Line 6 HX One Owner's Manual
Rev B (For use with HX One Firmware 1.00)
Introduction and Compliance
Supplier's Declaration of Conformity (47 CFR § 2.1077 Compliance Information)
Unique Identifier: Line 6® HX® One
Responsible Party - U.S. Contact Information:
Yamaha Guitar Group, Inc.
26580 Agoura Road
Calabasas, CA 91302-1921
(818) 575-3600
https://line6.com/
FCC Compliance Statement: This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.
© 2023 Yamaha Guitar Group, Inc. All rights reserved.
Trademarks: Line 6, the Line 6 logo, Helix, HX, HX Effects, M13, M9, M5, DL4, DM4, MM4, and FM4 are trademarks or registered trademarks of Yamaha Guitar Group, Inc. Apple, Mac, macOS, iPad, and iPhone are trademarks of Apple, Inc. Windows is a registered trademark of Microsoft Corporation.
The Model and Serial numbers can be found on the product label. Please record these numbers below and retain this document for your records.
Model Number: ________________________________
Serial Number: ________________________________
Welcome
"Another Manual?"
The Line 6® HX® One is designed for simplicity, but this manual provides comprehensive details. Online videos are available at line6.com/meet-hx-one.
"Alrighty then..."
The HX One features a vast collection of effects models. It is recommended to read the included HX One Cheat Sheet and the "Quick Start" chapter. Additional video tutorials are available at line6.com/videos.
What's In the Box?
- Line 6® HX® One effects device
- HX One Cheat Sheet
- 9VDC, 500mA power adapter
- Adhesive rubber feet
- Registration, Safety & Compliance, and Warranty documentation
Common Terminology
Model: Refers to each effect that can be loaded. HX One includes over 250 effects models.
Preset: Consists of the currently loaded model, its title, parameter settings, and footswitch & controller assignments.
Controller: Used for real-time parameter adjustment (e.g., expression pedal, MIDI keyboard).
Send/Return Jacks: Used to insert other stompboxes or connect to an amplifier via the "4-Cable Method".
Installing Adhesive Rubber Feet
- Clean the surface with a mild solvent (e.g., isopropyl alcohol).
- Apply when chassis and environment are at room temperature (approx. 70°F / 21°C).
- Peel from backing and press firmly for several seconds. Allow up to 72 hours for adhesive to fully bond.
Updating HX One Firmware
It is recommended to check for and install firmware updates using the free Line 6 Central application, available at line6.com/software. Connect HX One via USB, launch Line 6 Central, and follow the on-screen instructions.
Manage, Backup, & Restore HX One
The free Line 6 HX One Librarian app (line6.com/software) is an indispensable tool for managing, backing up, and restoring presets, settings, and user model defaults.
Top Panel
The top panel features a display screen, three control knobs (Knobs 1-3) above the screen, an EFFECT knob, and two footswitches (HOME | SAVE and ON | TAP | FLUX).
- Display: Shows the current effect, parameters, and other views.
- Knobs 1-3: Adjust the three parameters shown on the display. Press to reset to default. Use < and PAGE buttons to navigate parameter pages.
- EFFECT Knob: Scrolls through and loads effects models. Push and hold to select categories. Press and hold to enter Settings View.
- < PAGE / PAGE >: Navigate parameter pages. Press both to access Reset Factory Defaults and User Defaults.
- HOME | SAVE: Returns to Home View. Press and hold to enter Preset Save View.
- ON: Toggles the current effect enabled or bypassed. The ON LED indicates status.
- TAP | FLUX: Sets BPM for tempo-based effects. Press and hold to engage FLUX Mode. Press and hold both ON and TAP|FLUX for 2 seconds to access the Tuner.
Preset Mode Switching
Press and release both ON and TAP|FLUX switches to enter Preset Mode. Use ON or TAP|FLUX to load presets, or turn the EFFECT knob to scroll through the list.
Rear Panel
The rear panel features IN L/MONO, RIGHT (RETURN) jacks, OUT L/MONO, RIGHT (SEND) jacks, a DC IN power connector, and a USB port.
- NOTE: Default I/O Config is Stereo. "Insert" mode allows OUT-RIGHT/IN-RIGHT for a mono effects loop.
- 8. INPUT L/MONO, RIGHT: Connect guitar, bass, or mono/stereo pedals.
- 9. OUTPUT L/MONO, RIGHT: Connect to amp or other pedals. L/MONO for mono output.
- 10. DC In: Connect the included 9VDC, 500mA power adapter.
- 11. USB: Connect to computer for HX One Librarian and Line 6 Central software. Also supports USB MIDI.
Left Panel
The left panel features MIDI IN and OUT/THRU jacks.
- 12. MIDI IN, OUT/THRU: Connect to MIDI gear for program changes, controllers, and MIDI Clock. Also supports USB MIDI.
Right Panel
The right panel features an EXP PEDAL | FS 3/4 jack.
- 13. EXP PEDAL | FS 3/4: Connect an expression pedal or dual footswitch.
Quick Start
Setup Examples
In Front of Your Amp
Diagram description: Guitar connects to HX One's IN L/MONO. HX One's OUT L/MONO connects to Amp's Input. Optional stereo output connects to a second amp. Optional pedals can be placed before or after HX One.
- Enter Settings View (hold EFFECT knob), set I/O Config to "Stereo".
- Connect guitar to HX One's IN - L/MONO.
- Connect HX One's OUT - L/MONO to amp's input. (Using OUT-RIGHT provides stereo).
