DOD LOOKING GLASS OVERDRIVE

[SVN]

Product Overview

The Looking Glass Overdrive is the result of a collaboration between DOD and the boutique pedal company SHOE Pedals. Christopher Venter from SHOE Pedals is known for his unique circuits, a colorful take on classic effects, and minimalist design aesthetics. The collaboration between DOD and SHOE retains all of Christopher's strengths while adding some of the usual tonal appeal with an accessible price point.

Designer's Note

Christopher Venter shares his journey: "Years ago, while living in Brooklyn, I went on a quest to find an overdrive that suited me. Most of these were minor variations of a few classic op-amp models that simply didn't cut it for me. I tried a ridiculous number of pedals and found that none of them fully satisfied me. So, when I initially decided to just make weird experimental fuzz pedals, I decided to break that rule and create a really nice overdrive that I actually wanted to play. After starting with theory and refining it with extensive playing and testing, I came up with the Savior Machine and named it after one of my favorite David Bowie songs."

When DOD asked him to collaborate on a new pedal, he was given the freedom to do what he wanted (within reason). He returned to his roots and designed a wild, high-gain fuzz. While it sounded great, he felt it would only benefit a select few. He wanted to make something for EVERYONE. So, he decided to revisit his original overdrive concept and redesign it with a completely different approach. The result is the Looking Glass. An exceptionally responsive Class A FET design that, he hopes, will give many players satisfaction by feeling like their overdrive rewards their own unique playing style. It's great for blues, but it's also great for hard rock, indie, experimental music, psychedelic music, shoegaze, alternative, punk, bass, etc., etc., etc. The Looking Glass is like a funhouse mirror that allows you to twist and shape your sound in all sorts of ways, while still sounding like your ideal self."

— C.J.M. Venter

Pedal Controls & Layout

The DOD Looking Glass Overdrive features a clean, user-friendly layout with several key controls and indicators:

Pedal Front Panel Description:

Control Explanations:

1. LEVEL

Sets the output level of the effect. It is recommended to lower this when switching to high-gain mode to avoid large volume jumps.

2. GAIN

Controls how easily the pedal is pushed into overdrive. As the Looking Glass rewards dynamic playing, most settings will produce a clean sound with light picking. The highest level of overdrive is achieved by turning this knob up.

3. BASS CUT / TREBLE

BASS CUT: Adjusts the amount of low-end content in the incoming signal (before overdrive). It is recommended to start with this control set at noon and adjust up or down to thicken or clarify the overdrive to your taste. Tip: This control, set to its maximum value, produces a very raw sound.

TREBLE: Adjusts the brightness of the pedal's overdrive sound. Tip: You may want to position this control to be approximately aligned with the Bass Cut knob for a balanced sound. Due to the concentric design of the control element, this is easy to do on the fly. For less neutral sounds, set both indicators differently to create a drive sound that suits you best.

4. INPUT FILTER

This is a variable filter that shapes the tone of the input signal. To better match brighter guitars and reduce the prominence of pick attack, turn this control further left. For a brighter sound with more pronounced attack, turn this knob all the way up. This control will also adjust the midrange content of the signal, making the midrange more pronounced as the knob is turned further left.

5. HIGH/LOW

The Looking Glass offers two different modes of boosting. The LOW mode is used for clean tone shaping, light compression, and low overdrive. The HIGH mode kicks in approximately where the LOW mode leaves off, allowing you to set low to high gain overdrive sounds that remain very touch-sensitive across the entire range.

[?] Note: It is recommended to lower the level when switching between modes to avoid loud volume jumps and noise from re-biasing when the pedal adapts to the new gain setting.

6. INPUT

Connect your instrument here.

7. FOOTSWITCH

Engages and disengages the effect.

8. LED

Illuminates when the effect is engaged.

9. OUTPUT

Connect to the input of the next pedal or the input of your amplifier.

Internal DIP Switches

The Input Filter control is passive and works well with your guitar's electronics when not using a buffer before the Looking Glass. If using buffered pedals before the Looking Glass, you may want to adjust the left DIP switch (1), which slightly increases the pedal's input impedance.

Usage Recommendations

Most guitarists/bassists prefer to place the Looking Glass at the beginning of their effects chain, so start with this placement. A typical effects signal chain would first consist of Overdrive effects, then modulation effects (Chorus, Flanger, Phaser, Tremolo, etc.), and finally time-based effects (Delay and Reverb).

If you place the Looking Glass at the front of your chain, you will preserve its character regardless of the combination of pedals that follow. As mentioned, you can always experiment with different effect placements.

Specifications

Parameter Value
Input 1/4" TS Unbalanced - 260 kΩ (DIP 1 set to on) / 235 kΩ (DIP 1 set to off)
Output 1/4" TS Unbalanced - 1 kΩ
Current Draw 4 mA
Bypass True Bypass
Power 9VDC alkaline battery (not included) / PS0913DC power adapter (optional)
Warranty 1 Year

Safety and Compliance Information

Altitude: This product is intended for use at low altitudes. Do not use this product above 2000 meters (approx. 6560 feet).

Electrical Safety Warnings:

Mains Plug Warning:

Disposal of Equipment:

General Operating Precautions:

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