BOSS IR-200 Sound List
Details on Amps, Cabinets, and Effects
Memory List
For Guitar
| Memory Number | Memory Name | AMP | Cabinet |
|---|---|---|---|
| 1 | NATURAL 1 | NATURAL | 112 NATURAL D57+R121-SHORT |
| 2 | JC-120 1 | JC-120 | 212 JC-120 RBN121-SHORT |
| 3 | TWIN COMBO 1 | TWIN COMBO | 212 TWIN CND87-SHORT |
| 4 | TWEED COMBO 1 | TWEED COMBO | 410 TWEED DYN421-SHORT |
| 5 | DIAMOND AMP 1 | DIAMOND AMP | 212 DIAMOND DYN57-SHORT |
| 6 | X-HI GAIN 1 | X-HI GAIN | 412 CLASS ST DYN57-SHORT |
| 7 | BRITISH STACK 1 | BRITISH STACK | 412 CEL-GRB R121 BRIGHT CELESTION |
| 8 | BGR UB METAL 1 | BGN UB METAL | 412 CEL-V30 MULTI+ROOM L,R CELESTION |
| 9 | NATURAL 2 | NATURAL | 112 NATURAL D57+R121-SHORT |
| 10 | JC-120 2 | JC-120 | 212 JC-120 RBN121-SHORT |
| 11 | TWIN COMBO 2 | TWIN COMBO | 212 TWIN DYN57-SHORT |
| 12 | TWEED COMBO 2 | TWEED COMBO | 410 TWEED DYN421-SHORT |
| 13 | DIAMOND AMP 2 | DIAMOND AMP | 212 DIAMOND DYN421-SHORT |
| 14 | X-HI GAIN 2 | X-HI GAIN | 412 CLASS ST DYN57-SHORT |
| 15 | BRITISH STACK 2 | BRITISH STACK | 412 CLASS ST CND87-SHORT |
| 16 | BGR UB METAL 2 | BGN UB METAL | 412 CEL-V30 MULTI+ROOM L,R CELESTION |
| 17 | TWIN COMBO 3 | TWIN COMBO | 212 CEL-G12 R121 BALANC CELESTION |
| 18 | TWIN COMBO 4 | TWIN COMBO | 212 CEL-G12 R121 BALANC CELESTION |
| 19 | TWEED COMBO 3 | TWEED COMBO | 410 TWEED CND87-SHORT |
| 20 | TWEED COMBO 4 | TWEED COMBO | 410 TWEED CND87-SHORT |
| 21 | DIAMOND AMP 3 | DIAMOND AMP | 212 CEL-BLUE D421 BALANCE (CELESTION) |
| 22 | DIAMOND AMP 4 | DIAMOND AMP | 212 CEL-BLUE D421 BALANCE (CELESTION) |
| 23 | X-HI GAIN 3 | X-HI GAIN | 412 CEL-CRB D57 BRIGHT (CELESTION) |
| 24 | X-HI GAIN 4 | X-HI GAIN | 412 CEL-CRB D57 BRIGHT (CELESTION) |
| 25 | BRITISH STACK 3 | BRITISH STACK | 412 CEL-G12T R121 BALANCE (CELESTION) |
| 26 | BRITISH STACK 4 | BRITIS STACK | 412 CEL-G12T R121 BALANCE (CELESTION) |
| 27 | BGR UB METAL 3 | BGR UB METAL | 412 BGR UB D57+R121-SHORT |
| 28 | BGR UB METAL 4 | BGN UB METAL | 412 BGR UB D57+R121-SHORT |
For Bass
| Memory Number | Memory Name | AMP | Cabinet |
|---|---|---|---|
| 29 | NATURAL BASS | NATURAL BASS | B215 WIDE CND87-SHORT |
| 30 | FINGER BASS | NATURAL BASS | B215 WIDE DYN421-SHORT |
| 31 | MUTED PICK BASS | CONCERT BASS | B810 A 81 DYN57-LONG |
| 32 | X-DRIVE BASS | X-DRIVE BASS | B215 WIDE CND87-SHORT |
AMP List
For Guitar
| AMP Name | Explanation |
|---|---|
| NATURAL | An unembellished, clean sound that minimizes the amp's idiosyncrasies, such as its trebly character and boomy low end. |
| JC-120 | This models the sound of the Roland JC-120. |
| TWIN COMBO | This models a Fender Twin Reverb. |
| DIAMOND AMP | This models a VOX AC30. |
| TWEED COMBO | This models a Fender Bassman 4 x 10" Combo. |
| X-HI GAIN | A model that uses BOSS's unique MDP (Multi-Dimensional Processing) technology for a high-gain sound with a wide-ranged, comfortable sense of separation. |