In Your Amp's Effects Loop
Diagram description: Guitar connects to Amp's Input. Amp's FX SEND connects to HX One's IN L/MONO. HX One's OUT L/MONO connects to Amp's FX RETURN. Optional pedals can be placed before or after HX One.
- Enter Settings View, set I/O Config to "Stereo".
- Connect guitar to amp's input.
- Connect amp's FX SEND to HX One's IN - L/MONO.
- Connect HX One's OUT - L/MONO to amp's FX RETURN.
4-Cable Method
Diagram description: Guitar connects to HX One's IN L/MONO. HX One's OUT RIGHT (SEND) connects to Amp's Guitar Input. Amp's FX SEND connects to HX One's IN RIGHT (RETURN). HX One's OUT L/MONO connects to Amp's FX Loop Return.
- Enter Settings View, set I/O Config to "Insert".
- Connect guitar to HX One's IN - L/MONO.
- Connect HX One's OUT - RIGHT (SEND) to amp's Guitar Input.
- Connect amp's FX SEND to HX One's IN - RIGHT (RETURN).
- Connect HX One's OUT - L/MONO to amp's FX Loop Return.
- In Settings View, configure "Insert Position" (Pre/Post) for the current preset.
Enabling and Bypassing HX One
Press the ON switch to toggle the effect. The ON LED indicates status (bright when enabled, dim when bypassed). HX One offers Buffered DSP Bypass (default) and True Bypass.
ON LED Colors
The ON LED color indicates the effect category:
- Orange: Distortion
- Yellow: Dynamic, EQ
- Blue: Modulation
- Green: Delay
- Dark Orange: Reverb
- Purple: Pitch, Filter/Wah
- White: Looper
Choosing an Effect
To select a model within the current category, turn the EFFECT knob. To browse categories, push and hold the EFFECT knob while turning.
- Push and hold EFFECT knob to browse categories. Release to select a category.
- Within the category's list, turn EFFECT knob to choose an effect and press to load it.
- From Home View, press EFFECT knob to show the Category List.
- Use the < PAGE button to return to the Category list.
Editing the Current Effect
1. Press HOME to display the effect and its parameters. Use Knobs 1-3 to edit the three shown parameters.
2. Use < or PAGE buttons to access other parameter pages.
3. Save settings as a preset to retain them.
SHORTCUTS: Press knobs to toggle ms/Hz or note divisions for time-based parameters. Press knobs to reset to default.
Note: HX One restores the last bypass state and edited parameters upon power-up (if powered off for 3+ seconds).
Saving a Model's User Default Settings
To save custom settings for a model:
- Load an effect and tweak its parameters.
- Press both < and PAGE buttons, then press Knob 3 to set User Default.
- To restore factory defaults, go to the User Default screen and press Knob 2.
Preset Mode
Access HX One's 128 preset locations by entering Preset Mode.
- Press and release ON and TAP|FLUX switches to enter Preset Mode.
- Use TAP|FLUX or ON to load next/previous presets. Turn EFFECT knob to scroll.
TIP: Presets can also be recalled via MIDI.
Saving/Naming a Preset
- Press and hold HOME for 1 second to enter Save Preset View.
- To save without renaming, skip to Step 5.
- To rename: Use < and PAGE to move cursor, EFFECT knob to cycle characters (A, a, 0, SPACE). Knob 2 deletes characters.
- To save to a different location: Turn Knob 1 (Destination).
- Press Knob 3 (Save) or hold HOME to save and overwrite.
Setting a TAP Tempo
The TAP|FLUX switch can be configured for TAP Tempo (red LED) or FLUX (white LED).
Press the TAP switch repeatedly to set BPM. The TAP LED flashes red.
Parameters like Delay Time can sync to TAP Tempo note values.
TIP: Settings View allows configuring TAP Tempo as Per Preset or Global, and syncing to MIDI Clock.
Using the Tuner
Access the chromatic tuner by pressing and holding both ON and TAP|FLUX switches for two seconds.
- Pluck a string. The tuner displays the target note and indicates if flat or sharp.
- Tune until the "needle" is centered and both ON and TAP|FLUX LEDs are green.
- Press HOME or either footswitch to exit.
Note: Output is muted by default. Reference pitch is 440Hz, adjustable in Settings View.
Effects
The HX One includes over 250 effects models from Line 6's HX Effects, DL4, DM4, MM4, FM4, M13, M9, and M5 devices. Effects are organized by category.
Most HX One effects are stereo, except for polyphonic pitch models and mono Loopers. Stereo operation requires both IN and OUT jacks to be used (unless I/O Config is set to "Insert").
TIP: Connecting only L-MONO OUT results in mono output.
Turn EFFECT knob to load models, or push and hold to select categories.
