PreSonus StudioLive Series III Rack Mixers
Rackmount Digital Mixing and Remote I/O System with AVB
Owner's Manual
Product Overview
The PreSonus StudioLive Series III rackmount mixers, including the StudioLive 32R, StudioLive 24R, and StudioLive 16R, are designed for optimum performance and longevity. These mixers feature high-headroom XMAX™ microphone preamplifiers, a built-in multitrack USB recording and playback interface, powerful Fat Channel signal processing, high-quality effects, extensive routing capabilities, and stereo SD recording. They are designed to be used in studios or for live performances with a compatible computer, SD card, microphones, cables, and speakers.
PreSonus Audio Electronics is committed to continuous product improvement and values customer feedback.
About This Manual
This manual is intended to help users familiarize themselves with the features and connection procedures of the StudioLive Series III rackmount mixers. It includes "Power User Tips" for optimal usage. Differences between models (32R, 24R, 16R) are noted where applicable. This manual covers hardware and basic setup; detailed software information is available in the StudioLive Software Library Reference Manual.
Features
- 34/26/18 total analog inputs
- 32/24/16 mic/line channel inputs plus 2 RCA inputs
- 16/12/6 TRS FlexMix outputs
- 2 XLR (Left/Right) Main outputs
- Stereo headphone output
- 32/32/16 input channels
- 32R and 24R: 2 stereo aux inputs (AVB or USB)
- 1 stereo digital return (SD Card, AVB, or USB)
- 26/26/10 buses: 16/16/6 FlexMixes, 4/4/2 internal effects buses
- 32R and 24R: 4 dedicated subgroups
- 24/24/8 Filter DCAs
- 1 Ethernet control network port (Dynamic, Self Assigned, Manual IP modes)
- 1 Ethercon AVB audio network port
- Onboard stereo SD recorder
- 38x38 (32R/24R) / 18x18 (16R) USB recording interface
- 55x55 (32R/24R) / 32x32 (16R) AVB recording interface
- Studio-quality converters with 115 dB dynamic range
- 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)
- UC Surface touch control software (Mac, Windows, iPad, Android)
- Studio One® Artist DAW software (Mac, Windows)
- Capture™™™ multitrack recording software (Mac, Windows)
- QMix®-UC aux-control software (iOS, Android)
What is in the Box
The StudioLive Series III rackmount mixer package includes:
- PreSonus StudioLive 32R, StudioLive 24R, and StudioLive 16R digital recording and performance mixer
- USB cable
- IEC power cord
- Product registration and software authorization card
- StudioLive Series III Rackmount mixer Quick Start Guide
What You Will Need
Items not included but required for the mixing system:
- LAN network with Internet access or an SD or SDHC card (at least 2 GB capacity) for firmware updates.
- Wireless router (PreSonus.com lists recommended models).
- A computer (macOS or Windows), Android device, or iPad running UC Surface, connected to the same LAN network as the mixer.
Getting Started
This section guides you through registering your mixer, updating its firmware, and connecting it to a network. It is recommended to review the networking tutorial in Section 2.2. Visit www.presonus.com for system requirements and compatible hardware.
General requirements include:
- LAN network connection and router
- Internet connection for registration and firmware download
- A device running UC Surface
Step 1: Register Your StudioLive Series III Rackmount Mixer
1. Go to my.presonus.com and log in or create a new user account.
2. Click the "Register a Product" button.
3. Select "Hardware," enter mixer information (purchase date, serial number), and agree to the license agreement to complete registration.
Step 2: Add a Control Device
You can connect your mixer to UC Surface via:
- Wired LAN network (control only)
- USB connection to a computer (control and audio)
Power User Tip: WPA and WPA2 are security protocols for wireless networks. Consult your router's documentation for security settings.
2.2.1 Wired LAN Networking (Ethernet)
This method connects your mixer and control devices (computer, iPad, Android) to a wireless router for remote control via UC Surface and QMix-UC.
- Connect the StudioLive Series III Rackmount mixer to a wireless router using an Ethernet cable.
- Power on the router, then the mixer.
- Connect your computer, Android, or iOS device to the wireless network. A wired Ethernet connection to the computer is also an option.
- The Control LED on the mixer's front panel will turn blue when connected and communicating.
