BEHRINGER XENYX 1002FX/1202FX User's Manual

IMPORTANT SAFETY INSTRUCTIONS

CAUTION: To reduce the risk of electric shock, do not remove the top cover (or the rear section). No user-serviceable parts inside; refer servicing to qualified personnel.

WARNING: To reduce the risk of fire or electric shock, do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping or splashing and no objects filled with liquids, such as vases, shall be placed on the apparatus.

This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosure-voltage that may be sufficient to constitute a risk of shock. ⚡

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DETAILED SAFETY INSTRUCTIONS:

1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in accordance with the manufacturer's instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories specified by the manufacturer.
12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. ⚠️
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
15. CAUTION - These service instructions are for use by qualified service personnel only. To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions unless you are qualified to do so.

FOREWORD

BEHRINGER's founder, Uli Behringer, shares his vision and passion behind the XENYX series of mixing consoles. He emphasizes the commitment to sound quality, reliability, and ease of use, aiming to push the boundaries of technical feasibility. The design, circuit diagrams, PCB development, and mechanical concepts are his own work, with careful component selection to maximize performance. The goal was to create mixing consoles that empower users' creativity, offering incredible performance, intuitive operability, flexible routing, and a wealth of functions. Innovative technologies like the XENYX Mic Preamps and "British" EQs ensure optimum sound quality and reliability, even under extreme loads. BEHRINGER's focus on the end-user is evident in the passion and attention to detail invested in these products.

Thank you for choosing a XENYX mixing console.

1. INTRODUCTION

Congratulations on purchasing the BEHRINGER XENYX 1002FX/1202FX mixing console. This compact mixer offers incredible versatility and audio performance.

The BEHRINGER XENYX mixing console features premium microphone preamplifiers with optional phantom power, balanced line inputs, and the ability to connect external effects processors. Its extensive and well-thought-out routing possibilities make it suitable for both live and studio use.

The XENYX Series represents a significant advancement in mixing console technology. With state-of-the-art circuitry, these consoles deliver a warm analog sound, complemented by the latest digital technology for a blend of analog and digital advantages. Key features include:

• XENYX Mic Preamps: High-end preamps comparable to costly outboard units, offering a 130 dB dynamic range, a bandwidth from below 10 Hz to over 200 kHz for crystal-clear reproduction, extremely low-noise and distortion-free circuitry for natural signal reproduction, up to 60 dB gain, and +48 V phantom power. They are designed to maximize the dynamic range of 24-bit/192 kHz HD recorders.
• "British EQ": Equalizers based on legendary British console circuitry, renowned for their warm and musical sound character. These EQs provide outstanding audio properties even with extreme gain settings, offering up to 15 dB boost or cut. The HIGH and LOW bands are shelving filters (12 kHz and 80 Hz respectively), and the MID band is a peak filter centered at 2.5 kHz.
• Multi-effects processor: A built-in stereo effects processor with 24-bit A/D and D/A converters, offering 100 presets for reverb, delay, modulation effects, and multi-effects in excellent audio quality.

CAUTION! Extreme volumes may damage your hearing and/or your headphones or loudspeakers. Turn the MAIN MIX control and PHONES control fully counterclockwise before switching on the unit. Always set appropriate volume levels.

1.1 General mixing console functions

A mixing console performs three main functions:

• Signal processing:
• Preamplification: Amplifying weak microphone signals to a usable level while adding minimal noise. The XENYX Mic Preamp excels at this, ensuring signal purity.
• Level-setting: Adjusting signal levels from sources like DI-boxes, sound cards, or keyboards to match the console's operating level.
• Frequency response correction: Using equalizers on each channel strip to shape the tonal characteristics of a signal.
• Signal distribution: Compiling processed signals on busses and feeding them to the main section for further processing. Connections are available for recording equipment, power amplifiers, headphones, and CD/tape inputs. Aux sends route signals to internal or external FX processors, and also create monitor mixes for musicians.
• Mix: Adjusting the volume levels of individual instruments and voices relative to each other, balancing their presence in the overall frequency spectrum, and positioning them within the stereo image. Finally, the overall mix level is adjusted to match other equipment in the signal path.

BEHRINGER mixing consoles feature an optimized interface to easily track the signal path.

1.2 The user's manual

This manual provides an overview of controls and detailed usage information, organized by function. For further details, visit www.behringer.com. Additional information and terminology explanations are available on product pages and in the glossary section of the website.

