level and Mic Level. Mic level has gain settings of 0, -6, -12 dB. Line level has -24 dB for active guitar/bass pickups.
Setting Level
Press and hold SET until "LEVEL" appears. Press SET again. "Mic Level" or "Line Level" will flash. Use UP/DOWN to select level type. Press SET again. Use UP/DOWN to select desired gain level. Press SET to save.
Lock Function
Disables POWER button to prevent accidental turn-off or mute. RF Output and LEVEL are also locked. To set LOCK: Press and hold SET until "LOCK" appears. Press SET. "ON" or "OFF" will flash. Use UP/DOWN to select and SET to save.
Uses for Bodypack Transmitter
- 1. Lavalier microphones (ADX10, L5).
- 2. Headworn microphones (HT2, HT5, HT7).
- 3. Sax, brass, flute, and guitar.
Hint: Microphones are available individually and in complete systems.
Receiver Operating Instructions & Menu Functions
Understanding the menu structure simplifies operation and adjustments.
Menu Functions Overview
- 1. GROUP (1-10)
- 2. CHANNEL (1-7)
- 3. LEVEL (-12 to +9)
- 4. SQUELCH (5 – 45)
- 5. DISPLAY (FREQUENCY, CHANNEL, SQUELCH, LEVEL)
- 6. LOCK (ON, OFF)
- 7. PILOT (ON, OFF)
- 8. SCAN (SCAN FOR OPEN FREQUENCY)
- 9. NAME
- 10. T-LOCK (ON, OFF)
- 11. MODE
Activating and Scrolling the Menu
Activate Menu: Press SET until "GROUP" appears.
Scroll Through Menu: Use UP to scroll forward, DOWN to scroll backward. For example, to get from "GROUP" to "T-LOCK", press DOWN twice.
GROUP/CHANNEL
These functions represent preselected frequency coordinates. The SCAN function finds clear frequencies and is useful for adding systems. Group/Channel can also be set manually. When "GROUP" is displayed, press SET to see the current Group. Use UP/DOWN to scroll to another Group and press SET to save.
Hint: "CHANNEL" mode displays the channel number. Pressing SET quickly toggles to "Frequency" display for a few seconds. "Frequency" can be set as the default display via the "DISPLAY" menu.
To change the channel, navigate to "CHAN" in the menu, press SET, scroll to the desired channel, and press SET. This applies similarly if "Frequency" is the default display.
LEVEL
Adjusts receiver gain. Factory setting is +6, suitable for Audix dynamic mics. The VX5 condenser mic may perform better at -6 or -9 due to higher output. Finding the right balance between mixer, receiver, and capsule gain minimizes noise and distortion.
SQUELCH
Mutes receiver noise when no signal is present. Lower squelch requires less signal to activate; higher squelch requires more signal. Squelch affects operating distance. For normal conditions, the factory setting of +15 is recommended.
DISPLAY
Set the default LCD screen display to "FREQUENCY" or "CHANNEL". You can also choose to display "SQ" (Squelch) or "LEVEL". Navigate to "DISPLY", press SET, and use UP to cycle through "FREQUENCY", "CHANNEL", "SQ", and "LEVEL". Press SET to save your choice.
Hint: If "Frequency" is default, a quick SET press shows "Group/Channel" briefly. If "Channel" is default, a quick SET press shows "Frequency" briefly.
LOCK
Locks the receiver to prevent accidental pressing of SCAN, SYNC, or POWER buttons. Recommended once the system is set up and working.
PILOT
An inaudible tone from transmitter to receiver, preventing noise when no signal is present. Keep PILOT ON, turn OFF only for troubleshooting.
SCAN
Performs a scan to find clear and open frequencies, and compatible frequencies for multiple systems.
NAME
Assign a unique name (up to six characters) to the receiver. Scroll to "NAME", press SET. Use UP/DOWN to select characters and SET to confirm each. Press SET to save the name.
T-LOCK
Transmitter lock disables the POWER and MUTE buttons on the handheld transmitter, preventing accidental muting or power-off during performance. The bodypack has this feature integrated into its menu.
IMPORTANT
After making menu setting changes, it is crucial to RE-SYNC the microphone to the receiver to clear previously saved information.
MODE
Toggles between "Channel" and "Tune" modes. "Channel" is the factory default, automatically scanning, selecting, and syncing frequencies. "Tune" allows manual frequency selection in 0.025 MHz steps. To enter "Tune" mode, navigate to "MODE", press SET twice. The current frequency will display, with the first three digits flashing. Use UP/DOWN to adjust the number.
