User Guide for Roland models including: VERSELAB mv-1
5 Parameter List Track GEN Parameter Value Explanation Track Level 0–127 Adjusts the volume. Pan L128–R127 Adjusts the sound position (pan). Rev Offset -128–127 Sets how much signal is sent to the delay.
If you play monophonically, you can apply legato. “Legato” is a performance technique that smoothly connects one note to the next. This produces an.
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DocumentDocumentParameter Guide Before using the unit, ensure that its program is at the most recent version. For information on available upgrades for the program, see the Roland website (https://www.roland.com/). © 2021 Roland Corporation 01 Contents Parameter List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Tone Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 MFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 MFX CTRL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 CLIP SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 LOOPER SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 MEAS EDIT (Only LOOPER) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 SAMPLE EDIT Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 SYSTEM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Master Clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Arpeggio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 VOCAL COMP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 : Drum Kit Tone (Drum) . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 MFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 KIT MFX CTRL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 DRUM INST EDIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Effect Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 : Total Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 MULTI COMP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 5 BAND EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 MFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 EQ (Part 14) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 : DELAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 : REVERB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 : VOCAL PROCESSOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 ENHANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 TUNE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 HARMONY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 MFX Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 : Note . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 2 Parameter List Project Parameter COMMON MstrTune PC IN PC Level PC Pan COLOR Note Play Stay D.Style M.Style Song GEN Parameter Master Level Key Scale TEMPLATE Parameter Intro Verse1 Verse2 Verse3 Chorus1 Chrous2 Bridge Outro Fill PreChorus Breakdown Vamp User1 User2 User3 User4 Value Explanation 435.0445.0Hz Specifies the reference pitch (master tune) for the project. * This has no effect on the pitch of the VOCAL track. These are the settings for audio input from a computer or smartphone connected via USB. 0127 Specifies the input level from the USB PC IN port. L128127R Specifies the pan of the USB PC IN port. Sets the pad illumination colors for each pad operation mode. ORANGE YELLOW GREEN BLUE PURPLE PINK WHITE SKYBLUE P.YELLOW P.BLUE P.PINK L.RED L.ORANGE L.YELLOW L.GREEN P.GREEN L.SKYBLUE L.BLUE L.PURPLE Sets the color used for pads used for playing in Note mode. Sets the color used to indicate that a clip is playing back in Section Select mode. Sets the color used to indicate that a clip has stopped in Section Select mode. Sets the pad color used when a drum track (KICK, SNARE, HI-HAT, KIT) is selected in Style mode. Sets the pad color when a melodic track (BASS, INST 1, INST 2) is selected in Style mode. Value Explanation 0127 Adjusts the volume. NONE, C, C#, D, D#, E, F, F#, G, G#, A, A#, B Specifies the note that will be the key of the scale. When a key or scale is set for a clip and the clip is loaded into Specifies the scale from which the chord is extracted. another project, the clip is automatically transposed to match & For details on scales, refer to "List of scales the MASTER KEY and (when KEY is C)" (p. 8). scale of the project. Value Explanation NONE, SECT1 - SECT 16 Sets the section to assign for the structural elements of a song (like the intro or the chorus) when using a song template. TRANSPOS Parameter KICK Trans SNARE Trans HIHAT Trans KIT Trans BASS Trans INST1 Trans INST2 Trans Value ON, OFF Explanation Sets whether the clip's key/scale are automatically changed to follow the key/scale that are set for the song. Set this to "ON" to make the clip's key/scale follow the song's settings. * This is only enabled when the track type is "tone." Tone Edit Parameters with the " ASSIGN " showing can be assigned to the knob. Parameter Value Explanation Level ASSIGN 0127 Pan ASSIGN L64063R Delay Send (Delay Send Level) Reverb Send (Reverb Send Level) ASSIGN ASSIGN 0127 0127 Coarse Tune ASSIGN -48+48 Adjusts the volume of each part. Specifies the panning of each part's sound when using stereo output. Specifies the send level to delay. Specifies the send level to reverb. Shifts the pitch in units of a semitone. Fine Tune ASSIGN -50+50 Finely adjusts the pitch in units of one cent. Mono/Poly MONO, POLY, TONE Choose MONO if you want the tone assigned to the part to play monophonically; choose POLY if you want to play it polyphonically. Choose TONE if you want to use the setting specified by the tone. Legato (Legato Switch) OFF, ON, TONE If you play monophonically, you can apply legato. "Legato" is a performance technique that smoothly connects one note to the next. This produces an effect similar to hammering-on or pulling-off when playing a guitar. Choose "ON" to apply legato, or "OFF" if you don't want to apply it. Choose "TONE" if you want to use the setting specified by the tone. Bend Range 024, TONE Specifies the amount of pitch change in semitone units (maximum two octaves) that occurs when you move a controller when pitch bend is assigned to that controller. Choose TONE if you want to use the setting specified by the tone. Portament (Portamento Switch) OFF, ON, ASSIGN TONE Specifies whether portamento is applied. Select ON to apply portamento, or OFF if you don't want to apply portamento. Choose TONE if you want to use the setting specified by the tone. Porta Time (Portamento Time) ASSIGN 0127, TONE When portamento is used, this specifies the time over which the pitch will change. Higher settings will cause the pitch change to the next note to take more time. Choose TONE if you want to use the setting specified by the tone. Cutoff (Cutoff Offset) ASSIGN -64+63 Adjusts how far the filter is open. Increasing this value makes the sound brighter, and decreasing it makes the sound darker. Resonance (Resonance Offset) ASSIGN -64+63 Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound. Excessively high settings can produce oscillation, causing the sound to distort. Increasing this value strengthens the character, and decreasing it weakens the character. Attack (Attack Time Offset) ASSIGN -64+63 Adjusts the time over which the sound reaches its maximum volume after you press the key. Larger settings of this value make the attack gentler, and smaller settings make the attack sharper. 3 Parameter List Parameter Value Explanation Decay (Decay Time Offset) ASSIGN Release (Release Time Offset) ASSIGN Vib Rate (Vibrato Rate) ASSIGN Vib Depth (Vibrato Depth) ASSIGN Vib Delay (Vibrato Delay) ASSIGN Oct Shift (Octave Shift) ASSIGN Velo Sens (Velocity Sens Offset) VoiceAsgn (Voice Assign Mode) Bend Mode Unison Sw (Unison Switch) SYS-Ctrl14 ASSIGN -64+63 Adjusts the time over which the volume decreases from its maximum value. Larger settings of this value make the decay longer, and smaller settings make the decay shorter. -64+63 Adjusts the time over which the sound decays to silence after you release the key. Larger settings of this value make the sound linger, and smaller settings make the sound end more sharply. -64+63 Adjust the vibrato speed (the rate at which the pitch is modulated). The pitch will be modulated more rapidly for higher settings, and more slowly with lower settings. -64+63 This adjusts the depth of the vibrato effect (the depth at which the pitch is modulated). The pitch will be modulated more greatly for higher settings, and less with lower settings. -64+63 Adjusts the time until vibrato (pitch modulation) starts to apply. Higher settings will produce a longer delay time before vibrato begins, while lower settings produce a shorter time. -3+3 Shifts the pitch of the keyboard in units of one octave. -63+63 Adjusts the velocity sensitivity. Larger settings raise the sensitivity. Sets the way sounds are played when the same key is pressed a number of times. SINGLE Only one note of the same key is played at a