2.2.2 Wired to a Computer (USB)
Connect the mixer directly to a computer via USB for control and audio. Note: This configuration allows control from only one device (the computer).
- Install Universal Control and UC Surface on your computer.
- Connect the StudioLive mixer to the computer using a USB cable.
- Launch Universal Control.
The Control LED will turn blue when connected and communicating with the computer.
Step 3: Update Firmware
2.3.1 Direct Updating over the Internet
This is the recommended method for updating firmware. It requires the mixer and the UC Surface device to be connected to a network with Internet access.
- Connect the mixer and UC Surface device to an Internet-connected network (wired or wireless).
- Open UC Surface and connect to your mixer.
- Click the Settings icon in UC Surface.
- On the Device Settings tab, click "Check Firmware Update."
- Confirm the update when prompted by clicking "OK."
- A progress bar will display the update status. Once complete, power-cycle the mixer as instructed.
- Verify the firmware version on the mixer matches the downloaded files.
IMPORTANT: Your PreSonus hardware must be registered to your My PreSonus account for Internet updates.
2.3.2 Manual Firmware Updates
This method requires a computer with Internet access and a method to transfer the firmware file (e.g., USB drive, SD card).
- Log in to your my.presonus.com account.
- Click the "My Products" button.
- Navigate to the "Hardware" tab to view registered products.
- Find your mixer model and click "View More Details."
- Click the "Update Firmware" button to download the firmware file to your computer.
- Locate the downloaded .zip file, double-click to decompress it (if necessary), and find the .img file. Transfer this .img file to your removable media (USB drive or SD card).
- On the computer connected to your mixer, launch UC Surface and go to the Settings page.
- Drag the .img file into the Firmware Update section. The update will start automatically.
Step 4: Set Up an AVB Network
StudioLive Series III Rackmount mixers can function as stageboxes for StudioLive Series III console mixers over an AVB network, with or without DSP processing. They support sending/receiving audio and remote control of preamp levels and phantom power.
For detailed information, refer to the StudioLive Series III Stagebox Mode Addendum.
Hookup
3.1 Front Panel
The front panel of the StudioLive Series III rackmount mixers includes:
- Power/Status LED: Indicates mixer status (Off, Blue: Normal, Flashing Red: Boot Error, Flashing Yellow: Updating Firmware, Green: Firmware Loaded).
- Control LED: Indicates LAN network status (Off: Not On, Blue: Powered On & Connected, Red: Powered On & Not Connected).
- SD Card Record Indicator: Red LED indicates SD card recording.
- SD Card Playback Indicator: Green LED indicates SD card playback.
- Headphones Jack: 1/4-inch TRS for headphones, controlled by the Phones knob.
- Mute All Button: Mutes all inputs and mix outputs. Can be used latched or momentary.
- Mic/Line Inputs: Combo TRS-XLR jacks supporting XLR and 1/4" cables. 1/4" inputs bypass the preamp stage for line-level signals up to +18 dBFS.
Power User Tip: When using line inputs, the mic preamp is bypassed. Use the output level control on your line-level device.
Note: Muting channels or turning down faders is recommended before plugging/unplugging devices or toggling phantom power to avoid noise spikes.
3.2 Rear Panel
The rear panel features:
- Mic/Line Inputs: Additional inputs (e.g., 8 on 32R, 4 on 16R) using TRS-XLR combo jacks, supporting line-level signals up to +18 dBFS.
- RCA Inputs: Stereo RCA inputs for line-level devices, summed with mic/line inputs.
- Mix Outputs: 16/12/6 TRS outputs for Aux, Subgroup, or Matrix mixes.
- Main Outputs: Stereo main outputs on XLR jacks.
- Audio Network Port: Ethercon and RJ-45 connector for AVB audio networking.
- Ethernet Port: RJ-45 port for standard LAN network control applications.
- USB Port: Female USB-B jack for computer connection (audio interfacing, control, file transfer).
- Power Input and Switch: IEC connector for power cable and a power switch.
Connecting Your Audio System
Before connecting, follow these guidelines:
- Turn down Main, Mix, and Phones faders, or use Mute All, before making connections.
- Mute channels before plugging/unplugging microphones when other channels are active.
