HeadRush AutoTune VX5 User Guide
1.0 Introduction
1.1 Box Contents
- AutoTune VX5 Unit
- USB Cable
- Power Cable
- Quickstart Guide
- Safety & Warranty Manual
Items not listed under Box Contents are sold separately.
1.2 Support
For the latest information about this product, including documentation, technical specifications, system requirements, and compatibility information, visit headrushfx.com. For additional product support, visit support.headrushfx.com.
2.0 Setup
Note: For best results, use AutoTune on only one singer.
- Press the Preset button. Rotate the encoder and then push the encoder to select a preset that closely matches your incoming source audio.
- Press the Key button and turn the Preset/Edit encoder to set the Key, Scale, and Range for the singer.
- Press the AutoTune button to turn on the AutoTune feature.
- Adjust the Speed knob. A slower setting gives a more natural sounding pitch correction, while a faster setting gives a more noticeable effect.
- Adjust the Humanize knob to add more or less natural sounding pitch correction on sustained notes.
- Press the Harmony button to turn the effect on (indicated by the button's backlight). Press the Harmony or FX button to turn on the respective feature. Then, press and hold the respective button again to enter the menu. You can also select the "Inst." setting to use the guitar input to determine the key and scale.
- Press the FX button to turn the effect on (indicated by the button's backlight). Press and hold the FX button, then turn the Preset/Edit encoder to adjust parameters to create your own signature sound.
When you are finished using AutoTune VX5 and ready to shut it down, power off your connected output devices first, and then power off AutoTune VX5.
2.1 Connection Diagram
The diagram illustrates the rear panel connections for the HeadRush AutoTune VX5. A guitar is connected to the 'Guitar Input' (right-side 1/4" TS, Mono). A microphone is connected to the 'Microphone Input' (XLR, Mono, Balanced). The 'Main Output' (XLR, Balanced) connects to an amplifier or speakers. Headphones connect to the 'Phones Output' (1/8" / 3.5 mm stereo). A computer connects to the 'USB-B Port'. The unit is powered via the 'Power Input' (DC 9V, 1A).
3.0 Features
3.1 Top Panel
The top panel of the AutoTune VX5 features several controls:
- A. Display: A 1.8-inch color screen used to view menus and edit parameters. Press the Key button to enter the menu; press and hold the Harmony or FX buttons to enter their respective menus.
- B. Volume Knob: Adjusts the overall output level for the Main and Phones Outputs.
- C. Preset/Edit Encoder: Turn this encoder to adjust parameters. Press it to enter or exit menus. Hold it to save the current preset. The last selected preset is retained when the unit is powered off and on.
- D. Speed Knob: Controls the speed of pitch correction, ranging from slow (more natural) to fast (more noticeable effect).
- E. Humanize Knob: Adjusts the realism of sustained notes by preserving subtle pitch variations. Turning it clockwise adds realism; turning it counterclockwise minimizes it for a more "robotic" Auto-Tune effect.
- F. Footswitch (Preset Down / A/B Mode): Press to switch to the previous preset. Press and hold for two seconds to enter A/B mode, allowing the left and right footswitches to toggle effects within a preset. Press and hold again to exit A/B mode.
- G. Footswitch (Preset Up / Talk Mode): Press to switch to the next preset. Press and hold for two seconds to activate Talk mode, which bypasses all effects (AutoTune, Harmony, FX) without altering your vocal signal. Press either footswitch to exit Talk mode.
- H. Peak LED: This LED flashes red if the XLR input signal is clipping. Reduce the microphone level using the Input Gain knob if this occurs.
- I. Preset Button: Press to access the Preset screen to view or select presets.
- J. Key Button: Press to access the Key screen to set the key, scale, and vocal range for the preset.
- K. AutoTune Button: Press to toggle the AutoTune feature on or off for the current preset.
- L. Harmony Button: Press to toggle the Harmony feature on or off. The backlight illuminates when active. Press and hold to enter the parameter edit screen for Harmony.
- M. FX Button: Press to toggle the FX feature on or off. The backlight illuminates when active. Press and hold to enter the parameter edit screen for FX.
3.2 Rear Panel
The rear panel provides all the necessary input and output connections:
- A. Guitar Input: A 1/4-inch TS, Mono jack located on the right-side panel for connecting your guitar.