| BRITISH STACK | This models a Marshall 1959. |
| BGR UB METAL | This models the sound that models the high-gain channel of a Bogner Uberschall. |
For Bass
| AMP Name | Explanation |
|---|---|
| NATURAL BASS | Uncolored clean sound for bass. |
| X-DRIVE BASS | A model that uses BOSS's unique MDP (Multi-Dimensional Processing) technology for a high-gain sound with a wide-ranged, comfortable sense of separation. |
| CONCERT BASS | This models the Ampeg SVT. |
Cabinet List (BOSS IR Data)
For Guitar
| Cabinet Name | Speaker | Cabinet Type | MIC Name | MIC Description | MIC Distance (SHORT) | MIC Distance (LONG) |
|---|---|---|---|---|---|---|
| 112 NATURAL | DYN57-S | 1x12" ORIGINAL | SHURE SM57 | General dynamic mic used for instruments. Optimal for use in miking guitar amps. | SHORT | LONG |
| 112 NATURAL | DYN57-L | 1x12" ORIGINAL | SENNHEISER MD-421 | Dynamic mic with extended low end. | SHORT | LONG |
| 112 NATURAL | DYN421-S | 1x12" ORIGINAL | AKG C451B | Small condenser mic for use with instruments. | SHORT | LONG |
| 112 NATURAL | DYN421-L | 1x12" ORIGINAL | ROYER R-121 | Warm and natural ribbon mic sound. | SHORT | LONG |
| 112 NATURAL | CND451-S | 1x12" ORIGINAL | A SHURE SM57 and ROYER R-121 mixed at equal volumes. | SHORT | LONG | |
| 112 NATURAL | CND451-L | 1x12" ORIGINAL | NEUMANN U 87 | Condenser mic with flat response. | SHORT | LONG |
| 212 JC-120 | DYN57-S | 2x12" JC-120 ORIGINAL | SHURE SM57 | General dynamic mic used for instruments. Optimal for use in miking guitar amps. | SHORT | LONG |
| 212 JC-120 | DYN57-L | 2x12" JC-120 ORIGINAL | SENNHEISER MD-421 | Dynamic mic with extended low end. | SHORT | LONG |
| 212 JC-120 | DYN421-S | 2x12" JC-120 ORIGINAL | AKG C451B | Small condenser mic for use with instruments. | SHORT | LONG |
| 212 JC-120 | DYN421-L | 2x12" JC-120 ORIGINAL | ROYER R-121 | Warm and natural ribbon mic sound. | SHORT | LONG |
| 212 JC-120 | CND451-S | 2x12" JC-120 ORIGINAL | A SHURE SM57 and ROYER R-121 mixed at equal volumes. | SHORT | LONG | |
| 212 JC-120 | CND451-L | 2x12" JC-120 ORIGINAL | NEUMANN U 87 | Condenser mic with flat response. | SHORT | LONG |
| 212 TWIN | DYN57-S | 2x12" Fender Twin Reverb cabinet. | SHURE SM57 | General dynamic mic used for instruments. Optimal for use in miking guitar amps. | SHORT | LONG |
| 212 TWIN | DYN57-L | 2x12" Fender Twin Reverb cabinet. | SENNHEISER MD-421 | Dynamic mic with extended low end. | SHORT | LONG |
| 212 TWIN | DYN421-S | 2x12" Fender Twin Reverb cabinet. | AKG C451B | Small condenser mic for use with instruments. | SHORT | LONG |
| 212 TWIN | DYN421-L | 2x12" Fender Twin Reverb cabinet. | ROYER R-121 | Warm and natural ribbon mic sound. | SHORT | LONG |
| 212 TWIN | CND451-S | 2x12" Fender Twin Reverb cabinet. | A SHURE SM57 and ROYER R-121 mixed at equal volumes. | SHORT | LONG | |
