ORIGIN EFFECTS Impulse Responses IR Cab Library

Specifications

• Product Name: ORIGIN EFFECTS IR CAB LIBRARY
• Sample Rates: 44.1k, 48k, 96k
• Length: 200ms

FAQs

• Q: Can I use the IR CAB LIBRARY with any amp modeler?
  • A: The IR CAB LIBRARY is designed to be compatible with various amp modelers. For information on loading IRs, refer to the documentation of your specific amp modeler.
• Q: What sample rates are supported by the IR CAB LIBRARY?
  • A: The IR CAB LIBRARY supports sample rates of 44.1k, 48k, and 96k. Choose the sample rate that is compatible with your system or software.
• Q: How should I approach mixing the different mic choices?
  • A: Select the multi-mic mix matching your desired tone profile on your Amp Recreation pedal. Experiment with different mic choices and settings to find the best sound for your setup.

Introducing

Introducing the ORIGIN EFFECTS IR CAB LIBRARY

• The Origin Effects IR CAB LIBRARY is the perfect companion to your Origin Effects Amp Recreation pedals, giving you a simple but comprehensive selection of guitar cabinet captures to pair them with.
• Using our extensive collection of cabs and combos, we have created an IR pack to compliment the wide variety of tones available from our whole Amp Recreation range. A Fender Brown Deluxe combo to match the DELUXE61, a Magnatone 213 for the
• MAGMA57, a Fender 5E3 Tweed Deluxe to compliment the
• DELUXE55, and a selection of Marshall, Fender, and Vox IRs to span the spectrum of vintage amp sounds from the RevivalDRIVE pedals.
• We wanted to create an IR pack that simplified the process of selecting IRs. No option paralysis from hundreds of mic positions; just a handful of well-chosen sounds, complete with sample settings for your Amp Recreation pedals, helping you get the best tones without any fuss.

Key Features

• Carefully selected cabs to match our Amp Recreation pedals:
  • 1×12” – Magnatone 213
  • 1×12” – Fender Brown Deluxe
  • 4×12” – Marshall 1960B
  • 4×12” – Bogner 412ST
  • 2×12” – Fender Twin Reverb
  • 2×12” – Vox AC30
  • 1×12” – Fender 5E3 Tweed Deluxe
• Three multi-mic mixes per cab plus individual mics from each mix
• Sample settings for matching your Amp Recreation to your chosen IRs
• Compatible with Two Notes, Strymon, Line 6, Quad Cortex, and many more
• Recorded by Origin Effects at Woodworm Studios, England

Version History:

• V1.0 – ‘Origin Affects IR Cab Library’ Release
• V2.0 – Added ‘Tweed Combo’ IRs for DELUXE55 launch

File Types:

• The Origin Effects IR CAB LIBRARY is designed to be used with a variety of standalone IR loaders, IR loading plugins, and modelers. We recommend referring to the literature and manuals of your specific device/software for instructions on how to correctly load IRs.
• The Origin Effects IR CAB LIBRARY is supplied at a variety of sample rates, all at a length of 200ms. Listed below are the systems that each sample rate should be compatible with. For further information on each system, please contact the relevant vendor.
  • 44.1k (Kemper, Mooer, TC Electronic, IK Multimedia ToneX)
  • 48k (Two Notes, Boss, Line 6, Fractal, TC Electronic)
  • 96k (Strymon, TC Electronic)
• Software IR loaders can often accept IR files at any sample rate. For those using the IR pack within recording software, we recommend checking with your plugin vendor for specific information about compatibility.

Using The Files:

• Each cab is supplied with 3 top-level multi-mic mix choices; labeled ‘Bright’, ‘Medium’, and ‘Dark’. Each IR has been created using the matching Origin Effects Amp Recreation pedal as a reference when choosing microphone placement and balance.
• Start with the multi-mic mixes that match your Amp Recreation pedal and follow the sample settings found later in the document. When tweaking your sound, we recommend you try adjusting your Amp Recreation pedal’s controls before selecting another IR.
• For those looking to dive a little deeper, we’ve provided the individual mic captures from which our multi-mic mixes were produced. This allows you to rebalance these microphones and create your mixes.
• Whilst this pack was created with the intention of matching IRs to certain Amp Recreation pedals, experimentation is encouraged. If it sounds good, it is good! However, it is reasonable to expect some combinations to work better than others.

