ART D7 Large Diaphragm Dynamic Microphone
The ART D7 large diaphragm dynamic microphone is an essential addition to any serious recording or live sound engineer's microphone toolkit. Designed originally for broadcast applications, the D7 delivers an exceptionally smooth, wide flat frequency response with predictable proximity effect, making it perfect for high-impact vocal applications. The wide diaphragm design and the microphone's inherent ability to handle high SPL make it ideal for use on bass drums, floor toms, in front of bass amplifiers, guitar amplifiers, as well as for rock vocals.
Microphone Image Description: The ART D7 microphone is depicted as a sleek, professional audio device. It features a large diaphragm capsule housed within a protective grille at the top. The body is cylindrical, tapering slightly towards the base, and includes a prominent switch or control element. The microphone is finished in a dark, matte material, suggesting durability and a professional aesthetic. A standard XLR connector is visible at the bottom.
Tone Shaping
The integrated high-pass filter (Low Frequency Roll Off) switch at 100Hz reduces unnecessary low-end 'boominess' and low-frequency interference when engaged. This is particularly effective for vocal applications where unnecessary low-frequency audio clutters the signal and reduces clarity and presence.
The midrange frequency boost switch is most often used on vocal tracks where additional presence and clarity are required. This will add clarity in close-miking applications where the proximity effect may clutter speech. The mid boost can be extremely effective when the D7 is used on bass guitar or high-volume guitar amplifiers, or used on bass drums where maximum tone, clarity, and precise attack characteristics are required.
Included
The included heavy-duty shock-mount suspension virtually eliminates vibration and handling noise, while at the same time safely securing the microphone in any position needed during use.
Specifications
| Type: | Large Diaphragm Dynamic |
| Polar Pattern: | Hypercardioid |
| Sensitivity: | -53dB (@1kHz) |
| Frequency Response: | 50Hz to 16kHz |
| MAX SPL: | 136dB (1kHz @ 1%THD) |
| Open Circuit Voltage: | -56dB +/-2dB (0dB=1v/Pa) |
| Impedance: | 250 ohms |
| Dimensions: | 53mm x 205mm (2.1 inches x 8.7 inches) |
| Weight: | 725g |
Features
- Large Diaphragm Dynamic Design
- Smooth, Flat Response with Exceptional Presence and Low Frequency Balance
- Exceptional Shielding for Use in High Electromagnetic Field Environments
- Ideal Microphone for Broadcast Applications
- Integrated High Pass Filter and Midrange Boost Switches
Technical Diagrams
Frequency Response Graph Description: A frequency response graph shows the microphone's sensitivity across a range of frequencies. The horizontal axis represents frequency in Hertz (Hz), from 20 Hz to 20 kHz. The vertical axis represents sound pressure level (SPL) in decibels (dB), ranging from -90 dB to -40 dB. The graph displays a relatively flat response between approximately 100 Hz and 16 kHz, with a noticeable boost in the midrange frequencies (around 2 kHz to 5 kHz) and a significant roll-off below 100 Hz, indicating the function of the high-pass filter.
Polar Pattern Diagram Description: A polar pattern diagram illustrates the microphone's directional sensitivity. This diagram, labeled 'Hyper Cardioid at 1kHz', shows a circular plot representing 360 degrees. The pattern indicates maximum sensitivity directly in front of the microphone (0 degrees), with sensitivity decreasing significantly at angles to the sides and rear, characteristic of a hypercardioid pickup pattern.
Distributors
Canada: Yorkville Sound - 550 Granite Court, Pickering, Ontario - Canada L1W 3Y8
USA: Yorkville Sound - 4625 Witmer Industrial Estate - Niagara Falls, NY USA 14305