time. If a sound with a long sustain is played repeatedly, the sound of the previous note is silenced before the next note is heard. LIMIT Notes played on the same key are layered. If a sound with a long sustain is played repeatedly, the previous sounds are silenced after a certain number of notes accumulate. FULL Notes played on the same key are layered. Even if a sound with a long sustain is played repeatedly, the notes are unrestrictedly layered without silencing the previous sounds. Specifies what occurs when you operate a controller when pitch bend is assigned to it. NORMAL The conventional pitch bend effect occurs. C+L (CATCH + LAST) The pitch bend effect applies only to the lastplayed note. If a note-on occurs while pitch bend is already applied, the new note sounds at the center pitch. The pitch starts changing only after the controller passes through the center position. TONE The tone's settings are used. OFF, ON, TONE This layers a single sound. Choose "ON" if you want to use unison, or "OFF" if you don't. Choose "TONE" if you want to use the setting specified by the tone. Parts whose Unison Switch is On will be MONO. 0127 Specifies the values of SYS-Ctrl 14. By connecting SYS-Ctrl 14 with tone parameters, you can use the knobs to control values other than part parameters. Pitch Bend ASSIGN -8192+8191 Specifies the Pitch Bend. Parameter Rev Send MFX parameters Value Explanation 0127 Adjusts the amount of reverb. If you don't want to add the reverb effect, set it to 0. Edit the parameters for the selected MFX. The available parameters differ depending on the type of the effects you selected in MFX Type. & "MFX Parameters" (p. 15) MFX CTRL Parameter Src14 Asgn14 Sens14 Value Explanation Specifies the MIDI message that will control the corresponding MFX CONTROL parameter. OFF MFX will not be used. CC0131 Controller number 131 CC3395 Controller number 3395 BEND Pitch Bend AFT Aftertouch SYS-CTRL14 Use the controller that is assigned by the System Control Source 14 (or Tone Control Source 14). Specifies which of the multi-effect parameters are controlled using MFX CONTROL. The multi-effects parameters available for control will depend on the multi-effects type. -63+63 Specifies the depth of MFX CONTROL. Specify a positive "+" value if you want to change the value of the assigned destination in a positive direction (larger, toward the right, faster, etc.), or specify a negative value "-" if you want to change the value in a negative direction (smaller, toward the left, slower, etc.). Larger values will allow a greater amount of control. Controlling a MFX via MIDI (MFX CONTROL) You can use MIDI messages such as control change messages to control the principal MFX parameters. This capability is called "MFX CONTROL (multi-effects control)." The editable parameters are pre-determined according to the MFX type. You can specify up to four parameters for multi-effect control. To use MFX CONTROL, you'll need to specify which MIDI message (Source) will affect which parameter (Destination), and how greatly (Sens). MFX Parameter Switch Type Dly Send Value Explanation OFF, ON Switches the MFX on/off. Selects the MFX type. 0127 Adjusts the amount of chorus. If you don't want to add the chorus effect, set it to 0. 4 Parameter List Track GEN Parameter Track Level Pan Rev Offset Dly Offset Value 0127 L128R127 -128127 -128127 Explanation Adjusts the volume. Adjusts the sound position (pan). Sets how much signal is sent to the delay. Sets how much signal is sent to the reverb. EQ These are the track EQ settings. Parameter Value EQ Switch OFF, ON Input Gain -24+24 [dB] Low Gain Low Freq -24+24 [dB] 2016000 [Hz] Mid Gain -24+24 [dB] Mid Freq 2016000 [Hz] Mid Q High Gain HighFreq 0.516.0 -24+24 [dB] 2016000 [Hz] Explanation Turns the equalizer on/off. Adjusts the amount of boost/cut for the input to the EQ. Gain of the low frequency range. Frequency of the low range. Specifies the reference frequency of the midfrequency range. Adjusts the amount of mid-frequency boost/ cut. Specifies the width of the mid-frequency range. Set a higher value for Q to narrow the range to be affected. Gain of the high frequency range. Frequency of the high range. COMP (Other than VOCAL) Parameter Switch Pos Attack Release Thres Ratio Knee Gain Out Asgn Value OFF, ON Pre MFX, Post MFX 0.1100 [ms] 101000 [ms] -600 [dB] 1: 1inf: 1 030 [dB] -24+24 [dB] DRY, MFX Explanation Compressor on/off Location of the compressor. Time from when the input exceeds the threshold until compression begins Time from when the input falls below the threshold until compression is turned off Level at which compression is applied Compression ratio This is a function that smooths the onset of compression from the uncompressed state; it gradually applies compression starting earlier than Threshold. Higher values produce a smoother transition. Level of the output sound Specifies the compressor output destination. CLIP SETTING Parameter Mix Level Pan Delay Send Rev Send Shuffle (*1) Step Length Scale (*1) Mode (*1) Qtz C.Tight (*1) Transpose (*1) Reverse (*2) Pad Octave Bend Mute (*1) Key Scale Value Explanation 0127 Adjusts the volume of each part. L64063R Specifies the panning of each part's sound when using stereo output. 0127 Specifies the send level to delay. 0127 Specifies the send level to reverb. -50+50 Adjusts the strength of shuffle (bounce) for the playback timing. This can be set individually for each clip. 1128 Specifies the length of the clip. 1/8, 1/16, 1/32, 1/4T, 1/8T, 1/16T Specifies the step resolution. 1/8: eighth notes 1/16: sixteenth notes 1/32: thirty-second notes 1/4T: quarter note triplets 1/8T: eighth note triplets 1/16T: sixteenth notes triplets FWD, REV, FWD+REV, INV, RND Specifies how the sequence plays. FWD: Play forward from the first step. REV: Play backward from the last step. FWD+REV: Play forward from the first step, and after reaching the last step, play backward. INV: Play even numbers and odd numbers inverted. RND: Play randomly. OFF, 1100 % Specifies the strength of quantization for the currently selected clip. Quantization is applied during playback. -12+12 Shifts the playback transposition (Tone only). OFF, ON OFF: The sample plays forward. ON: The sample plays backward. -5+5 Specifies the octave for pad performance. OFF, MUTE Disables bend (Tone only). NONE, C, C#, D, D#, E, F, F#, G, G#, A, A#, B Specifies the note that will be the key of the scale. When a key or scale is set for a clip and the clip is loaded into Specifies the scale from which the chord is extracted. another project, the clip is automatically transposed to match & For details on scales, refer to "List of scales the MASTER KEY and (when KEY is C)" (p. 8). scale of the project. *1 Valid when the track type is set to other than LOOPER. *2 Valid when the track type is set to LOOPER MIDI (Other than VOCAL) Parameter Value TxMIDI Out TxUSB MIDI OFF, ON OFF, ON Tx Note OFF, ON Tx CC Tx PC OFF, ON OFF, ON Explanation Enables output to the rear panel MIDI OUT connector. Enables output to the rear panel USB port. Specifies whether the notes of each track are output. * This is not shown for a looper track. Specifies whether knob operations of each track are output. Specifies whether clip changes of each track are output. 5 Parameter List LOOPER SETTING Parameter Level Pan Delay Send Reverb Send Pitch Chrom Pitch Fine Pitch Shift PitchStrch Str Window Reverse Value 0127 L6363R 0127 0127 -24+24 -100+100 0400 % OFF, TYPE1, TYPE2 1.0, 0.75, 0.5, 0.375, 0.25 OFF, ON Explanation Specifies the volume at which the sample plays. Specifies the pan of the sound. Adjusts the amount sent to the total effect delay. Adjusts the amount sent to the total effect reverb. Specifies the pitch in semitone steps (maximum ±2 octaves). This setting can also be made in PAD MODE NOTE. Finely adjusts the pitch. Smoothly modifies the pitch in a wide range. Selects the pitch shift / time stretch method. OFF: Time stretch is not used; the sample is lengthened by changing its pitch. * If OFF is selected, the settings in the PITCH tab are ignored (pitch shift is not applied). TYPE1: Time stretch optimized for melodic material is applied. TYPE2: Time stretch optimized for rhythm material is applied. This parameter applies to time stretch. Higher values improve the audio quality. If an unnatural impression results when pitch shift or time stretch is used to create a large amount of change, lowering this value might improve the result. OFF: The sample plays forward. ON: The sample plays backward. MEAS EDIT (Only LOOPER) Parameter Step Length Reverse Value 1128 OFF, ON Explanation Specifies the length of the clip. * The same setting can also be made in the CLIP settings screen ([SHIFT] + [CLIP]). Specifies the sample playback method. * The same setting can also be made in the CLIP settings screen ([SHIFT] + [CLIP]). SAMPLE EDIT Parameter Parameter Start End Norm Level Value 0 0 -120dB NORMALIZE EXEC -- Slice Level SLICE EXEC HARD, MID, SOFT -- Slice Point 1256 EXPORT SAMPLE -- Explanation Sets where to start playback. Sets where to end playback. Sets the peak value (maximum) for the normalized waveform. Press the [VALUE] dial to normalize. Normalization automatically raises the volume to the range where the sound does not distort. Sets the slice sensitivity. Press the [VALUE] dial to execute the slice. Slices are used for dividing up a sample and extracting multiple samples from the result. Selects the samples to use from the sliced sample. Press the [VALUE] dial to export the sample to the SD card in WAV format. Exported samples are saved in the ROLAND/ MV/SAMPLE/EXPORT folder of the SD card. SYSTEM CTRL Make settings for the pads and knobs. Parameter Value Knob Mode DIRECT, CATCH Pad Trg Sens 10200 USBMix Load Proj MIDI Parameter Sync Src PRE T-FX, POST T-FX LAST, INIT Value AUTO, INT, MIDI, USB OFF, Sync Out ON OFF, SyncOut USB ON OFF, RX Start Stop ON RX Start USB Track14 Ch Device ID Soft Thru OFF, ON 116 1732 OFF, ON OFF, USB Thru ON Edit Note OFF, ON 6 Explanation DIRECT: When a knob is moved, control data of the corresponding position is always output. CATCH: Control data is output after the knob passes through the current value of the parameter. Adjusts the sensitivity of the pads to repeated strikes. With lower values, the pads will accept repeated strikes at a shorter time interval. Increase this value if you don't want repeated strikes to be accepted inadvertently. Specifies whether sound that is input via the USB-connected MIX OUT port is input before or after TOTAL FX. & "Block Diagram" (p. 52) LAST: At startup, the project that was last saved will be loaded. INIT: At startup, a project will not be loaded. A new project will be created. Explanation Specifies the tempo source. If this is "AUTO," the tempo automatically synchronizes to MIDI clock if MIDI clock is being input via the MIDI IN connector or the USB port. If this is "INT," the tempo specified on the MV-1 is used. Specifies whether clock, start, and stop messages are transmitted (ON) or are not transmitted (OFF) to the devices connected to the corresponding MIDI port. Specifies whether clock, start, and stop messages are transmitted (ON) or are not transmitted (OFF) to the USB-connected device. When synchronized to external MIDI clock, this setting specifies whether the step sequencer's start/stop is controlled from the device connected to the corresponding MIDI port (ON) or is not controlled (OFF). When synchronized to external MIDI clock, this setting specifies whether step sequencer's start/stop is controlled from the USB-connected device (ON) or is not controlled (OFF). Specifies the MIDI channel of each track. When transmitting and receiving system exclusive messages, the device ID numbers of both devices must match. If this is ON, MIDI messages that are input from the MIDI IN connector are retransmitted without change from the MIDI OUT connector. Specifies whether MIDI messages received at the USB port or MIDI IN port are retransmitted without change from the MIDI OUT connector and USB port (ON) or not (OFF). If this is ON, MIDI messages received at the USB port are sent to the internal sound engine and to the MIDI OUT connector, and MIDI messages received at the MIDI IN connector are sent together with messages from the internal sound engine to the USB port. Sets whether the note messages received from an external source via MIDI can change what you are editing (ON) or not (OFF) while you are editing a step. Parameter List DISPLAY Parameter Contrast Backlight LED Bright LED Glow Demo Mode Value 110 110 110 110 OFF, 1min10min Explanation Adjusts the contrast of the display screen. Adjusts the brightness of the display backlight. Specifies the brightness of the fader and button LEDs. Adjusts the brightness when a button LED is dimly lit. Specifies the time (minutes) until the LED demo is shown. Master Clock Parameter Value BPM 40.00300.00 MstrScale MstrStepLen 1/8, 1/16, 1/32, 1/4T, 1/8T, 1/16T 2128 Explanation This is the tempo of the entire project. In this page, you can also use the VALUE dial to change the tempo. Specifies the resolution. 1/8: eighth notes 1/16: sixteenth notes 1/32: thirty-second notes 1/4T: quarter note triplets 1/8T: eighth note triplets 1/16T: sixteenth note triplets Specifies the cycle. Arpeggio Parameter Style Variation Motif Value Explanation 1128 Specifies the basic way in which the arpeggio will be played. The arpeggiator provides several variations (performance patterns) for each arpeggio 1 style. This parameter selects the variation number. The number of variations will differ according to the arpeggio style. Sets the order in which notes of the chord will sound. UP Notes you press will be sounded, from low to high. DOWN Notes you press will be sounded, from high to low. UP&DOWN Notes you press will be sounded, from low to high, and then back down from high to low. RANDOM NOTE_ORDER GLISSANDO Notes you press will be sounded, in random order. Notes you press will be sounded in the order in which you pressed them. By pressing the notes in the appropriate order you can produce melody lines. Up to 128 notes will be remembered. Each chromatic step between the highest and lowest notes you press will sound in succession, repeating upward and downward. Press only the lowest and the highest notes. CHORD All notes you press will sound simultaneously. Hold AUTO1 AUTO2 PHRASE OFF, ON The timing at which keys will sound will be assigned automatically, giving priority to the lowest key that was pressed. The timing at which keys will sound will be assigned automatically, giving priority to the highest key that was pressed. Pressing a single key will sound the phrase based on the pitch of that key. If multiple keys are pressed, the last-pressed key will be valid. Turn the hold function on/off. Parameter Velocity Value REAL, 1127 Oct Range -3+3 Acc Rate 0100 % Shfl Rate 0100 % Shfl Reso , Chord Mode OFF, ON VOCAL COMP Parameter Switch Attack Value OFF, ON 0.1100 [ms] Release Thres Ratio 101000 [ms] -600 [dB] 1: 1inf: 1 Knee 030 [dB] Gain Out Asgn -24+24 [dB] DRY, MFX Explanation Specifies the loudness of the notes that you play. If you want the velocity value of each note to depend on how strongly you play the keyboard, set this parameter to "REAL." If you want each note to have a fixed velocity regardless of how strongly you play the keyboard, set this parameter to the desired value (1127). Sets the key range in octaves over which arpeggio will take place. If you want the arpeggio to sound using only the notes that you actually play, set this parameter to "0." To have the arpeggio sound using the notes you play and notes 1 octave higher, set this parameter to "+1." A setting of "-1" will make the arpeggio sound using the notes you play and notes 1 octave lower. Modifies the strength of accents and the length of the notes to adjust the "groove" feel of the arpeggio. A setting of "100 %" will produce the most pronounced groove feel. This setting lets you modify the note timing to create shuffle rhythms. With a setting of "50 %" the notes will be spaced evenly. As the value is increased, the note timing will have more of a "dotted" (shuffle) feel. Shuffle Rate = 50 % 50 50 50 50 Shuffle Rate = 90 % 90 10 90 10 Specifies the timing (as a note value) at which the notes will be heard. The note value can be specified as either a sixteenth note or an eighth note. When this is on, the pads play arpeggios even in Chord mode. Explanation Compressor on/off Time from when the input exceeds the threshold until compression begins Time from when the input falls below the threshold until compression is turned off Level at which compression is applied Compression ratio This is a function that smooths the onset of compression from the uncompressed state; it gradually applies compression starting earlier than Threshold. Higher values produce a smoother transition. Level of the output sound Specifies the compressor output destination. 7 Parameter List List of scales (when KEY is C) SCALE Chromatic Minor (Aeorian) Major (Ionian) Dorian Phrygian Lydian Mixolydian Locrian Minor Pentatonic Minor Blues Bebop Minor (Bebop Dorian) Harmonic Minor Melodic Minor Major Pentatonic Major Blues Bebop Major Altered Whole Tone Diminished Whole-Half Diminished Half-Whole Gypsy Minor (Hungarian Minor) Romanian Minor (Ukrainian Dorian) Spanish 8 Notes Bhairav Thaat (Mayamalavagowla) Marva Thaat (Gamanasrama) Purvi Thaat (Kamavardani) Todi Thaat (Shubhapantuvarali) Arabic Egyptian Chinese Pelog Hirajoshi Miyakobushi Ryukyu C C# D D# E F F# G G# A A# B ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( 8 Parameter List Drum Kit Tone (Drum) MFX Parameter Switch Type Delay Send Reverb Send MFX parameters Value Explanation OFF, ON Switches the MFX on/off. Selects the MFX type. 0127 Adjusts the amount of delay. If you don't want to add the delay effect, set it to 0. 