t c electronic M2000 Studio Effects Processor User Manual

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t c electronic M2000 Studio Effects Processor

t-c-electronic-M2000-Studio-Effects-Processor-product

Overview

The TC Electronic M2000 is a studio effects processor with two separate effect engines in one chassis. You control the unit using cursor keys to move between parameters and the Adjust wheel to change values, and you can recall/store presets for each engine or use combined presets that include routing changes.

Specifications

Category Specification (as listed)
Digital Inputs/Outputs connectors XLR (AES/EBU), RCA Phono (S/PDIF)
Digital output formats AES/EBU (24 bit), S/PDIF (20 bit), EIAJ CP-340, IEC 958
Output dither HPF TPDF dither
Output dither resolution 8 to 24 bit
Sample rates 44.1 kHz, 48 kHz
Processing delay 0.2 ms @ 48 kHz
Frequency response (DIO) 20 Hz to 23.9 kHz, 0.01 dB @ 48 kHz
Analog inputs connector XLR balanced
Analog input impedance 20 kohm
Max input level +22 dBu (balanced)
Min input level (for 0 dBFS) -10 dBu @ 12 dB headroom
A/D conversion 24 bit (1 bit, 128 times oversampling)
A/D delay 0.8 ms @ 48 kHz
Dynamic range (A/D) >103 dB (unweighted), >106 dB(A)
THD (A/D) -95 dB (0.0018 %) @ 1 kHz, -6 dBFS (FS @ +16 dBu)
Analog input frequency response 10 Hz to 20 kHz: +0/-0.2 dB
Analog input crosstalk 100 dB (unweighted), >104 dB(A)
Analog outputs connector XLR balanced
Analog output impedance 20 kohm
Max output level +10 dBu (balanced) (Full Scale Output Range listed as -22 dBu to +10 dBu)
Full scale output range -22 dBu to +10 dBu
D/A conversion 24 bit (1 bit, 128 times oversampling)
D/A delay 0.8 ms @ 48 kHz
Dynamic range (D/A) >103 dB (unweighted), >106 dB(A)
THD (D/A) -95 dB (0.0018 %) @ 1 kHz, -6 dBFS (FS @ +16 dBu)
Analog output frequency response 10 Hz to 20 kHz: +0/-0.5 dB
Analog output crosstalk >104 dB(A) / -86 dB (0.005 %) @ 1 kHz, -6 dBFS (FS @ +16 dBu) (as listed)

Quick Setup & Use

  1. Power: Use the front panel power switch to turn the device on (the rear panel power switch is optional).
  2. Connect signals: Use the appropriate rear-panel connectors for your input/output type (balanced XLR for analog; AES/EBU or S/PDIF for digital).
  3. Recall an effect (single engine): Scroll presets with the Adjust wheel and press OK to recall. If you want only one effect, set the other engine to bypass mode.
  4. Recall a combined preset: Press the Combined Recall key, scroll with the Adjust wheel, and press OK to recall.
  5. Store a RAM preset: Press STORE (for Engine 1, Engine 2, or Combined). Select a location (1–128), enter a name, then select DONE and press OK.
  6. Use snapshots (combined setups): To take a snapshot, press Shift and the desired Snapshot key. To recall, press the Snapshot key.
  7. Use the Wizard to find presets: Press Shift + Wizard, select effect type, instrument, and intensity/category, then scroll with the Adjust wheel and press OK to recall.
  8. Tuner (muted outputs): Press Shift + Routing to open the tuner; choose Guitar/Bass/Manual, calibrate if needed, and tune until the marker is at 0.
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WELCOME
Congratulations on the purchase of your new M2000.
We hope, that you will have as much pleasure using it
as we had making it.
The M2000 is basically two separate effect Engines housed in the
same box. They can be used as such but they can also work
together in a number of Combined configurations. The outputs of
the two Engines are mixed down to a common stereo output.
The general Control of the M2000 is accomplished by moving
the cursor with the cursor keys; value changes are made by turning the Adjust wheel.
The rest is simple. You select the area that you wish to control by
pressing the function keys on the front of the M2000; i.e., if you
want to Recall you press the RECALL key

