Walrus Audio Mako R1 High-Fidelity Stereo Reverb Instruction Manual
The R1 is an extremely powerful and versatile multi-function reverb with six customized, studio-quality programs - Spring, Hall, Plate, BFR, RFRCT (Refract), and Air. Every program has the option to be tuned and tweaked from short and subtle room sounds to massive washes of experimental euphoria. The R1 is your architect for new songs and textures to create and inspire.
Pedal Layout and Specifications
Power Requirements: 9 volt DC, Center Neg. 300ma min*
Connections:
- MIDI Out
- MIDI In
- Input Left (mono)
- Input Right
- Output Left (mono)
- Output Right
Controls:
- Top Row Knobs: DECAY, SWEL, MIX
- Middle Row Knobs: TWEAK, PROG, TUNE
- Middle Panel Labels: RATE | DEPTH | PRE DELAY, A | B | C, HIGH-FIDELITY STEREO REVERB, LO | HIGH | X
- Footswitches: BYPASS, SUS/LATCH
- LEDs: Bypass LED, Preset LED
*The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.
REVERB PROGRAMS
Spring
Emulates an excited spring reverb commonly found in tube amps with loads of bouncy drip. Experiment with the decay knob for more reverb. The X knob controls the size of the Spring, from smaller “shorter spring” sounds at lower settings to an overtly slap-back as you increase the X control.
Hall
Provides the acoustics of large live sound spaces like concert halls to arenas. Longer decays and higher X knob settings result in a massive wash of ambiance. Shorter decay and lower X settings allow for a more intimate reverb expression. The X knob controls the size of the room.
Plate
Emulates a smooth analog plate reverb with nice even diffusion inspired by famous plates like the EMT 140. The X knob adds gentle warm grit to the front end of the program simulating driving a hot signal into the plate.
BFR
A no holds barred, big, f______ reverb. More than a giant arena reverb, it's a hall-esque reverb with rich and lush decay in a vast cavern. The X knob controls the amount of diffusion applied to the delay network; at lower settings, delay taps are more apparent, and at higher settings, they are smoothed out to create a soft bed of reverb.
Rfrct (Refract)
Allows for lovely, charming, and glitch-like textures hovering over a largely diffused reverb. The Rate controls on RFRCT change how often the glitch effects occur, while Depth controls the maximum temporal range for the glitching granular buffers. The Pre-Delay knob controls the size of the grain delays. The X knob controls the amount of diffusion applied to the reverb.
Air
Offers a larger diffused reverb with a subtle shimmer but has a more “crisp” clarity to its decay. Explore slow-building sounds that don't get in the way of your playing. Air complements keys and synths well. The X knob controls the amount of a positive reverb Octaving; at zero, the effect is off. Turning clockwise increases the volume of the +12semitone effect.
CONTROLS
Decay
Sets the length of the reverb decay. Set lower for short natural sounding decays or higher for longer, more ethereal sounding reverbs.
Swell
A Bi-Polar control. Below noon engages a volume envelope applied to your Wet and Dry guitar signal, creating a gentle volume swell. Lowering the control to 0 increases how long it takes to fade in the guitar and reverb signal. Above noon introduces a Ducking effect that reduces the output of the Wet signal when proportional to signal present in the Dry path.
Mix
Sets the ratio of dry to wet signal. At minimum, no reverb is heard. At maximum, no dry signal is heard. Equal parts dry and reverb can be found around the 3 o'clock position. Use this knob for maintaining a healthy reverb level.
Tweak
Offers creative control over three different parameters. Move the toggle below the knob to select the parameter, then use the Tweak knob to dial in the amount:
- Rate: Adjusts the speed of the modulation applied within the reverb.
- Depth: Adjusts the amount of the modulation applied within the reverb.
- Pre-Delay: Adjusts the amount of pre-delay applied to your guitar signal before it enters the reverb. Useful for shaping how the reverb responds to your playing; short settings provide immediate reverb, while longer settings create separation between notes.
Prog (Program)
Selects the desired R1 reverb program. Refer to the REVERB PROGRAMS section for details.
Tune
Offers creative control over three additional parameters. Move the toggle below the knob to select the parameter, then use the Tune knob to dial in the amount:
- Lo: Adjusts the amount of low frequencies in the reverb. Turn up for a thicker reverb and down for a thinner sound.
- High: Adjusts the amount of high frequencies in the reverb. Turn up for a brighter sound and down for a darker sound.
- X: Controls a different effect depending on which program you are using.
Stereo Width
Built-in control for dialing in how wide or narrow a stereo image you desire. This setting is saved per preset. To access, set the Tune switch to the X position, hold down the Bypass switch. Once the Bypass LED starts flashing, turn the X knob to change the width (from very narrow at minimum, to stereo at noon, to enhanced stereo above noon).
A | B | C Bank Switch
Offers three banks for storing presets. Each bank holds three presets for a total of nine accessible without MIDI. Bank A is presets 0-2, Bank B is 3-5, and Bank C is 6-8. The presets in each bank correspond to the Red, Green, and Blue preset LED.
Bypass Switch
Used to turn the pedal on and off. Click to turn the pedal on and click again to turn the pedal off.
Bypass LED
Indicates if the pedal is on or off by illuminating solid when on, and off when the pedal is off.
Sus/Latch Switch
Allows you to momentarily sustain the current reverb sound by pressing and holding. You can also latch the sound by clicking this switch on and click again to unlatch. Anytime you sustain a reverb, your guitar signal is rerouted through an identical reverb so anything you play over the sustained sound will have the same reverb applied to it that was sustained.
