Introduction
This document is the operator's manual for the Ferguson AV-660 AV Receiver. It provides comprehensive instructions on setup, connection, operation, and troubleshooting to help users get the most out of their audio-visual system.
Ferguson
This document is the operator's manual for the Ferguson AV-660 AV Receiver. It provides comprehensive instructions on setup, connection, operation, and troubleshooting to help users get the most out of their audio-visual system.
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
CONTACT THE SERVICE DEPARTMENT SHOULD THE BELOW CONDITIONS EXIST:
SERVICING: Do not attempt to service this product yourself as removing cover may expose you to dangerous voltages or other hazards. Refer all servicing to qualified service personnel.
LIGHTNING: For added protection for this product during a thunderstorm, or when it is left unattended and unused for long period of time, unplug it from the wall outlet and disconnect the antenna or cable system. This will prevent damage to the product due to lightning and power line surges.
HEAT DISPERSION: Leave at least 10 cm (approx. 4 inches) of space between the top, back and sides of the unit and the wall or other components for proper ventilation.
The apparatus shall not be exposed to dripping or splashing and that no objects filled with liquids, such as vases, shall be placed on the apparatus.
NOTES ON USE:
This function preserves the preset memory and most-recent memory function. In the event of a power failure, or if the power cord of this unit is disconnected from the electric outlet, the back-up memory will preserve the preset memory and most-recent memory functions for as long as approximately 1 week.
If the power supply is interrupted for 7 days or longer, the memory settings will be erased.
In this case, try the following: Switch on the POWER, use a paper clip to press the RESET button for more than 3 seconds duration.
Note: If the RESET button is pressed for more than 3 seconds, all the current set up memory will be erased.
Caution: Turn off the power of all the equipment before making connections. Read instructions of each component you intend to connect to this unit.
Be sure to insert each power plug securely. To prevent hum and noise, do not bundle the interconnection leads with power cord or speaker leads.
Caution: To avoid damaging the speakers with a sudden high-level signal, be sure to switch the power off before connecting the speakers.
How to connect:
To connect:
If you live reasonably close to a transmitter and want to use the provided lead-type FM antenna, you will have to connect it direct to the "FM 75Ω" socket. Fit the metal sleeve of the lead-type antenna over the core (center) pin of the (FM 75Ω) socket, extend the lead and attach it to a window frame or wall with thumbtacks, or move around the room, where reception is best.
Lead-type FM Antenna (75Ω provided)
To stand the antenna on a surface, fix the claw to the slot. Crimp the jagged metal fixtures so they hold the braided portion using pliers, etc. Put the cover back in place.
In an area where FM signals are weak, it will be necessary to use a 75Ω unbalanced-type outdoor FM antenna using the optional matching transformer, as shown. Generally, a 3-element antenna will be sufficient; if you live in an area where the FM signals are particularly weak, it may be necessary to use one with 5 or more elements. Connect the coaxial cable of the antenna to the matching transformer as shown. After completing connection, plug the transformer into the “FM 75Ω" socket.
High performance AM loop antenna provided with the receiver is sufficient for good reception in most areas. Connect the loop antenna's wires to the AM antenna terminals as shown. Place the antenna on a shelf, for example, and move around to obtain the best reception, place as far as possible from the entire system, speaker leads and the power cords, to prevent unwanted noise.
If the AM loop antenna provided does not receive sufficient reception, it may be necessary to use an outdoor AM antenna. Use an insulated cable of a length of 15 ft (5m) long, strip one end, and connect this to the terminal as shown. The antenna wire should be strung outdoors or indoors near a window. For better reception, connect the GND terminal to a reliable ground.
Note: When connecting an outdoor AM antenna, do not disconnect the AM loop antenna.
The diagram shows a typical 5.1 or 6.1 surround sound speaker configuration with a listening position.
Speaker Labels:
Ideal speaker placement varies depending on the size of your room and the wall coverings. Here, only typical examples of speaker placement and recommendations are shown.