About this Manual
Many people in the music business have an aversion to reading
manuals. We understand that. So if you feel like starting without
reading the whole manual, simply: Plug & Play. You can always
use the manual for checking out areas that you have questions
about or if you want to dig deeper into the unit. Refer to the
Table of Contents for further information.
On the other hand, you might want to know a little more about
the M2000 before you start pressing keys. The manual will take
you step by step through all of the M2000 functions. If you want
to read about a specific function, please refer to the Table of
Contents.
The Help function
The Help function is another way to learn your way around the
M2000. Simply press Help (Shift – I/O) and the Help function
will brief you about functions in the current display

THE FRONT PANEL

t-c-electronic-M2000-Studio-Effects-Processor-fig-1

Notes:
To accomodate International regulations, we have also added a back panel power switch.
You don’t need to use the power switch on the rear panel. Use the front panel power switch instead.
Remember to use the left input when you’re using only one input.
Pin 2 is »hot« on all XLR’s (AES Regulations).
If You are connecting the M2000 to unbalanced equipment, you must tie pins 1 and 3 together in the cable
ends away from the M2000.
We have reserved the two unused pins on the MIDI connectors for an optional RS485 interface. Therefore, if
you are connecting M2000 to other equipment that use these pins, please make sure the cable is a 3-wire
standard MIDI type, and not a five wire MIDIPLUS type.
If you want to use the pedal input, be sure it is a momentary »make« type.

THE SIGNAL FLOW
Notes Regarding the signal flow:
As shown in the block diagram signals are present on all outputs, all the time.
The digital input gain circuit is capable of »lifting« the signal level. This is a very useful feature if you e.g.
are feeding the M2000 with a DAT recording that isn´t fully leveled to 0 dB.
10
RECALL + SNAPSHOTS
Bank indicator
(RAM/ROM)
Engine 1
Engine 2
Algorithm type Primary parameter Edited flag Preset number
The Recall Displays
The Recall display is the »homepage« of the M2000. This means that you return to this display whenever you exit any other display of the
M2000.
The Recall display is split into two halfs, showing the presets of both Engines at the same time. Engine 1 is always the top half while
Engine 2 is the bottom half of the display.
If you want to have only one effect, use one engine and set the other in bypass mode.
Recalling a Preset
When you wish to Recall a preset, simply use the
ADJUST wheel to scroll through the presets and press
OK to Recall.
Another way of Recalling is to use the Wizard described later in
this section (see »The Wizard«). The Preset number and the OK
key will be blinking while you are previewing, indicating that the
shown preset is not Recalled yet.
Use the Cursor keys (or the other Recall key) to access the other
Engine.
Primary

Combined Recall
The M2000 is capable of Recalling Combined presets, meaning a
preset for each Engine in a combination.
A Combined preset consists of two normal presets and the
Routing of the M2000: i.e. by Recalling Combined preset 30, a
Chorus will be loaded into Engine 1; a Reverb will be loaded into
Engine 2, and the Routing will change to Serial (see »Routing«).
To Recall a Combined preset:
Press the Combined Recall key and scroll through the
presets using the Adjust wheel. Press OK when you
find the right preset.
128 RAM
PRESETS
128 ROM
PRESETS
128 RAM
PRESETS
128 ROM
PRESETS
A Snapshot will always include both Presets, and Routing just
like a Combined preset.
With the Snapshots you are able to switch between completely
different configurations with the touch of a single key.
TAKING A SNAPSHOT:
When you want to Take a Snapshot of your M2000 setup, press
Shift and the Snapshot key where you want to store.
RECALLING A SNAPSHOT:
Recall of a Snapshot is very easy as well: Simply press the
Snapshot you wish to Recall and the M2000 will change the
whole setup.
Snapshots
The Snapshots are fast Recall keys. Store your favorite
presets or use the Snapshots as four compare keys.
12
STORE
Store a new RAM Preset
– Press the STORE button [Engine 1, 2 or combined]
– Select a location for your new preset [dial between preset 1 to 128]
– Move cursor to the new name line and dial in the new preset name [find letter with ADJUST and confirm with OK ]
– Point on DONE and press OK to finalize store operation.
Store with the same name:
If you want to Store the Preset with the existing name simply select the RAM location to Store in by using the ADJUST wheel and press
OK (the OK key will be blinking while you search for a suitable RAM space). The M2000 will now tell you “STORED” in a pop-up window and return to the homepage.
Store location
The letterbox
When you want to change the name of the preset to Store, press
the Cursor Down key. You are now able to write a new name
using the letterbox. Simply dial the ADJUST wheel and press OK
to select new letters.
Select CAP, by pressing OK, to change case.
When you have changed the name select DONE in the Letterbox
and press OK to Store.
Combined Store
The handling of Combined Store is exactly the same as a normal
Store.
Please note that a Combined Preset Stores the Routing of the
Engines along with the Preset.
New preset name
Letterbox
Cursor arrows
CAPS LOCK
Indicator
Place cursor here and press OK
to finalize store operation
Using a Memory Card:
When you wish to use a Memory card, simply insert the Card in
the M2000. The M2000 will now autodetect your card and the
Store, Recall and Snapshot facilities will be attached to the
Memory card. The M2000 will now use the Memory Card as a
normal RAM bank. When you remove your Memory card the
M2000 will switch back to the internal RAM.
If the format of the Memory card is not correct, the M2000 will
detect this immediately.
Card types
Type 1 PC-CARDS, with minimum 64KBytes SRAM.

