User Guide for Roland models including: A-300PRO, A-500PRO, A-800PRO, A-300PRO Midi Keyboard Controller, Midi Keyboard Controller, Keyboard Controller, Controller
3 English Control Map Guide When shipped from the factory, the A-300PRO/500PRO/800PRO (referred to simply as “the A-PRO” in the following) contains 19 control maps.
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English
Control Map Guide
When shipped from the factory, the A-300PRO/500PRO/800PRO (referred to simply as "the A-PRO" in the following) contains 19 control maps. By making use of these control maps, you can easily set up the A-PRO to control your software or hardware.
Control map number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 (*1)
Corresponding software/hardware Cubase SOLO Cubase MUTE Cubase RECORD Logic SOLO Logic MUTE Logic RECORD Logic GLOBAL Logic INITIALIZE DP (Digital Performer) SOLO DP MUTE DP RECORD Live SOLO Live MUTE Live RECORD GarageBand GM2 SD-50 Generic MIDI Controller NO ASSIGN
(*1) Depending on the software you use, the content of a control map may be altered.
If this list does not contain a control map for the software or hardware you're using, check the Roland website to see whether a suitable control map might be available. Roland website http://www.rolandus.com/support/ If a suitable control map is available, you can download it and transmit it to the A-PRO. Refer to "Transmitting a Control Map to the A-PRO" within "Using A-PRO Editor" in the owner's manual. Here's how to switch between control maps.
1 Choose PLAY mode (see "Performing (Play mode)" in the owner's manual.)
2 Press the [ ] button or [ ] button to move the cursor to "CTRL MAP" in the display.
The display shows the number of the currently selected control map.
3 Turn the [VALUE] knob to select the desired control map number.
The supplied stickers correspond to control map number16, GM2. As necessary, affix them in the locations shown below.
Copyright © 2010 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
3
English
Control Map Guide
Cubase
If you're using Cubase, make the following settings. The explanation here uses the Mac OS X version of Cubase 5 as an example. The procedure might differ if you're using a different version.
1 Operation of the A-PRO Choose PLAY mode (see "Performing (Play mode)" in the owner's manual.)
2 Operation of the A-PRO Press the [ ] button or [ the cursor to "CTRL MAP" in the display.
] button to move
The display shows the number of the currently selected control map.
3 Operation of the A-PRO Turn the [VALUE] knob to select number 1.
4 Start up Cubase 5.
5 In the [Devices] menu, click [Device Setup...].
6 At the upper left of the dialog box, click the [+] button, and choose [Mackie Control] from the pull-down menu.
7 As the MIDI input, choose [A-PRO 2], and then click [Apply]. Then click [OK].
Functions Assigned to the Controllers
Refer to p. 9.
Troubleshooting
Values, such as that for pan, change even though you didn't adjust them
Make sure that knobs [R1][R9] are in the center position. Encoder Simulate is assigned to Knobs [R1][R9]. If knobs [R1][R9] are not at the center position, control messages will continue to be transmitted from the A-PRO.
You can control PLAY or STOP, but not Volume or Pan
Check the track that is set to "channel 1." Pressing the [B1] button or [B2] button will switch the tracks that are assigned to sliders [S1][S8] and knobs [R1][R8]. It is not necessarily the case that [R1] and [S1] are assigned to track 1.
4
Control Map Guide
Logic Pro
If you're using Logic Pro, make the following settings. The explanation here uses Logic Pro 9 as an example. The procedure might differ if you're using a different version.
1 Start up Logic Pro 9.
2 Operation of the A-PRO Choose PLAY mode (see "Performing (Play mode)" in the owner's manual.)
3 Operation of the A-PRO Press the [ ] button or [ the cursor to "CTRL MAP" in the display.
] button to move
The display shows the number of the currently selected control map.
4 Operation of the A-PRO Turn the [VALUE] knob to select number 8.
5 Operation of the A-PRO Press the [B1] button, then the [B2] button, and then the [B3] button.
Now you can control Logic Pro 9 from the A-PRO.