To avoid damaging the speakers with a sudden high-level signal, be sure to switch the power off before connecting the speakers. Check the impedance of your speakers. Connect speaker with an impedance of 8 ohms or more. The amplifier's red speaker terminals are the + (positive) terminals and the black terminals are the – (negative) terminals. The diagram below shows how loudspeakers are made. Please note that all connections are made via loudspeaker cable except the subwoofer which is connected via a standard phono cable.
Diagram showing connections from receiver speaker terminals (FRONT L/R, CENTER, SUBWOOFER, SURROUND L/R, SURROUND BACK) to respective speakers, indicating positive (+) and negative (-) terminals.
When connecting video components such as DVD players, cable boxes, satellite receivers and television, you can use different types of cables depending on how the video component is equipped.
If the video component is equipped with S-VIDEO jacks, it is recommended to connect to your Receiver or directly to the television monitor using an S-VIDEO cable. S-VIDEO cables provide better picture clarity and resolution. If the video component is not equipped with an S-VIDEO jack, use a conventional RCA or RCA composite cable to connect to your Receiver or directly to the television. The illustration here shows how to connect video components to your Receiver.
Note: When connecting more than one video component to your Receiver (i.e. VCR and DVD player) it is easier to use either all S-VIDEO cables or all RCA to RCA composite cables. This allows both video signals (DVD and VCR) to be sent through your receiver to the TV monitor using just one video input on the TV (S-Video or RCA). Regardless of the video component being played DVD or VCR, the picture will always appear on the same video input of the monitor.
If you use both S-Video and RCA composite cables to connect different video components to your Receiver, you must also use both S-Video and RCA composite cables to connect the TV monitor to your Receiver. For example, if you connect a DVD player to your Receiver using S-Video cable and a VCR using an RCA to RCA composite cable, you must also connect the TV to your Receiver using both types of cables. This requires an S-Video cable from the S-Video monitor out jack on your Receiver to an S-Video input on the TV (i.e. Video 1). In addition, you must use an RCA composite cable from the composite video monitor out jack on your Receiver to an RCA composite video input on the TV but not the same input used for the S-Video cable (i.e. Video 2). Using this type of dual cable video connection, you will need to switch the TV video input source from TV to Video 1 to Video 2 depending on the video source being played-TV, DVD or VCR.
Some video components are equipped with special digital audio outputs (i.e. DVD players). If your video component is equipped with a digital audio output, it is recommended that you connect to the your Receiver using a digital cable. Digital audio cables are required to use the DTS and Dolby Digital surround sound modes. If you do not use digital connections, your Receiver will only operate in Dolby PRO LOGICII, PASSTHRU, MOVIE, MUSIC, ROOM, THEATER and HALL surround modes.
There are two types of digital cables-coaxial (75 ohm) and optical. This Receiver is equipped with both types of digital inputs. These inputs are labeled COAXIAL IN and OPTICAL IN on the rear of the unit. Connect the video component outputs to any one of the two digital inputs on your Receiver.
If the video component is not equipped with a digital output, use a dual RCA to RCA composite audio cable to connect to your Receiver.
Note: When an optical cable is used, remove the protection caps from the component and your Receiver before attempting to insert the optical cable. If not using an optical cable or if the cable is removed, always re-install the protection caps to prevent dirt and dust from entering the inputs. If using a coaxial digital cable, leave the protection caps in both the video component and your Receiver.
By using the provided remote control unit, the receiver can be controlled from your listening position. To use the remote control unit, point it at the REMOTE SENSOR window of the receiver.
Diagram showing how to insert two AAA batteries into the remote control, noting correct polarity (+/-).
If the distance required between the remote control unit and main unit decreases, the batteries are exhausted. In this case, replace the batteries with new ones.