| 212 TWIN | CND451-L | 2x12" Fender Twin Reverb cabinet. | NEUMANN U 87 | Condenser mic with flat response. | SHORT | LONG |
| 212 DIAMOND | DYN57-S | 2x12" VOX AC-30 cabinet. | SHURE SM57 | General dynamic mic used for instruments. Optimal for use in miking guitar amps. | SHORT | LONG |
| 212 DIAMOND | DYN57-L | 2x12" VOX AC-30 cabinet. | SENNHEISER MD-421 | Dynamic mic with extended low end. | SHORT | LONG |
| 212 DIAMOND | DYN421-S | 2x12" VOX AC-30 cabinet. | AKG C451B | Small condenser mic for use with instruments. | SHORT | LONG |
| 212 DIAMOND | DYN421-L | 2x12" VOX AC-30 cabinet. | ROYER R-121 | Warm and natural ribbon mic sound. | SHORT | LONG |
| 212 DIAMOND | CND451-S | 2x12" VOX AC-30 cabinet. | A SHURE SM57 and ROYER R-121 mixed at equal volumes. | SHORT | LONG | |
| 212 DIAMOND | CND451-L | 2x12" VOX AC-30 cabinet. | NEUMANN U 87 | Condenser mic with flat response. | SHORT | LONG |
| 410 TWEED | DYN57-S | 4x10" Fender Bassman cabinet. | SHURE SM57 | General dynamic mic used for instruments. Optimal for use in miking guitar amps. | SHORT | LONG |
| 410 TWEED | DYN57-L | 4x10" Fender Bassman cabinet. | SENNHEISER MD-421 | Dynamic mic with extended low end. | SHORT | LONG |
| 410 TWEED | DYN421-S | 4x10" Fender Bassman cabinet. | AKG C451B | Small condenser mic for use with instruments. | SHORT | LONG |
| 410 TWEED | DYN421-L | 4x10" Fender Bassman cabinet. | ROYER R-121 | Warm and natural ribbon mic sound. | SHORT | LONG |
| 410 TWEED | CND451-S | 4x10" Fender Bassman cabinet. | A SHURE SM57 and ROYER R-121 mixed at equal volumes. | SHORT | LONG | |
| 410 TWEED | CND451-L | 4x10" Fender Bassman cabinet. | NEUMANN U 87 | Condenser mic with flat response. | SHORT | LONG |
For Bass
| Cabinet Name | Speaker | Cabinet Type | MIC Name | MIC Description | MIC Distance (SHORT) | MIC Distance (LONG) |
|---|---|---|---|---|---|---|
| B118 BAS REF | DYN57-S | 1x18" ORIGINAL | SHURE SM57 | General dynamic mic used for instruments. Optimal for use in miking guitar amps. | SHORT | LONG |
| B118 BAS REF | DYN57-L | 1x18" ORIGINAL | SENNHEISER MD-421 | Dynamic mic with extended low end. | SHORT | LONG |
| B118 BAS REF | DYN421-S | 1x18" ORIGINAL | AKG C451B | Small condenser mic for use with instruments. | SHORT | LONG |
| B118 BAS REF | DYN421-L | 1x18" ORIGINAL | ROYER R-121 | Warm and natural ribbon mic sound. | SHORT | LONG |
| B118 BAS REF | CND451-S | 1x18" ORIGINAL | A SHURE SM57 and ROYER R-121 mixed at equal volumes. | SHORT | LONG | |
| B118 BAS REF | CND451-L | 1x18" ORIGINAL | NEUMANN U 87 | Condenser mic with flat response. | SHORT | LONG |
| B215 WIDE | DYN57-S | 2x15" ORIGINAL | SHURE SM57 | General dynamic mic used for instruments. Optimal for use in miking guitar amps. | SHORT | LONG |