- Set faders near the "U" (unity gain) mark.
- Avoid clipping by monitoring level meters; red indicates potential digital distortion.
Power-on Order: Sound sources → StudioLive mixer → Computer (if applicable) → Power amplifiers/loudspeakers.
Power-off Order: Reverse of power-on order.
4.1 Level Setting Procedure
This procedure assumes the mixer is configured with UC Surface.
- Plug a microphone into Channel 1 mic input.
- Connect the mixer's Main Outputs to your power amplifier or powered monitors. Use speaker cables for passive speakers.
- Plug in and turn on the mixer.
- Power on your powered speakers or speaker amplifier.
- Select Channel 1 in UC Surface.
- If phantom power is required, engage the +48V button.
- Speak or sing into the microphone at performance volume.
- Adjust the input trim in UC Surface while watching the input meter. Aim for just over halfway up, avoiding red.
- Raise the Channel 1 fader in UC Surface to 0 dB (unity gain).
- Bring up the Main mix level fader in UC Surface until the microphone is audible through the speakers.
Further processing (dynamics, EQ) can be applied using the Fat Channel. Refer to the StudioLive Software Library Reference Manual for details.
4.2 Typical Setup Diagrams
These diagrams illustrate common connection scenarios.
4.2.1 Typical Band Setup (StudioLive 32R)
This diagram shows a typical band setup using the StudioLive 32R. It includes connections for:
- Inputs: Drum kit (Ch 1), Lead vocal (Ch 2), Backup vocals (Ch 3-4), Bass/DI (Ch 5), Electric guitar amp (lead) (Ch 6), Keyboard/DI (Ch 7), Acoustic guitar/DI (Ch 8), Wireless mics (Ch 9-10), Music source (stereo input).
- Outputs: Floor wedges (Mix Out 1-2), Drum monitor (Mix Out 3-4), Wireless in-ear monitors for keys, bass, lead guitar, and lead vocals (Mix Out 5-6, 7-8, 9-10, 11-12 respectively). Main speakers and subwoofers are connected to Main Outputs.
- Control/Recording: Laptop running Capture 2.0 connected via USB for recording up to 32 channels. iPad running UC Surface connected wirelessly for control. Mobile devices (iOS/Android) running QMix-UC for aux control.
4.2.2 Typical Band Setup (StudioLive 16R)
This diagram shows a typical band setup using the StudioLive 16R. It includes connections for:
- Inputs: Drum kit (Ch 1), Lead vocal (Ch 2), Backup vocals (Ch 3-4), Bass/DI (Ch 5), Electric guitar amp (lead) (Ch 6), Acoustic guitar/DI (Ch 7), Keyboard/DI (Ch 8), Wireless mics (Ch 9-10), Music source (stereo input).
- Outputs: Floor wedges (Mix Out 1-2), Drum monitor (Mix Out 3-4), Wireless in-ear monitors for lead guitar and lead vocals (Mix Out 5-6, 7-8 respectively). Main speakers and subwoofers are connected to Main Outputs.
- Control/Recording: Laptop running Capture 2.0 connected via USB for recording up to 16 channels. iPad running UC Surface connected wirelessly for control. Mobile devices (iOS/Android) running QMix-UC for aux control.
4.2.3 Typical Church Setup (StudioLive 32R)
This diagram shows a typical church setup using the StudioLive 32R. It includes connections for:
- Inputs: Drum kit (Ch 1), Lead vocal (Ch 2), Backup vocals (Ch 3-4), Bass/DI (Ch 5), Electric guitar amp (lead) (Ch 6), Electric guitar amp (rhythm) (Ch 7), Acoustic guitar/DI (Ch 8), Keyboard/DI (Ch 9), Piano (Ch 10), Podium mic (Ch 11), Hanging choir mics (Ch 12), DVD player (stereo input), Wireless mics (Ch 13-16).
- Outputs: Floor wedges (Mix Out 1-2), Wireless in-ear monitors for keys, bass, lead guitar, and lead vocals (Mix Out 3-4, 5-6, 7-8, 9-10 respectively). Main speakers and subwoofers are connected to Main Outputs.