Hint: Numbers adjust one at a time; holding the button does not speed up the process.
Once the desired frequency is displayed, press SET. The second set of three digits will flash. Use UP/DOWN to adjust by 0.025 MHz increments. Press SET to save. Then, sync the transmitter to the receiver.
Hint: In "Tune" mode, Group, Channel, and Scan features are inactive.
To return to "Channel" mode: Activate Menu, scroll to MODE, select CHANNEL, and press SET twice.
Hint: Always sync the transmitter after changing frequency settings.
Using the H60 Handheld Transmitter
Power ON/MUTE
Press the button below the display to power ON. Press and hold for 2 seconds to power OFF. A quick touch MUTES the transmitter; another touch restores signal.
LCD Display
The display shows the transmitter's frequency and "Group/Channel". The transmitter frequency must match the receiver's for operation. Use Sync mode if they do not match.
OM Series
OM Series capsules maximize gain before feedback with a hypercardioid pattern that rejects stage instrument sound. For best results, sing within a few inches of the microphone.
Setting RF Power Output
Choose between 10 Milliwatt or 30 Milliwatt RF transmission levels (see page 14).
VX5
The VX5 condenser microphone offers an open supercardioid pickup pattern and extended on-axis reach, ideal for performers who need freedom of movement.
Interchangeable Capsules
Capsule assemblies can be easily changed by unscrewing them at the ring above the Audix logo. Do not unscrew the grill ball, as it is a separate threaded piece.
Controlling Distortion
Audix capsules handle high sound pressure levels. If distortion occurs, first try reducing gain/trim controls on the mixing console. If distortion persists, adjust the capsule's gain via the dip switch on the green PCB inside the housing (0 dB, -6 dB, or -12 dB). Padding the capsule's sensitivity is the most effective way to control distortion without affecting natural sound quality.
Using the B60 Bodypack Transmitter
Three buttons control menu functions: SET, UP (forward), and DOWN (backwards). Functions include RF OUTPUT, LEVEL, and LOCK.
Setting RF Power Output
Ensure the bodypack is ON. Press and hold SET. Press UP until "RF AMP" or "RF OUTPUT" appears. Press SET. The current setting ("HIGH" or "LO", or "10mW" or "30mW") will flash. Use UP to toggle between HIGH (30 milliwatt) and LO (10 milliwatt). Press SET to save.
Hint: LO gain is helpful on smaller stages with direct line of sight or in areas with high wireless congestion, and it improves battery life.
Gain Controls
Two level settings: Line Level and Mic Level. Mic level offers gain settings of 0, -6, -12 dB. Line level has -24 dB for active guitar or bass pickups.
Setting Level
Press and hold SET until "LEVEL" appears. Press SET once. "Mic Level" (gain) or "Line Level" will flash. Use UP or DOWN to select the level type. Press SET again. Use UP or DOWN to select the desired gain level. Press SET to save.
Lock
Disables the POWER button, preventing accidental turn-off or mute. RF Output and LEVEL are also locked. To set LOCK: Press and hold SET until "LOCK" appears. Press SET. "ON" or "OFF" will flash. Use UP or DOWN to scroll through options and press SET to save.
Uses for Bodypack Transmitter
The bodypack transmitter is versatile and can be used with:
- Lavalier microphones (e.g., ADX10, L5).
- Headworn microphones (e.g., HT2, HT5, HT7).
- Instrument microphones for sax, brass, flute, and guitar.
Hint: Microphones are available individually and as part of complete systems.
Connector
The bodypack uses a mini 3-pin XLR connector for all microphones. Other brands of microphones can be used by rewiring the connector to a mini 3-pin XLR (f). The pin configuration is: Pin 3: Signal, Pin 2: Bias (voltage), Pin 1: Shield.
Performance Tips
Place the wireless receiver within line of sight whenever possible. For complex setups, consider extending antenna range with ANTDA4161 active antennas.
High-quality batteries yield the best results for transmitters. Rechargeable batteries typically have shorter usage spans. Two sets of transmitters cannot be used simultaneously on the same frequency. Each scan and sync operation tunes the transmitter to the receiver's current frequency. When using dual systems, always scan and sync each channel independently.
Antennas
Both antennas must be installed for diversity function to work properly. Always attach both antennas to the receiver.
Multiple Systems
Up to 24 channels of wireless can work simultaneously using standard Scan and Sync. Systems stay in the same Group until channel selection maxes out. Experienced users may use Tune mode for manual frequency selection.