Sus/Latch LED
Lights up the color of the selected preset – Red, Green, or Blue. When a knob is turned, this LED turns purple to indicate the preset has been modified. When that knob crosses its saved position, the LED changes back to the color of the currently selected preset.
Audio Input and Output
The Mako R1 offers multiple input and output configurations:
- Mono In / Mono Out
- Mono In / Dual Mono Out (Only available when using DSP bypass mode)
- Stereo In / Stereo Out
- Stereo In / Mono Out (Only available when using DSP bypass mode)
PRESETS
The pedal includes 128 total presets slots. The first 9 presets are accessible from the pedal using the Bank switch and both stomp switches. All 128 presets are accessible via MIDI Program Change messages.
Switching presets on the R1 is seamless. When you change to a new preset, the previous reverb is allowed to decay naturally over the sound of the newly loaded preset. Note that scrolling through multiple presets too quickly can cause the previous reverb decay to cut off to load the new preset.
To recall a preset:
- First, select the bank of presets you want to access with the A|B|C switch. The pedal will automatically recall the red preset in that bank.
- Next, scroll through the presets in that bank by pressing both stomp switches at the same time. Each press of both stomp switches will load the next preset until you get back to red and the pattern repeats.
To save a preset:
- First, recall the preset in which you would like to build a new sound.
- Using the knobs and switches, dial in the desired reverb sound. The preset LED will turn purple indicating the preset has been modified.
- To save, hold down the Bypass and Tap switches until the LEDs stop blinking. The preset is now saved.
GLOBAL PREFERENCES
Bypass Mode
The R1 offers three bypass modes: True Bypass, DSP+True Bypass, and DSP Bypass.
- True Bypass: The R1 uses relays to bypass the pedal.
- DSP+True Bypass: The R1 uses relays to bypass the pedal after the reverb decay dies out.
- DSP Bypass: The R1 locks the relays on and uses the DSP to bypass the pedal.
The R1 ships in True Bypass mode by default. Use the following procedure to change the bypass mode:
- Hold down the Bypass switch while applying power until the preset LED lights up a solid color. The Bypass LED will also flash until a selection is confirmed.
- Press the Bypass switch to scroll to the color corresponding to the desired bypass mode:
- Red: True Bypass
- Green: DSP+True Bypass
- Blue: DSP Bypass
- Press the Bypass and SUS/LATCH switches simultaneously to confirm selection.
Factory Reset
To reset the pedal back to factory settings, hold both stomp switches while applying power to the pedal for longer than 10 seconds. After 10 or more seconds, release both stomp switches and the pedal will be reset to factory default settings.
MIDI
The R1 is able to be controlled via standard MIDI messages. Simply connect your MIDI controller to the R1 MIDI “IN”. Downstream MIDI devices can be connected to the MIDI “THRU” which simply lets all incoming MIDI messages pass through to your other devices. The R1 ships with the MIDI channel set to 1 by default.
To assign the MIDI device channel:
- Hold down both stomp switches at power up then release once the LEDs begin flashing white.
- Now send a MIDI Program Change message on the desired MIDI channel for the pedal.
- The LEDs will flash green momentarily, and the pedal will save that MIDI channel and only respond to messages on that channel until the user changes it again.
- MIDI In: Connect upstream MIDI devices or your MIDI controller to the R1 MIDI “IN”.
- MIDI Thru: Connect downstream MIDI devices to the R1 MIDI “THRU”.
- MIDI PC: Presets on the R1 are able to be recalled via MIDI program change messages. Simply send a program change message corresponding the desired preset to be recalled on the R1 MIDI channel. See the table below for a list of R1 presets and how they map to program change messages.
MIDI Program Change (PC) Mapping
PRESET | MIDI PROGRAM CHANGE (PC) |
---|---|
Bank A (Red) | 0 |
Bank A (Green) | 1 |
Bank A (Blue) | 2 |
Bank B (Red) | 3 |
Bank B (Green) | 4 |
Bank B (Blue) | 5 |
Bank C (Red) | 6 |
Bank C (Green) | 7 |
Bank C (Blue) | 8 |
Accessible via MIDI | 0-127 |
MIDI CC Control
Most parameters on the R1 can be controlled via MIDI CC messages. The list below shows all applicable MIDI CC numbers and their associated parameters and control values.
PARAMETER | MIDI CC # | MIDI CC Value |
---|---|---|
Decay | 3 | 0-127 |
Swell | 14 | 0-127 |
Mix | 15 | 0-127 |
Rate | 20 | 0-127 |
Depth | 21 | 0-127 |
Pre Delay | 22 | 0-127 |
Prog | 23 | Spring: 1, Hall: 2, Plate: 3, BFR: 4, RFRCT: 5, Air: 6 |
Lo | 24 | 0-127 |
High | 25 | 0-127 |
X | 26 | 0-127 |
Tweak Switch | 27 | Rate: 0-42, Depth: 43-85, Pre Delay: 86-127 |
A|B|C| Switch (Bank) | 28 | A: 0-42, B: 43-85, C: 86-127 |
Tune Switch | 29 | Left: 0-42, Middle: 43-85, Right: 86-127 |
Bypass Switch | 30 | Bypass=0, Engaged=127 |
Sus/Latch | 31 | Bypass=0, Engaged=127 |
UPDATES
We occasionally may have new features and updates for the R1. These will be made available through: walrusaudio.io
Scan the code below to be the first to know when any firmware updates are available.
Support and Warranty
Got questions? customerservice@walrusaudio.com.
Need a repair? repairs@walrusaudio.com
All Walrus Audio pedals come with a limited lifetime warranty. Visit walrusaudio.com/pages/warranty-and-repair for more info.