Effects Models - Reference Tables
The following tables list effects models by category:
Distortion
Model | Based On* |
---|---|
Valve Driver | Chandler Tube Driver |
Top Secret OD | DOD® OD-250 |
Scream 808 | Ibanez® TS808 Tube Screamer® |
Pillars | Earthquaker Devices® Plumes |
Hedgehog D9 | MAXON® SD9 Sonic Distortion |
Stupor OD | BOSS® SD-1 Overdrive |
Deez One Vintage | BOSS DS-1 Distortion (Made-in-Japan) |
Deez One Mod | BOSS DS-1 Distortion (Keeley modded) |
Ratatoullie Dist | Pro Co RAT (with LM308 opamp) |
Vermin Dist | Pro Co RAT |
Vital Dist | Earthquaker Devices Life - Octave/Distortion circuit |
Vital Boost | Earthquaker Devices Life - Boost circuit |
KWB | Benadrian Kowloon Walled Bunny Distortion |
Legendary Drive | Carvin® VLD1 Legacy Drive (hi gain channel) |
Swedish Chainsaw | BOSS HM-2 Heavy Metal Distortion (MIJ) |
Arbitrator Fuzz | Arbiter® Fuzz Face® |
Pocket Fuzz | Jordan Boss Tone Fuzz |
Bighorn Fuzz | '73 Electro-Harmonix® Ram's Head Big Muff Pi |
Triangle Fuzz | Electro-Harmonix Big Muff Pi |
Dark Dove Fuzz | Electro-Harmonix Russian Big Muff Pi |
Ballistic Fuzz | Euthymia ICBM Fuzz |
Industrial Fuzz | Z.Vex Fuzz Factory |
Tycoctavia Fuzz | Tycobrahe® Octavia |
Wringer Fuzz | Garbage's modded BOSS FZ-2 |
Thrifter Fuzz | Line 6 Original |
Xenomorph Fuzz | Subdecay Harmonic Antagonizer |
Megaphone | Megaphone |
Bitcrusher | Line 6 Original |
Ampeg Scrambler | Ampeg® Scrambler Bass Overdrive |
ZeroAmp Bass DI | Tech 21® SansAmp Bass Driver DI V1 |
Obsidian 7000 | Darkglass® Electronics Microtubes® B7K Ultra |
Clawthorn Drive | Wounded Paw Battering Ram |
Dynamics
Model | Based On* |
---|---|
Deluxe Comp | Line 6 Original |
Red Squeeze | MXR Dyna Comp |
Kinky Comp | Xotic SP Compressor |
Ampeg Opto Comp | Ampeg Opto Comp compressor |
Rochester Comp | Ashly® CLX-52 (in conjunction w/ B. Sheehan) |
LA Studio Comp | Teletronix® LA-2A® |
3-Band Comp | Line 6 Original |
Noise Gate | Line 6 Original |
Hard Gate | Line 6 Original |
EQ
Model | Based On* |
---|---|
Simple EQ | Line 6 Original |
Low and High Cut | Line 6 Original |
Low/High Shelf | Line 6 Original |
Parametric | Line 6 Original |
Tilt | Line 6 Original |
10 Band Graphic | MXR 10-Band Graphic EQ |
Cali Q Graphic | MESA/Boogie Mark IV Graphic EQ |
Acoustic Sim | Line 6 Original |
Modulation
Model | Based On* |
---|---|
Optical Trem | Fender® optical tremolo circuit |
60s Bias Trem | Vox AC-15 Tremolo |
Tremolo/Autopan | BOSS PN-2 |
Harmonic Tremolo | Line 6 Original |
Bleat Chop Trem | Lightfoot Labs Goatkeeper |
Script Mod Phase | MXR Phase 90 |
Pebble Phaser | Electro-Harmonix Small Stone |
Ubiquitous Vibe | Shin-ei Uni-Vibe® |
FlexoVibe | Line 6 Original |
Deluxe Phaser | Line 6 Original |
Gray Flanger | MXR 117 Flanger |
Harmonic Flanger | A/DA Flanger |
Courtesan Flange | Electro-Harmonix Deluxe EM |
Dynamix Flanger | Line 6 Original |
Chorus | Line 6 Original |
70s Chorus | BOSS CE-1 |
PlastiChorus | Modded Arion SCH-Z chorus |
Ampeg Liquifier Chorus | Ampeg Liquifier Chorus |
Trinity Chorus | Dytronics® Tri-Stereo Chorus |
4-Voice Chorus | Line 6 Original |
Bubble Vibrato | BOSS VB-2 Vibrato |
Vibe Rotary | Fender Vibratone |
122 Rotary | Leslie® 122 |
145 Rotary | Leslie 145 |
Triple Rotary | Yamaha® RA-200 |
Retro Reel | Line 6 Original |
Double Take | Line 6 Original |
AM Ring Mod | Line 6 Original |
Pitch Ring Mod | Line 6 Original |
Poly Detune (mono)+ | Line 6 Original |
Pattern Tremolo | Line 6 Original |
Panner | Line 6 Original |
Bias Tremolo | 1960 Vox AC-15 Tremolo |
Opto Tremolo | 1964 Fender Deluxe Reverb® |
Script Phase | MXR Phase 90 (script logo version) |
Panned Phaser | Ibanez Flying Pan |
Barberpole | Line 6 Original |
Dual Phaser | Mu-Tron® Bi-Phase |
U-Vibe | Shin-ei Uni-Vibe |
Phaser | MXR Phase 90 |
Pitch Vibrato | BOSS VB-2 |
Dimension | Roland Dimension D |
Analog Chorus | BOSS CE-1 |
Tri Chorus | Dytronics Tri-Stereo Chorus |
Analog Flanger | MXR Flanger |
Jet Flanger | A/DA Flanger |
AC Flanger | MXR Flanger |
80A Flanger | A/DA Flanger |
Frequency Shift | Line 6 Original |
Ring Modulator | Line 6 Original |
Rotary Drum | Fender Vibratone |
Rotary Drum/Horn | Leslie 145 |
Tape Eater | Line 6 Original |
Warble-Matic | Line 6 Original |
Random S&H | Line 6 Original |
Sweeper | Line 6 Original |
Delay
Model | Based On* |
---|---|
Simple Delay | Line 6 Original |
Mod/Chorus Echo | Line 6 Original |
Dual Delay | Line 6 Original |