THE WIZARD

t-c-electronic-M2000-Studio-Effects-Processor-fig-2

The Wizard is a tool that helps you find the right preset
for your program material.
The Wizard is easy to access and simple to use.
Try it out, and listen what our creative staff suggests
for your program material.
1. Select the type of effect you want
Engine 1 or 2
2. Which instrument to be used on
3. and the category of intensity
Dial here to select between
presets that utilize the search
criteria.
Name of selected preset
Number of presets utilizing the
search criteria
The Wizard Display
How to enter »The Wizard«
14
I/O
Press the I/O key to setup various I/O parameters.
Move the marker using the Cursor keys and turn the ADJUST
wheel to change values.
Input
Select Input source Analog/Digital.
Select Input type Left/Both. When you select Left the right input
will be muted. If you are using two inputs you should select Both
Sample rate
Select Master clock 44.1 kHz/48 kHz/DI.
When Digital Input is selected, the external Clock frequency will
be displayed by the three LEDS on the left side of the Display. If
the M2000 cannot lock, all three LED’s will be blinking.
Mix
The Mix is a global parameter. When Mix is set to “100%” the
Mix parameter of all presets will be 100% and no direct signal
will pass through the M2000. Note that when Mix is set to 100%
the Bypass keys will act like Mute-keys.
When Mix is set to “Mix”, the parameter is adjustable.
Press the I/O key to setup various I/O parameters.
Move the marker using the Cursor keys and turn the ADJUST wheel to change values.
Status Bit:
This selector changes the Channel Status Bits of the digital output
between professional and consumer format. When AES is selected, the M2000 will output the professional AES/EBU standard,
and when S/PDIF is selected, the M2000 will output the S/PDIF
consumer standard.
The defaults setting is AES/EBU but some digital consumer
products refuses to accept the professional standard.
In that case change to S/PDIF consumer standard.
Example: If you are using a non-professional DAT machine as a
receiver of the M2000 digital output, and you cannot make it
accept the digital input, change the output format from AES/EBU
to S/PDIF.
NOTE: The different Status Bit standards do not affect the quality
of the audio output from the M2000.
Dither:
The M2000 can output Dither from 8 to 22 bit resolution on the
AES/EBU and S/PDIF ouput. The dither type is HP-TDF or High
Pass Triangular probability Density Function.
M2000 uses internal 24 bit resolution and 24 bit AD/DA
converters. Dither should therefore only be used when the digital
outputs are used (e.g. to a 16 bit DAT machine). It is
recommended not to use dither until the final stage of a
production, so if there is a chance that the source material is
going to be dithered later in a production, do not use Dither.