TIPS:

• Time-Based Effects: When using time-based effects, it can be useful to experiment with signal-chain placement. For modulation and pitch-shifting effects, placement before or after the IR will have a big impact on the sound of the effect. For some delays and reverbs, placement before or after the IR loader will make no difference.
• Practice: All our IRs were captured close-mic’d, in the way you would expect in a studio recording or live sound situation. For those more accustomed to an “amp in the room” sound, it may be disorientating to hear an amp so directly. Adding a simple reverb and/or delay can make a world of difference when enjoying IRs and direct rigs at home in headphones or through monitor speakers.
• DAW/Software Loaders: Some IR loaders (typically those geared towards reverb), will default to having a mix of DRY and WET signals, rather than a 100% wet mix. This type of IR loader should be set to 100% WET. Some of these plugins may also default to having a small amount of pre-delay, which should be removed.

Setting Your Pedal:

When using the Origin Effects IR CAB LIBRARY in conjunction with our Amp Recreation pedals, set the Post-Drive EQ or Re-Amp EQ to PWR AMP or P/AMP mode. This removes the pedal’s output filtering which is intended for use in the front of a traditional guitar amp. Doing so will allow the pedal to output its full range of frequencies, just like the speaker output of a real amp. This full-range signal is required for the IRs to produce the correct response.

POST-DRIVE EQ: RevivalDRIVE Compact, RD Compact Hot Rod, Magma57, Deluxe61 and Deluxe55

Move the POST-DRIVE EQ switch into the P/AMP position, this removes the pedal’s output filtering and the ADJ / POST EQ control becomes inactive.

RE-AMP EQ: RevivalDRIVE Standard/Custom and RevivalDRIVE Hot Rod Standard/Custom

Move the RE-AMP EQ switch into the PWR AMP position, this removes the main filter from the pedal’s output. The HI SHELF and BRI CAP CUT controls remain active, allowing you to further tweak your high-frequency response.

AMP OUT EQ

• BASSRIG Super Vintage & BASSRIG ‘64 Black Panel

• To flatten the AMP OUT connection of the BASSRIG pedals, return the LF and HF to the noon position, and select O on the HORN CUT switch.
• When using the BASSRIG pedals with external speaker simulation and IRs, use the 1/4” AMP OUT Jack connection. In this configuration, the BASSRIG can be used on bass or guitar, when paired with appropriate cabinet simulation.

Welcome to Woodworm Studios:

• Located in the picturesque Oxfordshire countryside, Woodworm Studios has hosted and recorded some of the world’s most legendary artists. From Tony Iommi to Rob Halford, Fairport Convention to Radiohead, and many more in between.
• Founded by Dave Pegg of Fairport Convention over 30 years ago, the studio is now owned by Head Engineer, Stuart Jones.
• Stuart is a long-time friend of Origin Effects and you may recognize the studio from our ‘Sample Settings’ and ‘Product Introduction’ videos.
• Equipped with an SSL Duality recording console, a selection of vintage and modern microphone preamps, and plenty of space for us to monitor and precisely position microphones, it was the obvious choice for the creation of this IR Pack.
• For more information about Woodworm Studios, visit their website at: www.woodwormstudios.co.uk.

Sample Settings & Cabs:

• The following pages provide suggested settings for each of the cabs, as well as lists of the associated IR files and some brief information about the captured cab. These are designed as a starting point, and the sample settings aim to create sounds that complement the IRs.
• For example, the RevivalDRIVE Compact sample settings that accompany the Marshall 1960B cab IR are intended to sound like a Marshall amp.
• We recommend starting with suggested settings and IR pairings. Much like with a real amp, these settings may need to be adjusted to accommodate different guitars, other pedals, and personal preferences.
• Changing IRs is not intended to be a replacement for dialing in your tone on the pedal. So, before switching IRs, we suggest playing with the pedal settings as you would with a real amp and cab.