The block diagram included with the console illustrates connections and controls. Tracing the signal path, for example from the microphone input to the FX SEND connector, will help you quickly familiarize yourself with the console's capabilities.

1.3 Before you get started

1.3.1 Shipment

Your mixing console was carefully packed for safe transport. Inspect the packaging and contents for any damage incurred during transit. If damaged, notify your dealer and the shipping company immediately. For optimal protection during use or transport, a carrying case is recommended. Always use original packaging for storage or shipping. Keep unsupervised children away from the unit and its packaging. Dispose of packaging materials in an environmentally friendly manner.

1.3.2 Initial operation

Ensure adequate ventilation around the unit to prevent overheating. Do not place the console on high-temperature equipment. Connect the power supply unit to the console first, then connect the power supply unit to the mains. Ensure all units have a proper ground connection; never disable the ground conductor. The unit must always be connected to a mains socket outlet with a protective earthing connection. Ensure the appliance coupler or power cord is easily accessible for disconnecting the unit from the mains.

1.3.3 Online registration

Register your new BEHRINGER equipment at www.behringer.com (or www.behringer.de) and read the warranty terms. Registering helps process repair claims more quickly. Contact your retailer or a BEHRINGER subsidiary for warranty service. Distributor information is available on the website.

2. CONTROL ELEMENTS AND CONNECTORS

This chapter details the control elements, switches, and connectors of your mixing console.

2.1 Mono channels

Each mono input channel features:

• MIC: Balanced microphone input via XLR connector with switchable +48 V phantom power for condenser microphones. XENYX preamps provide undistorted, noise-free gain. Mute playback system before activating phantom power to prevent switch-on thumps.
• LINE IN: Balanced line input on a 1/4" connector. Unbalanced devices can also be connected. Only one input (MIC or LINE) can be used at a time.
• TRIM: Adjusts input gain. Turn fully counterclockwise when connecting/disconnecting signals. The scale shows gain for MIC input (+10 to +60 dB) and sensitivity for LINE input (+10 to -40 dBu). Adjust using the CLIP LED indicator.
• EQ: A 3-band equalizer with up to 15 dB boost/cut per band. The central position is inactive. Features "British EQ" circuitry for a warm, musical sound without side effects. HIGH and LOW bands are shelving filters (12 kHz and 80 Hz), MID is a peak filter (2.5 kHz).
• LOW CUT: A steep LOW CUT filter (-3 dB at 75 Hz, 18 dB/oct.) to eliminate unwanted low-frequency noise (e.g., handling noise, plosives).
• FX: FX send control for feeding signals to an external effects device or the built-in processor. This control is post-fader, meaning the mix between dry and effect signal is maintained regardless of the channel fader setting. For the built-in processor, ensure this control is not fully counterclockwise to provide an input signal.
• PAN: Determines the channel signal's position within the stereo image with constant-power characteristic.
• LEVEL: Controls the channel signal's volume in the main mix. Note: The LEVEL control must be turned up for the channel's signal to reach the effects processor (as the FX path is post-fader).
• CLIP LED: Illuminates when the input signal is too high, indicating potential distortion. Reduce preamp level with the TRIM control if the LED lights constantly.

2.2 Stereo channels

Each stereo channel features:

• LINE IN: Two balanced line level inputs (1/4") for left and right channels. If only the "L" connector is used, the channel operates in mono. These inputs handle typical line level signals and accept unbalanced connectors.
• FX: FX send functions similarly to mono channels, but takes a mono sum of the stereo input before sending to the FX bus.
• BAL(ANCE): Adjusts the levels of left and right input signals relative to each other before routing to the main stereo mix bus. When used in mono via the left line input, it functions like the PAN control on mono channels.
• LEVEL: Controls the volume of the channel sent to the main mix.
• +4 /-10: Input sensitivity switch for stereo inputs, selecting between +4 dBu (studio level) and -10 dBV (home recording level). -10 dBV is more sensitive.