LEVEL MENU

t-c-electronic-M2000-Studio-Effects-Processor-fig-3

Press the Level key to access this menu.
These global level controls should be set to optimize the performance of the 24bit AD converter in the M2000.
The Level bars can be controlled individually or in common.
Mark the level bar you want to control using the cursor keys, and turn ADJUST to change value.
For common control the marker should be set between the two Level bars.
Note that the Digital In Level is capable of +6 dB gain.
Digital input gain
Place cursor between L and R to adjust simultaneously
Input gain
and sensitivity
(Consumer/PRO)
Output gain
and level
(Consumer/PRO)
LEVEL MENU
Ranges
Analog Inputs
Consumer range: -16dB to +10dB
Professional range: -6dB to +16dB
Analog Outputs
Consumer range: -10dB to +16dB
Professional range: -16dB to +6dB
Digital Input Level
Adjust the Digital Input from: Off to +6dB.
Auto level
Press SHIFT and AUTO LEVEL to activate function.
Send your expected source into the M2000 and press Auto Level
(Shift-Levels) to optimize your Input level automatically. The
M2000 will perform a measure for about five seconds and then
adjust the Input level giving you about 6 dB of headroom.
16
Serial
The Serial mode is a Stereo In/Out
Routing. The Serial mode is very useful
when you want two independent effects
in the same signal path; i.e., from a
Keyboard through the M2000 Reverb and Chorus to The mixer.
Parallel
The Parallel mode is a stereo In/Out
Routing. Both Engines will work as stereo
effects and their Output will be mixed
down to a stereo signal. With this Routing,
the M2000 can be used as two parallel effects on the same stereo
source. You may also set the I/O menu to left input to get two independent stereo-out effects on the M2000 from a single send on the
mixer.
Dual input (Split mode)
The Dual input mode is a Dual mono In /
stereo Out Routing. Left In is always
attached to ENGINE 1 and Right In is
attached to ENGINE 2. Using this Routing enables you to get two
different effects with separated inputs; i.e., connect Aux 1 from
your Mixer to Left In and Aux 2 to Right In. You now have
access to two separate effects with a common stereo output. Set
the individual Preset output volumes to achieve the correct effects
balance.
Dual Mono
This mode is for Dual Mono In/Out
Routing. Left In/Out is always ENGINE 1
and Right In/Out is ENGINE 2. The Dual
Mono is very useful when you want to
use the M2000 as two independent Inserts.
Stereo
When you select the Stereo Routing, the
two Engines will link together to perform
true Stereo. This means that the preset of
Engine 1 will be copied into Engine 2 and
the Edit pages will lock together. The Stereo Routing is indicated
by the two Edit LEDS which will be lit simultaneously. Left and
Right channel audio path are completely separated in this
Routing.
Preset Glide
When the Preset Glide Routing is selected, the M2000 will perform preset
changes by crossfading the current Effect
and the new preset. This gives you a very
smooth change of effects; i.e., allowing a Delay to keep repeating
while a Chorus is being faded in.
The glide time is located in the Utility menu (see Util/MIDI).
Please note that only one Engine is available while the M2000 is
in the Preset Glide Mode.
ROUTING
Pressing the Routing key gives you the ability to choose one of six different Routings.
Move the marker by pressing the Cursor keys and press OK to accept the new Routing.
A small pop-up window will tell you that the Routing has changed.
17
STUDIO SETUP EXAMPLES
Use two sends on your mixing console
Dual Input mode
Let’s say Engine1 is running a long Hall-type reverb and Engine 2 a short more ambient type
of reverb. On Your mixing console you’ll now have individual sends for the two effects.
And – not to forget – you are saving a set of return channels.
Create your own vocal reverb
Serial mode
You probably always wanted to have a long bright reverb on your lead vocal, without
»esses« hanging for seconds. That’s now possible. You simply connect a »de’esser« and your
favorite reverb in serial. The de’esser will cut away all sharp transients in the signal.
If you want your vocal to have a unique »livingness«, or the reverberated signal to be slightly
detuned, simply connect the pitch shifter or chorus in series with the reverb.
There are numerous applications in this mode – try them out.
Two individual inserts on your mixer
Dual mono mode
In the dual mono mode you are able to use two completely separate mono effects at the same
time. It can be equalizers or compressors or whatever you can imagine.
Post Production
Stereo mode
When running in stereo mode both engines are linked in stereo and both channels audio path
are totally separated. This means that you can process Dolby Surround™ materials without
destroying the hidden information. Use this mode when adding reverb to your recording.