0127 Adjusts the amount of reverb. If you don't want to add the reverb effect, set it to 0. Edit the parameters for the selected MFX. The available parameters differ depending on the type of the effects you selected in MFX Type. & "MFX Parameters" (p. 15) KIT MFX CTRL Parameter Value Explanation Specifies the MIDI message that will control the corresponding MFX CONTROL parameter. Src14 Asgn14 Sens14 OFF CC0131 CC3395 BEND AFT SYS-CTRL14 -63+63 MFX will not be used. Controller number 131 Controller number 3395 Pitch Bend Aftertouch Use the controller that is assigned by the System Control Source 14. Specifies which of the multi-effect parameters are controlled using MFX CONTROL. The multi-effects parameters available for control will depend on the multi-effects type. Specifies the depth of MFX CONTROL. Specify a positive "+" value if you want to change the value of the assigned destination in a positive direction (larger, toward the right, faster, etc.), or specify a negative value "-" if you want to change the value in a negative direction (smaller, toward the left, slower, etc.). Larger values will allow a greater amount of control. DRUM INST EDIT Parameter Level Pan Delay Send Reverb Send Value 0127 L64063R 0127 0127 Mute Grp OFF, 131 Out Assign Key Offset Fine Ofst Cutoff Ofst DRY, MFX -24+24 -50+50 [cent] -100+100 Reso Ofst -100+100 Attack Ofst -100+100 Decay Ofst -100+100 ReleaseOfst -100+100 EQ Switch Low Gain Mid Gain HighGain Low Freq Mid Freq HighFreq Mid Q OFF, ON -24.0+24.0 [dB] -24.0+24.0 [dB] -24.0+24.0 [dB] 2016000 [Hz] 2016000 [Hz] 2016000 [Hz] 0.516.0 (0.1step) Explanation Adjusts the volume of the key. Adjusts the stereo location of the key. Adjusts the amount of delay for each key. Adjusts the amount of reverb for each key. On an actual acoustic drum set, an open hihat and a closed hi-hat sound can never occur simultaneously. To reproduce the reality of this situation, you can set up a Mute Group. The Mute Group function allows you to designate two or more keys that are not allowed to sound simultaneously. Up to 31 Mute Groups can be used. Keys that are not belong to any such group should be set to "OFF." Specifies the output destination for each key. Shifts the pitch in units of a semitone. Finely adjusts the pitch in units of one cent. Adjusts how far the filter is open. Increasing this value makes the sound brighter, and decreasing it makes the sound darker. Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound. Excessively high settings can produce oscillation, causing the sound to distort. Increasing this value strengthens the character, and decreasing it weakens the character. Adjusts the time over which the sound reaches its maximum volume after you press the key. Larger settings of this value make the attack gentler, and smaller settings make the attack sharper. Adjusts the time over which the volume decreases from its maximum value. Larger settings of this value make the decay longer, and smaller settings make the decay shorter. The time it takes after the key is released for a sound to become inaudible. If Envelope Mode is NO-SUS, this is the time until the sounded note becomes inaudible. Larger settings of this value make the sound linger, and smaller settings make the sound end more sharply. Turns the equalizer on/off for each key. Gain of the low frequency range. Specifies the reference frequency of the midfrequency range. Gain of the high frequency range. Frequency of the low range. Adjusts the amount of mid-frequency boost/ cut. Frequency of the high range. Specifies the width of the mid-frequency range. Set a higher value for Q to narrow the range to be affected. 9 Effect Parameters Total Effect MULTI COMP Parameter Switch Low Attack Time Low Release Time Low Threshold Low Ratio Low Knee Low Output Gain Mid Attack Time Mid Release Time Mid Threshold Mid Ratio Mid Knee Mid Output Gain HighAttack Time High Release Time High Threshold High Ratio High Knee High Output Gain Split Freq Low Split Freq Hi 10 Value Explanation OFF, ON 0.1100 [ms] Specifies whether the master COMP (a compressor applied to the entire sound generator of the MV-1) is used (ON) or not used (OFF). Specifies the time from when the input exceeds Low Thres until compression is applied to the volume of the low-frequency band. 101000 [ms] In a state when compression is already being applied, this specifies the time from when the input decreases below Low Thres until the low-frequency band stops being compressed. -600 [dB] Specifies the volume level at which compression starts for the low-frequency band. 1: 1, 2: 1, 3: 1, 4: 1, 8: 1, Specifies the compression ratio for the low16: 1, 32: 1, INF: 1 frequency band. 030 [dB] This is a function that smooths the onset of compression from the uncompressed state; it gradually applies compression starting earlier than Low Thres. Higher values produce a smoother transition. -24.0+24.0 [dB] 0.1100 [ms] 101000 [ms] Specifies the output volume of the lowfrequency band. Specifies the time from when the input exceeds Mid Thres until compression is applied to the volume of the mid-frequency band. In a state when compression is already being applied, this specifies the time from when the input decreases below Mid Thres until the mid-frequency band stops being compressed. -600 [dB] Specifies the volume level at which compression starts for the mid-frequency band. 1: 1, 2: 1, 3: 1, 4: 1, 8: 1, Specifies the compression ratio for the mid16: 1, 32: 1, INF: 1 frequency band. 030 [dB] This is a function that smooths the onset of compression from the uncompressed state; it gradually applies compression starting earlier than Mid Thres. Higher values produce a smoother transition. -24.0+24.0 [dB] Specifies the output volume of the midfrequency band. 0.1100 [ms] 101000 [ms] Specifies the time from when the input exceeds High Thres until compression is applied to the volume of the high-frequency band. In a state when compression is already being applied, this specifies the time from when the input decreases below High Thres until the high-frequency band stops being compressed. -600 [dB] Specifies the volume level at which compression starts for the high-frequency band. 1: 1, 2: 1, 3: 1, 4: 1, 8: 1, Specifies the compression ratio for the high16: 1, 32: 1, INF: 1 frequency band. 030 [dB] This is a function that smooths the onset of compression from the uncompressed state; it gradually applies compression starting earlier than High Thres. Higher values produce a smoother transition. -24.0+24.0 [dB] Specifies the output volume of the highfrequency band. 1616000 [Hz] Specifies the frequency at which the lowfrequency band (LOW) and mid-frequency band (MID) are divided. Specifies the frequency at which the highfrequency band (HIGH) and mid-frequency band (MID) are divided. 5 BAND EQ Parameter Value Switch OFF, ON EQ Input Gain Low Gain Low Freq Mid1 Gain Mid1Freq Mid1 Q Mid2 Gain Mid2Freq Mid2 Q Mid3 Gain Mid3 Freq Mid3 Q High Gain HighFreq -24+24 [dB] -24+24 [dB] 2016000 [Hz] -24+24 [dB] 2016000 [Hz] 0.516.0 -24+24 [dB] 2016000 [Hz] 0.516.0 -24+24 [dB] 2016000 [Hz] 0.516.0 -24+24 [dB] 2016000 [Hz] Explanation Specifies whether the master EQ (an equalizer applied to the entire sound generator of the MV-1) is used (ON) or not used (OFF). Adjusts the amount of boost/cut for the input to the EQ. Gain of the low frequency range. Frequency of the low range. Gain of the middle frequency range 1. Frequency of the middle range 1. Width of the middle frequency range 1. Set a higher value for Q to narrow the range to be affected. Gain of the middle frequency range 2. Frequency of the middle range 2. Width of the middle frequency range 2. Set a higher value for Q to narrow the range to be affected. Gain of the middle frequency range 3. Frequency of the middle range 3. Width of the middle frequency range 3. Set a higher value for Q to narrow the range to be affected. Gain of the high frequency range. Frequency of the high range. MFX Parameter Switch MFX parameters Value Explanation OFF, ON Turns the effect on/off. (Shows the parameters of the selected MFX.) Controlling a MFX via MIDI (MFX CONTROL) You can use MIDI messages such as control change messages to control the principal MFX parameters. This capability is called "MFX CONTROL (multi-effects control)." The editable parameters are pre-determined according to the MFX type. You can specify up to four parameters for multi-effect control. To use MFX CONTROL, you'll need to specify which MIDI message (Source) will affect which parameter (Destination), and how greatly (Sens). EQ (Part 14) Parameter Switch In Gain (Input Gain) Value OFF, ON -24+24 [dB] Low Gain (Low Gain) -24+24 [dB] Low Freq (Low Frequency) 2016000 [Hz] Mid Gain (Mid Gain) -24+24 [dB] Mid Freq (Mid Frequency) 2016000 [Hz] Mid Q (Mid Q) 0.516.0 High Gain (High Gain) HighFreq (High Frequency) -24+24 [dB] 2016000 [Hz] Explanation Turns the equalizer (EQ) on/off. Specifies the amount of boost/cut for the input sound. Specifies the amount of boost/cut for the low-frequency region. Frequency of the low range. Specifies the amount of boost/cut for the mid-frequency region. Adjusts the amount of mid-frequency boost/ cut. Specifies the width of mid-frequency region. Set a higher value for Q to narrow the range to be affected. Specifies the amount of boost/cut for the high-frequency region. Frequency of the high range. Effect Parameters DELAY Parameter Chorus Type Chorus Switch Chorus Level Reverb Send Delay Parameters Value Explanation Selects the types of delay. OFF, ON Switches the delay on/off. 0127 Specifies the output level of the sound with delay applied. 