| B215 WIDE | DYN57-L | 2x15" ORIGINAL | SENNHEISER MD-421 | Dynamic mic with extended low end. | SHORT | LONG |
| B215 WIDE | DYN421-S | 2x15" ORIGINAL | AKG C451B | Small condenser mic for use with instruments. | SHORT | LONG |
| B215 WIDE | DYN421-L | 2x15" ORIGINAL | ROYER R-121 | Warm and natural ribbon mic sound. | SHORT | LONG |
| B215 WIDE | CND451-S | 2x15" ORIGINAL | A SHURE SM57 and ROYER R-121 mixed at equal volumes. | SHORT | LONG | |
| B215 WIDE | CND451-L | 2x15" ORIGINAL | NEUMANN U 87 | Condenser mic with flat response. | SHORT | LONG |
| B410 TWEETER | DYN57-S | 4x10" ORIGINAL | SHURE SM57 | General dynamic mic used for instruments. Optimal for use in miking guitar amps. | SHORT | LONG |
| B410 TWEETER | DYN57-L | 4x10" ORIGINAL | SENNHEISER MD-421 | Dynamic mic with extended low end. | SHORT | LONG |
| B410 TWEETER | DYN421-S | 4x10" ORIGINAL | AKG C451B | Small condenser mic for use with instruments. | SHORT | LONG |
| B410 TWEETER | DYN421-L | 4x10" ORIGINAL | ROYER R-121 | Warm and natural ribbon mic sound. | SHORT | LONG |
| B410 TWEETER | CND451-S | 4x10" ORIGINAL | A SHURE SM57 and ROYER R-121 mixed at equal volumes. | SHORT | LONG | |
| B410 TWEETER | CND451-L | 4x10" ORIGINAL | NEUMANN U 87 | Condenser mic with flat response. | SHORT | LONG |
| B810 A 81 | DYN57-S | 8x10" ORIGINAL | SHURE SM57 | General dynamic mic used for instruments. Optimal for use in miking guitar amps. | SHORT | LONG |
| B810 A 81 | DYN57-L | 8x10" ORIGINAL | SENNHEISER MD-421 | Dynamic mic with extended low end. | SHORT | LONG |
| B810 A 81 | DYN421-S | 8x10" ORIGINAL | AKG C451B | Small condenser mic for use with instruments. | SHORT | LONG |
| B810 A 81 | DYN421-L | 8x10" ORIGINAL | ROYER R-121 | Warm and natural ribbon mic sound. | SHORT | LONG |
| B810 A 81 | CND451-S | 8x10" ORIGINAL | A SHURE SM57 and ROYER R-121 mixed at equal volumes. | SHORT | LONG | |
| B810 A 81 | CND451-L | 8x10" ORIGINAL | NEUMANN U 87 | Condenser mic with flat response. | SHORT | LONG |
Cabinet List (Celestion Digital IR Data)
For Guitar
| Cabinet Name | Speaker | Cabinet Type | MIC Name | MIC Description | IR File Name |
|---|---|---|---|---|---|
| 112 CEL-CREM R121 DARK | 1x12" Celestion Cream | OPEN | ROYER R-121 | Warm and natural ribbon mic sound. | Cel Cream 112 O R-121 Dark Celestion.wav |
| 112 CEL-RUBY MULTI | 1x12" Celestion Ruby | OPEN | ROYER R-121 | Warm and natural ribbon mic sound. | Celestion Ruby 112 O Lo-Gn All Celestion.wav |
| 212 CEL-BLUE D421 BALANC | 2x12" Celestion Blue | OPEN | SENNHEISER MD-421 | Dynamic mic with extended low end. | Cel Blue 212 O MD421 Balanced Celestion.wav |
| 212 CEL-G12 R121 BALANC | 2x12" Celestion Heritage G12H (55) | OPEN | ROYER R-121 | Warm and natural ribbon mic sound. | G12H (55) 212 O R-121 Balanced Celestion.wav |
| 412 CEL-V30 D57 FAT | 2x12" Celestion Vintage 30 | CLOSED | SHURE SM57 | General dynamic mic used for instruments. | V30 212 C SM57 Fat Celestion.wav |