2.3 Connector array of the main section

• FX SEND: Outputs the summed signal from individual channels' FX controls to an external effects device. Connect the processed signal back to a stereo input. Ensure the FX SEND control is not too low to provide an input signal to the effects processor. Set external effects processors to 100% wet. Turn the FX control of the effects return channel fully counterclockwise to prevent feedback.
• PHONES/CONTROL ROOM OUT: Headphone output (1/4" TRS). Unbalanced CONTROL ROOM OUT connectors carry summed effects, main mix, and soloed channel signals. The PHONES/CONTROL ROOM control adjusts the level for both outputs.
• MAIN OUT: Unbalanced mono connectors (1/4") carrying the main mix signal at 0 dBu. The MAIN MIX fader controls the volume. Connect to live PA systems (potentially via dynamics processors, equalizers, crossovers) or for recording (e.g., to a stereo compressor before a recorder).
• CD/TAPE INPUT: Used for external signal sources like CD players or tape decks. Can also serve as a standard stereo line input for connecting other mixers or hi-fi amplifier outputs.
• TAPE OUTPUT: RCA connectors wired parallel to MAIN OUT. Connect to computer sound card inputs or recorders. The output signal level is controlled by the MAIN MIX fader.

2.4 Main section

• +48 V: Red LED indicates phantom power is ON. Activated by the +48 V switch. Connect microphones before activating phantom power. Do not connect microphones while phantom power is ON. Mute monitor/PA loudspeakers before activating phantom power. Wait approx. one minute for system stabilization after switching on. Never use unbalanced XLR connectors (PIN 1 and 3 connected) on MIC inputs when using phantom power.
• POWER: Blue LED indicates the console is powered ON.
• LEVEL INDICATOR: 4-segment display showing relevant signal levels.
• LEVEL SETTING: Set input channel LEVEL controls to center. Use TRIM controls to increase input gain until signal peaks show 0 dB on the level meter. For digital recorders, avoid overload. For analog recorders, aim for specific levels on VU meters based on frequency content (e.g., +3 dB for low frequencies, -10 dB for Hi-Hat). CLIP LEDs on XENYX indicate levels almost independent of frequency; 0 dB is recommended.
• MAIN MIX: Fader to adjust the volume of the main outputs.
• PHONES/CONTROL ROOM: Control to adjust the signal level of the CONTROL ROOM and PHONES outputs.
• CD/TAPE TO MIX: When pressed, assigns the CD/tape input to the main mix, providing an additional input.
• CD/TAPE TO CTRL: Press to monitor the CD/tape input via the CTRL ROOM and PHONES outputs. Useful for recording with simultaneous playback (overdubbing). Do not use CD/TAPE TO MIX when recording via TAPE OUTPUT and monitoring via CD/TAPE INPUT to avoid feedback loops. Use CD/TAPE TO CTRL instead.
• FX TO CONTROL: Press to monitor only the effects signal in headphones or monitor speakers. The main mix and CD/tape signals are then excluded from the phone and control room outputs.

2.5 Digital effects processor

The XENYX 1002FX/1202FX includes a built-in digital stereo effects processor with 100 presets (Hall, Chorus, Flanger, Delay, etc.). Use the FX control to send signals to the processor. The integrated module simplifies setup and eliminates wiring issues.

• SIGNAL and CLIP LED: SIGNAL LED indicates sufficient signal presence. CLIP LED should only light sporadically; constant illumination means the processor is overdriven, causing distortion. Reduce FX controls if CLIP LED is constantly lit.
• PROGRAM: Turn to select an effect preset number (displayed blinking). Press to confirm selection.
• FX TO MAIN: Feeds the effects signal into the main mix. Fully counterclockwise means no effects signal in the mix.

3. APPLICATIONS

3.1 Recording studio

Even with computer-based studios, a mixing console is essential for managing audio inputs and outputs. The XENYX consoles offer benefits for microphone preamplification, EQ, routing, and level control.

Wiring:

Connect sound sources to microphone/line inputs. Connect master recorders (DAT/minidisk) to main outputs. Connect monitor speakers to control room outputs and headphones to the headphone output. Connect CD/tape outputs to the sound card inputs of your Digital Audio Workstation (DAW). Connect sound card outputs to the CD/tape inputs.

Recording and playback:

Input signals are pre-amplified, EQ'ed, and routed to the main bus. Use the LEVEL control for recording signal level and the MAIN MIX fader for the computer output level. For monitoring during recording, use the phones or control room bus to monitor the sound card returns (connected to CD/tape inputs) by pressing the CD/TAPE TO CTRL switch. This allows for overdubs. Use the direct monitoring function of your DAW. Do not press the CD/TAPE TO MIX switch in this application to avoid routing the playback signal back to the computer and causing feedback.