British Straight

Marshall 1960B – 4×12” Celestion G12M Greenback

• Amp: 1970s Marshall Heads
• Speakers: 4×12” Celestion G12M Greenback Production Year: 1970
• About: A Greenback-loaded 1960 4×12” cab in tandem with a vintage Marshall head is about as classic as it gets. The beefier low-end response from the 1960B straight cab, along with the articulate-yet-warm voice of the G12M-25 speakers compliments the bright and aggressive tone of vintage Marshall amps. This combination is equally capable of thundering riffs and singing lead tones, which is why this tone has defined rock music for decades.
• Notable users include Jimi Hendrix, Angus Young, Jimmy Page, Paul Kossoff and Eric Johnson.

Files:

• British Straight 4×12 – Bright:
  • British Straight 4×12 Bright Mix
  • British Straight 4×12 Bright 57
  • British Straight 4×12 Bright 160
• British Straight 4×12 – Medium:
  • British Straight 4×12 Medium Mix
  • British Straight 4×12 Medium 160
  • British Straight 4×12 Medium 421
• British Straight 4×12 – Dark:
  • British Straight 4×12 Dark Mix
  • British Straight 4×12 Dark 87
  • British Straight 4×12 Dark 160
  • British Straight 4×12 Dark 421

‘British Straight’ – Sample Settings

EARLY ‘70s RHYTHM

• IR File: British Straight 4×12 Medium Mix
• Pedal: RevivalDRIVE Compact

Lower-gain Marshall tones are hard to get right, and that’s just what the RevivalDRIVE Compact was designed to do. With the HIGHS at the mid position and a little presence boost from the MORE PRES knob, this crisp, open sound is a humbucker’s dream. Pure early ‘70s classic rock.

CRANKED PLEXI

• IR File: British Straight 4×12 Bright Mix
• Pedal: RevivalDRIVE Compact

The definition of rock distortion. This RevivalDRIVE Compact setting recreates the sound of a Marshall Plexi turned up to the max. This brash and authoritative tone was made for face-melting solos and flared-trouser-flapping riffs alike. Turn it up to 11!

THRASH PLEXI

• IR File: British Straight 4×12 Bright Mix
• Pedal: RD Compact Hot Rod

The famous modded Marshall amps of the late ‘70s and 1980s began a new era of high-gain tones. This RD Compact Hot rod setting captures the sound of early thrash metal. Bright, cutting, and tight, yet retaining all the quirks of a vintage amp. For a more modern flavour, try our ‘Modern Boutique’ IRs.

American Twin

Fender Twin Reverb – 2×12” JBL D120F

• Amp: Fender Twin Reverb
• Speakers: 2×12” JBL D120F
• Production Year: 1965
• About: With an aluminum dust cap, this speaker is renowned for its frequency response. It excels at detailed Fender cleans, and light overdrive. Even the darkest guitar will become clear with the D120. Due to the extended high-end response, more heavily overdriven tones may benefit from being paired with darker IRs.
• Notable users include Stevie Ray Vaughan, Albert Lee, Keith Richards, Eric Johnston, James Burton, Eric Clapton, and anyone who needed their Fender Twin absurdly loud.

Files:

• American Twin 2×12 – Bright:
  • American Twin 2×12 Bright Mix
  • American Twin 2×12 Bright 87
  • American Twin 2×12 Bright 160
• American Twin 2×12 – Medium:
  • American Twin 2×12 Medium Mix
  • American Twin 2×12 Medium 87
  • American Twin 2×12 Medium 160
• American Twin 2×12 – Dark:
  • American Twin 2×12 Dark Mix
  • American Twin 2×12 Dark 87
  • American Twin 2×12 Dark 160

‘American Twin’ – Sample Settings

CLEAN MACHINE

• IR File: American Twin 2×12 Bright Mix
• Pedal: RevivalDRIVE Compact

Don’t be fooled by the name, the RevivalDRIVE Compact packs a very capable clean tone. This Fender Twin Reverb-inspired setting makes the most of a bright amp tone and a bright speaker. Look no further for shimmering cleans that flatter single-coil pickups.