- Control/Recording: Laptop running Capture 2.0 connected via USB for recording up to 32 channels. iPad running UC Surface connected wirelessly for control. Mobile devices (iOS/Android) running QMix-UC for aux control. Audio for a cry room is also indicated.
4.2.4 Typical Church Setup (StudioLive 16R)
This diagram shows a typical church setup using the StudioLive 16R. It includes connections for:
- Inputs: Drum kit (Ch 1), Lead vocal (Ch 2), Backup vocal (Ch 3), Bass/DI (Ch 4), Electric guitar amp (lead) (Ch 5), Acoustic guitar/DI (Ch 6), Keyboard/DI (Ch 7), Piano (Ch 8), Podium mic (Ch 9), Hanging choir mic (Ch 10), Wireless mics (Ch 11-12), DVD player (stereo input).
- Outputs: Floor wedges (Mix Out 1-2), Wireless in-ear monitors for lead vocals (Mix Out 3-4). Main speakers and subwoofers are connected to Main Outputs.
- Control/Recording: Laptop running Capture 2.0 connected via USB for recording up to 16 channels. iPad running UC Surface connected wirelessly for control. Mobile devices (iOS/Android) running QMix-UC for aux control. Audio for a cry room is also indicated.
Resources
5.1 Stereo Microphone Placement
This section provides guidance on microphone placement for various instruments, applicable to both live and studio settings.
Grand Piano
Place one microphone above the high strings and another above the low strings. Experiment with distance to capture desired room sound.
Electric Guitar
Place a dynamic microphone 1-2 inches from the guitar amplifier speaker. For multi-speaker amps, experiment with each speaker. A condenser microphone can be placed about six feet away from the amp for room sound. Experiment with distance and phase inversion for the room mic.
Acoustic Guitar
Use a small-diaphragm condenser mic at the 12th fret (approx. 8 inches away) and a large-diaphragm condenser mic at the bridge (approx. 12 inches away). Experiment with placement and distance. An XY stereo placement with two small-diaphragm mics is another option.
Bass Guitar (Direct and Speaker)
Connect the bass guitar to a DI box, then to a bass amplifier. Place a dynamic microphone 1-2 inches from the speaker. Connect the DI box's line output to a separate mixer channel. This allows blending the direct and amplified signals.
Drum Overheads (XY example)
Use two small-diaphragm condenser microphones on an XY holder, positioned at a 45-degree angle, pointing down at the drum kit, about 7-8 feet above the floor. Experiment with height.
Snare Drum (top and bottom)
Place a dynamic microphone at the center of the snare (top). Place a small-diaphragm condenser microphone under the drum, pointing at the snares (bottom). Experiment with placement and phase inversion for the bottom mic.
5.2 Compression Setting Suggestions
These are suggested compression presets, based on the PreSonus BlueMax, to use as a starting point for the StudioLive mixers.
| Instrument | Setting | THRESHOLD | RATIO | ATTACK | RELEASE |
|---|---|---|---|---|---|
| Vocals | Soft | -8.2 dB | 1.8:1 | 0.002 ms | 38 ms |
| Medium | -3.3 dB | 2.8:1 | 0.002 ms | 38 ms | |
| Screamer | -1.1 dB | 3.8:1 | 0.002 ms | 38 ms | |
| Percussion | Snare/Kick | -2.1 dB | 3.5:1 | 78 ms | 300 ms |