Multitap 4 | Line 6 Original |
Multitap 6 | Line 6 Original |
Ping Pong | Line 6 Original |
Sweep Echo | Line 6 Original |
Ducked Delay | TC Electronic® 2290 |
Reverse Delay | Line 6 Original |
Vintage Digital | Line 6 Original |
Vintage Swell | Line 6 Original |
Pitch Echo | Line 6 Original |
Transistor Tape | Maestro Echoplex EP-3 |
Cosmos Echo | Roland RE-201 Space Echo |
Harmony Delay | Line 6 Original |
Bucket Brigade | BOSS DM-2 |
Adriatic Delay | BOSS DM-2 w/ Adrian Mod |
Adriatic Swell | Line 6 Original |
Elephant Man | Electro-Harmonix Deluxe Memory Man |
Multi Pass | Line 6 Original |
Heliosphere | Line 6 Original |
Glitch Delay | Line 6 Original |
Euclidean Delay | Line 6 Original |
ADT | Line 6 Original |
Crisscross | Line 6 Original |
Tesselator | Line 6 Original |
Ratchet | Line 6 Original |
Poly Sustain (mono)+ | Line 6 Original |
Ping Pong | TC Electronic 2290 |
Dynamic | TC Electronic 2290 |
Stereo | Line 6 Original |
Digital | Line 6 Original |
Dig w/Mod | Line 6 Original |
Reverse | Line 6 Original |
Lo Res | Line 6 Original |
Tube Echo | Maestro Echoplex EP-1 |
Tape Echo | Maestro Echoplex EP-3 |
Sweep Echo | Line 6 Original |
Echo Platter | Binson® EchoRec® |
Analog Echo | BOSS DM-2 |
Analog w/Mod | Electro-Harmonix Deluxe Memory Man |
Auto-Volume Echo | Line 6 Original |
Multi-Head | Roland RE-101 Space Echo |
Bubble Echo | Line 6 Original |
Phaze Eko | Line 6 Original |
Reverb
Model | Based On* |
---|---|
Dynamic Hall | Line 6 Original |
Dynamic Plate | Line 6 Original |
Dynamic Room | Line 6 Original |
Dynamic Ambience | Line 6 Original |
Shimmer | Line 6 Original |
Hot Springs | Line 6 Original |
Glitz | Line 6 Original |
Looper
HX One offers two looper types: Simple and Shuffling, available in Mono or Stereo.
Model | Max. Loop Length |
---|---|
Simple Looper M (mono) | 60 seconds* |
Simple Looper S (stereo) | 30 seconds* |
Shuffling M (mono) | 60 seconds |
Shuffling S (stereo) | 30 seconds |
For full stereo Looper operation: Select a stereo looper, set I/O Config to "Stereo", connect stereo inputs to IN - L/MONO and RIGHT, and connect stereo outputs from OUT - L/MONO and RIGHT.
Note: When I/O Config is set to "Insert", Looper recording and playback are mono. Recorded loops are discarded when changing presets or powering off.
TIP: Simple Looper can sync to MIDI for Full-Speed/Half-Speed control.
Using the Simple Looper
The Simple Looper is designed for quick idea capture or jam tracks.
- Press and turn the EFFECT knob, select the Looper category, and choose the Simple Looper (mono or stereo) from the Effect list.
- To start recording, press and release the ON switch (LED turns red).
- Press ON again to stop recording and start playback (LED turns green).
- Press ON again to enter Overdub mode (LED turns amber).
- Press and hold ON for 1 second to Undo the most recent recording. Hold again to Redo.
- Quickly double-press ON to stop playback/recording (LED bright white).
- Press and hold ON for 1 second to delete the recording (LED dim white).
Using the Shuffling Looper
The Shuffling Looper chops, randomizes, and reorders loop slices.
- Select the Shuffling Looper (mono or stereo) from the Looper category.
- Turn knob 1 (Slices) to set the number of slices.
- Press ON to begin recording (LED red).
- Press ON again to stop recording and start playback (LED green).
- Adjust Shuffling Looper parameters (Slices, SeqLength, Shuffle, Octave, Reverse, Repeat, Smooth, Drift, Playback, Low Cut, Hi Cut) or assign them to Expression/FLUX controllers.
- While playing, press ON to randomize the slice sequence.
- Quickly double-press ON to stop playback/recording (LED white).
- Press and hold ON to delete the recording (LED dim white).
U.S. Registered Trademarks
All product names are trademarks of their respective owners. Line 6 and Yamaha Guitar Group are not affiliated with them. These trademarks identify products whose tones and sounds were studied by Line 6.
Key Trademarks Mentioned: Arbiter, Ashly, Binson, BOSS, Roland, Carvin, Colorsound, Cry Baby, Dunlop, Fuzz Face, MXR, Uni-Vibe, Darkglass, Microtubes, Digitech Whammy, DOD, EarthQuaker Devices, EBS, EchoRec, Electrix, Electro-Harmonix, Eventide, Fender, Fulltone, Gibson, Maestro, Heil Sound, Ibanez, Klon, Korg, Leslie, MAXON, Mesa/Boogie, Moog, Moogerfooger, Musitronics, Mu-Tron, RMC, TC Electronic, Tech21, Timmy, Tube Screamer, Tycobrahe, Vox, Way Huge, Xotic, Yamaha.