JBL BLUES

• IR File: American Twin 2×12 Dark Mix
• Pedal: RevivalDRIVE Compact

An overdriven black panel Fender is a wonderful thing. This RevivalDRIVE Compact setting captures a tone that has been used in just about every corner of the blues world, with single coils and humbuckers. A darker IR helps balance out this bright tone.

British Alnico

VOX AC30 – 2×12” Silver Alnico

• Amp: Vox AC30
• Speakers: 2×12” Silver Alnico
• Production Year: 1964

About:

• Introduced in 1959, the Vox AC30 was produced as a louder cousin to the AC15 for touring bands trying to cut above the sound of screaming fans. Characterized by its chiming cleans and cutting-driven tones. This icon of the ‘British Invasion’ has found a place in almost every genre and is a staple of the rock and indie musician’s toolkit. A timeless classic.

Notable users include:

• The Beatles, Oasis, Brian May, Radiohead, Tame Impala, Elliot Smith, Elvis Costello, Arctic Monkeys and The Cure.

Files:

• British Alnico 2×12 – Bright:
  • British Alnico 2×12 Bright Mix
  • British Alnico 2×12 Bright 87
  • British Alnico 2×12 Bright 160
  • British Alnico 2×12 Bright 421
• British Alnico 2×12 – Medium:
  • British Alnico 2×12 Medium Mix
  • British Alnico 2×12 Medium 87
  • British Alnico 2×12 Medium 160
  • British Alnico 2×12 Medium 421
• British Alnico 2×12 – Dark:
  • British Alnico 2×12 Dark Mix
  • British Alnico 2×12 Dark 87
  • British Alnico 2×12 Dark 160
  • British Alnico 2×12 Dark 421

‘British Alnico’ – Sample Settings

AC ON THE EDGE

• IR File: British Alnico 2×12 Medium Mix
• Pedal: RevivalDRIVE Compact

The archetypal “jangly AC30” sound. With the MORE PRES control dialed down, the RevivalDRIVE Compact’s amp recreation circuit has no negative feedback, giving a gradual transition into a detailed overdrive tone. Equally at home in a stadium or a grimy indie club!

RED SPECIAL

• IR File: British Alnico 2×12 Bright Mix
• Pedal: RevivalDRIVE Compact

A cranked AC30 tone inspired by the world’s favorite guitar-slinging astrophysicist. This thick, raw, and slightly unhinged sound carves out its own space in a dense band mix. Sustaining lead or classic rhythm, this tone is proof that a Vox can rock too!

Brown Deluxe

Fender Brown Deluxe – 1×12” Oxford 12K5 (Ceramic)

• Amp: Fender Brown Deluxe
• Speakers: 1×12” Oxford 12K5 (Ceramic) Production Year: 1961

About:

• A small pine cabinet and 12” speaker are the perfect match for the thick overdrive and bias tremolo of this brown Fender circuit. A real unsung hero of the studio and smaller stages.
• From silky cleans and swampy southern rock to unruly “cranked combo” overdrive, the Brown Deluxe’s range of mid-focused Fender sounds is recreated in detail in the DELUXE61.

Notable users include:

• Billy Gibbons, Neil Young, and John Fogerty.