6 Close the setup window that's open in Logic Pro 9.
Functions Assigned to the Controllers
Refer to p. 9 and p. 10.
Troubleshooting
Values, such as that for pan, change even though you didn't adjust them
Make sure that knobs [R1][R9] are in the center position. Encoder Simulate is assigned to Knobs [R1][R9]. If knobs [R1][R9] are not at the center position, control messages will continue to be transmitted from the A-PRO.
You can control PLAY or STOP, but not Volume or Pan
Check the track that is set to "channel 1." Pressing the [B1] button or [B2] button will switch the tracks that are assigned to sliders [S1][S8] and knobs [R1][R8]. It is not necessarily the case that [R1] and [S1] are assigned to track 1. If you want to control the channels in the same order as the tracks, turn the GLOBAL VIEW setting OFF. If GLOBAL VIEW is ON, you'll be controlling the group specified by GLOBAL.
* To check the GLOBAL VIEW status, leave the Track Mixer open in Logic. * If you want to switch GLOBAL VIEW or change GLOBAL, use control map 7.
English
5
Control Map Guide
Digital Performer
If you're using Digital Performer, make the following settings. The explanation here uses Digital Performer 7 as an example. The procedure might differ if you're using a different version.
1 Operation of the A-PRO Choose PLAY mode (see "Performing (Play mode)" in the owner's manual.)
2 Operation of the A-PRO Press the [ ] button or [ the cursor to "CTRL MAP" in the display.
] button to move
The display shows the number of the currently selected control map.
3 Operation of the A-PRO Turn the [VALUE] knob to select number 9.
4 Start up Digital Performer 7.
5 In the [Setup] menu, click [Control Surface Setup...].
6 In the "Control Surface" dialog box, click the [+] box, and make the following settings.
Driver Unit MIDI
Mackie Control Mackie Control A-PRO 2-1
Functions Assigned to the Controllers
Refer to p. 10.
Troubleshooting
Values, such as that for pan, change even though you didn't adjust them
Make sure that knobs [R1][R9] are in the center position. Encoder Simulate is assigned to Knobs [R1][R9]. If knobs [R1][R9] are not at the center position, control messages will continue to be transmitted from the A-PRO.
You can control PLAY or STOP, but not Volume or Pan
Check the track that is set to "channel 1." Pressing the [B1] button or [B2] button will switch the tracks that are assigned to sliders [S1][S8] and knobs [R1][R8]. It is not necessarily the case that [R1] and [S1] are assigned to track 1.
6
Control Map Guide
Live
If you're using Live, make the following settings. The explanation here uses Live 8 as an example. The procedure might differ if you're using a different version.
1 Operation of the A-PRO Choose PLAY mode (see "Performing (Play mode)" in the owner's manual.)
2 Operation of the A-PRO Press the [ ] button or [ the cursor to "CTRL MAP" in the display.
] button to move
The display shows the number of the currently selected control map.
3 Operation of the A-PRO Turn the [VALUE] knob to select number 12.
4 Start up Live 8.
5 Open the "Preferences" dialog box.
Windows users In the [Options] menu, click [Preferences...]. Mac OS X users In the [Live] menu, click [Preferences...].
6 In the left side of the "Preferences" dialog box, click the [MIDI Sync] tab, and make the following settings.
Functions Assigned to the Controllers
Refer to p. 11.
Troubleshooting
Values, such as that for pan, change even though you didn't adjust them
Make sure that knobs [R1][R9] are in the center position. Encoder Simulate is assigned to Knobs [R1][R9]. If knobs [R1][R9] are not at the center position, control messages will continue to be transmitted from the A-PRO.
You can control PLAY or STOP, but not Volume or Pan
Check the track that is set to "channel 1." Pressing the [B1] button or [B2] button will switch the tracks that are assigned to sliders [S1][S8] and knobs [R1][R8]. It is not necessarily the case that [R1] and [S1] are assigned to track 1.