Expression Pedal, FLUX Mode, & Footswitch Setup
HX One supports external controllers for added performance control. Use an expression pedal (e.g., for Wah or Pitch Wham), or configure a footswitch for FLUX Mode to "ramp" between parameter values.
TIP: HX One also supports MIDI control for many parameters.
"So what is this Expression and FLUX Mode stuff all about?"
The concept is to assign a parameter (e.g., Delay's Feedback) a Min and Max value, which can be remotely controlled by an expression pedal or the TAP|FLUX switch (or assigned external footswitches).
Using an expression pedal: Min value at heel position, Max at toe position, allowing real-time sweeping.
Using the FLUX switch: Press-hold TAP|FLUX to enter FLUX Mode (LED white). Toggling the switch recalls Min/Max values. Configure "OnTime" and "OffTime" to set ramp duration and shape.
- The first toggle ramps from Min to Max. Adjust "OnTime" and "OnCurv" for duration and curve shape.
- The next toggle ramps from Max to Min. Adjust "OffTime" and "OffCurv" for duration and curve shape.
- External footswitches can be configured for "Ramp" to toggle assigned parameters.
- Multiple parameters can be controlled simultaneously. Assignments are saved per preset.
Connecting an Expression Pedal and Footswitches
Choose your setup: expression pedal only, pedal + single footswitch, or two footswitches. Configure HX One's Settings View options accordingly.
NOTE: Expression pedals and footswitches are sold separately. Momentary (non-latching) footswitches are recommended.
TS versus TRS Cable Types
TS (Tip-Sleeve): Two conductors (Tip, Sleeve).
TRS (Tip-Ring-Sleeve): Three conductors (Tip, Ring, Sleeve).
The EXP PEDAL jack is TRS. It accepts a TS cable for a single expression pedal or a TRS cable for a dual-footswitch. A TS cable for an expression pedal and a TS cable for a footswitch can be connected simultaneously using a dual TS-to-TRS splitter.
Connecting an Expression Pedal
Use a TS instrument cable. Set "Settings View" - Pedal Jack option to "ExpFS4" for proper operation.
Connecting an Expression Pedal and a Footswitch
Use a dual TS-to-TRS splitter. Connect the expression pedal to the "Tip" and the footswitch to the "Ring" leads.
Connecting Two Footswitches
Use either a dual-footswitch (TRS cable) or two individual footswitches (TS cables).
For dual-footswitch (TRS-TRS): Connect to the EXP FS 3/4 jack.
For two individual footswitches (dual TS-to-TRS splitter): Connect to the EXP FS 3/4 jack.
Configure "Settings View" - Pedal Jack to "Fs3/4". Use "FS3 Func" and "FS4 Func" options to choose functions like "TAP", "FLUX", or "Prev/Next".
Creating Expression/FLUX Assignments
Customize pedal/footswitch assignments for each preset.
TIP: Wah, Pitch Wham, and Poly Wham models default to assigning their Position parameter to Expression/FLUX.
- To create an assignment: Press and hold the parameter's Knob for 1 second. Min/Max indicator nodes will appear.
- To customize Min/Max values: Press-hold TAP|FLUX to enter FLUX Mode (LED white). Adjust Min value (LED dim white) and Max value (LED bright white) by turning the parameter knob.
- Move the expression pedal or toggle FLUX switch to test the assignment. The display shows the Min-Max movement.
- Customize control options: Use PAGE buttons to access FLUX parameters (OnTime, OnCurv, OffTime, OffCurv) for ramp duration and slope.
- SAVE your preset to retain assignments and settings.
Tips for Creative Controller Assignment
- Set FLUX "OnTime" and "OffTime" to 0 ms for instant toggling (e.g., solo boost).
- Use longer durations for dramatic ramping effects (e.g., modulation speed, filter sweep).
- Toggle "OnTime" and "OffTime" knobs between ms and note division values to sync timing to TAP tempo.
- Pressing FLUX before a ramp completes reverses direction.
- For psychedelic delay effects, assign Expression/FLUX to increase Delay Feedback and decrease Time.
- Assign Expression/FLUX to Looper parameters for control over playback, overdub volumes, EQ, etc.
Settings View
The Settings View offers "Per Preset" and "Global" options for device configuration.
To access the Settings View:
- Press and hold the EFFECT knob for 1 second.
- Use < or PAGE buttons to navigate pages. Use Knobs 1-3 to edit parameters.
- Press HOME to exit.
Restoring Global Settings
Resetting Global Settings returns all global options to their factory defaults. This does not affect Per Preset settings or saved presets.
- Enter Settings View (hold EFFECT knob).
- Press and hold both < and PAGE buttons for one second.
- Press Knob 3 (OK) to restore, or Knob 1 (Cancel) to exit without restoring.
Setting Proper Levels
Set input and output levels to match your instrument, amp, and pedals for optimal tone and noise performance.
- In Settings View, go to page 3 for Input Level and Output Level parameters.
- Set levels according to the following table:
Parameter | What are you connecting? | Then do this: |
---|---|---|
Input Level | Guitar or bass with passive pickups* | Set to "Instrument" |
Guitar or bass with really loud or active pickups | Set either "Instrument" or "Line" (trust your ears) | |
Keyboard, synth, or drum machine | Set "Line" | |
Output Level | To the instrument input on a guitar or bass amp | Set to "Instrument" |
To the guitar input(s) of a stompbox or other multi-effect | Set to "Instrument" | |
To the instrument-level effects return of a guitar or bass amp for post effects or 4-cable method | Set to "Line" | |
To the inputs of a studio rack effect or mixer | Set to "Line" |
*TIP: Experiment with the "Input Z" parameter (page 2 of Settings View) to optimize tone and feel.