3.2 Live sound

The illustration shows a typical live setup. Vocal microphones and line outputs from guitar/bass amplifiers connect to mono channels. Keyboards and drum computers connect to stereo channels. The power amplifier for the sound system connects to the main outputs, with processors (compressors, equalizers, crossovers) in between. For live recordings, connect recording equipment (e.g., minidisk recorder) to the CD/tape outputs. A CD player for intermissions connects via the CD/tape inputs. If using a recorder/player combo, do not press the CD/TAPE TO MIX switch during recording to prevent feedback. If using an external effects processor, turn the FX SEND control in channel 11/12 fully counterclockwise to avoid feedback.

4. INSTALLATION

4.1 Mains connection

Connect the supplied AC adapter to the 3-pin mains connector on the rear of the console and then to the mains. Use only the provided power supply unit. Never connect the console to the power supply unit while the latter is connected to the mains. Both the power supply unit and the console will heat up during operation, which is normal.

4.2 Audio connections

Use high-grade cables for audio connections. Commercial RCA cables are used for CD/tape inputs and outputs. Unbalanced equipment can be connected to balanced inputs/outputs using mono plugs or stereo plugs with bridged ring and sleeve (XLR pins 1 and 3 bridged). Caution: Never use unbalanced XLR connectors (PIN 1 and 3 connected) on MIC input connectors when using phantom power.

XLR Connections: Pin 1: ground/shield, Pin 2: hot (+ve), Pin 3: cold (-ve). For unbalanced use, pins 1 and 3 must be bridged.

Unbalanced 1/4" TS connector: Tip: signal, Sleeve: ground/shield.

Balanced 1/4" TRS connector: Tip: hot (+ve), Ring: cold (-ve), Sleeve: ground/shield. For connection of balanced and unbalanced plugs, ring and sleeve must be bridged at the stereo plug.

1/4" TRS headphones connector: Tip: left signal, Ring: right signal, Sleeve: ground/shield.

5. SPECIFICATIONS

Mono inputs

• Microphone inputs: XLR, electronically balanced, discrete input circuit. Mic E.I.N.: -132.7 dB (20 Hz - 20 kHz @ 0 Ω source resistance). Frequency response: <10 Hz - 200 kHz (-1 dB). Gain range: +10 to +60 dB. Max. input level: +12 dBu @ +10 dB gain. Impedance: approx. 2.6 kΩ balanced. Signal-to-noise ratio: -107 dB / -111 dB A-weighted. Distortion (THD+N): 0.005% / 0.003% A-weighted.
• Line input: 1/4" TRS connector, electronically balanced. Impedance: approx. 20 kΩ balanced / 10 kΩ unbalanced. Gain range: -10 to +40 dB. Max. input level: +20 dBu @ 0 dB Gain.

Frequency response

Microphone input to main out: <10 Hz - 80 kHz (+0 dB / -1 dB), <10 Hz - 137 kHz (+0 dB / -3 dB).

Stereo inputs

• Type: 1/4" TRS connector, electronically balanced. Impedance: approx. 20 kΩ balanced / 10 kΩ unbalanced (+4 dBu operating level), approx. 20 kΩ balanced / 5 kΩ unbalanced (-10 dBV). Max. input level: +22 dBu.

EQ mono channels

• Low: 80 Hz / ±15 dB
• Mid: 2.5 kHz / ±15 dB
• High: 12 kHz / ±15 dB

AUDIO OUTPUTS

• FX send: 1/4" TRS connector, unbalanced. Impedance: approx. 120 Ω. Max. output level: +22 dBu.
• Main outputs: 1/4" TRS connector, unbalanced. Impedance: approx. 120 Ω. Max. output level: +22 dBu.
• Control room outputs: 1/4" TRS connector, unbalanced. Impedance: approx. 120 Ω. Max. output level: +22 dBu.
• Headphones output: 1/4" TRS connector, unbalanced. Max. output level: +19 dBu / 150 Ω (+25 dBm).

Main mix system data

• Noise (Main mix @ -∞, Channel fader -∞): -105 dB / -108 dB A-weighted.
• Noise (Main mix @ 0 dB, Channel fader -∞): -94 dB / -97 dB A-weighted.
• Noise (Main Mix @ 0 dB, Channel fader @ 0 dB): -83 dB / -85 dB A-weighted.

