Behringer Pro Mixer NOX Series Quick Start Guide

Premium 2, 3, 5 and 6-Channel DJ Mixers

Important Safety Instructions

⚠️ CAUTION: RISK OF ELECTRIC SHOCK! DO NOT OPEN!

Step 1: Getting Started (Hook-Up)

Connect all power, audio, and USB connections. Ensure all devices are OFF before starting.

General Steps:

  1. Connect all necessary power, audio, and USB connections. Ensure all devices are OFF.
  2. Lower the MASTER fader/knob, BOOTH, and CUE GAIN controls to their minimum.
  3. Flip the POWER switch ON.
  4. Turn power ON for all other devices.
  5. Start playing audio from your sources.
  6. Raise the MASTER fader/knob halfway to start. Adjust as needed while setting channel levels.
  7. Turn the CUE GAIN knob up about 1/3 of the way. Adjust to desired level as you set channel levels.
  8. Assign a channel to each side of the crossfader using CF ASSIGN knobs (NOX1010) or XFADE (A OFF B) switches (NOX303, 606). Slide the crossfader toward the desired source.
  9. Raise each CHANNEL FADER to the desired level.
  10. Turn each channel's GAIN knob clockwise until the yellow LEDs on the CHANNEL VU METER light.
  11. To preview a channel before adding it to the main mix, press the channel's PFL button. For NOX202/404, engage cue for channels 1 & 2, then use CUE MIX fader to select preview channel.
  12. Use the CROSSFADER to fade between side A and B (or channels 1 and 2).

Hook-up Diagram Descriptions:

Step 2: Controls

Detailed descriptions of controls for Mic Channels, Stereo Channels, FX Section, Crossfader Section, Filter Section (NOX606), FX LOOP/CONTOUR Section (NOX404), Master Section, Rear Panel, and Front Panel.

Mic Channels

Stereo Channels

Crossfader Section

FX Section

Master Section

Rear Panel

Front Panel

FX LOOP/CONTOUR Section (NOX404)

Filter Section (NOX606)

