Instruction Manual for TBPROAUDIO models including: TBPAMove Beat Community, TBPAMove, Beat Community

TBPAMove manual

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TBPAMove manual
TBPA MOVE
MANUAL
TBProAudio 2024

1 Introduction
TBPAMove is a DAW plugin for creating rhythmic filter, gain and pan effects.
TBPAMove consists of two independent filters and a high-resolution oscilloscope.
Each parameter of the filter (resonance, cutoff, gain and pan) can be controlled by DAW automation and a modulator. The DAW automation can be customized (delayed, smoothed and mixed with default). The modulation types can be side-chain, LFO, step sequencer or multi-stage envelope generator.
2 Features
TBPAMove offers the following features:
 2 independent filter with resonance, cut-off, gain pan controls  various filter types (e.g. low pass, high pass, peak and shelf)  serial and parallel processing  8 independent modulators  side-chain modulator  LFO modulator  step sequencer modulator  multi-stage envelope generator  multiple randomization options  AHR envelope  delay of parameter changes  smoothing of parameter changes with low aliasing  VST3 sample accurate automation data processing  large oscilloscope with audio and parameter envelope display  GUI scale  64-bit internal processing

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3 Overview

Oscilloscope: The oscilloscope provides a real-time and DAW sync view of input/output audio and parameter modulation curve.
Filter section: The filter sections controls 2 independent filters with resonance, cutoff, gain and pan. Additional it provides many to options to adjust DAW automation.
Modulator selector: The modulator selector gives quick access to the multiple modulators.
Modulator section: Each filter parameter is control by its own modulator. The modulator can be either side-chain (SC), low frequency oscillator (LFO), step sequencer (STEP) or multi-stage envelope generator (MSEG)
4 How does TBPAMove work
TBPAMove is a filter plugin. Most of the plugin parameter can be automated by the DAW. The 4 filter parameters resonance, cutoff, gain and pan have special controls (delay, smooth and mix) to adjust the data coming from DAW automation. Additional to DAW automation the 4 filter parameters are connected to individual modulators. Each modulator can adjust the filter parameter by side-chain signal, LFO, step sequencer or multi-stage envelope generator.

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5 Plugin controls
Mouse control:  left mouse click and drag: value change  shift: enables fine control  double click: open value entry box  control click: set value to default
1) left mouse click and drag: resize GUI left mouse double click: either resize to default or 150%
5.1 Main plugin area
2) Plugin menu 3) Preset menu 4) Logo: click to prevent audio mute in dome mode 5) Icon: indicates if plugin is activated 6) Icon: indicates if update of plugin is available
5.1.1 Plugin menu 1) About: shows plugin version and further information 2) Open manual: opens plugin manual 3) Change log: opens web site with latest version info 4) Check for updates now: new version check 5) Check for updates automatically: auto version check 6) Activate plugin: shows plugins activation screen 7) Open data folder: opens local data folder 8) Tooltips: enables display of parameter information 9) Reset GUI scale: resets GUI scale to default 10) Set Min GUI scale: sets GUI to minimum scale 11) Sample accurate automation: VST3 only, enables sample accurate DAW automation data 12) Fixed GUI scale: sets GUI to defined sizes

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5.1.2 Preset menu Preset menu loads and saves user presets. Presets stored under %localappdata%/TBPAMove (Windows) or /Users/xxx/Library/Application Support/TBPAMove (Mac OSX) are imported as user presets. Previous and next button step trough all presets
1) Load preset: opens load preset dialog 2) Reset to default: resets plugin state to default 3) Save preset: open save preset dialog 4) Save as default: saves current state as default plugin state
5.2 Oscilloscope
The oscilloscope shows the live input/output audio signal and the selected parameter curve. The x and y axis can be zoomed.
1) Input audio signal 2) Output audio signal 3) Parameter curve 4) Mouse click and drag up/down here to zoom magnitude 5) Mouse click and drag up/down here to zoom time frame, mouse click and drag
left/right here to adjust offset of time frame, 6) Pause oscilloscope 7) Adjust the oscilloscope scale 8) Enable DAW synced display 9) Set oscilloscope length either in ms or in tempo synced beats
Mouse control:  left mouse click and drag left/right over left area of oscilloscope: zoom audio magnitude  double click: reset zoom  left click and drag up/down and left/right over bottom area oscilloscope: zoom time frame  double click: reset zoom

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5.3 Filter section
The filter section provides the controls for the two independent filters, gain and pan. Additional there are controls for the DAW automation and signal processing.

1) Enable filter section 2) Resonance 3) Minimum cutoff frequency 4) Cutoff frequency 5) Final cutoff frequency including modulator processing 6) Maximum cutoff frequency 7) Gain 8) Limit gain to negative values (avoids gain overshot's) 9) Pan 10) Mixes the signal to the input signal 11) Different filter types provide access to resonance, cutoff and gain parameter 12) Selects signal processing mode: stereo/left/right/mid/side signal 13) Show parameter curve in oscilloscope 14) Display connected modulator area 15) Enable modulator 16) DAW automation: delays the incoming parameter changes 17) DAW automation: smoothes the incoming parameter changes 18) DAW automation: mix the incoming parameter changes to default value 19) The modulator selector gives a quick access to the multiple modulators.