FX section

• Converter: 24-Bit Sigma-Delta
• Sampling rate: 40 kHz

Power supply

• Power consumption: 1002FX: 16 W, 1202FX: 17 W.
• Mains voltage: Varies by region (120 V~, 60 Hz for USA/Canada; 240 V~, 50 Hz for U.K./Australia; 230 V~, 50 Hz for Europe; 220 V~, 50 Hz for China/Korea; 100 V~, 60 Hz for Japan).

Dimensions

• 1002FX: (H x W x D) approx. 1.85" / 1.46" x 7.44" x 8.66" (47 mm / 37 mm x 189 mm x 220 mm). Weight (net): approx. 2.31 lbs (1.05 kg).
• 1202FX: (H x W x D) approx. 1.85" / 1.46" x 9.53" x 8.66" (47 mm / 37 mm x 242 mm x 220 mm). Weight (net): approx. 2.31 lbs (1.05 kg).

6. WARRANTY

§ 1 OTHER WARRANTY RIGHTS AND NATIONAL LAW

This warranty does not exclude or limit the buyer's statutory rights provided by national law, particularly those against the seller arising from a legally effective purchase contract. The warranty regulations herein are applicable unless they infringe upon national warranty law.

§ 2 ONLINE REGISTRATION

Register your new BEHRINGER equipment at www.behringer.com (or www.behringer.de) and read the warranty terms carefully. Registration helps expedite repair claims.

§ 3 WARRANTY

BEHRINGER warrants the mechanical and electronic components of this product to be free of defects in material and workmanship for one (1) year* from the original date of purchase, according to the warranty regulations below. If the product exhibits defects within the warranty period not excluded herein, BEHRINGER will, at its discretion, replace or repair the product using new or reconditioned parts. BEHRINGER may charge for additional costs if improved parts are used. If the warranty claim is justified, the product will be returned freight prepaid. Other warranty claims are expressly excluded.

§ 4 RETURN AUTHORIZATION NUMBER

To obtain warranty service, the buyer or authorized dealer must call BEHRINGER (see enclosed list) during business hours BEFORE returning the product. All inquiries must include a description of the problem. BEHRINGER will issue a return authorization number. The product must then be returned in its original shipping carton, with the return authorization number, to the address provided by BEHRINGER. Shipments without freight prepaid will not be accepted.

§ 5 WARRANTY REGULATIONS

1. Warranty service is provided only if accompanied by a copy of the original retail dealer's invoice.
2. Modifications or adaptations to comply with national or local technical or safety standards in countries other than the original country of development and manufacture are not considered defects and are not covered by warranty. BEHRINGER is not responsible for costs resulting from such modifications.
3. Free inspections, maintenance, and repairs due to improper handling, neglect, normal wear and tear (faders, potentiometers, keys, etc.) are excluded from this warranty.
4. Damages/defects caused by improper handling, neglect, non-compliance with instructions, connection or operation not conforming to applicable regulations, force majeure, or conditions beyond BEHRINGER's control are not covered.
5. Any repair or opening of the unit by unauthorized personnel (including the user) voids the warranty.
6. If an inspection reveals that a defect is not covered by warranty, the customer is responsible for inspection costs.
7. Products not meeting warranty terms will be repaired at the buyer's expense. BEHRINGER will notify the buyer, who must submit a written repair order within 6 weeks or the unit will be returned C.O.D.

§ 6 WARRANTY TRANSFERABILITY

This warranty extends exclusively to the original buyer and is not transferable. No other person or entity may give warranty promises on behalf of BEHRINGER.

§ 7 CLAIM FOR DAMAGES

BEHRINGER's failure to provide proper warranty service does not entitle the buyer to claim (consequential) damages. BEHRINGER's liability shall not exceed the invoiced value of the product.

*Customers in the European Union should contact BEHRINGER Germany Support for further details.

Technical specifications and appearance are subject to change without notice. Information is correct at the time of printing. Company names, institutions, publications, and logos are trademarks of their respective owners. Their use does not imply affiliation with or endorsement by BEHRINGER. BEHRINGER accepts no liability for loss arising from reliance on descriptions, photographs, or statements herein. Colors and specifications may vary slightly. Products are sold through authorized dealers only. Distributors and dealers are not agents of BEHRINGER and have no authority to bind BEHRINGER by express or implied undertaking or representation. No part of this manual may be reproduced or transmitted in any form or by any means without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER is a registered trademark. ALL RIGHTS RESERVED. © 2006 BEHRINGER Spezielle Studiotechnik GmbH, Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Münchheide II, Germany. Tel. +4921549206 0, Fax +49215492064903.