| 412 CEL-G12T R121 BALANC | 4x12" Celestion G12T-75 | CLOSED | ROYER R-121 | Warm and natural ribbon mic sound. | G12T-75 412 C R-121 Balanced Celestion.wav |
| 412 CEL-CRB D57 BRIGHT | 4x12" Celestion G12H-75 Creamback | CLOSED | SHURE SM57 | General dynamic mic used for instruments. | G12H Creambk 412 C SM57 Bright Celestion.wav |
| 412 CEL-GRB R121 BRIGHT | 4x12" Celestion G12M Greenback | CLOSED | ROYER R-121 | Warm and natural ribbon mic sound. | G12M Greenbk 412 C R-121 Bright Celestion.wav |
| 412 CEL-G12 D421+R121 | 4x12" Celestion Heritage G12H (55) | CLOSED | SENNHEISER MD421 + ROYER R-121 | Combination of Sennheiser MD421 and Royer R-121. | G12H (55) 412 C Hi-Gn 421 + 121 Celestion.wav |
| 412 CEL-V30 MULTI+ROOM L (Stereo Lch) | 4x12" Celestion Vintage 30 | CLOSED | ROYER R-121 + SENNHEISER MD421 + SHURE SM57 | Combination of Royer R-121, Sennheiser MD421, and Shure SM57 for stereo output. | V30 412 C Hi-Gn All+Room Stereo Celestion.wav (Stereo Data) |
| 412 CEL-V30 MULTI+ROOM R (Stereo Rch) | 4x12" Celestion Vintage 30 | CLOSED | ROYER R-121 + SENNHEISER MD421 + SHURE SM57 | Combination of Royer R-121, Sennheiser MD421, and Shure SM57 for stereo output. | V30 412 C Hi-Gn All+Room Stereo Celestion.wav (Stereo Data) |
Ambience Type List
ROOM: An ambience that simulates the reverberation of a room indoors. Provides warm reverberations.
STUDIO: Simulates an ambience mic (off-mic, placed at a distance from the sound source) used in recording and other applications. This creates spatial depth without emphasizing the room reverberation.
HALL: Simulates the reverberation in a concert hall. Provides mild reverberations.
Sound Flow
The IR-200 allows audio routing flexibility using three MEMORY parameters:
- [1]: CABINET OUT MODE (MEMORY > CABINET > OUT MODE): Determines how the cabinet output is processed (e.g., Stereo, Mono Mix).
- [2]: SEND/RETURN MODE (MEMORY > SEND/RETURN > MODE): Configures the mode for the external effects loop (e.g., Normal Mono Return, Normal Stereo Return, Direct Mix Mono Return, Direct Mix Stereo Return).
- [3]: SEND/RETURN POSITION (MEMORY > SEND/RETURN > POSITION): Sets whether the external effects loop is placed before the cabinet simulation (PRE CAB) or after the EQ (POST EQ).
The document includes block diagrams illustrating these signal paths and routing configurations. These diagrams show how audio signals flow through various modules of the IR-200, including the AMP Simulator, Noise Suppressor, SEND/RETURN loop for external effects, CABINET A/B simulations, EQ A/B, AMBIENCE effects, SURROUND processing, PHONES output, and main OUTPUTs (A and B). Specific routing examples are detailed across multiple pages, demonstrating combinations of the MEMORY parameters to achieve different signal chains.