Control Surface
Input
1
Mackie Control
A-PRO (A-PRO 2)
7 Close the "Preferences" dialog box.
English
7
Control Map Guide
GarageBand
If you're using GarageBand, make the following settings. The explanation here uses GarageBand '09 as an example. The procedure might differ if you're using a different version.
1 Operation of the A-PRO Choose PLAY mode (see "Performing (Play mode)" in the owner's manual.)
2 Operation of the A-PRO Press the [ ] button or [ the cursor to "CTRL MAP" in the display.
] button to move
The display shows the number of the currently selected control map.
3 Operation of the A-PRO Turn the [VALUE] knob to select number 15.
4 Start up GarageBand.
Functions Assigned to the Controllers
Refer to p. 11.
Troubleshooting
No sound
It may be that the driver was not correctly installed. Proceed as follows to check this.
1 Close GarageBand. 2 Disconnect all MIDI devices other than the A-PRO from your Mac. 3 Start up GarageBand. 4 In the [GarageBand] menu, click [Preferences]. 5 Click the [Audio/MIDI] tab. 6 Check whether the screen indicates "0 MIDI Input(s) were detected."
If the number is 0, refer to "Reinstalling the driver" in the "Troubleshooting" section of the owner's manual, and reinstall the driver.
Sustain message is not output when you press the [L9] ([HOLD]) button
At the factory settings, HOLD is assigned to the [L9] button. To have the [L9] button transmit a Sustain message, assign the function of the [L9] button to L9. For details, refer to "L9 FUNCTION" in the "System settings (EDIT mode)" section of the owner's manual.
8
Control Map List
Cubase (Control Map #13)
Logic Pro (Control Map #48)
1. Cubase SOLO
2. Cubase MUTE
3. Cubase RECORD
R1
ROTARY ENCODER 1
R2
ROTARY ENCODER 2
R3
ROTARY ENCODER 3
R4
ROTARY ENCODER 4
R5
ROTARY ENCODER 5
R6
ROTARY ENCODER 6
R7
ROTARY ENCODER 7
R8
ROTARY ENCODER 8
R9
NO ASSIGN
S1
FADER 1
S2
FADER 2
S3
FADER 3
S4
FADER 4
S5
FADER 5
S6
FADER 6
S7
FADER 7
S8
FADER 8
S9
MASTER FADER
A1
SOLO 1
MUTE 1
RECORD 1
A2
SOLO 2
MUTE 2
RECORD 2
A3
SOLO 3
MUTE 3
RECORD 3
A4
SOLO 4
MUTE 4
RECORD 4
A5
SOLO 5
MUTE 5
RECORD 5
A6
SOLO 6
MUTE 6
RECORD 6
A7 A8 B1 B2 B3 B4 L1 L2 L3 L4 L5 L6 L7 L8 L9 P1 P2 BEND MOD AFT
1. Cubase SOLO
2. Cubase MUTE
3. Cubase RECORD
SOLO 7
MUTE 7
RECORD 7
SOLO 8
MUTE 8
RECORD 8
BANK LEFT
BANK RIGHT
MIXER VIEW
FLIP
RETURN TO ZERO
REWIND
FAST FORWARD
NO ASSIGN
STOP
PLAY
NO ASSIGN
RECORD
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