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5.4 Modulator section
The Modulator can be set either to side-chain (SC), LFO, step sequencer (STEP) or multistage envelope generator (MSEG). Each of the four filter parameter (resonance, cutoff, gain and pan) has its own modulator.
5.4.1 Side-chain The side-chain modulator normalizes the side-chain signal and adds it to the connected filter parameter. The internal normalized signal can be further processed by e.g. AHR envelope, delay and smooth function.

1) Modulator type: side-chain (SC), LFO, step sequencer (STEP) or multi-stage envelope generator (MSEG)
2) Copy current side-chain modulator settings to internal clipboard 3) Paste settings from internal clipboard to current side-chain modulator 4) Enable side-chain signal monitoring 5) Side-chain spectrum 6) Curve of side-chain filter 7) Center frequency of the pre-filter 8) Width of the pre-filter 9) Side-chain signal below threshold is suppressed 10) Controls the amount of the side-chain signal 11) Attack and link with release 12) Release 13) Hold 14) The strength control compresses or expands the internal normalized signal 15) Direction of the internal signal (up = addition, middle = centered, down = subtraction) 16) The internal signal is delayed either freely or DAW tempo synced 17) The internal signal is further smoothed to avoid too fast signal changes 18) Mix controls how much of the internal signal is added to the connected filter
parameter
5.4.2 LFO
The LFO creates a normalized signal to control the connected filter parameter.

1) Modulator type: side-chain (SC), LFO, step sequencer (STEP) or multi-stage envelope generator (MSEG)
2) Copy current LFO modulator settings to internal clipboard 3) Paste settings from internal clipboard to current LFO modulator

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4) Various predefined LFO curves 5) Randomize LFO curve, mostly curve magnitude and pulse width (pulse and S&H
only) 6) Controls the frequency of the LFO, either freely or DAW tempo synced 7) Pulse width (pulse and S&H only) 8) Amount of the LFO curve 9) Offset of the LFO curve 10) Attack and link with release 11) Release 12) Hold 13) The strength control compresses or expands the internal normalized signal 14) Direction of the internal signal (up=addition, middle=centered, down= subtraction) 15) The internal signal is delayed either freely or DAW tempo synced 16) The internal signal is further smoothed to avoid too fast signal changes 17) Mix controls how much of the internal signal is added to the connected filter
parameter
5.4.3 Step Sequencer
The step sequencer creates a normalized signal to control the connected filter parameter. It works with steps and sub-steps that create rhythmic patterns in a very musical way. If you set the steps/sub-steps to 4-/4/4/4 you get a "normal" 16 beats step sequencer.

1) Modulator type: side-chain (SC), LFO, step sequencer (STEP) or multi-stage envelope generator (MSEG)
2) Copy current step sequencer modulator settings to internal clipboard 3) Paste settings from internal clipboard to current step sequencer modulator 4) Enlarge step sequencer control 5) Step sequencer control (with limited mouse control) 6) Controls the frequency of the step sequencer, either freely or DAW tempo synced 7) The floor level determines the level that is set after gate-time is passed 8) Amount of step sequencer signal 9) Offset of step sequencer signal 10) Attack ad link with release 11) Release 12) Hold 13) The strength control compresses or expands the internal normalized signal 14) Direction of the internal signal (up=addition, middle=centered, down= subtraction) 15) The internal signal is delayed either freely or DAW tempo synced 16) The internal signal is further smoothed to avoid too fast signal changes 17) Mix controls how much of the internal signal is added to the connected filter
parameter

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5.4.3.1 Large control

1) Sub-step level: draw with mouse click and drag or change with mouse wheel 2) Sub-step gate-time or probability: draw with mouse click and drag or change with
mouse wheel 3) Step count: change with mouse wheel or click and drag up/down 4) Sub-step count: change with mouse wheel or click and drag up/down 5) Randomize all sub-step counts 6) Randomize step and all sub-step counts 7) Step sequencer file menu: load/save user sequences 8) Randomize all sub-step levels 9) Auto randomize mode: off, rel (relative to current levels), abs (totally random level) 10) Switch between gate-time display and probability display 11) Randomize all sub-step gate-time or probability 12) Auto randomize mode (gate-time only): off, rel (relative to current gate-time), abs
(totally random gate-time)
Mouse control in step area and sub-step area:  mouse wheel, left click and drag: change step count  shift left click: increase step count  ctrl left click: decrease step count  shift ctrl left click, or right click: open step menu
Step menu:
Sub-Step menu:

Mouse control in level and gate-time/probability area:  mouse wheel or left click and drag: change level, gate-time or probability  shift left click: set value to 0