UTIL/MIDI

t-c-electronic-M2000-Studio-Effects-Processor-fig-4How to move around
In the Util/MlDl menu you always move by pressing the
Cursor keys and change values by dialing the Adjust
wheel.
Display
Viewing AngW.
Adjust for best contrast on the LCD display.
Preset glide:
Glide time
This parameter sets the glide time of the incoming preset.
parameter is only active when Preset glide Routing is selected
(See Routing).
In the MIDl section you are able to see the MIDI setup
of both Engine 1, Engine 2 and the Combined section
at the same time.
MIDl In
Channel
Sets the Channel of which the current Engine will respond to.
When set to Omni the Engine will reslXM1d to all channels, When
set to off no MIDl will received.
Filter
Sets whether the current section of the should reslYM1d to
MIDl Control changes (CTRL) and MIDl Program changes
(PR(Xi) or not; i.e., when Filter is set to PROG the M2(NH) will
only respond to MIDl Program changes-
With this \urameter, you are able to add or subtract to the incom-
ing Program change; i.e., the incoming Program Change is preset
123, and the Offset is set to +1, the Program Change will now be
124.
Sys-ex id
Sets the Sys-Ex II) number of the M2(ÅK).

MIDl Out
Channel
Sets the sending MIDl channel of the M2(NH).
Filter
Sets wether the current section of the M20 should send out
MIDl Control changes (CTRL) and MIDl Program changes
(PRCXG) or not; i.e_, when Filter is set to PR(Xi the M20(K) will
only send out MIDl Program changes.
Offset
With this parameter you are able to add or subtract to the out-
going Program change; i_e., the outgoing Program Change is pre-
set 123, and the Offset is set to +1 the Program Change will now
124.
MIDl Map
MIDl Map
Sets the current MIDl Map On or Off
Prg. Bank
Determines which Bank the MIDl Map should control;
Ram/Rom-
Prg. In
The current Program change Maps to a M2(HK) program (See
Maps to).
MaFE to
The current incoming Program change set in “Prg_ In” will be
changed to the Program number of this parameter.
Reset Map
Press 0K while this parameter is selected and your MIDl Map
will be Reset.
Security
Security Lock
Press 0K while this parameter is selected to Security lcxk the
M2(NH). When l’kked, you will have to dial the PIN-Code shown
below to access the M2(HK)
PIN-Code
Set your own PIN-code for the Security lock by Dialing the
Adjust Wheel.
If you should forger your PIN-code, please enter the Reset page.
This will release M2000from the locked state. (You do not have
to run any of the reset fimcrions)-

Memory Protect
Protect
lhis parameter sets the Memory protect On or Off. When the
Protect is activated the Ram presets inside the High and Low
limit are write protected_
Low Lirn
Sets the Low limit of the Memory protect. The current number is
included in the Protect.
High Lim
Sets the High limit of the Memory protect. The current number is
included in the Protect.
Snapshot Protect
Enables or disables the Protect of the Snapshots. When activated
the Snapshots are write protected.
Memory Backup
Mem > Card
Insert a PC-CARD Card in the card-slot and press 0k. All Ram
presets of the M20 will now backed up to the Memory
Card > Mem
Insert the PC-CARD Card containing your presets and press 0K.
All Presets will now be Stored back into the M20 Ram.
Warning:
This action will deslroy ALL existing Ram Presets Of the M2000_
Mem > Midi
Connect your Midi Out to a another M2(KK), a
encer or any other Midi Recordable device. Press 0k and
the will perform a Midi bulk dump Of all Ram Presets.
Midi > Mem
Connect the Storing device to the Midi In and press 0K.
is now ready to receive a Midi bulk dump containing
Ram presets. WARNING this action will destroy ALL existing
Ram Presets of the M2(HK).
Pedal
Pedal
Ihe Pedal input can control any one of four different features:
Engine I Bypass, Engine 2 Bypass, Engine 1+2 Bypass Tap
Select by tuming the Adjust Wheel.