4. Logic SOLO
5. Logic MUTE
6. Logic RECORD
7. Logic GLOBAL
8. Logic INITIALIZE
R1
ROTARY ENCODER 1
NO ASSIGN
R2
ROTARY ENCODER 2
NO ASSIGN
R3
ROTARY ENCODER 3
NO ASSIGN
R4
ROTARY ENCODER 4
NO ASSIGN
R5
ROTARY ENCODER 5
NO ASSIGN
R6
ROTARY ENCODER 6
NO ASSIGN
R7
ROTARY ENCODER 7
NO ASSIGN
R8
ROTARY ENCODER 8
NO ASSIGN
R9
NO ASSIGN
NO ASSIGN
S1
FADER 1
NO ASSIGN
S2
FADER 2
NO ASSIGN
S3
FADER 3
NO ASSIGN
S4
FADER 4
NO ASSIGN
S5
FADER 5
NO ASSIGN
S6
FADER 6
NO ASSIGN
S7
FADER 7
NO ASSIGN
S8
FADER 8
NO ASSIGN
S9
MASTER FADER
NO ASSIGN
A1
SOLO 1
MUTE 1
RECORD 1
GLOBAL AUDIO
NO ASSIGN
A2
SOLO 2
MUTE 2
RECORD 2
GLOBAL INST
NO ASSIGN
A3
SOLO 3
MUTE 3
RECORD 3
GLOBAL AUX
NO ASSIGN
A4
SOLO 4
MUTE 4
RECORD 4
GLOBAL BUS
NO ASSIGN
English
9
Control Map List
Logic Pro (Control Map #48)
A5
A6
A7
A8
B1
B2
B3 B4 L1 L2 L3 L4 L5 L6 L7 L8 L9 P1 P2 BEND MOD AFT
4. Logic SOLO SOLO 5
SOLO 6
SOLO 7
SOLO 8
5. Logic MUTE
MUTE 5
6. Logic RECORD
RECORD 5
MUTE 6
RECORD 6
MUTE 7
RECORD 7
MUTE 8
RECORD 8
BANK LEFT
7. Logic GLOBAL
GLOBAL INPUT
GLOBAL OUTPUT
GLOBAL MIDI
GLOBAL VIEW
BANK RIGHT
GLOBAL VIEW
FLIP NO ASSIGN
REWIND FAST FORWARD
NO ASSIGN STOP PLAY
NO ASSIGN RECORD
NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN
8. Logic INITIALIZE
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
Logic INITIALIZE 1
Logic INITIALIZE 2
Logic INITIALIZE 3 NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN
10
.
Digital Performer (Control Map #911)
9. DP SOLO
10. DP MUTE
11. DP RECORD
R1
ROTARY ENCODER 1
R2
ROTARY ENCODER 2
R3
ROTARY ENCODER 3
R4
ROTARY ENCODER 4
R5
ROTARY ENCODER 5
R6
ROTARY ENCODER 6
R7
ROTARY ENCODER 7
R8
ROTARY ENCODER 8
R9
NO ASSIGN
S1
FADER 1
S2
FADER 2
S3
FADER 3
S4
FADER 4
S5
FADER 5
S6
FADER 6
S7
FADER 7
S8
FADER 8
S9
MASTER FADER
A1
SOLO 1
MUTE 1
RECORD 1
A2
SOLO 2
MUTE 2
RECORD 2
A3
SOLO 3
MUTE 3
RECORD 3
A4
SOLO 4
MUTE 4
RECORD 4
A5
SOLO 5
MUTE 5
RECORD 5
A6
SOLO 6
MUTE 6
RECORD 6
A7
SOLO 7
MUTE 7
RECORD 7
A8
SOLO 8
MUTE 8
RECORD 8
B1 B2 B3 B4 L1 L2 L3 L4 L5 L6 L7 L8 L9 P1 P2 BEND MOD AFT
9. DP SOLO
10. DP MUTE
11. DP RECORD
BANK LEFT
BANK RIGHT
NO ASSIGN
FLIP
RETURN TO ZERO
REWIND
FAST FORWARD
NO ASSIGN
STOP
PLAY
NO ASSIGN
RECORD
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
Control Map List
Live (Control Map #1214)
12. Live SOLO
13. Live MUTE
14. Live RECORD
R1
ROTARY ENCODER 1
R2
ROTARY ENCODER 2
R3
ROTARY ENCODER 3
R4
ROTARY ENCODER 4
R5
ROTARY ENCODER 5
R6
ROTARY ENCODER 6
R7
ROTARY ENCODER 7
R8