Rackmounts
Audix offers optional rackmount accessories for secure and organized installation.
- RMT 4161: Adapts one R41 or R61 receiver into a single 19-inch rack space.
- RMT 41 Kit: Includes RMT 4161 and BNC cables for front mounting antennas.
- RMT 241: Adapts two R41 or R61 receivers into a single 19-inch rack space. Antennas must remain rear-mounted.
- RMT 42: Adapts one R42 or R62 two-channel receiver into a single 19-inch rack space.
- RMT 42 Kit: Included with AP42 and AP62 systems; includes RMT42 rackmount and BNC cables for front mounting antennas.
Rackmount Installation
RMT 4161 Installation
- Locate holes on the sides of the receiver for rackmount screws.
- Attach rackmounts using two Phillips head screws, potentially using the receiver enclosure's Torx screw for added support.
- Once fastened, the receiver is ready for rack mounting.
RMT 41 Kit Installation
- This kit includes BNC cables for front antenna mounting. Remove the hex nut from the BNC connector's threaded end.
- The rackmount has a slotted hole; align the BNC connector's flat portion with the slot to push it through. Screw the nut back into place and tighten.
- After both sides are secure, connect cables to Antenna A and Antenna B on the receiver. Antennas can now be front-mounted to the BNC connectors.
RMT 241 Installation
- Using Phillips head screws, fasten metal rackmount ears to the outside of each receiver. Fasten the connecting metal piece to the inside of each receiver.
- Align holes of two receivers and join them with small screws.
- Tighten all screws; receivers are ready for rack mounting.
RMT 42 Installation
Attach metal rack ears to each side of the receiver as usual. Refer to RMT 4161 figure #2 for guidance.
RMT 42 Kit Installation
After attaching the RMT 42, follow RMT 4161 instructions for connecting BNC connectors and front mounting antennas.
Specifications
R61/R62 Receiver
| Parameter | Specification |
|---|---|
| Frequency Range | 522 MHz - 586 MHz |
| Bandwidth | 64 MHz |
| Compatible Systems | Up to 24 systems (R61) / 12 systems (R62) simultaneous use |
| Switchable Frequencies | 207 Pre-coordinated frequencies |
| Manual Mode | 2560 Tunable frequencies (spaced 25 kHz apart) |
| Frequency Response | 45 Hz - 18 kHz |
| Compander System | 2:1 |
| Pilot Tone | 32 kHz |
| Receiving System | Dual tuner, true diversity |
| Signal-to-Noise Ratio | 112 dB at 30 kHz deviation (A-weighted) |
| Total Harmonic Distortion | ≤0.4% (33 kHz deviation at 1 kHz) |
| Sensitivity | 5 dBμV (S/N 60 dB at 25 kHz deviation, A-weighted) |
| Audio Output (Level=6) | Balanced: -12 dbv @ 25 kHz deviation, 600 ohm load 1/4": -18 dbv @ 25 kHz deviation, 10 k ohm load |
| Output Connectors | 1/4", XLR |
| Audio Level Adjustment | -12 to +9 in 3 dB steps |
| Range | 450' / 137 m (R62) |
| Power Supply | 100 - 240 V / 50 - 60 Hz, 12 V DC, 1A |
| Dimensions (W / D / H) | 205 mm / 8.07 in x 206 mm / 8.11 in x 44 mm / 1.73 in (R61) 406 mm / 15.98 in x 209 mm / 8.23 in x 44 mm / 1.73 in (R62) |
| Net Weight | 2.43 lb / 1.1 kg (R61) 4.75 lb / 2.1 kg (R62) |
H60 Handheld Transmitter
| Parameter | Specification |
|---|---|
| RF Power Output | 10 mW, 30 mW |
| Frequency Bandwidth | 64 MHz |
| Gain Controls | 0 dB, -6 dB, -12 dB |
| Input Connector | n/a |
| Batteries Included | 2 AA 1.5 V |
| Current Consumption | 110 mA typical |
| Battery Life | Approximately 14 hours (depending on battery type and usage) |
| Input Impedance | n/a |