The front panel of the Ferguson AV-660 receiver features various controls and indicators. The diagram shows numbered components, detailed below:
NO. & NAME | DESCRIPTION | NO. & NAME | DESCRIPTION |
---|---|---|---|
1. POWER | Press this button to turn the unit into standby mode or turn off the unit. | 16. APS | Allocates and memorizes radio stations automatically. |
2. STANDBY | The power amplifier is in standby mode, indicated by the stand by indicator. Note: When this unit is in standby mode, the Standby Lens is in Red while in On mode, it is in Green. | 17. BAND | To alternate between FM and AM. |
3. DVD | Press this button to select DVD input. | 18. TUNING +/- | Tuner frequency up & down. |
4. VIDEO 1 | Press this button to select Video 1 input. | 19. ST/MONO | To alternate between Stereo and Mono mode when listen to FM broadcast. |
5. VIDEO 2 | Press this button to select Video 2 input. | 20. SURROUND BACK | Push this button to turn on or off the surround back output. And when surround back output is off, the DTS NEO:6 is activated. |
6. VIDEO 3 | Press this button to select Video 3 input. | 21. DTS/ DOLBY DIGITAL | When play 5.1 CH source, and while you are enjoying Stereo, press this button to playback source in DTS/DOLBY DIGITAL. |
7. TUNER | Press this button to select TUNER. | 22. STEREO | With the unit in the STEREO mode, only front left and front right speakers and Woofer are working. |
8. TAPE | Press this button to select tape deck. | 23. DOLBY PL II | When receiving Analog/digital PCM signal or 2CH Pro Logic, turn on this button then the playing is under analog 5.1CH state. |
9. AUX | Press this button to select AUX input. | 24. SURROUND MODE | Selects surround modes: Theater, Hall, Passthru, Movie, Music, and Room. |
10. DIRECT IN | Press this button to select the 6.1 analogue input. | 25. MASTER VOLUME | Rotate this knob clockwise or counterclockwise, the master volume will be increased or decreased. |
11. DISPLAY | Press this button to display the state of input source. And when listening to the FM broadcasting with RDS, press this button to show PS, PTY, RT and RT. | 26. BASS | Press this button for Bass adjustment, then turn Master Volume to adjust the level. (Note: In Prologic II, Surround and Digital 5.1 mode, no function.) |
12. INPUT MODE | To select input modes: ANA, OPT and COAX when using digital in. | 27. TREBLE | Press this button for Treble adjustment, then turn Master Volume to adjust the level. (Note: In Prologic II, Surround and Digital 5.1 mode, no function.) |
13. PHONES | Jack for the stereo headphones. | 28. RESET | When this unit is ON, use a paper clip to press this button for more than 3 seconds to reset the whole system (including memories). |
14. MEMORY | To preset the broadcast stations. | 29. VIDEO 3 INPUT | Input for VCR, Video Camera Recorder, etc. It contains one video input and Analog Left and Right inputs. |
15. STATION | To select a preset channel during the tuner mode. |
Diagram of the remote control with numbered buttons.
NO. & NAME | DESCRIPTION | NO. & NAME | DESCRIPTION |
---|---|---|---|
1. POWER ON/STANDBY | Press this button to turn this unit on or into standby mode. | 18. NUMERIC BUTTONS | These buttons are used to select a preset channel during the tuner mode. |
2. SURR MODE | Press this button to choose one of the following surround modes: THEATER, HALL, PASSTHRU, MOVIE, MUSIC and ROOM. | 19. TUNING +/- | Tuner frequency up and down. |
3. DIMMER | Press this button to set the brightness of the front display. | 20. AUTO/MANUAL | This button is used to select AUTO or MANUAL tuning in AM and FM mode. Press once to set to AUTO again for MANUAL. |
4. DOLBY DIGITAL | When play 5.1 CH source, and while you are enjoying Stereo, press this button to playback source in DOLBY DIGITAL. | 21. MEMORY | Press it to store the broadcast station as a preset. |
5. DTS | When play 5.1 CH source, and while you are enjoying Stereo, press this button to playback source in DTS. | 22. PTY | In FM state, press this button, the current program type appears on the display, using TUNING +/- to select the program type you desire. |
6. PRO LOGIC IIx | When receiving Analog/digital/PCM signal or 2CH Pro Logic, turn on this button then the playing is under analog 5.1CH state. | 23. CH SELECT | Select channels by pushing this button, then use VOL. +/- buttons to balance speakers. |