- B. Guitar Thru: A 1/4-inch TS, Mono jack on the left-side panel. Connect this to an amplifier or powered speaker to pass the guitar signal through.
- C. Microphone Input: An XLR, Mono, Balanced jack for connecting a dynamic or condenser microphone.
- D. Microphone Input Gain Knob: Adjusts the input gain for the Microphone Input. If the Peak LED flashes, reduce the gain.
- E. +48V Phantom Power Switch: Use this switch to enable +48V phantom power for condenser microphones connected to the Microphone Input.
- F. Main Output: An XLR, Balanced jack for connecting to an amplifier system or speakers.
- G. Ground Lift Switch: Engage this switch to reduce hum or noise.
- H. Phones Output: A 1/8-inch (3.5 mm) stereo jack for connecting headphones.
- I. USB-B Port: Connect this port to a computer to send/receive stereo audio, send MIDI messages (for preset recall, A/B mode, Talk mode), and access the web interface for software updates.
- J. Power Input: A DC 9V, 1A connector with a center-negative polarity. Connect the included power cable here.
- K. Power Button: Press this button to power the unit on or off.
4.0 Operation
This chapter describes how to use the AutoTune VX5.
4.1 Main Screen Overview
To access the main screen (the default screen upon powering on), press the Preset button from any menu. Turn the Preset/Edit encoder to scroll through available presets, then press it again to select and load a preset. To cancel loading a preset, press the Preset button to return to the main screen or wait five seconds for it to return automatically.
4.2 Preset/Edit Menu
Loading/Saving a Preset
- From the main screen, turn the Preset/Edit encoder to select a preset. Push the encoder again to load the selected preset.
- Adjust the Humanize, Speed, Key, Harmony, or FX parameters for the preset.
- Press and hold the Preset/Edit encoder to select from the following options:
- Select Save: Overwrites the existing preset.
- Select Save and Rename: Saves to a new preset.
- Select Copy: Copies over another preset.
- To name a preset: Turn the Preset/Edit encoder to scroll to a character, then push the encoder to highlight it. Scroll through the character list. Push the encoder to select a character. Press the Key button on a highlighted character space to delete that character. Once the preset is named, press the Preset button to save it.
Renaming a Preset
- Turn the Preset/Edit encoder to select a preset.
- Press and hold the Preset/Edit encoder, then turn the encoder to select "Save & Rename". Scroll through the alphanumeric characters. Up to nine characters can be used for a name. Push the encoder to select a character and advance to the next position.
- To save the preset name, press the Preset button.
Copying a Preset
Note: Saving over a preset slot will erase that preset. Save to an <Empty> slot to avoid this.
- Press and hold the Preset/Edit encoder.
- Turn the Preset/Edit encoder to select "Copy".
- In the "Save to Preset" menu, select a preset slot and save a copy of the loaded preset to that slot by pressing the Preset/Edit encoder.
Note: Always rename your presets before copying them to avoid naming confusion.
4.3 Speed
Turn the Speed knob to adjust how rapidly pitch correction is applied to incoming audio (0 – 400ms). For a more noticeable effect, turn the Speed knob towards the "Fast" side. For more natural sounding pitch correction, turn it towards the "Slow" side.
4.4 Humanize
Turn the Humanize knob (Off - Max) clockwise for a more natural or human voice. Turn the knob counterclockwise to minimize natural sounding pitch correction for a classic "robotic" AutoTune effect.
4.5 Key Menu
Press the Key button to select the key, scale, and vocal range for the preset.
Parameter | Options |
---|---|
Key Range | C, Db, D, Eb, E, F, F#/Gb, G, Ab, A, Bb, B |
Scale | Chromatic, Major, Minor, Melodic Minor, Harmonic Minor, Dorian, Phrygian, Lydian, Mixolydian, Locrian |
Range | Very Low, Low, Mid, High, Very High |
4.6 AutoTune Menu
Press the AutoTune button to turn the autotune function on or off for the loaded preset. This can be turned off if you only wish to use the Harmony or FX parts of the preset without autotuning the input signal.
4.7 Harmony Menu
Editing a Harmony
- Press and release the Harmony button to toggle it on/off. Press and hold the button again to enter its options menu.
- Turn the Preset/Edit encoder to select the Harmony Range, Source, or Level, and push the encoder to see its options.
- Turn the Preset/Edit encoder to browse parameters. Push the encoder to select a parameter and turn the encoder to adjust it.