Files:

• Brown Deluxe 1×12 – Bright:
  • Brown Deluxe 1×12 Bright Mix
  • Brown Deluxe 1×12 Bright 57
  • Brown Deluxe 1×12 Bright 87
  • Brown Deluxe 1×12 Bright 160
• Brown Deluxe 1×12 – Medium:
  • Brown Deluxe 1×12 Medium Mix
  • Brown Deluxe 1×12 Medium 57
  • Brown Deluxe 1×12 Medium 87
  • Brown Deluxe 1×12 Medium 160
• Brown Deluxe 1×12 – Dark:
  • Brown Deluxe 1×12 Dark Mix
  • Brown Deluxe 1×12 Dark 57
  • Brown Deluxe 1×12 Dark 160
  • Brown Deluxe 1×12 Dark 421

‘Brown Deluxe’ – Sample Settings

EDGE OF BREAKUP

• IR File: Brown Deluxe 1×12 Medium Mix
• Pedal: DELUXE61

Dynamic, articulate, and full of character, this low-gain DELUXE61 setting shows exactly why the Fender Brown Deluxe has such a strong reputation among vintage amp fans. This versatile tone only gets better when you turn on the swampy bias tremolo!

DRIVIN’ MUSIC

• IR File: Brown Deluxe 1×12 Bright Mix
• Pedal: DELUXE61

Get the grit, grind, and swirl of a cranked-up Brown Deluxe, said to be the weapon of choice for a certain Texas trio. Set the bias tremolo to the Full Wave setting to make sure your modulation cuts through the fat, saturated overdrive tone.

Magma Vintage

Magnatone 213 – 1×12” Oxford 12K5 (Alnico)

Amp: Magnatone 213 Troubadour

• Speakers: 1×12” Oxford 12K5 (Alnico)
• Production Year: 1961

About:

• Magnatone amps are best known for their pitch-shifting vibrato but there’s a lot more to them than that. The little 1×12” 213 Troubadour combo has a lot in common with the famous Fender Tweed Deluxe, but the sound is tighter and more refined.
• Its range of clean and driven tones is incredibly versatile and perfect for vintage amp fans who want something a little different. This array of sounds, along with that unique vibrato circuit, are recreated in the MAGMA57.

Notable users include:

• Lonnie Mack, Bo Diddley, and Buddy Holly.

Files:

• Magma Vintage 1×12 – Bright:
  • Magma Vintage 1×12 Bright Mix
  • Magma Vintage 1×12 Bright 87
  • Magma Vintage 1×12 Bright 160
  • Magma Vintage 1×12 Bright 421
• Magma Vintage 1×12 – Medium:
  • Magma Vintage 1×12 Medium Mix
  • Magma Vintage 1×12 Medium 87
  • Magma Vintage 1×12 Medium 160
  • Magma Vintage 1×12 Medium 421
• Magma Vintage 1×12 – Dark:
  • Magma Vintage 1×12 Dark Mix
  • Magma Vintage 1×12 Dark 87
  • Magma Vintage 1×12 Dark 160
  • Magma Vintage 1×12 Dark 421

‘Magma Vintage’ – Sample Settings

CLEAN VIBRATO

• IR File: Magma Vintage 1×12 Bright Mix
• Pedal: MAGMA57

Warm, clean, and responsive, this tone has a real 1950s western vibe, with just enough DRIVE to break up if you dig in. Add in the unique Magnatone pitch-shifting vibrato and this setting embodies the more sophisticated side of the rock ‘n’ roll era.

SMALL COMBO ATTITUDE

• IR File: Magma Vintage 1×12 Medium Mix
• Pedal: MAGMA57

With snarling overdrive and a deep yet balanced low end, this aggressive vintage tone shows that the MAGMA57 can deliver plenty of aggression. Kick in the vibrato on the 0˚setting for some swirling, psychedelic modulation.

‘Modern Boutique’
Bogner 412ST – 4×12” Celestion Vintage 30

• Amp: Suitable for modern, high-gain heads
• Speakers: 4×12” Celestion Vintage 30
• Production Year: 2007

About:

• Any good producer of heavier genres will tell you that a great cab makes all the difference. This Bogner 4×12” cab is an excellent example of a well-built, modern cab with plenty of punch and depth.
• Celestion Vintage 30s are the go-to speaker for today’s metal guitarists; powerful, defined, and cutting in the upper mids, yet still retaining some vintage Celestion character.
• This cab bridges the gap between vintage and modern high-gain tones, making it a perfect partner for the RD Compact Hot Rod and RevivalDRIVE Hot Rod Edition pedals.