7. DTS NEO: 6 | When the input signal is PCM, pressing this button, you will get DTS NEO 6 MUSIC or DTS NEO 6 CINEMA. | 24. VOL. +/- | Press these buttons to decrease or increase the volume. |
8. SURR BACK | Push this button to turn on or off the surround back output. And when surround back output is off, the DTS NEO:6 is activated. | 25. SOURCE SEL | Press this button to select source upward or downward. |
9. SUB ON/OFF | Press this button to turn on/off the output of subwoofer. | 26. LFE TRIM | Under the Pro Logic 5.1CH or DTS 5.1CH mode, press this button and adjust the volume to set the Low Frequency output level. |
10. DIRECT IN | Press this button to select the 6.1 analogue input. | 27. DYNAMIC | Press this button repeatedly to reach your desired compression dynamic range. |
11. INPUT MODE | To select input modes: ANA, OPT, and COAX when using digital in. | 28. TEST TONE | To balance speakers in Dolby Digital or Dolby Pro Logic mode. |
12. MUTE | Press this button to mute the sound, push again to cancel the mute function. | 29. DISPLAY | Press this button to display the state of input source. And when listening to the FM broadcasting with RDS, press this button to show PS, PTY, RT and RT. |
13/24. VOL. +/- | Press these buttons to decrease or increase the volume. | 30. STEREO | With this unit in STEREO mode, only Front Left & Front Right speakers and Woofer have output. |
14. APS | Allocates and memorizes radio stations automatically. | 31. SPK SETUP | Under PRO LOGIC II or Digital state, it can change the desired Speaker Setting shown on the display. |
15/25. SOURCE SEL | Press this button to select source upward or downward. | 32. +/- | These buttons are used for SPK SETUP and DELAY TIME, Treble and Bass adjustment. |
16. ST/MONO | Press this button to alternate between Stereo and Mono mode when listen to FM broadcast. | 33. DELAY | Press this button to set the delay time for the Dolby digital/Dolby Pro Logic modes. |
17. BAND | Press this button to alternate between FM and AM. | 34. TREBLE | Press this button for Treble adjustment, then press +/- key to adjust the level. (Note: In Pro Logic II, Surround and Digital 5.1 mode, no function.) |
35. BASS | Press this button for Bass adjustment, then press +/- key to adjust the level. (Note: In Pro Logic II, Surround and Digital 5.1 mode, no function.) |
The rear panel of the AV-660 receiver provides various input and output terminals. The diagram shows numbered connections, detailed below:
NO. | TERMINAL TYPE | DESCRIPTION |
---|---|---|
1. | VIDEO IN | DVD IN: connect to the line output terminals of a DVD player. VIDEO 1 / VIDEO 2 IN: connect to the output terminals of a VCR to the VIDEO 1 and VIDEO 2 IN. AUDIO IN: connect to the output of external players. |
2. | AUDIO IN | DVD: connect to the output of a DVD player. VIDEO 1 / VIDEO 2: connect to the output of VCD players. |
3. | VIDEO OUT | Connect TV set to the VIDEO OUT. |
4. | TAPE OUT | Connect to the line input terminals on the TAPE DECK. |
5. | S-VIDEO INPUTS | DVD-S IN: connect to the line output terminal of a DVD player. VIDEO-S IN: connect to the output terminal of a VCR to the VIDEO-S IN. |
6. | VIDEO-S OUT | Connect TV set to the S-VIDEO OUT. |
7. | ANALOGUE AUDIO IN | TAPE IN: connect to the line output terminals on the TAPE DECK. AUX: connect to the line output of an external player. PHONO: connect to the line output of a turntable. |
8. | DIGITAL AUDIO TERMINALS (COAXIAL OUT) | Digital audio output to the digital coaxial input of another amplifier, external recording device or decoder. |
9. | DIGITAL IN terminals | DVD COAXIAL IN: digital audio input to the digital output of a DVD player. VIDEO 1 IN: digital audio input to the digital output of a VCD player. VIDEO 2 IN: digital audio input to the digital output of a VCD player. |
10. | COMPONENT VIDEO terminals | Connect to the 7 channels output terminals of another player. |
11. | FM / AM ANTENNA | Connect to the 7 channels output terminals of another player. |
12. | 6.1 DIRECT IN | Connect to the 7 channels output terminals of another amplifier. |
13. | SUB LINE OUT | Connect to a active subwoofer. (refer to speaker connection diagram) |
14. | SPEAKERS 8Ω | Connect to the external speakers. (refer to speaker connection diagram) |
15. | POWER CORD | Connect to the A/C socket. |
Diagram of the receiver front panel with POWER, STANDBY, and MASTER VOLUME controls highlighted.