- Push the Preset/Edit encoder button again to select the parameter and return to the options menu.
Parameter | Options |
---|---|
Harmony Range (Source set to Instrument) | Highest, Higher, High, Unison, Low, Lower, Lowest |
Harmony Range (Source set to Off) | 3rd High, 5th High, Oct High, 3rd Low, 5th Low, Oct Low, 3rd Low + 3rd High, 5th Low + 3rd High, 5th Low + 5th High, 3rd High + 5th High, Oct Low + Oct High |
Source | Off, Instrument |
Level | 0 – 100% |
4.8 FX Menu
Selecting an Effect
- Press the FX button to toggle it on/off. Then press and hold the button again to enter the menu.
- Rotate the Preset/Edit encoder and then push to select Compressor, Flavor, Chorus, Reverb, or Delay.
- Push the Preset/Edit encoder to select a parameter and rotate the encoder to browse effects presets or adjust parameters. Press the Preset button to go back to the main preset page.
- Push the Preset/Edit encoder to confirm parameter selections or to toggle the effect's on/off switches.
Compressor
Parameter | Options |
---|---|
Compressor Type | Soft, Mild, Hard, Crunch |
Mix | 0 – 100% |
Flavor
Parameter | Options |
---|---|
Flavor Type | Sizzle, Megaphone, Radio, Soft LoFi, Tube, Phone Vox, Zinger |
Mix | 0 – 100% |
Chorus
Parameter | Options |
---|---|
Chorus Type | Basic, Smooth, Deep Chorus, Heavy Slow, Robot Voice |
Mix | 0 – 100% |
Reverb
Parameter | Options |
---|---|
Reverb Type | Hall, Big Room, Chamber, Ambient, Church |
Mix | 0 – 100% |
Delay
Parameter | Options |
---|---|
Delay Type | Short Echo, Long Echo, Slapback, Ping Pong, Rhythmic Tail, Dub Delay, DM Resonator |
Time | 1ms – 4.00s |
Mix | 0 – 100% |
4.10 Factory Reset
Hold the Key and Preset buttons while powering on VX5 to confirm or cancel a reset to factory default settings. This will clear all user presets and restore the factory presets.
4.11 Web Interface
Connect AutoTune VX5 to your computer and go to vx5.local in a web browser to access the web interface. (Windows 11 and macOS 13 - 15 are supported). When firmware updates are available, follow the instructions included with the firmware update file to update AutoTune VX5.
4.12 MIDI Control
External MIDI Control
When external MIDI control is enabled, you can use a MIDI device to remotely control some functions of AutoTune VX5. AutoTune VX5 receives MIDI messages on ALL channels. The chart below lists the parameters that can be controlled by sending the listed incoming MIDI messages from your external MIDI hardware:
Function | MIDI Message | Values |
---|---|---|
Select Preset (Within the current bank) | Program Change | 0-127 (Bank 1) 0-121 (Bank 2) |
Select Preset Bank | CC 32 | 0 = Bank 1 (Presets 1-128) 1 = Bank 2 (Presets 129-250) |
Footswitch A/B Mode | CC 16 | 0 = Disables Footswitch A/B Mode 1 = Selects Footswitch A Mode 2 = Selects Footswitch B Mode |
Talk Mode | CC 17 | 0-63 = Disable Talk Mode 64-127 = Enable Talk Mode |
5.0 Appendix
5.1 Presets
The following tables list the available presets:
Presets 1-29
Preset # | Category | Preset Name | Preset # | Category | Preset Name |
---|---|---|---|---|---|
1 | AUTOTUNE | Hard Tune | 30 | AT + FX [Delay] | MildTail |