0127 Specifies the send level to reverb. Edit the parameters of the selected delay type. The available parameters differ depending on the type of chorus you selected in Chorus Type. CHORUS This is a stereo chorus. Parameter Rate Depth Value 0127 0127 Feedback 0127 Explanation Frequency of modulation Depth of modulation Level at which chorus sound is returned to the input CE-1 This models the classic BOSS CE-1 chorus effect unit. It provides a chorus sound with a distinctively analog warmth. Parameter Intensity Value 0127 Explanation Chorus depth SDD-320 This models Roland's DIMENSION D (SDD-320). It provides a clear chorus sound. Parameter Mode Value 14, 1+4, 2+4, 3+4 Explanation Switches the mode. JUNO-106 CHORUS This models the chorus effects of the Roland JUNO-106. Parameter Mode Noise Level Value I, II, I+II, JX I, JX II 0127 Explanation Type of Chorus Volume of the noise produced by chorus DELAY This is a stereo delay. Parameter Value Delay (sync sw) Delay (msec) Delay (note) OFF, ON 11300 [msec] Note & "Note" (p. 51) Feedback -98+98 [%] HF Damp 2008000 [Hz], BYPASS Explanation If this is ON, the delay synchronizes with the tempo. Adjusts the delay time from the direct sound until the delay sound is heard. Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS. T-CTRL DELAY A stereo delay in which the delay time can be varied smoothly. Parameter Delay (sync sw) Value OFF, ON Explanation If this is ON, the delay synchronizes with the tempo. Parameter Delay (msec) Delay (note) Acceleration Feedback HF Damp Value 11300 [msec] Note & "Note" (p. 51) 015 -98+98 [%] 2008000 [Hz], BYPASS Explanation Adjusts the delay time from the direct sound until the delay sound is heard. When you change the delay time, this specifies the time over which the current delay time changes to the specified delay time. This affects the speed of pitch change as well as the delay time. Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS. DELAY 0 TREMOLO Tremolo is applied to the delay sound. Parameter Value Explanation Input Mode MONAURAL STEREO The input is mono-mixed. The sound is input in stereo. Delay (sync sw) OFF, ON If this is ON, the delay synchronizes with the tempo. Delay (msec) Delay (note) 11300 [msec] Note & "Note" (p. 51) Adjusts the delay time from the direct sound until the delay sound is heard. Feedback -98+98 [%] Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. HF Damp 2008000 [Hz], BYPASS Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS. Tremolo Switch OFF, ON Switches the tremolo effect on/off Modulation Wave (panning) TRI Triangle wave SQR Square wave Tremolo Mod Wave SIN Sine wave SAW1 SAW2 Sawtooth wave TRP Trapezoidal wave Tremolo Rate (sync sw) OFF, ON If this is on, the tremolo synchronizes with the tempo. Tremolo Rate (Hz) Tremolo Rate (note) Tremolo Depth 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 Tremolo rate Tremolo depth 2TAP PAN DELAY Delay sound is heard in the two locations you specify. Parameter Delay (sync sw) Delay (msec) Delay (note) Feedback HF Damp Delay 1 Pan Value OFF, ON 11300 [msec] Note & "Note" (p. 51) -98+98 [%] 2008000 [Hz], BYPASS L6463R Explanation If this is ON, the delay synchronizes with the tempo. Adjusts the time until the second delay sound is heard. Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS. Stereo location of Delay 1 11 Effect Parameters Parameter Delay 2 Pan Delay 1 Level Delay 2 Level Value L6463R 0127 0127 Explanation Stereo location of Delay 2 Volume of delay 1 Volume of delay 2 3TAP PAN DELAY Delay sound is heard in the three locations you specify. Parameter Delay (sync sw) Delay (msec) Delay (note) Value OFF, ON 12600 [msec] Note & "Note" (p. 51) Delay1 Feedback -98+98 [%] HF Damp Delay 1 Pan Delay 2 Pan Delay 3 Pan Delay 1 Level Delay 2 Level Delay 3 Level 2008000 [Hz], BYPASS L6463R L6463R L6463R 0127 0127 0127 Explanation If this is ON, the delay synchronizes with the tempo. Delay time of the third delay sound after the original sound is heard. Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS. Stereo location of Delay 1 Stereo location of Delay 2 Stereo location of Delay 3 Volume of delay 1 Volume of delay 2 Volume of delay 3 REVERB Parameter Reverb Type Reverb Switch Reverb Level Reverb Parameters Value Explanation Selects the types of reverb. OFF, ON Switches the reverb on/off. 0127 Specifies the output level of the sound with reverb applied. Edit the parameters of the selected reverb type. The available parameters differ depending on the type of reverb you selected in Reverb Type. INTEGRA Parameter Type Pre Delay Time Density Diffusion LF Damp HF Damp Spread Tone Value 01: ROOM1 02: ROOM2 03: HALL1 04: HALL2 05: PLATE 0100 [msec] 0.110.0 [sec] 0127 0127 0100 0100 0127 0127 Explanation Selects the types of reverb. OFF: Reverb is not used Room 1/2: Room Hall 1/2: Hall Plate: Plate Adjusts the delay time from the direct sound until the reverb sound is heard. Adjusts the decay length of the reverb sound. Density of reverb Adjusts the change in the density of the reverb over time. The higher the value, the more the density increases with time. (The effect of this setting is most pronounced with long reverb times.) Adjusts the low-frequency portion of the reverb. Adjusts the high-frequency portion of the reverb. Reverb spread Tonal character of the reverb WARM HALL Parameter Pre Delay Time Pre LPF Value 0100 [msec] 0.330 [sec] 1615000 [Hz], Bypass Pre HPF 1615000 [Hz], Bypass PreLoop LPF 1615000 [Hz], Bypass Diffusion 0127 HF Damp Freq 10008000 [Hz] HF Damp Ratio 0.11.0 Explanation Adjusts the delay time from the direct sound until the reverb sound is heard. Adjusts the decay length of the reverb sound. Frequency above which to cut the highfrequency portion of the sound entering the reverb Frequency below which to cut the lowfrequency portion of the sound entering the reverb Frequency above which to cut the highfrequency portion of the extended reverberation Adjusts the change in the density of the reverb over time. Frequency above which to cut the highfrequency portion of the reverb Amount by which to attenuate the highfrequency portion of the reverb HALL Parameter Pre Delay Time Size High Cut Density Value 0.0100 [msec] 0127 18 16012500 [Hz], BYPASS 0127 Explanation Adjusts the delay time from the direct sound until the reverb sound is heard. Adjusts the decay length of the reverb sound. Size of room/hall Frequency above which the high-frequency portion of the final output sound is cut (BYPASS: no cut) Density of reverb 12 Effect Parameters Parameter Diffusion LF Damp Freq LF Damp Gain HF Damp Freq HF Damp Gain GS Parameter Character Pre-LPF Time Delay Feedback SRV2000 Parameter Selection Pre Delay Time HF Damp Density Attack Gain Attack Time ER Density ER Level EQ Low Freq EQ Low Gain EQ Mid Freq EQ Mid Gain EQ Mid Q EQ Hi Freq EQ Hi Gain EQ Hi Q Value 0127 504000 [Hz] -360 [dB] 400012500 [Hz] -360 [dB] Explanation Adjusts how reverb density increases over time. (This effect is especially noticeable with long reverb times.) Frequency below which the low-frequency portion of the reverb sound is cut. LF damp attenuation amount (0: no effect) Frequency above which the high-frequency portion of the reverb sound is cut HF damp attenuation amount (0: no effect) Value ROOM13, HALL12, PLATE, DELAY, PAN-DELAY 07 0127 0127 Explanation Type of reverb Amount of high-frequency attenuation for the sound being input to the reverb Adjusts the decay length of the reverb sound. Level at which the reverb sound is returned to the input Value Explanation Selects the type of reverb offered by the Roland SRV-2000 digital reverb. Pre Delay Room reverb. Higher values increase the size of the room. Time Hall reverb. Higher values increase the size of the concert hall. HF Damp Plate reverb. A more flamboyant reverb sound than P-A. Density Plate reverb. 0160 Adjusts the delay time from the direct sound until the reverb sound is heard. 1990 [msec] Adjusts the decay length of the reverb sound. 0.051.00 Adjusts the high-frequency portion of the reverb. 09 Adjusts the density of the late reverberation. 09 Adjusts the gain of the early reflections. 