Note: INPUT MODE is used to select one of the 3 Modes: ANA→OPT→COAX.
When DVD, VIDEO 1, VIDEO 2 is selected, press the INPUT MODE button and select “ANALOG”, “OPTICAL” or “COAXIAL” in accordance with your connection.
If “DOD” appears on the display:
If “UNLOCK” appeared for 5 seconds on the display:
Press this button to turn the power on/off. The STANDBY indicator lights up in power standby mode and goes out when this unit is turned on.
With the unit in the STEREO mode, only Front Left and Front Right Speaker and Woofer have output.
Dolby® Pro Logic® IIx technology (PLIIx) is an extension of Dolby Pro Logic II (PLII) matrix-decoding technology. Dolby Pro Logic IIx technology offers decoders more flexibility in deriving additional outputs to take better advantage of all the amplifiers and speakers found in higher-end surround systems, and to do so from a wider range of program material and sources. There are two standard modes: Movie, Music.
After power on this unit:
Note: During the press, the corresponding wording appears on the display.
This mode is possible to achieve a realistic sound field with a "three dimensional” feel, giving the sense of distance, movement and relative position, and creating a surprisingly real and powerful sense of presence when playing movie software in AV rooms. There are six surround modes: PASSTHRU, MOVIE, MUSIC, ROOM, THEATER and HALL.
Press this button when you want to enjoy the 6 discrete channels of high quality digital audio from DTS/AC3 program source.
When this unit is ON, use a paper clip to press this button for more than 3 seconds to reset the whole system (including memories).
For private listening, insert optional (not included) headphones (1/4-inch plug) into the PHONES jack, and then the center and surround speaker will be cut automatically. (Note: When the headphone is used, the output will down mix to STEREO automatically.)
The input ports are for VCR, Video Camera Recorder, etc. It contains one optical, one S-video, one video input port and Analog Left and Right input ports.
When using surround back speakers, the Dolby Digital source is played back using the matrix 6.1-channel decoder.
With the additional of the surround back channel, this new format has all 6.1 channels recorded independently for a completely discrete digital format. Since all channels are recorded independently, high-fidelity surround playback with the increased sound space is achieved.
This format has the surround back channel matrix encoded and inserted into the left and right surround channels so that at playback the output for the left, right, and back surround channels are decoded using a high-precision matrix decoder.
This mode is for 6.1-channel playback of sources such as PCM or analog sources that have only two channels. The outputs of all six channels are a wide frequency range with a great separation between the different channels. This mode can be set to the Cinema mode designed for playing movies and the Music mode designed for listening to music. The Cinema mode is good for movies. The reproduced surround sound provides the same realistic feel of movement as 6.1-channel sources. This mode can be used with VHS and television programs with stereo sound. The music mode uses the surround channels to provide a natural sound space that cannot be provided with normal stereo output. This mode can be used with music CDs and other stereo sources.
When the input signal is PCM, pressing DTS/DOLBY DIGITAL button on the front panel or DTS NEO: 6 button on the remote, you will get DTS NEO 6 MUSIC or DTS NEO 6 CINEMA.
Diagram of the receiver front panel with tuner controls.
Automatic Tuning
Note: Auto appears on the display.