2 | AUTOTUNE | Warm Tune | 31 | AT + HARM + FX [Comp + Flavor] | Oct Vox |
3 | AUTOTUNE | Soft Tune | 32 | AT + FX [Comp + Flavor] | WarmSizzl |
4 | AUTOTUNE | Mild Tune | 33 | AT + HARM + FX [Comp + Flavor] | Oct LoFi |
5 | HARM + FX [Comp + Chorus] | Octaves | 34 | AT + FX [Comp + Flavor] | WarmZing |
6 | HARM + FX [Comp + Chorus] | Fifths | 35 | AT + HARM + FX [Comp + Flavor] | Oct Radio |
7 | AT + FX [Verb] | HardVerb1 | 36 | AT + HARM + FX [Chorus + Verb] | HardJuice |
8 | AT + FX [Verb] | HardVerb2 | 37 | AT + HARM + FX [Chorus + Verb + Delay] | WarmJuice |
9 | AT + FX [Verb] | HardVerb3 | 38 | AT + HARM + FX [Flavor + Chorus + Verb] | SoftJuice |
10 | AT + FX [Verb] | WarmVerb1 | 39 | AT + HARM + FX [Chorus + Verb] | MildJuice |
11 | AT + FX [Verb] | WarmVerb2 | 40 | AT + HARM + FX [Flavor + Chorus + Delay] | HardWow |
12 | AT + FX [Verb] | WarmVerb3 | 41 | AT + HARM + FX [Chorus + Verb + Delay] | WarmWow |
13 | AT + FX [Verb] | SoftVerb1 | 42 | AT + HARM + FX [Chorus + Verb + Delay] | SoftWow |
14 | AT + FX [Verb] | SoftVerb2 | 43 | AT + HARM + FX [Chorus + Delay] | MildWow |
15 | AT + FX [Verb] | SoftVerb3 | 44 | FX [Verb] | Hall |
16 | AT + FX [Verb] | MildVerb1 | 45 | FX [Verb] | Room |
17 | AT + FX [Verb] | MildVerb2 | 46 | FX [Verb] | Chamber |
18 | AT + FX [Verb] | MildVerb3 | 47 | FX [Verb] | Ambient |
19 | AT + FX [Delay] | HardSlap | 48 | FX [Verb] | Church |
20 | AT + FX [Delay] | HardEcho | 49 | FX [Delay] | SlapBack |
21 | AT + FX [Delay] | HardPong | 50 | FX [Delay] | ShortEcho |
22 | AT + FX [Delay] | WarmSlap | 51 | FX [Delay] | LongEcho |
23 | AT + FX [Delay] | WarmEcho | 52 | FX [Delay] | PingPong |
24 | AT + FX [Delay] | WarmDub | 53 | FX [Delay] | DubDelay |
25 | AT + FX [Delay] | SoftSlap | 54 | FX [Delay] | Rhythmic |
26 | AT + FX [Delay] | SoftEcho | 55 | FX [Delay] | Resonator |
27 | AT + FX [Delay] | SoftPong | 56 | FX [Chorus] | Chorus |
28 | AT + FX [Delay] | MildSlap | 57 | FX [Chorus] | Smooth C |
29 | AT + FX [Delay] | MildEcho | 58 | FX [Chorus] | Deep C |
Presets 59-99
Preset # | Category | Preset Name | Preset # | Category | Preset Name |
---|---|---|---|---|---|
59 | FX [Chorus] | Heavy C | 80 | FX [Flavor] | Zinger |
60 | FX [Chorus] | Robot C | 81 | AT + FX [Comp + Flavor] | HardZing |
61 | AT + HARM + FX [Comp + Chorus + Verb] | 3HiVerbMj | 82 | HARM + FX [Comp + Flavor + Chorus] | HarmZing |
62 | AT + HARM + FX [Comp + Chorus + Verb] | 3HiVerbMn | 83 | FX [Flavor] | Radio |
63 | HARM + FX [Comp + Chorus + Verb] | 5HiVerb | 84 | AT + FX [Comp + Flavor] | HardRadio |
64 | HARM + FX [Comp + Chorus + Verb] | OctHiVerb | 85 | HARM + FX [Comp + Flavor + Chorus] | HarmRadio |
65 | AT + HARM + FX [Comp + Chorus + Verb] | 3LoVerbMj | 86 | FX [Flavor] | Mega |
66 | AT + HARM + FX [Comp + Chorus + Verb] | 3LoVerbMn | 87 | AT + FX [Comp + Flavor] | HardMega |
67 | HARM + FX [Comp + Chorus + Verb] | 5LoVerb | 88 | HARM + FX [Comp + Flavor + Chorus] | HarmMega |
68 | HARM + FX [Comp + Chorus + Verb] | OctLoVerb | 89 | FX [Flavor] | Phone |
69 | HARM + FX [Comp + Chorus + Verb] | DblOctVrb | 90 | AT + FX [Comp + Flavor] | HardPhone |
70 | HARM + FX [Comp + Chorus + Verb] | 5ths Verb | 91 | HARM + FX [Comp + Flavor + Chorus] | HarmPhone |