ap Tempo
The Tap Tempo key is similar to its cousin “Learn” on the TC
2290 Digital Delay. Only the M2000 Tap Tempo key can control
various parameters: Delay time, Decay time, Chorus speed, etc.
When you press the Tap key, a Tempo menu pops up. If no further
actions are made, the Tempo menu will disappear after a few seconds.
The Tap key is attached to a default parameter in each effect type.
This means that the function of the Tap key changes along with
the presets (See default list later in this section).
The Tempo Menu
The Tempo you tap is always measured in BPM (Beats Per
Minute). The Tempo menu is able to recalculate the tapped time
into Subdivisions of the BPM. Simply set the Tempo menu to the
Subdivision you like and Tap the BPM on the Tap Tempo key.
You also have the possibility of changing the Tempo using the
BPM parameter in the Tempo menu. When a preset has been
“Tapped”, the parameter attached to the Tap function will be displayed in BPM in the Tempo Menu.
Tempo BPM
The BPM will display the Tapped tempo (BPM is equal to the 1/4
Subdivision). You can also set your Tempo with this parameter
using the ADJUST wheel.
Subdivision
Sets the subdivision of the Tempo. If the Subdivision is set to 1/8,
the actual Tempo will be twice as fast as the tapped time, etc. The
following subdivisions are possible:
1,1/2,1/4,1/4T,1/8,1/8T,1/16,1/16T,1/32,1/32T (T for triplets).
Tap/Subdivision
This is read only parameters displaying the tapped time and the
Subdivided time in milliseconds. Tap Time Subdivision is corresponding to the parameter in your preset.
The parameters controlled by the Tap key
Reverb Decay parameter
Delay Delay time
Chorus Speed
Flanger Speed
Phaser Speed
Tremolo Speed
Panner Speed
Press

MIDI Monitor
Press Shift – Util/Midi to access MIDI Monitor.
In the MIDI Monitor, you are able to see all MIDI actions
received by the M2000. The actions are displayed according to
the current channels.
Prog. Displays Program changes.
Note Displays Note On/Off.
Cntl Displays Control changes
Sys-x Displays System exclusive commands
Eng Displays the midi channels of Eng 1,2 and combined.
Chan Displays the Midi channels
Press any key to exit MIDI Monitor.

Tuner
Press Shift – Routing to access the Tuner of the M2000.
When Tuner is selected, the Outputs will be muted.
Select Guitar/Bass/Manual mode by turning the ADJUST wheel.
When Guitar or Bass is selected, the Tuner will only respond to
notes corresponding to the strings of these instruments.
When set to Manual, you must select the desired Note using the
ADJUST wheel.
In the Master section, you can Calibrate the Tuners default, 440-
445 Hz.
The detected note will be shown in the lower right corner and in
the note line. When the horizontal marker is 0, you are tuned in.
The two tuning guides will tell you wether the note is too flat or
too sharp.
Press any key to exit Tuner

In the Edit menu, you always move by pressing the Cursor keys
and change values by dialing the Adjust wheel.
Expert mode
When pressing OK on the Expert line, the M2000 will enable you
to access a detailed Edit mode of the Reverbs.
Since the two different Edit modes (User & Expert) are not compatible, it is NOT possible to return to the User Edit mode. When
Storing a preset Edited in Expert mode, the current preset will
remain in expert mode forever.

Dynamic Morphing
The Dynamic Morphing function is a great new way of interaction between your source signal and the Effect.
When activated, the M2000 will morph between the two Engines
according to your Input level. This is a function for quick seamless changes of an Effect.
Think about the vocal in a ballad being soft and subtle during the
verse and then rising to heartbreaking heights in the chorus. Now
imagine the Reverb changing along with it, from a small discreet
Room in the verse, to a Big Bright Hall in the chorus.
Simply select the two presets in the current Engines and then
activate the Dynamic Morphing function. Set the Threshold and
the Speed of the Dynamic Morphing and check out the result.
Morph direction 1-2:
If this box is selected, Engine 1 will be active while the Input is
below Threshold.
Morph direction 2-1:
If this box is selected, Engine 2 will be active while the Input is
below Threshold.
Note that the max. level of the Engines is set by the Engine Out
bars above Dynamic Morphing.
The Dynamic Morphing is Stored along with Combined Presets.
The Dynamic Morphing function is only available when Routing
is set to Parallel.