Settings View Options
Page | Knob | Parameter | Values | Default | Applied | Description |
---|---|---|---|---|---|---|
1 | 1 | Input Gate | Off, On | Off | Choose to set the HX One Input Gate bypassed or enabled for the current preset. | |
1 | 2 | Gate Threshold | -96.0dB~0.0dB | -48.0dB | Per Preset | Set the input level at which the Gate acts on your input signal. If your input gets cut off too abruptly, turn the Threshold up. |
1 | 3 | Gate Decay | 10ms~1.000 sec. | 500ms | Set how abruptly the Gate is applied to reduce low level noise once the signal drops below the threshold level. | |
1 | Input Z | Auto, 10kΩ, 22kΩ, 32kΩ, 70kΩ, 90kΩ, 136kΩ, 230kΩ, 1MΩ | Auto | Per Preset | HX One includes an impedance circuit on its Left and Right inputs that affects tone and feel by loading your guitar's pickups as they would by an effect pedal or amplifier. Choose a lower value to apply some high frequency attenuation, lower gain, and an overall "softer" feel. Choose a higher value for full frequency response, higher gain, and an overall "tighter" feel. Choose the "Auto" option to allow the impedance to match the input impedance of the currently loaded effect model. | |
2 | 1 | I/O Config | Stereo, Insert | Stereo | Global | Set the preferred stereo or mono configuration for HX One: Choose "Stereo" for discrete left & right stereo signal paths when connecting to both IN and both OUT jacks. Note that if no cable is connected to the OUT - RIGHT jack, your HX One output is folded to mono. Choose "Insert" for Mono In and Out. Optionally, OUT - RIGHT can be used as a mono Send output and IN - RIGHT as a mono return to create an effects loop. When Insert is selected, the following Knob 3 - "Insert Position" option can be used to position the HX One effect model in relation to HX One's effects loop. Also, see "Setup Examples” on page 7. |
2 | 2 | |||||
2 | 3 | Insert Position | Pre/Post | Pre* | Per Preset | Choose whether you want the HX One effects loop positioned before ("Pre") or after ("Post") the current HX One effect model's processing. *NOTE: This option is only available when the preceding Knob 2 - "I/O Config" is set to "Insert." |
3 | 1 | In Level | Instrument, Line | Inst | Set the HX One Inputs for accepting Instrument level (typically best for electric guitar/bass) or Line level (for keyboard, drum machine, etc.) See "Setting Proper Levels" on page 26. | |
3 | 2 | Out Level | Instrument, Line | Inst | Set whether the HX One Outputs signal levels are Instrument (-10dB, best for connecting to the input of another pedal or amplifier) or Line (+4dB, preferable for connecting to the input of outboard gear). See "Setting Proper Levels” on page 26. | |
3 | 3 | Bypass Type | True, DSP | DSP | Global | Select the preferred type of Bypass for HX One: For "True" bypass, your input signal continues to be sent directly through HX One with no A/D/A conversion, and all DSP is bypassed. For "DSP" buffered bypass, your input is sent through the DSP path along with delay/reverb trails, but any further effect processing is bypassed. Any current sustaining delay repeats or reverb tails are allowed to decay naturally. NOTE: If you've set the I/O Config to "Insert," you'll need to set the Bypass Type to "DSP" to allow your signal to continue to be fed through HX One's Send and Return jacks when the device is bypassed. |
Page | Knob | Parameter | Values | Default | Applied | Description |
---|---|---|---|---|---|---|
1 | 1 | Screen Bright | 1~10 | 10 | Set the brightness of the OLED display, with 10 being the brightest setting. | |
4 | 2 | Auto Dim | 30 sec, 1 min, 2 min, 5 min, 10 min, 20 min | 20 min | Global | Configure the display to automatically dim its brightness approximately 50% after the selected time. Turning a knob or pressing a switch or button resets the timer. |
4 | 3 | TAP Flash | Off, On | On | If you'd prefer to not see the red TAP footswitch LED constantly flashing, you can turn it off. | |
1 | Preset Select | Instant, Load | Instant | Global | Set to determine whether the preset instantly loads while scrolling the Preset List (Instant) or loads when exiting the Preset Mode by pressing both the ON and TAP footswitches, HOME button, or EFFECT knob (Load). The "Load" option allows you to effectively "queue" a new effect without having to hear all the presets between the current and target preset. In this case, the queued preset flashes until the selection is engaged | |
5 | 2 | Preset Min | 0-126 | 0 | Set these Min and Max values to specify the range of presets accessible when pressing Preset Mode - Next/Prev preset switches. For example, if Preset Min is "9" and Preset Max is "12," pressing Next repeatedly will cycle 9, 10, 11, 12, 9, 10, 11, 12, 9, etc. All 128 presets are still selectable via the EFFECTS knob; when a preset outside of the selected range is active, pressing Next/Prev will still increment/decrement normally, but once inside the selected range, they will cycle as configured. | |
5 | 3 | Preset Max | 1-127 | 127 | ||