| Max Sound Pressure Level | >140 dB (depending on capsule) |
| Dimensions | 2.1" diameter body, 10.43" (L) / 53 mm diameter body, 265 mm (L) |
| Net Weight | 11.0 oz / 312 g (without battery) |
B60 Bodypack Transmitter
| Parameter | Specification |
|---|---|
| RF Power Output | 10 mW, 30 mW |
| Frequency Bandwidth | 64 MHz |
| Gain Controls | 0 dB, -6 dB, -12 dB, -24dB |
| Input Connector | 3 pin mini-XLR |
| Batteries Included | 2 AA 1.5 V |
| Current Consumption | 110 mA typical |
| Battery Life | Approximately 14 hours (depending on battery type and usage) |
| Input Impedance | Mic: 10 k ohm, Line: 1 M ohm |
| Max Sound Pressure Level | Approx. 128 dB to 140 dB (depending on microphone) |
| Dimensions (W / L / D) | 67 mm / 2.6 in x 90 mm / 3.5 in x 17 mm / 0.67 in |
| Net Weight | 3.0 oz / 85 g (without batteries) |
Troubleshooting
| Problem | Possible Cause | Corrective Action |
|---|---|---|
| Receiver won't power up | Bad connection | Check power cord connection to outlet and receiver. |
| Transmitter will not power up | Batteries | Ensure batteries are installed correctly (pg 6) or check battery life indicator. |
| Transmitter locked up | Lock mode may be ON | If T-Lock is ON, change to OFF (pg 19). |
| Transmitter locked up | Software conflict | Re-load batteries to clear memory. |
| No RF signal | Transmitter is not synced to receiver | Sync transmitter to receiver (pg 8). |
| No RF signal | Receiver is out of range | Reduce the distance. |
| RF signal is weak | Antennas may not be connected correctly | Adjust antennas or use remote antennas. |
| RF signal is weak | Possible frequency interference from another wireless device | Re-Scan and Sync to another frequency (pg 8) or try a lower power setting (pgs 14, 22). |
| No AF | Transmitter muted | Check transmitter ON/OFF button. |
| No AF | Transmitter battery low or dead | Replace battery. |
| No AF | Receiver not hooked up properly | Check cable connections on both receiver and console, and check cable continuity. |
| AF Signal distorted | Transmitter sensitivity setting is too high | Reduce output level on transmitter (pgs 14, 21) or reposition microphone. |
| AF Signal distorted | Receiver level too high | Change gain level of receiver (pg 17). |
Group/Channel Charts
R61 and R62 Group/Channel Chart
| CHANNEL | GROUP 1 | GROUP 2 | GROUP 3 | GROUP 4 | GROUP 5 | GROUP 6 | GROUP 7 | GROUP 8 | GROUP 9 | GROUP 10 |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 583.475 | 585.575 | 584.500 | 584.675 | 584.400 | 584.825 | 583.350 | 584.675 | 585.375 | 584.400 |
| 2 | 583.075 | 584.850 | 578.125 | 582.600 | 582.350 | 579.125 | 581.600 | 582.600 | 584.500 | 582.350 |
| 3 | 582.450 | 559.600 | 571.450 | 579.400 | 581.475 | 578.625 | 573.825 | 581.750 | 581.150 | 581.475 |
| 4 | 581.625 | 558.975 | 565.600 | 571.600 | 579.125 | 574.475 | 572.800 | 579.400 | 580.600 | 579.125 |
| 5 | 580.500 | 557.750 | 564.975 | 570.975 | 577.600 | 567.550 | 571.550 | 578.375 | 579.200 | 578.100 |
| 6 | 579.575 | 557.025 | 564.150 | 570.150 | 576.975 | 566.000 | 570.775 | 577.150 | 578.125 | 577.100 |
| 7 | 578.350 | 555.675 | 563.025 | 569.750 | 576.150 | 561.100 | 569.050 | 576.650 | 577.450 | 576.375 |
| 8 | 545.625 | 554.650 | 561.675 | 569.025 | 575.025 | 557.075 | 565.700 | 575.300 | 576.100 | 575.850 |
| 9 | 544.500 | 541.475 | 560.125 | 567.675 | 573.675 | 555.300 | 561.075 | 574.450 | 575.250 | 574.825 |
| 10 | 543.575 | 541.075 | 547.475 | 566.125 | 572.125 | 553.625 | 553.600 | 571.450 | 572.250 | 573.475 |