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 control left click: set value to 1  alt click and drag: change all values (in ProTools use right mouse button instead of alt
key)  alt shift click: set all values to 0 (in ProTools use right mouse button instead of alt
key)  alt control click: set all values to 1 (in ProTools use right mouse button instead of alt
key)  sift control alt click: randomize all values (in ProTools use right mouse button instead
of alt key)
5.4.4 Multi-stage envelope generator The multi-stage envelope generator creates a normalized signal to control the connected filter parameter based on splines. It works with steps and sub-steps that create rhythmic patterns in a very musical way. If you set the steps/sub-steps to 4-/4/4/4 you get a "normal" 16 beats step sequencer.
1) Modulator type: side-chain (SC), LFO, step sequencer (STEP) or multi-stage envelope generator (MSEG)
2) Copy current multi-stage envelope generator modulator settings to internal clipboard 3) Paste settings from internal clipboard to current multi-stage envelope generator
modulator 4) Enlarge step sequencer control 5) Step sequencer control (with limited mouse control) 6) Controls the frequency of the multi-stage envelope generator, either freely or DAW
tempo synced 7) Amount of step sequencer signal 8) Offset of step sequencer signal 9) Attack and link with release 10) Release 11) Hold 12) The strength control compresses or expands the internal normalized signal 13) Direction of the internal signal (up=addition, middle=centered, down= subtraction) 14) The internal signal is delayed either freely or DAW tempo synced 15) The internal signal is further smoothed to avoid too fast signal changes 16) Mix controls how much of the internal signal is added to the connected filter
parameter

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5.4.4.1 Large control

1) Spline control point, place it freely with the mouse in the segment 2) Segment point, change the level with the mouse 3) Step count: change with mouse wheel or click and drag up/down 4) Sub-step count: change with mouse wheel or click and drag up/down 5) Reset the MSEG 6) Randomize all levels 7) Auto randomize mode: off, rel (relative to current levels), abs (totally random level)
Note: if randomize mode is either rel or abs neither segments points nor control points can be modified 8) Shift sequence left or right 9) Sequence selector 10) Sets current sequence defined by sequence selector 11) MSEG file menu: load/save user sequences 12) Factory segment selector 13) Segment draw mode: draw factor segments with the mouse.
MSEG segment with control points: Each segment contains linear or smooth curves based on Bezier splines.

1) Segment in point, start point, move up down with the mouse 2) Spline control in point, start control point, place it freely with the mouse 3) Segment, right mouse click or alt left mouse click opens segment menu 4) Spline control out point, end control point, place freely with the mouse 5) Segment out point, end point, move up down with the mouse

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Mouse control in step area and sub-step area:  mouse wheel, left click and drag: change step count  shift left click: increase step count  ctrl left click: decrease step count  shift ctrl left click, or right click: open step menu
Step menu:
Sub-step menu:
Mouse control in curve area point or control point:  mouse left click and drag: change in/out point, in/out control point  mouse control left click and drag: change in/out control point Note: use this to adjust spline control points lying behind "normal" points  shift left click in/out point: snap levels  right click or shift ctrl left click in/out point: open point menu
Point menu:
Mouse control in curve area segment:  right click or alt left click in/out point: open segment menu  control left mouse click: copy segment  shift left mouse click: paste segment

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Segment menu:

5.5 Main controls section
1) Routing: selects either serial or parallel processing of the 2 filter 2) Mix: ratio of filter 1 and filter 2 signal in parallel routing mode 3) Processing: selects plugin processing mode: stereo/left/right/mid or
side. 4) OVP (over protection): protects the signal from going over 0dBFS 5) Volume: adjusts the plugin volume

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6 Minimum system requirements
 Windows 7, OpenGL 2 GFX card  Mac OS X 10.11, Metal GFX card  SSE2 CPU  Win: 32/64 Bit VST, 32/64 Bit VST3, 32/64 Bit AAX  OS X: 64 Bit VST, 64 Bit VST3, 64 Bit AU, 64 Bit AAX  Tested with: Cockos Reaper, Steinberg Cubase/Nuendo/Wavelab 6+, FL Studio 12+,
PT2018+, Reason 9.5+, Studio One, Ableton Live  For latest information please visit www.tbproaudio.de
7 Demo mode versus registered mode
In demo mode (without activation), the plugin mutes audio every 90 seconds for a short period. This could be circumvented by clicking on the "TBProAudio" logo within 90 seconds.
8 Registration/Activation
The plugins needs to be registered / activated to remove demo restrictions. Please go to www.tb-proaudio.de to purchase the activation key. After purchase you will receive an email from TBProAudio with either the (zipped) activation key file or the activation key in text form. Go to the plugin menu->Activate plugin. Please follow the
steps described here: https://www.tbproaudio.de/support/productactivation. After successful activation the key symbol lights in golden color.
9 Conclusion
So finally if you have any questions or suggestions please let us know.
Your team from TBProAudio :-)

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References

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