ROTARY ENCODER 8
R9
NO ASSIGN
S1
FADER 1
S2
FADER 2
S3
FADER 3
S4
FADER 4
S5
FADER 5
S6
FADER 6
S7
FADER 7
S8
FADER 8
S9
MASTER FADER
A1
SOLO 1
MUTE 1
RECORD 1
A2
SOLO 2
MUTE 2
RECORD 2
A3
SOLO 3
MUTE 3
RECORD 3
A4
SOLO 4
MUTE 4
RECORD 4
A5
SOLO 5
MUTE 5
RECORD 5
A6
SOLO 6
MUTE 6
RECORD 6
A7
SOLO 7
MUTE 7
RECORD 7
A8
SOLO 8
MUTE 8
RECORD 8
B1 B2 B3 B4 L1 L2 L3 L4 L5 L6 L7 L8 L9 P1 P2 BEND MOD AFT
12. Live SOLO
13. Live MUTE
14. Live RECORD
BANK LEFT
BANK RIGHT
ARRANGE/SESSION VIEW SW
FLIP
RETURN TO ZERO
REWIND
FAST FORWARD
NO ASSIGN
STOP
PLAY
NO ASSIGN
RECORD
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
GarageBand (Control Map #15)
R1
NO ASSIGN
R2
NO ASSIGN
R3
NO ASSIGN
R4
NO ASSIGN
R5
NO ASSIGN
R6
NO ASSIGN
R7
NO ASSIGN
R8
NO ASSIGN
R9
PAN
S1
MODULATION
S2
PITCH BEND
S3
EXPRESSION
S4
NO ASSIGN
S5
NO ASSIGN
S6
NO ASSIGN
S7
NO ASSIGN
S8
NO ASSIGN
S9
VOLUME
A1
KICK (NOTE 36)
A2
SNARE (NOTE 38)
A3
CLOSED HH (NOTE 42)
A4
OPEN HH (NOTE 46)
A5
LOW TOM (NOTE 43)
A6
MID TOM (NOTE 47)
A7
HI TOM (NOTE 50)
A8
CRASH CYMBAL (NOTE 49)
B1 B2 B3 B4 L1 L2 L3 L4 L5 L6 L7 L8 L9 P1 P2 BEND MOD AFT
NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN
HOLD NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN
English
11
Control Map List
GM2 (Control Map #16)
R1
FILTER CUT OFF
R2
FILTER RESONANCE
R3
VIBRATO RATE
R4
VIBRATO DEPTH
R5
VIBRATO DELAY
R6
COARSE TUNE
R7
FINE TUNE
R8
TEMPO
R9
PAN (CHANNEL)
S1
PORTAMENT TIME
S2
ENVELOPE ATTACK
S3
ENVELOPE DECAY
S4
ENVELOPE RELEASE
S5
CHORUS
S6
REVERB
S7
BANK LSB
S8
BANK MSB
S9
VOLUME (CHANNEL)
A1
KICK (NOTE 36)
A2
SNARE (NOTE 38)
A3
CLOSED HH (NOTE 42)
A4
OPEN HH (NOTE 46)
A5
LOW TOM (NOTE 43)
A6
MID TOM (NOTE 47)
A7
HI TOM (NOTE 50)
A8
CRASH CYMBAL (NOTE 49)
B1 B2 B3 B4 L1 L2 L3 L4 L5 L6 L7 L8 L9 P1 P2 BEND MOD AFT
GM2 SYSTEM ON PORTAMENT SOFT SOSTENUTO
PROGRAM CHANGE DEC PROGRAM CHANGE INC
MONO MODE ON POLY MODE ON
STOP START CONTINUE RESET ALL CONTROL HOLD DRUM NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN
12
SD-50 (Control Map #17)
R1
NO ASSIGN
R2
NO ASSIGN
R3
NO ASSIGN
R4
NO ASSIGN
R5
NO ASSIGN
R6
NO ASSIGN
R7
NO ASSIGN
R8
NO ASSIGN
R9
PAN
S1
PART LEVEL
S2
REVERB SEND
S3
CHORUS SEND
S4
NO ASSIGN
S5
NO ASSIGN
S6
NO ASSIGN
S7
NO ASSIGN
S8
NO ASSIGN
S9
NO ASSIGN
A1
KICK (NOTE 36)
A2
SNARE (NOTE 38)
A3
CLOSED HH (NOTE 42)
A4
OPEN HH (NOTE 46)
A5
LOW TOM (NOTE 43)
A6
MID TOM (NOTE 47)
A7
HI TOM (NOTE 50)
A8
CRASH CYMBAL (NOTE 49)
B1 B2 B3 B4 L1 L2 L3 L4 L5 L6 L7 L8 L9 P1 P2 BEND MOD AFT