Manual Tuning
It is for selecting stations, which cannot be tuned automatically (manual selection). To tune a channel manually: Skip step 4 in the above procedures. Each time the TUNING + or TUNING - button is pressed momentarily (0.5 second or less), the frequency changes by a fixed step. FM: 50 kHz steps; AM: 9 kHz steps.
Two FM modes available:
If DISPLAY button is pressed, the details of incoming source will be displayed.
This facility is used to store FM, AM broadcasting from channel 1 to 20 respectively.
Press the STATION button on the front panel or directly press the numeric buttons on the remote to select a preset channel during the tuner mode.
To store more stations, repeat steps 3 to 6.
Diagram of the receiver front panel with input selection buttons.
The delay time can be individually set for the Dolby Digital/Dolby Pro Logic II modes using the DELAY (CENTER/REAR) buttons. When you adjust the delay time in the Dolby Digital mode, an additional 15 ms is automatically added to the surround channels in the Dolby Pro Logic mode. The current setting is shown on the display.
Diagram of the remote control highlighting the DELAY button.
1. Press DELAY on the remote control as shown. The corresponding speaker appears on the display (e.g., C → S → BS).
2. Press "+/-" button to set the time delay.
In the surround modes, the sound from the speakers should be delayed slightly, relative to that from the front speakers. The optimum delay time will depend on acoustic properties, whether the walls and furnishings reflect or absorb sound, etc. It is recommended that you try different delay times to obtain the best effect. The delay is digitally synthesized. For the highest sound quality with minimum noise and distortion, the delay time can be set independently for each surround mode using the DELAY TIME buttons, with the current setting shown in the display.
This button controls the compression range of sound track. If the compression is large (DRC = 4/4), the sound effect is retarded to a certain range. As a result, sound effect is not as excited as normal range (DRC = 0/4). It is useful when you want to movies at the late night.
Diagram of the remote control highlighting the DYNAMIC button.
• Press DYNAMIC on remote control repeatedly until the desired compression range reached.
DRC=0/4: No Compression
DRC=1/4
DRC=2/4
DRC=3/4
DRC=4/4: Greatest Compression
Note: The Dynamic Range Control state will resume to normal if you do not press it after 5 seconds. Dynamic Range Compression is not possible with DTS sources.
The test tone function is useful to adjust the relative volume between speakers in DOLBY DIGITAL or DOLBY PRO LOGIC II mode. Once the balance is set, you don't have to change the balance as long as the speakers aren't moved.
Diagram of the remote control highlighting T.TONE and VOL +/- buttons.
Note: You must keep press T. TONE until one complete cycle is finished.
Under COAX./OPT mode, when playing, input AC3 or DTS 5.1CH signal, LFE will appear on the VFD, then press LFE key on the remote, and again press VOL +/- key to adjust the level between 0dB to -10dB.
Note: The LFE adjust state resume to normal, if MASTER VOLUME is not press after 5 seconds.
Balancing volume between speakers in 6.1 channel mode when using the 6.1 analogue inputs. As the Dolby Digital signal is decoded in the external source, sometimes, you may have to balance volume between speakers due to the location of speakers. In this case:
Diagram of the remote control highlighting CH SELECT and VOL +/- buttons, showing speaker selection loop.
Note: If the Master Volume is not adjusted for 5 seconds in Channel Trimmer state, it returns to normal state.
To determine any problem with your receiver, always check the most obvious possible causes first. If any problem still remains after your having checked the items below, consult your nearest dealer.