09 Adjusts the time of the early reflections. 09 Adjusts the density of the early reflections. 099 Adjusts the volume of the early reflections. 0.041.00 [kHz] Frequency of the low range. -24+12 [dB] Gain of the low frequency range. 0.259.99 [kHz] Adjusts the amount of mid-frequency boost/ cut. -24+12 [dB] Specifies the reference frequency of the midfrequency range. 0.29.0 Specifies the width of the mid-frequency range. Set a higher value for Q to narrow the range to be affected. 0.809.99 [kHz] Frequency of the high range. -24+12 [dB] Gain of the high frequency range. 0.29.0 Specifies the width of the high-frequency range. Set a higher value for Q to narrow the range to be affected. Parameter Reverb Time Gate Time HF Damp EQ Low Freq EQ Low Gain EQ Mid Freq EQ Mid Gain EQ Mid Q EQ Hi Freq EQ Hi Gain EQ Hi Q Value 1990 [msec] 10450 [msec] 0.051.00 0.041.00 [kHz] -24+12 [dB] 0.259.99 [kHz] -24+12 [dB] 0.29.0 0.809.99 [kHz] -24+12 [dB] 0.29.0 GM2 REVERB Parameter Character Time Value 05 0127 Explanation Adjusts the decay length of the reverb sound. Adjusts the decay length of the reverb sound. Adjusts the high-frequency portion of the reverb. Frequency of the low range. Gain of the low frequency range. Adjusts the amount of mid-frequency boost/ cut. Specifies the reference frequency of the midfrequency range. Specifies the width of the mid-frequency range. Set a higher value for Q to narrow the range to be affected. Frequency of the high range. Gain of the high frequency range. Specifies the width of the high-frequency range. Set a higher value for Q to narrow the range to be affected. Explanation Type of reverb Adjusts the decay length of the reverb sound. VOCAL PROCESSOR Parameter Pos Value Explanation EXT IN, PC IN, VOCALDRY, VOCAL MFX Location of the vocal processor. Specify the key of the song that you're singing. Major Minor Key Major Noise Tres Level TONE Minor 0-100 Adjusts the depth of the noise suppressor. 0-127 Adjusts the volume. (No Assign), Noise Tres, Level, Enhance, Compress, De-Esser, Low Gain, High Gain, L.Mid Gain, H.Mid Gain, Robot Note, Pan, Formant, Shift, Speed, Stability, Hrm E.Level Sets the function to assign to the [TONE] knob. SRV2000 (NON-LINEAR) Parameter Pre Delay Value 0160 Explanation Adjusts the delay time from the direct sound until the reverb sound is heard. 13 Effect Parameters ENHANCE ENHANCE is an effect that makes the sound more sharply defined. This effect also includes a COMPRESSOR which makes the volume more consistent, and a DE-ESSER which suppresses sibilance. Parameter Value Explanation Switch OFF, ON Turns this effect on/off. Enhance 0100 Adjusts the depth of ENHANCE. The sound becomes more sharply defined as this value is increased. Compress 0100 Adjusts the depth of COMPRESSOR. The volume becomes more consistent as this value is increased. De-Esser 0100 Adjusts the depth of DE-ESSER. Sibilance is suppressed more strongly as this value is increased. EQ Parameter Switch Low Gain High Gain Level L.Mid Gain (Low-Mid Gain) L.Mid Fr (Low-Mid Frequency) L.Mid Q (Low-Mid Q) H.Mid Gain (Low-Mid Gain) H.Mid Fr (High-Mid Frequency) H.Mid Q (High-Mid Q) Low Cut High Cut Value Explanation OFF, ON Turns the equalizer on/off. -20+20dB Adjusts the low frequency range tone. -20+20dB Adjusts the high frequency range tone. -20+20dB Adjusts the overall volume level of the equalizer. -20+20dB Adjusts the low-middle frequency range tone. 2016.0kHz Specifies the center of the frequency range that will be adjusted by the LMID GAIN. 0.516 Adjusts the width of the area affected by the EQ centered at the LMID FREQ. Higher values will narrow the area. -20+20dB Adjusts the high-middle frequency range tone. 2016.0kHz Specifies the center of the frequency range that will be adjusted by the HMID GAIN. 0.516 Adjusts the width of the area affected by the EQ centered at the HMID FREQ. Higher values will narrow the area. FLAT, 20800Hz This sets the frequency at which the low cut filter begins to take effect. When "FLAT" is selected, the low cut filter will have no effect. This sets the frequency at which the high cut 630Hz16.0kHz, FLAT filter begins to take effect. When "FLAT" is selected, the high cut filter will have no effect. TUNE TUNE suppresses instabilities in pitch. You can also convert pitch changes to a stair-step form, producing a mechanical effect. Parameter Value Explanation Switch Type Scale Robot Note Pan Formant Shift Speed OFF, ON Turns this effect on/off. SOFT The pitch will be corrected smoothly. HARD The pitch will be corrected quickly. ELECTRIC Corrects pitch variation to a stair-step change. ROBOT Corrects the pitch to the specified note (Robot Voice). CHROMATIC The pitch is corrected to the nearest chromatic semitone. KEY The pitch is corrected according to the Key setting (p. 5). CB Specifies the pitch (fixed) when Type is set to "Robot." L128R127 Adjusts the sound position (pan). -50+50 Negative () settings give the voice a more masculine character, while positive (+) settings make the voice more feminine. Specifies the amount by which the pitch is shifted. -12+12 The pitch is shifted by the specified interval. 010 Adjusts the speed of pitch change. Higher values produce faster change. 14 Parameter Stability Value 020 Explanation Adjusts the ease of pitch change. Higher values make change more difficult. HARMONY HARMONY can add natural harmony to your voice. Parameter Value Explanation Switch Hrm E.Level Hrm D.Level Hi Note Sens Harmony 13 Auto Manual Pan Level Delay Accuracy Vibrato Method Formant Tone OFF, ON 0100 0100 LOW, MID, HIGH Turns this effect on/off. Adjusts the overall volume level of the harmony. Adjusts the volume of the sound of the mic. Specifies the upper limit frequency at which the harmony effect is applied. * In an environment in which acoustic feedback is prone to occur, using the "LOW" setting can suppress unwanted sound. OFF UNISON OCTLOWER LOW HIGH HIGHER OCT+ OFF UNISON OCT-6TH, -5TH, -4TH, -3RD, +3RD, +4TH, +5TH, +6TH OCT+ L100CENTER R100 0100 010 010 -10+10 SCALE12, CHORD12 -50+50 -50+50 Turns the harmony part off. This produces the impression that another person is singing the same melody along with you. Adds sound an octave lower. Adds lower sound based on 6th or 5th. *1 Adds lower sound based on 4th or 3rd. *1 Adds higher sound based on 4th or 3rd. *1 Adds higher sound based on 6th or 5th. *1 Adds sound an octave higher. Turns the harmony part off. This produces the impression that another person is singing the same melody along with you. Adds sound an octave lower. Adds harmony at the specified pitch interval of the diatonic scale. Adds sound an octave higher. Adjusts the panning of the harmony part. Adjusts the volume of the harmony part. Adjusts the delay of the harmony part. Raising this value makes the pitch of the harmony more closely match the pitch of the original vocal. * With the higher value, the harmony is sounded at the precise pitch; this means that if the pitch of the original vocal is not precise, the result might not sound harmonious. In such cases, try decreasing this value. Specifies how closely the vibrato will follow. * If you want to decrease the expressiveness of the harmony relative to your own voice, use a setting in the negative range. Specifies the rule by which the pitch of the harmony is determined. This setting specifies whether the harmony is biased toward the scale (KEY) or the chord. Adjusts the vocal character of the harmony part. Adjusts the tonal character of the harmony part. *1 Depending on conditions, other intervals are also added. MFX Parameters 00 Thru Filter effects 01 Equalizer 02 Spectrum 03 Isolator 04 Low Boost 05 Super Filter 06 Step Filter 07 Enhancer 08 Auto Wah 09 Humanizer 10 Speaker Simulator Modulation effects 11 Phaser 1 12 Phaser 2 13 Phaser 3 14 Step Phaser 15 Multi Stage Phaser 16 Infinite Phaser 17 Ring Modulator 18 Tremolo 19 Auto Pan 20 Slicer 21 Rotary 22 VK Rotary Chorus effects 23 Chorus 24 Flanger 25 Step Flanger 26 Hexa-Chorus 27 Tremolo Chorus 28 Space-D Dynamics effects 29 Overdrive 30 Distortion 31 T-Scream 32 Guitar Amp Simulator 33 Compressor 34 Limiter 35 Sustainer 36 Gate Delay effects 37 Delay 38 Modulation Delay 39 3Tap Pan Delay 40 4Tap Pan Delay 41 Multi Tap Delay 42 Reverse Delay 43 Time Ctrl Delay 44 Tape Echo Lo-fi effects 45 LOFI Compress 46 Bit Crusher page 16 page 16 page 16 page 17 page 17 page 17 page 18 page 18 page 18 page 19 page 19 page 20 page 20 page 20 page 21 page 21 page 21 page 21 page 22 page 22 page 22 page 23 page 23 page 24 page 24 page 25 page 25 page 26 page 26 page 26 page 26 page 27 page 27 page 28 page 28 page 29 page 29 page 29 page 30 page 30 page 31 page 31 page 32 page 32 page 33 Pitch effects 47 Pitch Shifter 48 2Voice Pitch Shifter Combination effects 49 Overdrive 0 Chorus 50 Overdrive 0 Flanger 51 Overdrive 0 Delay 52 Distortion 0 Chorus 53 Distortion 0 Flanger 54 Distortion 0 Delay 55 OD/DS 0 TouchWah 56 