VARIATION 1 VARIATION 2 PORTAMENT SW BENDER MODE
PIANO SHAKUHACHI
VIOLIN TROMBONE ELECTRIC PIANO
STRINGS SAW LEAD TRANCE KEYS HOLD DRUM NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN
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1. Cubase SOLO
2. Cubase MUTE
3. Cubase RECORD
R1
ROTARY ENCODER 1
R2
ROTARY ENCODER 2
R3
ROTARY ENCODER 3
R4
ROTARY ENCODER 4
R5
ROTARY ENCODER 5
R6
ROTARY ENCODER 6
R7
ROTARY ENCODER 7
R8
ROTARY ENCODER 8
R9
NO ASSIGN
S1
FADER 1
S2
FADER 2
S3
FADER 3
S4
FADER 4
S5
FADER 5
S6
FADER 6
S7
FADER 7
S8
FADER 8
S9
MASTER FADER
A1
SOLO 1
MUTE 1
RECORD 1
A2
SOLO 2
MUTE 2
RECORD 2
A3
SOLO 3
MUTE 3
RECORD 3
A4
SOLO 4
MUTE 4
RECORD 4
A5
SOLO 5
MUTE 5
RECORD 5
A6
SOLO 6
MUTE 6
RECORD 6
A7 A8 B1 B2 B3 B4 L1 L2 L3 L4 L5 L6 L7 L8 L9 P1 P2 BEND MOD AFT
1. Cubase SOLO
2. Cubase MUTE
3. Cubase RECORD
SOLO 7
MUTE 7
RECORD 7
SOLO 8
MUTE 8
RECORD 8
BANK LEFT
BANK RIGHT
MIXER VIEW
FLIP
RETURN TO ZERO
REWIND
FAST FORWARD
NO ASSIGN
STOP
PLAY
NO ASSIGN
RECORD
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
-PHJD 1SP
4. Logic SOLO
5. Logic MUTE
6. Logic RECORD
7. Logic GLOBAL
8. Logic INITIALIZE
R1
ROTARY ENCODER 1
NO ASSIGN
R2
ROTARY ENCODER 2
NO ASSIGN
R3
ROTARY ENCODER 3
NO ASSIGN
R4
ROTARY ENCODER 4
NO ASSIGN
R5
ROTARY ENCODER 5
NO ASSIGN
R6
ROTARY ENCODER 6
NO ASSIGN
R7
ROTARY ENCODER 7
NO ASSIGN
R8
ROTARY ENCODER 8
NO ASSIGN
R9
NO ASSIGN
NO ASSIGN
S1
FADER 1
NO ASSIGN
S2
FADER 2
NO ASSIGN
S3
FADER 3
NO ASSIGN
S4
FADER 4
NO ASSIGN
S5
FADER 5
NO ASSIGN
S6
FADER 6
NO ASSIGN
S7
FADER 7
NO ASSIGN
S8
FADER 8
NO ASSIGN
S9
MASTER FADER
NO ASSIGN
A1
SOLO 1
MUTE 1
RECORD 1
GLOBAL AUDIO
NO ASSIGN
A2
SOLO 2
MUTE 2
RECORD 2
GLOBAL INST
NO ASSIGN
A3
SOLO 3
MUTE 3
RECORD 3
GLOBAL AUX
NO ASSIGN
A4
SOLO 4
MUTE 4
RECORD 4
GLOBAL BUS
NO ASSIGN
19
-PHJD 1SP
A5
A6
A7
A8
B1
B2
B3 B4 L1 L2 L3 L4 L5 L6 L7 L8 L9 P1 P2 BEND MOD AFT
4. Logic SOLO SOLO 5
SOLO 6
SOLO 7
SOLO 8
5. Logic MUTE
MUTE 5
6. Logic RECORD
RECORD 5
MUTE 6
RECORD 6
MUTE 7
RECORD 7
MUTE 8
RECORD 8
BANK LEFT
7. Logic GLOBAL
GLOBAL INPUT
GLOBAL OUTPUT
GLOBAL MIDI
GLOBAL VIEW
BANK RIGHT
GLOBAL VIEW
FLIP NO ASSIGN
REWIND FAST FORWARD
NO ASSIGN STOP PLAY
NO ASSIGN RECORD
NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN
8. Logic INITIALIZE
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
Logic INITIALIZE 1
Logic INITIALIZE 2
Logic INITIALIZE 3 NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN
20
.