Amplifier / Tuner / Remote Control Unit | Problem | Probable Cause | Suggestion |
---|---|---|---|
Amplifier | When listening to the music in stereo. Left/right speakers reversed. | Speakers are connected wrong. | After checking, if needed, reconnect. |
Low hum or buzz sound | Power cords or lighting placed near this product. | Place this product as far as possible from lighting or power leads. Connect the input leads and adjust the BALANCE control. | |
Sound is only heard from one channel | One of the input cords is disconnected. The BALANCE control is set to one side. | ||
Sound cuts off when listening to the music or no sound even though power is ON. | Speaker impedance is less than prescribed for this unit. | After turning off the power and then turning it on again, reduce the volume or change to the correct 8 ohm speakers. | |
Low bass response. | Speaker polarity (+/-) is reversed. | Check all speakers for correct polarity. | |
Tuner | An unusual hissing noise is heard when listening to the broadcast in stereo, but not heard when listening monaurally. | A slight noise may be heard because the method used for modulation of FM stereo broadcasts in different than that used for monaural broadcasts. | Try reducing the treble sound by turning the treble controls. |
Noise is excessive in both stereo and monaural broadcasts. | Poor location and/or direction of the antenna. Transmitted station is too far away. | Set the FM mode to monaural by pressing the STEREO/MONO button. (Note that the broadcast will then be heard as monaural sound) | |
Sound is distorted and/or the volume level becomes low. | Broadcast signals are poor or poor antenna placement | If an indoor antenna is being used, change to an outdoor antenna. Try using an antenna with more elements. | |
Excessive distortion in speaker output | Poor reception area | ||
Surround Effects: (Important) The center and rear speaker only operate with the unit is set to a Surround Sound mode and the source material being played is recorded or broadcast in Dolby Digital, DTS or Dolby Pro Logic surround sound. Stereo broadcasts or recordings will produce some rear channel effects when played in a surround mode. However, mono sources will not produce and sound from the rear speakers. | |||
Surround Effects | No sound from the rear speakers | SURROUND ON/OFF button is set to OFF. | Set the button to the desired surround mode position. |
No sound from the center speaker | Source being played is not recorded or broadcast in surround sound or stereo. Cable not connected securely. | Check all rear speaker wires for good connection. Set the button to DOLBY DIGITAL, DTS or DOLBY PRO LOGIC II. | |
Remote Control Unit | Remote control not working | The batteries are exhausted. | Replace with new batteries. Operate the Remote Control unit within the effective range. |
The remote control unit is too far from the receiver or out of the effective range. |
SECTION | SPECIFICATION |
---|---|
AUDIO SECTION | |
Audio Power Output | FRONT (L/R): 100W RMS x 2 (8 ohm, 1% THD) CENTER: 100W RMS (8 ohm, 1% THD) SURR. (L/R): 100W RMS x 2 (8 ohm, 1% THD) SURR. BACK: 100W RMS (8 ohm, 1% THD) |
Output Impedance | FRONT (L/R): 8 ohm CENTER: 8 ohm SURR. (L/R): 8 ohm SURR. BACK: 8 ohm |
Total Harmonic Distortion | Less than 0.05% |
LINE INPUT | |
Input Sensitivity/Impedance | 150mV/47kΩ |
Frequency Response | 20Hz~25KHz +0.5/-1dB |
Tone Control Range | BASS ± 6dB TREBLE ± 6dB |
Signal-Noise Ratio | 75dB |
WOOFER OUTPUT | |
Rated Output/Impedance | 150mV/10kΩ |
Frequency Response | 10Hz~300Hz +3dB |
FM TUNER SECTION | |
Frequency Range | 87.5~108MHz |
Sensitivity | 14dB (5uV) |
Antenna Terminal | 75 ohm (unbalanced) |
TUNER SECTION | |
Frequency Range | 522~1629kHz, 9kHz step |
Sensitivity | 68 dB/M |
Signal-to-Noise Range | 30 dB |
Antenna | Loop Antenna |
VIDEO SECTION | |
Standard Video Jacks Input and Output Level/Impedance | 1 Vpp/75Ω |
S-VIDEO SECTION | |
Standard S-Video Jacks Output Level/Impedance | CA 0.3 Vpp/75Ω YA 1 Vpp/75Ω |
GENERAL | |
Power Requirement | AC230-240V~50Hz |
Max Power Consumption | 280Watts |
DIMENSIONS | 350 (W) x 430 (D) x 150 (H) mm |
WEIGHT | 11kg |
*Design and specifications are subject to change without notice.
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