1 | Pedal Jack | ExpFs4, Fs3/4 | ExpFs4 | Configure the device's EXP FS 3\4 jack to accommodate either a single expression pedal or expression pedal + single footswitch (ExpFs4), or two footswitches (Fs3/4). See "Connecting an Expression Pedal and Footswitches" on page 22. | ||
6 | 2 | FS3 Function (Tip) | TAP, FLUX, Previous | Prev* | Global | *NOTE: This parameter is only configurable if the preceding Pedal Jack parameter is set to "Fs3/4." Choose the function of your connected Fs3 switch as a TAP tempo switch ("TAP"), to trigger EXP-assigned parameters with the FLUX feature ("FLUX"), or to load the previous preset ("Prev"). |
6 | 3 | FS4 Function (Ring) | TAP, FLUX, Next | Next | Choose the function of your connected Fs4 switch as a TAP tempo switch ("TAP"), to trigger EXP-assigned parameters with the FLUX feature ("FLUX"), or to load the next preset ("Next"). | |
7 | 1 | Pedal Polarity | Normal, Invert | Normal | If your external expression pedal appears to work backwards--for example, when controlling a Wah the treble boost occurs at heel down rather than toe down--set this polarity to "Invert" to reverse the pedal's behavior. | |
7 | 2 | Pedal Position | Preset, Global | Preset | Global | Set to determine whether the expression pedal position is set per preset or globally. If you want an Expression pedal-assigned parameter to maintain its position when switching presets, set this to "Global." |
7 | 3 | Tempo Pitch | Authentic, Transparent | Auth | Set to determine whether pressing TAP (or changes in incoming MIDI clock) while a synced Delay is selected causes accurate pitch artifacts to be heard (Auth), such as old tape delay units are known for, or minimizes these artifacts (Trans). |
Page | Knob | Parameter | Values | Default | Applied | Description |
---|---|---|---|---|---|---|
1 | MIDI Channel | 1~16, Omni | 1 | Select the MIDI Channel on which HX One receives MIDI messages. Note that MIDI OUT/THRU is always sent on Channel 1. | ||
8 | 2 | MIDI Thru | Off, On | On | Global | When On, MIDI OUT also acts as a MIDI THRU; that is, it passes through any MIDI messages received at the MIDI IN jack or USB MIDI IN. NOTE: Incoming MIDI Clock is always routed to MIDI OUT/THRU and USB MIDI OUT, regardless of this MIDI THRU On/Off setting. |
8 | 3 | MIDI PC Rx | Off, On | On | Set to determine whether HX One will respond to MIDI Program Change 000 to 127 messages (for preset changes) received via MIDI IN or USB. | |
1 | Rx Clock | Off, On, Auto | Auto | Global | Choose if HX One receives and syncs to MIDI Clock messages received via MIDI IN or USB--see "Using MIDI Clock for Tempo Sync" on page 30. When "Off," HX One uses only its internal TAP tempo and ignores any incoming MIDI Clock messages. Note that incoming MIDI Clock is still routed to MIDI THRU. When "On," HX One automatically syncs to incoming MIDI Clock. You cannot enter your own tempo manually via the TAP switch. When set to "Auto," HX One automatically syncs to incoming MIDI Clock tempo, and you can optionally enter your own tempo via the TAP switch. | |
9 | 2 | Tempo | Preset, Global | Preset | Choose whether your TAP tempo is applied (and saved & recalled) with the current preset or globally. | |
9 | 3 | BPM | 20.0~240.0 External | 120.0 | Global* | Choose the TAP tempo rate to which Delay - Time and Modulation - Speed/Rate can sync. When HX One is synced to incoming MIDI Clock, "Extrnl" is displayed (and you'll see the TAP LED flashing blue rather than red to indicate the Cock tempo.) *NOTE: The BPM's Per Preset vs. Global behavior is determined by the preceding Tempo option's setting, which is Global by default. |
1 | Tuner Reference | 425Hz~455Hz | 440Hz | If you prefer to calibrate the tuner to reference pitch other than the standard 440Hz, you can change it with this setting. (And no, we're not taking sides in the 432Hz vs. 440Hz debate!) | ||
10 | 2 | Tuner Audio | Mute, Dry, Effect | Mute | Global | Choose what is heard from HX One's Outputs when the Tuner is engaged. "Mute" - all output is muted "Dry" - your unprocessed input signal is heard. "Effect" - your HX One current effect model's processed signal is heard. |
10 | 3 | Tuner b/# | > (flat), # (sharp) | b (flat) | Choose whether the note display indicates pitches expressed as "> (flat)" or "# (sharp)." |
MIDI
HX One receives MIDI messages via 5-pin MIDI In and USB, enabling control of presets, parameters, Looper, and MIDI Clock tempo sync. USB MIDI is compatible with Mac & Windows computers.
- Connect MIDI OUT from your controller to HX One's MIDI IN for response to PC, Note On, MIDI CC, and MIDI Clock messages.
- Connect HX One's MIDI OUT/THRU to other MIDI gear to pass messages through.
- HX One does not transmit MIDI for its own actions but passes through incoming MIDI control and Clock.
- All MIDI control is global.
- HX One uses MIDI Channel 1 by default, adjustable via "Settings View" - MIDI Channel.
Preset Recall via MIDI Program Change
NOTE: HX One is configured to receive Program Change (PC) messages by default. Set "Settings View" - MIDI PC Rx to "Off" to ignore them.
To recall a preset, send a MIDI Program Change (PC) message (000-127) to HX One.
Using MIDI Clock for Tempo Sync
HX One can receive MIDI Clock via MIDI IN or USB MIDI to sync time-based effects.