%JHJUBM 1FSGPSNFS
9. DP SOLO
10. DP MUTE
11. DP RECORD
R1
ROTARY ENCODER 1
R2
ROTARY ENCODER 2
R3
ROTARY ENCODER 3
R4
ROTARY ENCODER 4
R5
ROTARY ENCODER 5
R6
ROTARY ENCODER 6
R7
ROTARY ENCODER 7
R8
ROTARY ENCODER 8
R9
NO ASSIGN
S1
FADER 1
S2
FADER 2
S3
FADER 3
S4
FADER 4
S5
FADER 5
S6
FADER 6
S7
FADER 7
S8
FADER 8
S9
MASTER FADER
A1
SOLO 1
MUTE 1
RECORD 1
A2
SOLO 2
MUTE 2
RECORD 2
A3
SOLO 3
MUTE 3
RECORD 3
A4
SOLO 4
MUTE 4
RECORD 4
A5
SOLO 5
MUTE 5
RECORD 5
A6
SOLO 6
MUTE 6
RECORD 6
A7
SOLO 7
MUTE 7
RECORD 7
A8
SOLO 8
MUTE 8
RECORD 8
B1 B2 B3 B4 L1 L2 L3 L4 L5 L6 L7 L8 L9 P1 P2 BEND MOD AFT
9. DP SOLO
10. DP MUTE
11. DP RECORD
BANK LEFT
BANK RIGHT
NO ASSIGN
FLIP
RETURN TO ZERO
REWIND
FAST FORWARD
NO ASSIGN
STOP
PLAY
NO ASSIGN
RECORD
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
-JWF
12. Live SOLO
13. Live MUTE
14. Live RECORD
R1
ROTARY ENCODER 1
R2
ROTARY ENCODER 2
R3
ROTARY ENCODER 3
R4
ROTARY ENCODER 4
R5
ROTARY ENCODER 5
R6
ROTARY ENCODER 6
R7
ROTARY ENCODER 7
R8
ROTARY ENCODER 8
R9
NO ASSIGN
S1
FADER 1
S2
FADER 2
S3
FADER 3
S4
FADER 4
S5
FADER 5
S6
FADER 6
S7
FADER 7
S8
FADER 8
S9
MASTER FADER
A1
SOLO 1
MUTE 1
RECORD 1
A2
SOLO 2
MUTE 2
RECORD 2
A3
SOLO 3
MUTE 3
RECORD 3
A4
SOLO 4
MUTE 4
RECORD 4
A5
SOLO 5
MUTE 5
RECORD 5
A6
SOLO 6
MUTE 6
RECORD 6
A7
SOLO 7
MUTE 7
RECORD 7
A8
SOLO 8
MUTE 8
RECORD 8
B1 B2 B3 B4 L1 L2 L3 L4 L5 L6 L7 L8 L9 P1 P2 BEND MOD AFT
12. Live SOLO
13. Live MUTE
14. Live RECORD
BANK LEFT
BANK RIGHT
ARRANGE/SESSION VIEW SW
FLIP
RETURN TO ZERO
REWIND
FAST FORWARD
NO ASSIGN
STOP
PLAY
NO ASSIGN
RECORD
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
(BSBHF#BOE
R1
NO ASSIGN
R2
NO ASSIGN
R3
NO ASSIGN
R4
NO ASSIGN
R5
NO ASSIGN
R6
NO ASSIGN
R7
NO ASSIGN
R8
NO ASSIGN
R9
PAN
S1
MODULATION
S2
PITCH BEND
S3
EXPRESSION
S4
NO ASSIGN
S5
NO ASSIGN
S6
NO ASSIGN
S7
NO ASSIGN