| 11 | 542.350 | 540.450 | 547.075 | 554.125 | 553.300 | 547.350 | 552.975 | 564.700 | 565.500 | 572.850 |
| 12 | 535.075 | 539.625 | 546.450 | 549.675 | 551.625 | 543.475 | 552.150 | 562.600 | 563.400 | 570.050 |
| 13 | 533.625 | 538.500 | 542.850 | 548.650 | 544.925 | 542.400 | 551.750 | 561.050 | 561.850 | 564.525 |
| 14 | 531.575 | 537.575 | 535.475 | 548.125 | 541.600 | 538.350 | 551.025 | 556.275 | 557.075 | 562.450 |
| 15 | 530.850 | 536.850 | 534.450 | 529.475 | 540.450 | 535.500 | 527.625 | 553.450 | 554.250 | 560.575 |
| 16 | 536.350 | 532.500 | 529.075 | 527.325 | 533.950 | 526.500 | 549.700 | 550.500 | 551.725 | 551.725 |
| 17 | 530.350 | 528.450 | 526.075 | 528.075 | 525.575 | 548.775 | 547.875 | 550.500 | 550.500 | 550.500 |
| 18 | 524.850 | 525.525 | 526.375 | 523.475 | 547.325 | 546.425 | 549.575 | 549.575 | 549.575 | 549.575 |
| 19 | 524.350 | 524.525 | 525.800 | 523.075 | 544.700 | 545.500 | 548.125 | 548.125 | 548.125 | 548.125 |
| 20 | 522.100 | 522.450 | 543.475 | 541.750 | 545.500 | 545.500 | 545.500 | 545.500 | 545.500 | 545.500 |
| 21 | 534.625 | 538.925 | 544.275 | 544.275 | 544.275 | 544.275 | 544.275 | 544.275 | 544.275 | 544.275 |
| 22 | 532.750 | 537.475 | 535.425 | 535.425 | 535.425 | 535.425 | 535.425 | 535.425 | 535.425 | 535.425 |
| 23 | 530.675 | 534.150 | 533.550 | 533.550 | 533.550 | 533.550 | 533.550 | 533.550 | 533.550 | 533.550 |
| 24 | 530.250 | 532.600 | 531.475 | 531.475 | 531.475 | 531.475 | 531.475 | 531.475 | 531.475 | 531.475 |
| 25 | 525.150 | 530.500 | 531.050 | 531.050 | 531.050 | 531.050 | 531.050 | 531.050 | 531.050 | 531.050 |
| 26 | 522.350 | 528.100 | 525.950 | 525.950 | 525.950 | 525.950 | 525.950 | 525.950 | 525.950 | 525.950 |
| 27 | 523.750 | 523.150 | 523.150 | 523.150 | 523.150 | 523.150 | 523.150 | 523.150 | 523.150 | 523.150 |
| 28 | 522.525 | 522.525 | 522.525 | 522.525 | 522.525 | 522.525 | 522.525 | 522.525 | 522.525 | 522.525 |
*NOTE: Frequencies in the above chart may be selected by changing "Group" and "Channel" options from the menu (pg 16).
International E Frequency Group/Channel Chart
Audix offers wireless systems that work with the international free frequency (823 – 832 MHz and 863 – 865 MHz).
| CHANNEL | GROUP 1 | GROUP 2 | GROUP 3 | GROUP 4 | GROUP 5 | GROUP 6 | GROUP 7 | GROUP 8 | GROUP 9 | GROUP 10 |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 823.625 | 823.825 | 823.175 | 827.450 | 823.500 | 823.250 | 824.025 | 824.975 | 823.000 | 823.975 |
| 2 | 828.275 | 825.000 | 827.200 | 828.575 | 824.500 | 823.750 | 826.225 | 826.025 | 824.225 | 825.775 |
| 3 | 829.100 | 825.575 | 827.825 | 829.250 | 825.750 | 825.250 | 826.975 | 828.000 | 824.975 | 828.625 |
| 4 | 830.225 | 826.550 | 829.375 | 830.275 | 827.250 | 826.500 | 829.300 | 828.700 | 828.000 | 829.500 |
| 5 | 830.625 | 827.075 | 829.875 | 830.700 | 828.250 | 827.500 | 829.700 | 829.100 | 829.100 | 831.900 |
| 6 | 831.625 | 829.700 | 830.625 | 831.725 | 863.150 | 828.250 | 829.100 | 829.100 | 831.900 | 863.475 |
| 7 | 863.400 | 831.500 | 863.625 | 863.625 | 863.550 | 863.125 | 863.525 | 863.550 | 863.125 | 863.900 |
| 8 | 863.825 | 863.350 | 864.350 | 864.325 | 864.600 | 863.525 | 864.175 | 864.175 | 863.525 | 864.550 |
| 9 | 864.625 | 863.900 | 864.875 | 864.175 | 864.625 | 864.600 | 864.175 | 864.600 | 864.175 | 864.175 |
| 10 | 864.875 | 864.625 | 864.625 | 864.625 | 864.625 | 864.625 | 864.625 | 864.625 | 864.625 | 864.625 |