| Fretted Instruments | Left/Right (Stereo) Overheads | -13.7 dB | 1.3:1 | 27 ms | 128 ms |
| Electric Bass | -4.4 dB | 2.6:1 | 45.7 ms | 189 ms | |
| Acoustic Guitar | -6.3 dB | 3.4:1 | 188 ms | 400 ms | |
| Keyboards | Electric Guitar | -0.1 dB | 2.4:1 | 26 ms | 193 ms |
| Piano | -10.8 dB | 1.9:1 | 108 ms | 112 ms | |
| Synth | -11.9 dB | 1.8:1 | 0.002 ms | 85 ms | |
| Orchestral | 3.3 dB | 2.5:1 | 1.8 ms | 50 ms | |
| Stereo Mix | Stereo Limiter | 5.5 dB | 7.1:1 | 0.001 ms | 98 ms |
| Contour | -13.4 dB | 1.2:1 | 0.002 ms | 182 ms | |
| Effects | Squeeze | -4.6 dB | 2.4:1 | 7.2 ms | 93 ms |
| Pump | 0 dB | 1.9:1 | 1 ms | 0.001 ms |
5.3 EQ Frequency Guides
Table 1: EQ Frequency Guides
| Instrument | What to Cut | Why to Cut | What to Boost | Why to Boost |
|---|---|---|---|---|
| Human Voice | 7 kHz | Sibilance | 8 kHz | Big sound |
| 2 kHz | Shrill | 3 kHz and above | Clarity | |
| 1 kHz | Nasal | 200-400 Hz | Body | |
| 80 Hz and below | Popping P's | |||
| Piano | 1-2 kHz | Tinny | 5 kHz | More presence |
| 300 Hz | Boomy | 100 Hz | Bottom end | |
| Electric Guitar | 1-2 kHz | Shrill | 3 kHz | Clarity |
| 80 Hz and below | Muddy | 125 Hz | Bottom end | |
| Acoustic Guitar | 2-3 kHz | Tinny | 5 kHz and above | Sparkle |
| 200 Hz | Boomy | 125 Hz | Full | |
| Electric Bass | 1 kHz | Thin | 600 Hz | Growl |
| 125 Hz | Boomy | 80 Hz and below | Bottom end | |
| String Bass | 600 Hz | Hollow | 2-5 kHz | Sharp attack |
| 200 Hz | Boomy | 125 Hz and below | Bottom end | |
| Snare Drum | 1 kHz | Annoying | 2 kHz | Crisp |
| 150-200 Hz | Full | |||
| 80 Hz | Deep | |||
| Kick Drum | 400 Hz | Muddy | 2-5 kHz | Sharp attack |
| 80 Hz and below | Boomy | 60-125 Hz | Bottom end | |
| Toms | 300 Hz | Boomy | 2-5 kHz | Sharp attack |
| 80-200 Hz | Bottom end | |||
| Cymbals | 1 kHz | Annoying | 7-8 kHz | Sizzle |
| 8-12 kHz | Brilliance | |||
| 15 kHz | Air | |||
| Horns | 1 kHz | Honky | 8-12 kHz | Big sound |
| 120 Hz and below | Muddy | 2 kHz | Clarity | |
| String section | 3 kHz | Shrill | 2 kHz | Clarity |
| 120 Hz and below | Muddy | 400-600 Hz | Lush and full |
5.4 EQ Setting Suggestions
Table 2: EQ Setting Suggestions
Vocals
| LOW ON/OFF | LOW SHELF | LOW FREQ (Hz) | LOW Q | LOW GAIN | LOW MID ON/OFF | LOW MID FREQ (Hz) | LOW MID Q | LOW MID GAIN | |
|---|---|---|---|---|---|---|---|---|---|
| Pop Female Vocals | ON | OFF | 130 | 0.6 | -2 | ON | 465 | 0.6 | -2 |
| HIGH MID ON/ OFF | HI MID FREQ (kHz) | HIGH MID Q | HIGH MID GAIN | HIGH ON/OFF | HIGH SHELF | HIGH FREQ (kHz) | HIGH Q | HIGH GAIN | |
| ON | 2.4 | 0.4 | +2 | ON | OFF | 6.0 | 0.3 | +8 | |
| Rock Female Vocals | ON | ON | 155 | N/A | +4 | ON | 465 | 0.4 | +6 |
| ON | 1.4 | 0.6 | +6 | ON | OFF | 4.2 | 0.5 | +2 | |
| Pop Male Vocals | ON | OFF | 225 | 0.3 | -2 | ON | 960 | 0.3 | 0 |
| ON | 2.0 | 0.6 | +2 | ON | OFF | 7.2 | 0.5 | +4 |
Rock Male Vocals
| LOW ON/OFF | LOW SHELF | LOW FREQ (Hz) | LOW Q | LOW GAIN | LOW MID ON/OFF | LOW MID FREQ (Hz) | LOW MID Q | LOW MID GAIN | |
|---|---|---|---|---|---|---|---|---|---|
| ON | OFF | 155 | 0.5 | +2 | ON | 265 | 0.3 | -6 | |
| HIGH MID ON/ OFF | HI MID FREQ (kHz) | HIGH MID Q | HIGH MID GAIN | HIGH ON/OFF | HIGH SHELF | HIGH FREQ (kHz) | HIGH Q | HIGH GAIN | |