71 | FX [Flavor] | Sizzle | 92 | AT + HARM + FX [Flavor + Chorus + Delay] | Crazinger |
72 | AT + FX [Comp + Flavor] | HardSiz | 93 | AT + HARM + FX [Flavor + Chorus + Delay] | Flosizzle |
73 | HARM + FX [Comp + Flavor + Chorus] | HarmSiz | 94 | AT + HARM + FX [Comp + Flavor + Chorus + Verb] | MinorLoFi |
74 | FX [Flavor] | LoFi | 95 | AT + HARM + FX [Comp + Flavor + Chorus + Verb] | MajorLoFi |
75 | AT + FX [Comp + Flavor] | HardLoFi | 96 | AT + HARM + FX [Comp + Flavor + Chorus + Delay] | RadioGaGa |
76 | HARM + FX [Comp + Flavor + Chorus] | HarmLoFi | 97 | AT + HARM + FX [Flavor + Chorus + Delay] | Tubular |
77 | FX [Flavor] | Tube | 98 | AT + HARM + FX [Comp + Flavor + Chorus + Verb + Delay] | SpookyHrm |
78 | AT + FX [Comp + Flavor] | HardTube | 99 | AT + HARM + FX [Comp + Flavor + Chorus + Verb + Delay] | MeloMinor |
79 | HARM + FX [Comp + Flavor + Chorus] | HarmTube |
5.2 Technical Specifications
XLR Input (Balanced XLR)
Parameter | Value |
---|---|
Frequency Response | 20 Hz – 20 kHz (±0.2 dB) |
Dynamic Range | 111 dB (A-weighted) |
Signal-to-Noise Ratio | 110 dB (1 kHz, +4 dBu, A-weighted) |
THD+N | 0.003% (1 kHz, +4 dBu, -1 dBFS) |
Preamp EIN | -133 dBu (max gain, 40 Ω source, A-weighted) -127 dBu (max gain, 150 Ω source, unweighted) |
Max Input Level | +10 dBu |
Sensitivity | -46 dBu |
Gain Range | 59 dB |
+48V Phantom Power | Switchable on/off |
Guitar Input (Balanced 1/4" / 6.35 mm TRS or unbalanced 1/4" TS)
Parameter | Value |
---|---|
Frequency Response | 20 Hz - 20 kHz (±0.2 dB) |
Dynamic Range | 111 dB (A-weighted) |
Signal-to-Noise Ratio | 110 dB (1 kHz, +4 dBu, A-weighted) |
THD+N | 0.003% (1 kHz, +4 dBu, -1 dBFS) |
Max Input Level | +13 dBu |
Input Impedance | 1 MΩ |
Sensitivity | -46 dBu |
Guitar Thru (Balanced 1/4" / 6.35 mm TRS or unbalanced 1/4" TS)
Parameter | Value |
---|---|
Output Impedance | 540/270 Ω (unbalanced/balanced) |
Buffered | Yes |
Main XLR Output (Balanced XLR)
Parameter | Value |
---|---|
Frequency Response | 20 Hz - 20 kHz (±0.2 dB) |
Dynamic Range | 113 dB (A-weighted) |
THD+N | 0.001% (1 kHz, -1 dBFS) |
Maximum Output Level | +20 dBu |
Output Impedance | 100 Ω |
Ground Lift | Switchable on/off |
Headphone Output (1/8" / 3.5 mm TRS)
Parameter | Value |
---|---|
Frequency Response | 20 Hz - 20 kHz (+0.2 dB) |
Dynamic Range | 112 dB (A-weighted) |
THD+N | 0.008% (1 kHz, 10mW per channel into 32 Ω) |
Maximum Output Level | +20 dBu (unloaded) |
Power Output | 100 mW RMS (per channel into 32 Ω) |
Output Impedance | 32 Ω |
5.3 Trademarks & Licenses
HeadRush is a trademark of inMusic Brands, Inc., registered in the U.S. and other countries.
Windows is a registered trademark of Microsoft Corporation in the United States and/or other countries.
macOS is a trademark of Apple, Inc., registered in the U.S.A. and other countries.
This product may incorporate technologies used under license. Please refer to inmusicbrands.com/product-legal for more information. You can access the product's web interface for further software license information.
All other product names, company names, trademarks, or trade names are those of their respective owners.