ARRI ALEXA 65: A New Era in Large Format Digital Cinematography

This article delves into the revolutionary ARRI ALEXA 65, a large-format digital cinema camera that revives the allure of 65mm filmmaking. It highlights the camera's advanced technology, its impact on motion picture production, and features interviews with key figures in the industry.

The Return of 65mm

The ARRI ALEXA 65 marks a significant advancement in digital cinematography, offering a large-format 65mm sensor that promises unparalleled image quality. This format, once the domain of film, is now realized through cutting-edge digital technology, bringing back the aesthetic and immersive experience associated with classic large-format cinema.

The camera boasts a 65mm ARRI A3X CMOS sensor with a resolution of 6560 x 3120 pixels and a sensor size of 54.12 x 25.58mm. It utilizes the ARRI XPL mount and offers features like LDS metadata, electronic shutter from 5° to 358°, and frame rates from 20 to 27 fps (with a planned upgrade to 60 fps). The dynamic range is stated to be 14 stops.

Interviews and Industry Insights

The publication features interviews with prominent figures such as Franz Kraus (President of ARRI), discussing the vision behind the ALEXA 65. It also includes a factory visit report for the ARRI AMIRA and interviews with its product manager, Markus Dürr. Insights from ZEISS, including interviews with Winfried Scherle and Dr. Aurelien Duddock, cover their historical contributions and new lens technologies.

The article also touches upon the history and innovations of Angenieux lenses, highlighting their retrofocus designs and the development of their Optimo and Optimo Style zoom lenses, including anamorphic options.

Technical Specifications and Lens Systems

Detailed technical specifications for the ALEXA 65 are provided, covering sensor size, weight, dimensions, connectors, and power requirements. A comparison table of sensor sizes illustrates the ALEXA 65's large format against other camera systems.

New lens systems designed for the ALEXA 65 are showcased, including a series of eight prime lenses and one zoom lens, re-engineered from Hasselblad HC lenses. These lenses feature the new XPL mount and offer exceptional optical performance.

Company Histories and Technologies

The magazine also provides historical overviews of key companies in the industry, such as ZEISS, detailing their origins, scientific contributions (like Abbe's sine condition), and their evolution into leading optical manufacturers. The history of Angenieux, from its early lens designs to its modern cinema lenses, is also explored.

The document includes information on the ARRI AMIRA, positioning it as a documentary-style camera with advanced features like 3D LUT support. It also covers the ZEISS Touit and Loxia lens series, designed for mirrorless cameras, and the ZEISS CZ.2 compact zoom lenses with servo units.

Industry Partnerships and Subscriptions

The publication acknowledges its sponsors and educational partners, highlighting major players in the film and digital technology industry. Information on subscribing to Film and Digital Times is also provided.

PDF preview unavailable. Download the PDF instead.

65J FDTimes InterBEE Edition Adobe PDF Library 10.0.1 Adobe InDesign CS6 (Macintosh)

Related Documents

Preview ARRI ALEXA: A Decade of Digital Cinema Innovation
This special edition of Film and Digital Times commemorates the 10th anniversary of the revolutionary ARRI ALEXA digital cinema camera system. Since its market introduction in 2010, the ALEXA has been instrumental in shaping modern filmmaking, celebrated for its distinctive cinematic image quality, reliability, and advanced functionality. Authored by cinematographer Jon Fauer ASC, this extensive publication traces the development of the ARRI ALEXA family, detailing its various models, technological advancements, and its profound impact on countless productions worldwide. It offers insights into the camera's journey from concept to industry standard. Explore the legacy and future of ARRI's contribution to digital cinematography, highlighting the innovation that has made ALEXA a preferred choice for filmmakers globally.
Preview ARRI ALEXA 35: Getting Started with Workflow & Post Guide
This guide provides an overview of the ARRI ALEXA 35 camera's workflow and post-production features, including new image science, LogC4 tonal curve, ARRI Textures, and LUT integration for professional filmmaking.
Preview ARRI ALEXA Mini Camera Menu Settings Guide
A comprehensive guide detailing the menu settings for the ARRI ALEXA Mini digital cinema camera, covering recording, monitoring, system configurations, and user setup options.
Preview ARRI ALEXA 35 XTREME Camera License Options and Pricing
Comprehensive overview of ARRI ALEXA 35 XTREME camera licensing, detailing temporary and permanent license costs for features such as ARRICORE Recording, ProRes Recording, ARRIRAW, and various speed and format options. Includes pricing for Premium, Base, High Speed, OG/Anamorphic, Pre-recording, and Look licenses.
Preview ARRI SXU-1 Single Axis Unit Instruction Manual
Comprehensive instruction manual for the ARRI SXU-1 Single Axis Unit, detailing setup, operation, safety, and maintenance procedures for professional cinema lens control. Compatible with ARRI ALEXA and UMC-3A systems.
Preview ARRI ALEXA 35 Xtreme Operating Manual - Comprehensive Guide
This document provides comprehensive operating instructions for the ARRI ALEXA 35 Xtreme digital cinema camera. It covers essential information on safety, product features, mounting, basic operation, cleaning, maintenance, transportation, and service contacts.
Preview ARRI WCU-4 SUP 3.3 Release Notes: Focus Unit Conversion and Bug Fixes
Release notes for the ARRI Wireless Compact Unit (WCU-4) Software Update Package (SUP) 3.3, detailing new features like focus unit conversion and a comprehensive list of bug fixes and known issues.
Preview ARRI AMIRA Camera Configuration Overview and Setups
A comprehensive overview of ARRI AMIRA camera system configurations, detailing lens options, camera accessories, and multi-camera and single-camera setups with associated equipment.