THE PROGRAMS
Reverb Programs
HALL-ROOM-PLATE-AMBIENCE-GATED
All Reverb presets both have a User and an expert page.
The number of parameters depends on which preset you
have selected.
USER PARAMETERS
Decay
Sets the decay time. The value indicates the time to where
the reverb tail is damped to -60dB.
Pre-delay
The time to arrival of the first reflection.
Reverb Lo
Adjust the low frequency reverberation time.
Reverb Mid
Adjust the mid frequency reverberation time.
Reverb Hi
Adjust the high frequency reverberation time.
Expert mode
Press OK here to enter expert mode. Remember there is no
way back to normal user parameters, after adjusting any
expert parameters.
HiCut freq.
Sets the cutoff frequency of the HighCut filter.
HiCut level
Damping ratio in dB of the HighCut filter.
Mix
Mix between direct and effect.
Out Level
Adjust output level. Use this parameter to match levels
between presets.
EXPERT PARAMETERS
(only additional parameters mentioned)
Diffuse
This parameter sets the degree of wall diffusion. Increasing
the value will result in a more dense reverberation tail. Don’t
set the value too high, as it will result in a not natural sounding reverberation tail.
Room shape
Here you can choose between different room shapes.
Changing the room shape will change the initial reflections.
Size mult.
Size multiplication factor. With this parameter you can
change the size of the room. Only the initial reflections are
influenced by this factor.
Lo Crossover
Crossover frequency between low and mid band reverberation filter.
Mid Crossover
Crossover frequency between lo-mid and hi-mid band reverberation filter.
Hi Crossover
Crossover frequency between mid and high band reverberation filter.
Initial lev.
Sets the Initial reflection level.
Rev.lev.
Level of the reverberation tail.
Rev.width
This parameter adjust the stereo width of the reverb tail.
Rev Feed
Determines how fast the reverberation will build up.
Rev.diff
Imposes the characteristics of the early reflections on the
later reverberation.
Distance
The relative distance control varies the mix relations
between early and later reflections. Simulating how far away
you are from the sound source.
Difusor type
The natural room mode peak frequencies and the smoothness
of the tail are affected by this parameter.
Mod Rate
The MODRATE varies the rate of modulation of the recirculating delay paths simulating the reverb tail.
Mod Depth
Controls the amount of delay path modulation or “wander”
in the reverb.
25
Chorus Programs
These presets are capable of producing a smooth natural
sounding stereo chorus effect. The Hicut filter gives you
the ability to make it sound very warm.
USER PARAMETERS
Speed
Controls the rate of sweep in a range from 1 sweep every 10
seconds to 10 sweeps every second.
Depth
Determines how wide a modulation (sweep) is produced.
Phase
Determines the sine wave modulation phase shift between
left and right channels. At 0º the left and right modulation
will move in sync. At 180º the modulation will move the
channels against each other.
HiCut Freq.
Hicut shelving type filter (6dB/oct). This parameter sets the
»hinge« point of the shelving filter.
HiCut Level
Sets maximum depth of cut above the HiCut shelving frequency.
Delay
Controls the length of delay time.
Mix
Mix between direct and effect.
Out Level
Adjust output level. Use this parameter to match levels
between presets.
Flanger Programs
The Presets range from very soft add-on effects to the
wildest guitar sound you can imagine. The Feedback filters
are capable of controlling both high frequency and low frequency feedback.
USER PARAMETERS
Speed
Controls the rate of sweep in a range from 1 sweep every 10
seconds to 10 sweeps every second.
Depth
Determines how wide a modulation (sweep) is produced.
Phase
Determines the sine wave modulation phase shift between
left and right channels. At 0º the left and right modulation
will move in sync. At 180º the modulation will move the
channels against each other.
FB Level
Controls the amount of effect signal routed back to the
flanger inputs. Select negative feedback to change feedback
phase.
Delay
Controls the length of delay time.
FB HiCut
Feedback High Cutoff frequency. Signal is damped 6dB/oct
above this frequency.
FB LoCut
Feedback Low Cutoff frequency. Signal is damped 6dB/oct
below this frequency.
HiCut Freq.
(see chorus)
HiCut Level
(see chorus)
Mix
Mix between direct and effect.
Out Level
Adjust output level. Use this parameter to match levels
between presets.
26
Delay Programs
The Delay presets are capable of performing up to 1200 ms
delay. The Feedback filters makes it possible to control both
high and low frequency feedback.
USER PARAMETERS
Delay
Controls the length of delay time.
FB Level
Controls the amount of effect signal routed back to the input.
FB HiCut
Feedback High Cutoff frequency. Signal is damped 6dB/oct
above this frequency.
FB LoCut
Feedback Low Cutoff frequency. Signal is damped 6dB/oct
below this frequency.
HiCut Freq.
Hicut shelving type filter (6dB/oct). This parameter sets the
»hinge« point of the shelving filter.
HiCut Level
Sets maximum depth of cut above the HiCut shelving frequency.
Mix
Mix between direct and effect.
Out Level
Adjust output level. Use this parameter to match levels
between presets.
Phaser Programs
USER PARAMETERS
Intensity
Phaser intensity.
Speed
Controls the rate of sweep in a range from 1 sweep every 10
seconds to 10 sweeps every second.
Depth
Determines the depth of modulation.
HiCut Freq.
Hicut shelving type filter (6dB/oct). This parameter sets the
»hinge« point of the shelving filter.
HiCut Level
Sets maximum depth of cut above the HiCut shelving frequency.
Mix
Mix between direct and effect.
Out Level
Adjust output level. Use this parameter to match levels
between presets.