| ON | 2.4 | 0.6 | -2 | ON | ON | 7.2 | 0.6 | +4 |
Percussion
| LOW ON/OFF | LOW SHELF | LOW FREQ (Hz) | LOW Q | LOW GAIN | LOW MID ON/OFF | LOW MID FREQ (Hz) | LOW MID Q | LOW MID GAIN | |
|---|---|---|---|---|---|---|---|---|---|
| Snare | ON | OFF | 130 | 0.6 | -4 | ON | 665 | 0.5 | +4 |
| HIGH MID ON/ OFF | HI MID FREQ (kHz) | HIGH MID Q | HIGH MID GAIN | HIGH ON/OFF | HIGH SHELF | HIGH FREQ (kHz) | HIGH Q | HIGH GAIN | |
| ON | 1.6 | 0.3 | +4 | ON | ON | 4.2 | N/A | +4 | |
| Left/Right (Stereo) Overheads | ON | OFF | 108 | 0.6 | -2 | ON | 385 | 0.6 | -2 |
| ON | 2.9 | 0.3 | 0 | ON | ON | 8.0 | N/A | +4 | |
| Kick Drum | ON | OFF | 108 | 0.4 | +4 | ON | 265 | 2.0 | -4 |
| ON | 1.6 | 0.6 | 0 | ON | OFF | 6.0 | 2.0 | +4 |
Fretted Instruments
| LOW ON/OFF | LOW SHELF | LOW FREQ (Hz) | LOW Q | LOW GAIN | LOW MID ON/OFF | LOW MID FREQ (Hz) | LOW MID Q | LOW MID GAIN | |
|---|---|---|---|---|---|---|---|---|---|
| Electric Bass | ON | ON | 36 | N/A | -8 | ON | 130 | 0.4 | +4 |
| ON | 2.0 | 0.6 | +4 | ON | ON | 4.2 | N/A | +1 | |
| Acoustic Guitar | ON | OFF | 155 | 0.4 | +4 | ON | 665 | 2.0 | +2 |
| ON | 2.0 | 0.3 | 0 | ON | ON | 6.0 | N/A | +4 |
5.5 Technical Specifications
Microphone Preamplifier
| Parameter | Specification |
|---|---|
| Input Type | XLR Female, balanced |
| Frequency Response to Main Output (at unity gain) | 20-20 kHz, ±0.5 dBu |
| Input Impedance | 1 kΩ |
| THD to Main Output | <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
| S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | 94 dB |
| Common Mode Rejection Ratio (1 kHz at unity gain) | 65 dB |
| Gain Control Range (±1 dB) | 0 dB to +60 dB |
| Maximum Input Level (unity gain) | +12 dBu |
| Phantom Power (±2 VDC) | 48 VDC, switchable per channel |
Line Inputs
| Parameter | Specification |
|---|---|
| Type | 1/4" TRS Female, balanced |
| Frequency Response to Main Output (at unity gain) | 20-20 kHz, ±0.5 dBu |
| Input Impedance | 10 kΩ |
| THD to Main Output | <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
| S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | 94 dB |
| Maximum Input Level | +18 dBu |
RCA Inputs
| Parameter | Specification |
|---|---|
| Type | RCA Female, unbalanced (stereo pair) |
| Maximum Input Level | +12 dBu, ±0.5 dBu |
XLR Outputs
| Parameter | Specification |
|---|---|
| Type | XLR Male, balanced |
| Maximum Output Level | +24 dBu, ±0.5 dBu |
| Output Impedance | 100Ω |
FlexMix Line Outputs
| Parameter | Specification |
|---|---|
| Type | 1/4" TRS Female, balanced |
| Maximum Output Level | +18 dBu, ±0.5 dBu |
| Output Impedance | 100Ω |
Headphone Output
| Parameter | Specification |
|---|---|
| Type | 1/4" TRS Female, active stereo |
| Maximum Output | 100 mW/ch. @ 60Ω load |
| Frequency Response | 20 Hz - 20 kHz (± 0.5 dB) |
| THD+N | 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd |
| S/N Ratio | 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd |
System Crosstalk
| Parameter | Specification |
|---|---|
| Input to Output | -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
| Adjacent Channels | -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
Digital Audio and Control
| Parameter | Specification |
|---|---|