S8
NO ASSIGN
S9
VOLUME
A1
KICK (NOTE 36)
A2
SNARE (NOTE 38)
A3
CLOSED HH (NOTE 42)
A4
OPEN HH (NOTE 46)
A5
LOW TOM (NOTE 43)
A6
MID TOM (NOTE 47)
A7
HI TOM (NOTE 50)
A8
CRASH CYMBAL (NOTE 49)
B1 B2 B3 B4 L1 L2 L3 L4 L5 L6 L7 L8 L9 P1 P2 BEND MOD AFT
NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN
HOLD NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN
21
(.
R1
FILTER CUT OFF
R2
FILTER RESONANCE
R3
VIBRATO RATE
R4
VIBRATO DEPTH
R5
VIBRATO DELAY
R6
COARSE TUNE
R7
FINE TUNE
R8
TEMPO
R9
PAN (CHANNEL)
S1
PORTAMENT TIME
S2
ENVELOPE ATTACK
S3
ENVELOPE DECAY
S4
ENVELOPE RELEASE
S5
CHORUS
S6
REVERB
S7
BANK LSB
S8
BANK MSB
S9
VOLUME (CHANNEL)
A1
KICK (NOTE 36)
A2
SNARE (NOTE 38)
A3
CLOSED HH (NOTE 42)
A4
OPEN HH (NOTE 46)
A5
LOW TOM (NOTE 43)
A6
MID TOM (NOTE 47)
A7
HI TOM (NOTE 50)
A8
CRASH CYMBAL (NOTE 49)
B1 B2 B3 B4 L1 L2 L3 L4 L5 L6 L7 L8 L9 P1 P2 BEND MOD AFT
GM2 SYSTEM ON PORTAMENT SOFT SOSTENUTO
PROGRAM CHANGE DEC PROGRAM CHANGE INC
MONO MODE ON POLY MODE ON
STOP START CONTINUE RESET ALL CONTROL HOLD DRUM NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN
22
4%
R1
NO ASSIGN
R2
NO ASSIGN
R3
NO ASSIGN
R4
NO ASSIGN
R5
NO ASSIGN
R6
NO ASSIGN
R7
NO ASSIGN
R8
NO ASSIGN
R9
PAN
S1
PART LEVEL
S2
REVERB SEND
S3
CHORUS SEND
S4
NO ASSIGN
S5
NO ASSIGN
S6
NO ASSIGN
S7
NO ASSIGN
S8
NO ASSIGN
S9
NO ASSIGN
A1
KICK (NOTE 36)
A2
SNARE (NOTE 38)
A3
CLOSED HH (NOTE 42)
A4
OPEN HH (NOTE 46)
A5
LOW TOM (NOTE 43)
A6
MID TOM (NOTE 47)
A7
HI TOM (NOTE 50)
A8
CRASH CYMBAL (NOTE 49)
B1 B2 B3 B4 L1 L2 L3 L4 L5 L6 L7 L8 L9 P1 P2 BEND MOD AFT
VARIATION 1 VARIATION 2 PORTAMENT SW BENDER MODE
PIANO SHAKUHACHI
VIOLIN TROMBONE ELECTRIC PIANO
STRINGS SAW LEAD TRANCE KEYS HOLD DRUM NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN
*5100016234 - 01*
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