Files:

• Modern Boutique 4×12 – Bright:
  • Modern Boutique 4×12 Bright Mix
  • Modern Boutique 4×12 Bright 57
  • Modern Boutique 4×12 Bright 160
  • Modern Boutique 4×12 Bright 421
• Modern Boutique 4×12 – Medium:
  • Modern Boutique 4×12 Medium Mix
  • Modern Boutique 4×12 Medium 57
  • Modern Boutique 4×12 Medium 160
  • Modern Boutique 4×12 Medium 421
• Modern Boutique 4×12 – Dark:
  • Modern Boutique 4×12 Dark Mix
  • Modern Boutique 4×12 Dark 57
  • Modern Boutique 4×12 Dark 160
  • Modern Boutique 4×12 Dark 421

‘Modern Boutique’ – Sample Settings

THRASH PLEXI

• IR File: Modern Boutique 4×12 Medium Mix
• Pedal: RD Compact Hot Rod

The famous modded Marshall amps of the late ‘70s and the 1980s began a new era of high-gain tones. This RD Compact Hot rod setting captures the sound of early thrash metal. Bright, cutting, and tight, yet retaining all the quirks of a vintage amp. For a more vintage flavour, try with the British Straight IRs.

ALT ROCK

• IR File: Modern Boutique 4×12 Bright Mix
• Pedal: RD Compact Hot Rod

Modded Marshall tones are timeless and this powerful, punchy setting fits in any alternative genre from the ‘90s to the present day. Fuller in the low end and slightly darker in the treble frequencies, a brighter IR keeps this sound up-front and controlled. A great heavy pop-rock tone.

CLEANER UPPER

• IR File: Modern Boutique 4×12 Dark Mix
• Pedal: RD Compact Hot Rod

With its roots in vintage amp circuitry, the RD Compact Hot Rod can get some great clean and edge-of-breakup sounds. This low-gain setting shows this pedal’s versatility, with the Vintage 30-loaded impulse response lending a modern voice to this responsive tone.

Tweed Combo

Fender 5E3 Tweed Deluxe – 1×12” Jensen P12Q

• Amp: Fender 5E3 Tweed Deluxe
• Speakers: 1×12” Jensen P12Q
• Production Year: 1955

About:

• The Fender Tweed Deluxe is an iconic and unusual amp. Its low output power along with its uniquely ragged and raucous overdrive have earned this humble “student” model a place among the most revered amps in history. A real favorite in the studio.
• Though the Tweed Deluxe is often associated with fuzzy, full-tilt tones, it is an incredibly nuanced and capable amp. Our DELUXE55 pedal recreates every color of this tonal palette in great detail, offering no-nonsense sounds that are at home in any guitar-driven genre.

Notable users include:

• The Eagles, Neil Young, Larry Carlton, The Edge, Billy Gibbons and Mike Campbell.

Files:

• Tweed Combo 1×12 – Bright:
  • Tweed Combo 1×12 Bright Mix
  • Tweed Combo 1×12 Bright 57 Tweed
  • Combo 1×12 Bright 87 Tweed Combo 1×12 Bright 160
• Tweed Combo 1×12 – Medium:
  • Tweed Combo 1×12 Medium Mix
  • Tweed Combo 1×12 Medium 57
  • Tweed Combo 1×12 Medium 87
  • Tweed Combo 1×12 Medium 160
• Tweed Combo 1×12 – Dark:
  • Tweed Combo 1×12 Dark Mix
  • Tweed Combo 1×12 Dark 57
  • Tweed Combo 1×12 Dark 87
  • Tweed Combo 1×12 Dark 160

‘Tweed Combo’ – Sample Settings

FULL MELTDOWN

• IR File: Tweed Combo 1×12 Medium Mix
• Pedal: DELUXE55

The textbook “amp about to explode” tone, with undeniably amp-like compression and saturation. Switch to 12AX7, crank it all up, and enjoy an unhinged, collapsing wall of fuzz. A medium IR keeps things sounding thick and defined, without too much sizzle.