OD/DS 0 AutoWah 57 GtAmpSim 0 Chorus 58 GtAmpSim 0 Flanger 59 GtAmpSim 0 Phaser 60 GtAmpSim 0 Delay 61 EPAmpSim 0 Tremolo 62 EPAmpSim 0 Chorus 63 EPAmpSim 0 Flanger 64 EPAmpSim 0 Phaser 65 EPAmpSim 0 Delay 66 Enhancer 0 Chorus 67 Enhancer 0 Flanger 68 Enhancer 0 Delay 69 Chorus 0 Delay 70 Flanger 0 Delay 71 Chorus 0 Flanger Other 72 CE-1 73 SBF-325 74 SDD-320 75 2Tap Pan Delay 76 Transient 77 Mid-Side EQ 78 Mid-Side Compressor 79 Tone Fattener 80 Mid-Side Delay 81 RD EPAmpSim 82 DJFX Looper 83 BPM Looper 84 Saturator 85 Warm Saturator 86 Fuzz 87 JUNO-106 Chorus 88 Multi Mode Filter 89 HMS Distortion 90 Phaser 100 page 33 page 33 page 33 page 34 page 34 page 34 page 35 page 35 page 35 page 35 page 36 page 36 page 37 page 38 page 39 page 40 page 41 page 41 page 41 page 42 page 42 page 42 page 43 page 43 page 43 page 44 page 44 page 44 page 45 page 45 page 45 page 46 page 46 page 47 page 47 page 47 page 48 page 48 page 48 page 49 page 49 page 50 page 50 page 50 page 50 page 50 15 MFX Parameters 00 Thru 01 Equalizer This is a four-band stereo equalizer (low, mid x 2, high). L in 4-Band EQ L out R in 4-Band EQ R out Parameter Value Explanation 20, 25, 31, 40, 50, 63, Low Freq (Low Frequency) 80, 100, 125, 160, 200, 250, 315, 400 [Hz] Frequency of the low range Low Gain -15+15 [dB] Gain of the low range Mid1 Freq (Mid1 Frequency) 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, Frequency of the middle range 1 2500, 3150, 4000, 5000, 6300, 8000 [Hz] Mid1 Gain -15+15 [dB] Gain of the middle range 1 Mid1 Q Mid2 Freq (Mid2 Frequency) Mid2 Gain Mid2 Q High Freq (High Frequency) High Gain Level 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle range 1 Set a higher value to narrow the range to be affected. 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, Frequency of the middle range 2 2500, 3150, 4000, 5000, 6300, 8000 [Hz] -15+15 [dB] Gain of the middle range 2 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle range 2 Set a higher value to narrow the range to be affected. 2000, 2500, 3150, 4000, 5000, 6300, 8000, 10000, 12500, 16000 [Hz] Frequency of the high range -15+15 [dB] Gain of the high range 0127 Output Level 02 Spectrum This is a stereo spectrum. Spectrum is a type of filter which modifies the timbre by boosting or cutting the level at specific frequencies. L in Spectrum L out R in Parameter Band1 (250 Hz) Band2 (500 Hz) Band3 (1000 Hz) Band4 (1250 Hz) Band5 (2000 Hz) Band6 (3150 Hz) Band7 (4000 Hz) Band8 (8000 Hz) Q Level Spectrum R out Value Explanation -15+15 [dB] Gain of each frequency band 0.5, 1.0, 2.0, 4.0, 8.0 0127 Simultaneously adjusts the width of the adjusted ranges for all the frequency bands. Output Level 16 MFX Parameters 03 Isolator This is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying ranges. 05 Super Filter This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically. L in Isolator Low Boost L out L in Super Filter L out R in Isolator Low Boost R out Parameter Boost/Cut Low Boost/Cut Mid Boost/Cut High Value -60+4 [dB] -60+4 [dB] -60+4 [dB] Anti Phase Low Sw OFF, ON Anti Phase Low Level 0127 Anti Phase Mid Sw OFF, ON Anti Phase Mid Level 0127 Low Boost Sw OFF, ON Low Boost Level 0127 Level 0127 Explanation These boost and cut each of the High, Middle, and Low frequency ranges. At -60 dB, the sound becomes inaudible. 0 dB is equivalent to the input level of the sound. Turns the Anti-Phase function on and off for the Low frequency ranges. When turned on, the counter-channel of stereo sound is inverted and added to the signal. Level of the Anti-Phase function for the Low frequency ranges. Adjusting this level for certain frequencies allows you to lend emphasis to specific parts. (This is effective only for stereo source.) Settings of the Anti-Phase function for the Middle frequency ranges. The parameters are the same as for the Low frequency ranges. Turns Low Booster on/off. This emphasizes the bottom to create a heavy bass sound. Increasing this value gives you a heavier low end. Depending on the Isolator and filter settings this effect may be hard to distinguish. Output Level R in Super Filter R out Parameter Filter Type Filter Slope Filter Cutoff Filter Resonance Filter Gain Modulation Sw Modulation Wave Value Explanation Type of filter Frequency range that will pass through each filter LPF: frequencies below the cutoff LPF, BPF, HPF, NOTCH BPF: frequencies in the region of the cutoff HPF: frequencies above the cutoff NOTCH: frequencies other than the region of the cutoff -12, -24, -36 [dB] Amount of attenuation per octave -12 dB: Gentle, -24 dB: Steep, -36 dB: Extremely steep 0127 Cutoff frequency of the filter Increasing this value will raise the cutoff frequency. 0100 Filter resonance level Increasing this value will emphasize the region near the cutoff frequency. 0+12 [dB] Amount of boost for the filter output OFF, ON On/off switch for cyclic change TRI, SQR, SIN, SAW1, SAW2 How the cutoff frequency will be modulated TRI: Triangle wave SQR: Square wave SIN: Sine wave SAW1: Sawtooth wave (upward) SAW2: Sawtooth wave (downward) SAW1 SAW2 04 Low Boost Boosts the volume of the lower range, creating powerful lows. L in Low Boost 2-Band EQ L out R in Low Boost 2-Band EQ R out Parameter Boost Frequency Boost Gain Boost Width Low Gain High Gain Level Value Explanation 50, 56, 63, 71, 80, 90, Center frequency at which the lower range 100, 112, 125 [Hz] will be boosted 0+12 [dB] Center frequency at which the lower range will be boosted WIDE, MID, NARROW Width of the lower range that will be boosted -15+15 [dB] Gain of the low range -15+15 [dB] Gain of the high range 0127 Output Level Rate (sync sw) Rate (Hz) Rate (note) Depth Attack Level OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 0127 0127 If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of modulation Depth of modulation Speed at which the cutoff frequency will change This is effective if Modulation Wave is SQR, SAW1, or SAW2. Output Level 17 MFX Parameters 06 Step Filter 08 Auto Wah This is a filter whose cutoff frequency can be modulated in steps. You can specify the pattern by which the cutoff frequency will change. L in Step Filter L out R in Parameter Step 0116 Rate (sync sw) Rate (Hz) Rate (note) Attack Filter Type Filter Slope Filter Resonance Filter Gain Level Step Filter R out Value Explanation 0127 Cutoff frequency at each step OFF, ON If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) 0.0510.00 [Hz] Note & "Note" (p. 51) Frequency of modulation 0127 Speed at which the cutoff frequency changes between steps Type of filter Frequency range that will pass through each filter LPF: frequencies below the cutoff LPF, BPF, HPF, NOTCH BPF: frequencies in the region of the cutoff HPF: frequencies above the cutoff NOTCH: frequencies other than the region of the cutoff -12, -24, -36 dB 0127 0+12 [dB] Amount of attenuation per octave -12 dB: Gentle, -24 dB: Steep, -36 dB: Extremely steep Filter resonance level Increasing this value will emphasize the region near the cutoff frequency. Amount of boost for the filter output 0127 Output Level 07 Enhancer Controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound. Cyclically controls a filter to create cyclic change in timbre. L in Auto Wah 2-Band EQ L out R in Parameter Filter Type Manual Peak Sens Polarity Rate (sync sw) Rate (Hz) Rate (note) Depth Phase Low Gain High Gain Level Auto Wah 2-Band EQ R out Value LPF, BPF 0127 0127 0127 UP, DOWN OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 0180 [deg] -15+15 [dB] -15+15 [dB] 0127 Explanation Type of filter LPF: Produces a wah effect in a broad frequency range. BPF: Produces a wah effect in a narrow frequency range. Center frequency at which the wah effect is applied Width of the frequency region at which the wah effect is applied Increasing this value will make the frequency region narrower. Adjusts the sensitivity with which the filter is controlled. Direction in which the filter will move UP: The filter will change toward a higher frequency. DOWN: The filter will change toward a lower frequency. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Modulation frequency of the wah effect Depth of modulation Adjusts the degree of phase shift of the left and right sounds when the wah effect is applied. Gain of the low range Gain of the high range Output Level L in R in Parameter Sens Mix Low Gain High Gain Level Enhancer Mix Enhancer Mix 2-Band EQ L out 2-Band EQ R out Value 0127 0127 -15+15 [dB] -15+15 [dB] 0127 Explanation Sensitivity of the enhancer Level of the overtones generated by the enhancer Gain of the low range Gain of the high range Output Level 18 MFX Parameters 09 Humanizer Adds a vowel character to the sound, making it similar to a human voice. 