| ADC Dynamic Range | 115 dB (A-wtd, 48 kHz) |
| DAC Dynamic Range | 115 dB (A-wtd, 48 kHz) |
| USB Recording Port | USB 2.0, Type-B |
| AES/EBU Output | XLR Male |
| Network Control Port | RJ-45 |
| AVB Audio Network Port | Ethercon |
| Internal Processing | 32-bit, floating point |
| Sampling Rate | 48 kHz (44.1 kHz coming soon) |
| A/D/A Bit Depth | 24 |
| Reference Level for 0 dBFS | +18 dBu |
| Total System Latency | 1.9 ms (local routing, analog in-analog out, all processing active) |
Clock
| Parameter | Specification |
|---|---|
| Jitter | <20 ps RMS (20 Hz - 20 kHz) |
| Jitter Attenuation | >60 dB (1 ns in, 1 ps out) |
Power / Environmental
| Parameter | Specification |
|---|---|
| Connector | IEC |
| Input-Voltage Range | 90 to 230 VAC (±10%) |
| Power Requirements (continuous) | 85W |
| Recommended Ambient Operating Temperature | 0° to 40° Celsius / 32° to 104° Fahrenheit |
Physical
| Parameter | StudioLive 16R | StudioLive 24R | StudioLive 32R |
|---|---|---|---|
| Dimensions (HxWxD) | 1.75" x 19" x 12" (45 mm x 483 mm x 305 mm) | 3.5" x 19" x 12" (90 mm x 483 mm x 305 mm) | 3.5" x 19" x 12" (90 mm x 483 mm x 305 mm) |
| Product Weight | 8.6 lbs. (3.9 kg) | 10.8 lbs. (4.9 kg) | 11.2 lbs. (5 kg) |
5.6 StudioLive Series III Rackmount Mixer Block Diagrams
Block diagrams are too large for print and are available for download in Adobe PDF format from the PreSonus website for each model.
Warranty
6.1 Warranty Information
PreSonus's warranty obligations are limited to the terms set forth below.
How Consumer Law Relates To This Warranty: This warranty grants specific legal rights that may vary by location. PreSonus does not exclude, limit, or suspend other rights granted by law.
PreSonus Products And EU Statutory Warranty:
| EU Consumer Law | PreSonus Limited Warranty | |
|---|---|---|
| Repair or Replacement Coverage For | Defects present when customer takes delivery | Defects arising after customer takes delivery |
| Warranty Period | 2 years (minimum) from original date of purchase (unless superseded by PreSonus) | 1 year from original date of purchase (unless superseded by PreSonus) |
| Cost of Coverage | Provided at no additional cost | Included at no additional cost |
| Who to contact to make a claim | The seller | PreSonus technical support for your region |
What This Warranty Covers: PreSonus Audio Electronics, Inc. ("PreSonus") warrants defects in material and workmanship in PreSonus-branded hardware products under normal use.
Exclusions and Limitations: This warranty does not cover:
- Damage from accident, abuse, improper installation, operation, rental, modification, alteration, or neglect.
- Damage from improper grounding, faulty wiring, or connection to voltage outside specifications.
- Damage to drivers or diaphragm assemblies from burnt voice coils due to over/under driving or signal surge.
- Damage during shipment or improper handling.
- Damage from unauthorized repair or service.
- Products with altered or removed serial numbers.
- Products purchased from unauthorized dealers (unless transferable warranties are registered).
Who This Warranty Protects: The original retail purchaser (transferable warranties require registration).