BRIGHT CRUNCH

• IR File: Tweed Combo 1×12 Medium Mix
• Pedal: DELUXE55

Full of unique vintage character but also incredibly versatile. This tone has plenty of presence, and fullness in the mids and responds brilliantly to dynamic playing. A medium IR makes this a real all-rounder that suits any genre.

ALMOST CLEAN

• IR File: Tweed Combo 1×12 Bright Mix
• Pedal: DELUXE55

Tweed Deluxe tones aren’t all about overdrive. Turning down the DRIVE knob and selecting 12AY7 reveals a warm clean tone with just a hint of breakup. Use a bright IR to balance the fullness of this setting, or select something darker for a retro jazz tone.

MORE INFO

• www.origineffects.com
• ORIGIN EFFECTS is a trademark of Origin Effects Limited and is a registered trademark in the United States, United Kingdom, China, and the EU.
• The ORIGIN EFFECTS Totem Device is a trademark of Origin Effects Limited and is a registered trademark in the United States, China, and the United Kingdom.
• RD COMPACT HOT ROD™, REVIVALTREM™, DELUXE61™, MAGMA57™, BASSRIG SUPER VINTAGE™, BASSRIG ‘64 BLACK PANEL™ are trademarks of Origin Effects Limited.
• REVIVALDRIVE and BASSRIG are registered trademarks of Origin Effects Limited.
• MARSHALL® is a registered trademark of Marshall Amplification Plc.
• Origin Effects has no affiliation with Marshall Amplification Plc.
• FENDER®, BASSMAN®, TWIN REVERB®, and SHOWMAN® are registered trademarks of Fender Musical Instruments Corporation. Origin Effects has no affiliation with Fender Musical Instruments Corporation.
• MAGNATONE® is a registered trademark of Magnatone, LLC. Origin Effects has no affiliation with Magnatone, LLC.
• BOGNER® is a registered trademark of Bogner Amplification.
• Origin Effects has no affiliation with Bogner Amplification.
• CELESTION®, GREENBACK® and VINTAGE 30® are registered trademarks of KEF Celestion Corporation.
• Origin Effects has no affiliation with KEF Celestion Corporation.
• JBL® and OXFORD® are registered trademarks of Harmon International Industries, inc.
• Origin Effects has no affiliation with Harmon International Industries, inc.
• VOX® is a registered trademark of VOX Amplification LTD.
• Origin Effects has no affiliation with VOX Amplification LTD.
• NEUMANN® is a registered trademark of Georg Neumann GmbH.
• Origin Effects has no affiliation with Georg Neumann GmbH.
• SHURE® is a registered trademark of Shure Inc.
• Origin Effects has no affiliation with Shure Inc.
• BEYERDYNAMIC® is a registered trademark of beyerdynamic GmbH & Co. KG.
• Origin Effects has no affiliation with beyerdynamic GmbH & Co. KG.
• SENNHEISER® is a registered trademark of SENNHEISER ELECTRONIC GmbH & Co. KG
• Origin Effects has no affiliation with SENNHEISER ELECTRONIC GmbH & Co. KG
• All other product names and trademarks are the property of their respective owners and are hereby acknowledged.
• No part of this publication may be reproduced in any form or by any means, whether mechanical or electronic, without the written permission of Origin Effects Limited.
• Origin Effects Limited reserves the right to change the features and specifications described herein without notice or obligation. Origin Effects Limited cannot be held responsible for any loss or damage arising directly or indirectly from any error or omission in this manual.
• © Origin Effects Limited 2024
• Origin Effects LTD
• Unit 4, Top Angel, Buckingham
• Buckinghamshire, MK18 1TH
• United Kingdom

Documents / Resources

ORIGIN EFFECTS Impulse Responses IR Cab Library [pdf] Owner's Manual Impulse Responses IR Cab Library, Responses IR Cab Library, IR Cab Library, Cab Library, Library

References

• User Manual