Specifications

Feature NOX1010 NOX202 NOX303 NOX404 NOX606
Mic in40 dB gain, XLR, electronically balanced40 dB gain, TRS, electronically balanced40 dB gain, XLR, electronically balanced40 dB gain, TRS, electronically balanced40 dB gain, XLR, electronically balanced
Phono in----------
Line in0 dB gain, RCA, unbalanced0 dB gain, RCA, unbalanced0 dB gain, RCA, unbalanced0 dB gain, RCA, unbalanced0 dB gain, RCA, unbalanced
Return--6 dB gain, 1/4" TRS, balanced------
Aux/CD in0 dB gain, RCA, unbalanced0 dB gain, RCA, unbalanced0 dB gain, RCA, unbalanced0 dB gain, RCA, unbalanced0 dB gain, RCA, unbalanced
Main out (A)21 dBu max, XLR, balanced21 dBu max, TRS, balanced21 dBu max, XLR, balanced21 dBu max, XLR, balanced21 dBu max, XLR, balanced
Main out B21 dBu max, RCA, unbalanced21 dBu max, RCA, unbalanced21 dBu max, RCA, unbalanced21 dBu max, RCA, unbalanced21 dBu max, RCA, unbalanced
Booth/Amp21 dBu max, RCA, unbalanced21 dBu max, RCA, unbalanced21 dBu max, RCA, unbalanced21 dBu max, RCA, unbalanced21 dBu max, RCA, unbalanced
Record out----------
FX/Aux send0 dBu (dry), 1/4" TRS, balanced21 dBu max, 1/4" TRS, balanced21 dBu max, 1/4" TRS, balanced21 dBu max, 1/4" TRS, balanced21 dBu max, 1/4" TRS, balanced
Phones outmax. 400 mW @ 1 kHz into 75 Ωmax. 400 mW @ 1 kHz into 75 Ωmax. 400 mW @ 1 kHz into 75 Ωmax. 400 mW @ 1 kHz into 75 Ωmax. 400 mW @ 1 kHz into 75 Ω
Crossfader Typeinfinium optical crossfaderinfinium optical crossfaderinfinium optical crossfaderinfinium optical crossfaderinfinium optical crossfader
Stereo low+6 / -31 dB @ 50 Hz+6 / -31 dB @ 50 Hz+6 / -31 dB @ 50 Hz+6 / -31 dB @ 50 Hz+6 / -28 dB @ 50 Hz
Stereo mid (1)+6 / -20 dB @ 1.2 kHz+6 / -20 dB @ 1.2 kHz+6 / -20 dB @ 1.2 kHz+6 / -20 dB @ 1.2 kHz+6 / -30 dB @ 320 Hz
Stereo mid 2--------+6 / -30 dB @ 1.8 kHz
Stereo high+6 / -20 dB @ 10 kHz+6 / -20 dB @ 10 kHz+6 / -20 dB @ 10 kHz+6 / -20 dB @ 10 kHz+6 / -28 dB @ 10 kHz
Mic low12 dB @ 50 Hz12 dB @ 50 Hz12 dB @ 50 Hz12 dB @ 50 Hz15 dB @ 50 Hz
Mic mid (1)--------15 dB @ 250 Hz
Mic mid 2--------15 dB @ 2.5 kHz
Mic high12 dB @ 12 kHz12 dB @ 12 kHz12 dB @ 12 kHz12 dB @ 12 kHz15 dB @ 12 kHz
Kill low---31 dB @ 50 Hz-31 dB @ 50 Hz----
Kill mid---20 dB @ 1.2 kHz-20 dB @ 1.2 kHz----
Kill high---20 dB @ 10 kHz-20 dB @ 10 kHz----
USB Audio ConnectorStereo In/Out Type BStereo In/Out Type BStereo In/Out Type BStereo In/Out Type BStereo In/Out Type B
Converter16-bit16-bit16-bit24-bit Freescale24-bit Delta-Sigma
Sample rate44.1 / 48 kHz44.1 / 48 kHz44.1 / 48 kHz44.1 / 48 kHz44.1 / 48 kHz
DSP----------
A/D - D/A converter----------
Signal-to-noise ratio>88 dB>88 dB>84 dB>84 dB>88 dB
Crosstalk>80 dB>84 dB>84 dB>70 dB>70 dB
Distortion (THD)<0.04% @ 1 kHz<0.04% @ 1 kHz<0.04% @ 1 kHz<0.05% @ 1 kHz<0.05% @ 1 kHz
Frequency response10 Hz - 80 kHz (+0/-3 dB)10 Hz - 80 kHz (+0/-3 dB)10 Hz - 80 kHz (+0/-3 dB)10 Hz - 70 kHz (+0/-3 dB)10 Hz - 60 kHz (+0/-3 dB)
Input gain adjustment46 dB46 dB46 dB44 dB12 dB
Mains voltage100-240 V~, 50/60 Hz100-240 V~, 50/60 Hz100-240 V~, 50/60 Hz100-240 V~, 50/60 Hz100-240 V~, 50/60 Hz
Power consumptionmax. 20 Wmax. 12 Wmax. 18 Wmax. 14 Wmax. 27 W
FuseT 1A H 250 VT 1A H 250 VT 1A H 250 VT 1A H 250 VT 1A H 250 V
Mains connectionStandard IEC receptacleStandard IEC receptacleStandard IEC receptacleStandard IEC receptacleStandard IEC receptacle
Dimensions (H x W x D)108 x 483 x 191 mm100 x 255 x 274 mm108 x 292 x 355 mm108 x 255 x 320 mm108 x 480 x 380 mm
Weight6.8 lbs / 3.1 kg4.8 lbs / 2.2 kg7 lbs / 3.2 kg5.7 lbs / 2.6 kg11.9 lbs / 5.4 kg

Other Important Information

Important Information

FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION

BEHRINGER PRO MIXER NOX202/NOX303/NOX404/NOX606/NOX1010 complies with the FCC rules as mentioned in the following paragraph:

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

This device complies with Part 15 of the FCC rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

Important information: Changes or modifications to the equipment not expressly approved by MUSIC Group can void the user's authority to use the equipment.

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