Multi Pitch-shift Programs
The Multi pitch presets are capable of performing 6
pitched Voices at the same time. This makes it possible to
produce a true chorus effect.
USER PARAMETERS
Mix
Mix between direct and effect.
Out Level
Adjust output level. Use this parameter to match levels
between presets.
Voice
Sets which voice you are editing.
Pitch
Sets the pitch of the current Voice (0-1200).
Level
Sets the level of the current Voice.
Pan
Sets the panning of the current Voice.
Delay
Sets the Delay of the current Voice.

EQ Programs
The EQ programs are all 3 band parametric types with separate high and low shelving bands.
USER PARAMETERS
Frequency
Low shelving filter ranges from 20hz to 5Khz
High shelving filter ranges from 500hz to 20Khz
Three band filters ranges from 20hz to 20Khz
Band width
Low and high shelving filters have 2 different bandwidths
The 3 bandfilters have 3 different bandwidths
Level
All filters range +/- 12dB.
EQ level
Adjustable +/-12dB.
Tremolo Programs
The Tremolo programs are effects where the output level is
modulated by an LFO. Our programs are able of setting the
LFO phase between the two outputs.
USER PARAMETERS
Speed
Controls the rate of sweep in a range from 1 sweep every 10
seconds to 10 sweeps every second.
Depth [intensity]
Determines how wide a modulation (sweep) is produced.
Phase
Determines the sine wave modulation phase shift between
left and right channels. At 0º the left and right modulation
will move in sync. At 180º the modulation will move the
channels against each other.
Mix
Mix between direct and effect.
Out Level
Adjust output level. Use this parameter to match levels
between presets.

How to enter the Reset page:
Hold one of the 3 Bypass keys pressed while power-up.
Move the marker using the Cursor keys and press OK
to select the RESET type you desire.
Load User Default
This will reset all system parameters back to a Default setup
made by you (See Store User Def). This reset will NOT delete
the User presets of the M2000.
Store User Def
When you have a perfect setup of your M2000, you are able to
Store this as your own Default setup. This function is very useful,
for example when you have finished a special production and
want to go back to normal. When you have the perfect setup of
your M2000, simply select this parameter and press OK to store
your Default settings.
Set User Name
This function makes it possible to write your Name and Phone
number into the M2000. Press OK to access the User data menu.
Use the ADJUST wheel and the Cursor keys to write your Name
and Phone number into the M2000. Press OK to accept. Your
Name and Phone number will be displayed during power-up.
Reset System Parameters
This will reset all system parameters back to the Factory Default.
This reset will NOT delete the User presets of the M2000.
Reset all Presets
This will Clear all Ram Presets

Troubleshooting

  • Need help about the current screen: Use the Help function (Shift – I/O) to get brief information about functions in the current display.
  • Device may be locked: If Security Lock is enabled, you must enter the PIN code shown on the security prompt. If you forgot it, enter the Reset page to release the unit from the locked state (no reset functions must be run).
  • Output is unexpectedly muted: If you are in the Tuner screen, outputs are muted while tuning.
  • Memory card issues: If the format of the inserted PC-card is not correct, the M2000 will detect this immediately. When a valid card is inserted, Store/Recall/Snapshots attach to the memory card and the card is used as a normal RAM bank.

Documents / Resources

PDF thumbnailM2000 Studio Effects Processor
User Manual · M2000, M2000 Studio Effects Processor, Studio Effects Processor, Effects Processor, Processor

References

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