How Long This Warranty Lasts: Begins on the original date of purchase.
| Product Category | Model | Transferable |
|---|---|---|
| 1-Year Limited Warranty | ||
| Recording Interfaces | AudioBox® iOne, AudioBox iTwo, AudioBox Stereo, AudioBox Studio, AudioBox USB, AudioBox VSL (1818, 44, 22), FireStudio™ Project, FireStudio Mobile, FireStudio Mobile Studio, Studio 192, Studio 192 Mobile | No |
| Preamplifiers | ADL600, ADL700, BlueTube DP V2, DigiMax D8, DigiMax DP88, Eureka, RC500, Studio Channel, TubePre V2 | No |
| StudioLive® Mixers | 16.0.2, 16.4.2AI, 24.4.2AI, 32.4.2AI, AR8, AR12, AR16, RM16AI, RM32AI | No |
| Monitoring & Controlling | Eris®, Central Station PLUS, FaderPort™, HP4, HP60, Monitor Station, Monitor Station V2, R-Series, Sceptre®, Temblor® | No |
| Accessories | Covers, Dolly, PRM1 mic, Sub Pole, breakout cables, power supplies, M10 Kit | No |
| 3-Years Limited Warranty | ||
| Live Sound | StudioLive AI 328, 312, 315, 18S, ULT12, ULT15, ULT18, AIR10, AIR12, AIR15, AIR15S, AIR18S | Yes |
What PreSonus Will Do: PreSonus will repair or replace products at its option, free of charge for labor or materials. Customer pays initial shipping; PreSonus pays return shipping.
How to Get Warranty Service (USA):
- Maintain an active PreSonus user account with hardware registered. Visit http://www.presonus.com/registration.
- Contact Technical Support at (225) 216-7887 or log a ticket at http://support.presonus.com. Service requests must be confirmed.
- A return authorization number and shipping instructions will be provided.
- Return product in original packaging. PreSonus is not responsible for damage to cases or products not in original packaging.
How to Get Warranty Service (outside of USA):
- Maintain an active PreSonus user account with hardware registered. Visit http://www.presonus.com/registration.
- Contact regional Technical Support/Service Department at http://www.presonus.com/buy/international_distributors.
Limitation of Implied Warranties: Implied warranties are limited to the duration of this warranty.
Exclusion of Damages: PreSonus's liability is limited to repair or replacement. PreSonus is not liable for incidental, consequential, or other damages, including loss of use, lost profits, or damage to other equipment.
Contact PreSonus (USA) at +1 (225) 216-7887 or international distributors for questions.
Added bonus: PreSonus' previously Top Secret recipe for...
Chicken and Andouille Gumbo
Ingredients:
- 1 C All-Purpose flour
- 3/4 C Vegetable Oil
- 1 large onion (diced)
- 1 small onion (quartered)
- 6 celery stalks (diced)
- 1 large green bell pepper (diced)
- 3 cloves garlic (2 minced, 1 whole)
- 1 lb link Andouille sausage
- 4 Chicken leg quarters
- 4 qt water
- 4 bay leaves
- 1 tsp thyme
- 1 tsp Old Bay seasoning
- 1-2 C frozen okra, sliced
- 1/4 C fresh parsley, minced
- 6-8 eggs (optional)
Cooking Instructions:
- In a large pot, combine chicken leg quarters, water, quartered onion, Old Bay, 2 bay leaves, and 1 whole clove garlic. Bring to a low boil, simmer until chicken is falling off the bone. Remove chicken, set aside. Discard onion, bay leaves, garlic, reserving liquid.
- In a saucepan, heat 1 Tbsp oil on medium-high heat. Brown andouille sausage until cooked through. Set aside.
- In the same saucepan, heat remaining oil. Slowly add flour, stirring continuously, to create a dark brown roux (like melted dark chocolate). Be careful not to burn the oil.
- Once roux is the correct color, add diced onion, celery, green pepper, and minced garlic. Cook until very tender. Do not cover.
- Slowly add 1 quart of chicken broth to the roux mixture, bring to a low boil, stirring constantly.
- Transfer roux mixture to a soup pot and bring to a low boil. Do not cover.
- Add remaining chicken broth, bay leaves, and thyme. Simmer for 30 minutes.
- Debone and shred chicken; slice andouille.
- Add chicken and andouille to gumbo, return to a simmer. Simmer for 30-45 minutes.
- Stir in frozen okra and parsley, bring to a rolling boil.
- Optional: Crack eggs one at a time into the boiling gumbo, ensuring they don't cluster. Once eggs rise, reduce heat and simmer.
- Season with salt and pepper as needed.
- Serve over rice with potato salad.
Serves 12