- Off: HX One ignores incoming MIDI Clock; TAP tempo is manual.
- Auto: HX One syncs to incoming MIDI Clock (default). TAP LED flashes blue. Tempo can optionally be set manually via TAP switch.
To sync HX One to a source MIDI Clock device:
- Connect source MIDI Clock device's MIDI OUT to HX One's MIDI IN, or USB-connect HX One to your computer and select the HX One USB MIDI port.
- On the source device, set tempo and start MIDI Clock send.
- HX One's TAP LED will flash blue, indicating it is following the received MIDI Clock tempo.
NOTE: Looper playback does not sync to tempo or MIDI Clock.
Controlling HX One Parameters via MIDI
HX One offers pre-configured MIDI CC commands for various functions.
Exp Pedal & Footswitch Emulation - MIDI CC
CC | VALUE | PEDAL/FOOTSWICH/KNOB FUNCTION |
---|---|---|
0 | -- | Reserved |
1 | 0-127 | Emulates ON switch. |
2 | 0-127 | Emulates FLUX switch (TAP Tempo uses CC64). |
3 | 0-127 | Emulates Expression Pedal (when Settings > Pedal Jack is set to "ExpFS4"). |
4 | 0-63: Bypass; 64-127: Engage |
Bypass/Engage (independent of CC1). |
5 | 0-2 | Remote control of HX One's Views (0: Home, 1: Preset List, 2: Tuner). |
93 | 0-127 | Enters Tap Tempo. |
Effect Parameter Control - MIDI CC
CC | VALUE | PARAMETER |
---|---|---|
21 | 0-127 | Parameter 1 |
22 | 0-127 | Parameter 2 |
23 | 0-127 | Parameter 3 |
24 | 0-127 | Parameter 4 |
25 | 0-127 | Parameter 5 |
26 | 0-127 | Parameter 6 |
27 | 0-127 | Parameter 7 |
28 | 0-127 | Parameter 8 |
29 | 0-127 | Parameter 9 |
30 | 0-127 | Parameter 10 |
31 | 0-127 | Parameter 11 |
32 | -- | Reserved |
33 | 0-127 | Parameter 12 |
34 | 0-127 | Parameter 13 |
35 | 0-127 | Parameter 14 |
36 | 0-127 | Parameter 15 |
37 | 0-127 | Parameter 16 |
38 | 0-127 | Parameter 17 |
39 | 0-127 | Parameter 18 |
40 | 0-127 | Parameter 19 |
41 | 0-127 | Parameter 20 |
42 | 0-127 | Parameter 21 |
43 | 0-127 | Parameter 22 |
44 | 0-127 | Parameter 23 |
45 | 0-127 | Parameter 24 |
46 | 0-127 | FLUX - OnTime |
47 | 0-10 | FLUX - OnCurve (0~4: Slow 5 to Slow 1, 5: Linear, 6~10: Fast 1 to Fast 5) |
48 | 0-127 | FLUX > OffTime |
49 | 0-10 | FLUX - OffCurve (0~4: Slow 5 to Slow 1, 5: Linear, 6~10: Fast 1 to Fast 5) |
Effect Parameter Control - MIDI Note On
MESSAGE | PARAMETER |
---|---|
Note C [0] | Toggles Bypass/Enable--Each subsequent press of the key is like pressing the ON switch, bypassing or enabling the current effect model. (Looper models do not respond to this message.) |
Note C# [0] | Enters TAP Tempo--Repeated presses of the key is like presses of the TAP switch, setting the TAP tempo value |
Note D [0] | Engages FLUX--Each subsequent press of the key is like pressing the FLUX switch, triggering the FLUX feature |
NOTE: Line 6 follows Yamaha's MIDI note spec, where middle C is "C3".
Controlling the Simple Looper via MIDI
Control various aspects of the HX One Simple Looper using MIDI CC or MIDI Note On messages.
NOTE: These options are available for the Mono and Stereo Simple Looper.
Simple Looper Control - MIDI CC Messages
CC | VALUE | LOOPER FUNCTION |
---|---|---|
60 | 0-63: Overdub 64-127: Record |
Overdub is enabled only if device is currently playing or recording a loop. Record is enabled only if no loop exists in memory or if playback or recording is stopped. |
61 | 0-63: Stop; 64-127: Play |
Play/Stop |
62 | 64-127 | Play Once (note that values 0-63 do nothing) |
63 | 64-127 | Toggle on each press between Undo and Redo for the most recent overdub recording (note that 0-63 do nothing) |
65 | 0-63: Forward 64-127: Reverse |
Forward/Reverse |
66 | 0-63: Full; 64-127: Half |
Full Speed/Half Speed |
Simple Looper Control - MIDI Note On Messages
MESSAGE | LOOPER FUNCTION |
---|---|
Note C [-1] | Toggles on each press between Record* > Play > Overdub (*Initiates Record only if no loop is currently in memory) |
Note D [-1] | Toggles on each press between Play and Stop |
Note E [1] | Play Once |
Note F [-1] | Record - note that this will clear the current loop, if one exists, and record a new loop |
Note F# [-1] | Toggles on each press between Undo and Redo, for overdub recordings |
Note G [-1] | Overdub |
Note G# [-1] | Toggles on each press between Forward and Reverse |
Note A [-1] | Play |
Note A# [-1] | Toggles on each press between Half Speed and Full Speed |
Note B [-1] | Stop |
NOTE: Line 6 follows Yamaha's MIDI note spec, where middle C is "C3".