10 Speaker Simulator Simulates the speaker type and microphone settings used to record the speaker sound. L in L out Pan L Overdrive Formant 2-Band EQ Pan R R in R out Parameter Drive Sw Drive Vowel1 Vowel2 Value OFF, ON 0127 a, e, i, o, u a, e, i, o, u Rate (sync sw) OFF, ON Rate (Hz) Rate (note) Depth 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 Input Sync Sw OFF, ON Input Sync Threshold 0127 Manual 0100 Low Gain High Gain Pan Level -15+15 [dB] -15+15 [dB] L6463R 0127 Explanation Overdrive on/off Degree of distortion Also changes the volume. Selects the vowel. Vowel2 If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency at which the two vowels switch Depth of the effect LFO reset on/off If this is ON, the LFO for switching the vowels is reset by the input signal. Volume level at which reset is applied Point at which Vowel 1/2 switch 049: Vowel 1 will have a longer duration. 50: Vowel 1 and 2 will be of equal duration. 51100: Vowel 2 will have a longer duration. Gain of the low range Gain of the high range Stereo location of the output sound Output Level L in R in Parameter Speaker Type Mic Setting Mic Level Direct Level Level Speaker L out Speaker R out Value SMALL 1 SMALL 2 MIDDLE JC-120 BUILT-IN 1 BUILT-IN 2 BUILT-IN 3 BUILT-IN 4 BUILT-IN 5 BG STACK 1 BG STACK 2 MS STACK 1 MS STACK 2 METAL STACK 2-STACK 3-STACK 1, 2, 3 0127 0127 0127 Explanation Cabinet Diameter (in inches) and number of the speaker Microphone Small open-back enclosure Small open-back enclosure Open back enclosure Open back enclosure Open back enclosure Open back enclosure Open back enclosure Open back enclosure Open back enclosure 10 10 12 x 1 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 Dynamic Dynamic Dynamic Dynamic Dynamic Condenser Condenser Condenser Condenser Sealed enclosure 12 x 2 Condenser Large sealed enclosure Large sealed enclosure Large sealed enclosure Large double stack Large double stack 12 x 2 12 x 4 12 x 4 12 x 4 12 x 4 Condenser Condenser Condenser Condenser Condenser Large triple stack 12 x 4 Condenser Adjusts the location of the microphone that is recording the sound of the speaker. This can be adjusted in three steps, with the microphone becoming more distant in the order of 1, 2, and 3. Volume of the microphone Volume of the direct sound Output Level 19 MFX Parameters 11 Phaser 1 This is a stereo phaser. A phase-shifted sound is added to the original sound and modulated. 13 Phaser 3 This simulates a different analog phaser than Phaser 2. It is particularly suitable for electric piano. L in R in Parameter Mode Manual Rate (sync sw) Rate (Hz) Rate (note) Depth Polarity Resonance Cross Feedback Mix Low Gain High Gain Level Phaser 2-Band EQ L out Mix Phaser 2-Band EQ R out Mix Value 4-STAGE, 8-STAGE, 12-STAGE 0127 OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 INVERSE, SYNCHRO 0127 -98+98 [%] 0127 -15+15 [dB] -15+15 [dB] 0127 Explanation Number of stages in the phaser Center frequency at which the sound is modulated If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Modulation rate Depth of modulation Selects whether the left and right phase of the modulation will be the same or the opposite. INVERSE: The left and right phase will be opposite. When using a mono source, this spreads the sound. SYNCHRO: The left and right phase will be the same. Select this when inputting a stereo source. Amount of feedback Adjusts the proportion of the phaser sound that is fed back into the effect. Negative (-) settings will invert the phase. Level of the phase-shifted sound Gain of the low range Gain of the high range Output Level L in R in Parameter Speed Depth Low Gain High Gain Level Phaser 2-Band EQ L out Phaser 2-Band EQ R out Value 0100 0127 -15+15 [dB] -15+15 [dB] 0127 Explanation Speed of modulation Depth of modulation Gain of the low range Gain of the high range Output Level 12 Phaser 2 This simulates an analog phaser of the past. It is particularly suitable for electric piano. L in Phaser 2-Band EQ L out R in Parameter Rate Color Low Gain High Gain Level Phaser 2-Band EQ R out Value 0100 1, 2 -15+15 [dB] -15+15 [dB] 0127 Explanation Modulation rate Modulation character Gain of the low range Gain of the high range Output Level 20 MFX Parameters 14 Step Phaser This is a stereo phaser. The phaser effect will be varied gradually. L in Step Phaser 2-Band EQ L out Mix R in Parameter Mode Manual Rate (sync sw) Rate (Hz) Rate (note) Depth Polarity Resonance Cross Feedback Step Rate (sync sw) Step Rate (Hz) Step Rate (note) Mix Low Gain High Gain Level Step Phaser Mix 2-Band EQ R out Value 4-STAGE, 8-STAGE, 12-STAGE 0127 OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 INVERSE, SYNCHRO 0127 -98+98 [%] OFF, ON 0.1020.00 [Hz] Note & "Note" (p. 51) 0127 -15+15 [dB] -15+15 [dB] 0127 Explanation Number of stages in the phaser Center frequency at which the sound is modulated If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Modulation rate Depth of modulation Selects whether the left and right phase of the modulation will be the same or the opposite. INVERSE: The left and right phase will be opposite. When using a mono source, this spreads the sound. SYNCHRO: The left and right phase will be the same. Select this when inputting a stereo source. Amount of feedback Adjusts the proportion of the phaser sound that is fed back into the effect. Negative (-) settings will invert the phase. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Rate of the step-wise change in the phaser effect Level of the phase-shifted sound Gain of the low range Gain of the high range Output Level Parameter Rate (Hz) Rate (note) Depth Resonance Mix Pan Low Gain High Gain Level Value 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 0127 0127 L6463R -15+15 [dB] -15+15 [dB] 0127 Explanation Modulation rate Depth of modulation Amount of feedback Level of the phase-shifted sound Stereo location of the output sound Gain of the low range Gain of the high range Output Level 16 Infinite Phaser A phaser that continues raising/lowering the frequency at which the sound is modulated. L in R in Parameter Mode Speed Resonance Mix Pan Low Gain High Gain Level Innffiinniittee PPhhaasseerr Value 1, 2, 3, 4 -100100 0127 0127 L6463R -15+15 [dB] -15+15 [dB] 0127 2-Band EQ L out Pan L Pan R R out Explanation Higher values will produce a deeper phaser effect. Speed at which to raise or lower the frequency at which the sound is modulated (+: upward / -: downward) Amount of feedback Level of the phase-shifted sound Stereo location of the output sound Gain of the low range Gain of the high range Output Level 17 Ring Modulator This is an effect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the effect. L in Ring Mod 2-Band EQ L out 15 Multi Stage Phaser Extremely high settings of the phase difference produce a deep phaser effect. L in R in Parameter Mode Manual Rate (sync sw) Multi Stage Phaser Mix 2-Band EQ L out Pan L Pan R R out Value Explanation 4-STAGE, 8-STAGE, 12-STAGE, 16-STAGE, Number of stages in the phaser 20-STAGE, 24-STAGE 0127 Center frequency at which the sound is modulated OFF, ON If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) R in Parameter Frequency Sens Polarity Low Gain High Gain Balance Level Ring Mod 2-Band EQ R out Value 0127 0127 UP, DOWN -15+15 [dB] -15+15 [dB] D100:0WD0:100W 0127 Explanation Adjusts the frequency at which modulation is applied. Adjusts the amount of frequency modulation applied. Determines whether the frequency modulation moves towards higher frequencies or lower frequencies. UP: The filter will change toward a higher frequency. DOWN: The filter will change toward a lower frequency. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the effect sound (W) Output Level 21 MFX Parameters 18 Tremolo Cyclically changes the volume. L in Tremolo 2-Band EQ L out R in Parameter Mod Wave Tremolo 2-Band EQ R out Value Explanation TRI, SQR, SIN, SAW1, SAW2, TRP SAW1 Modulation wave TRI: Triangle wave SQR: Square wave SIN: Sine wave SAW1/2: Sawtooth wave TRP: Trapezoidal wave SAW2 Rate (sync sw) Rate (Hz) Rate (note) Depth Low Gain High Gain Level OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 -15+15 [dB] -15+15 [dB] 0127 If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of the change Depth to which the effect is applied Gain of the low range Gain of the high range Output Level 19 Auto Pan Cyclically modulates the stereo location of the sound. L in Auto Pan 2-Band EQ L out R in Parameter Mod Wave Auto Pan 2-Band EQ R out Value Explanation TRI, SQR, SIN, SAW1, SAW2, TRP SAW1 R How the pan changes TRI: Triangle wave SQR: Square wave SIN: Sine wave SAW1/2: Sawtooth wave TRP: Trapezoidal wave SAW2 R 20 Slicer By applying successive cuts to the sound, this effect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially effective when applied to sustaintype sounds. L in Slicer L out R in Parameter Step 0116 Rate (sync sw) Rate (Hz) Rate (note) Attack Slicer Value 0127 OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 Input Sync Sw OFF, ON Input Sync Threshold 0127 Mode LEGATO, SLASH Shuffle Level 0127 0127 R out Explanation Level at each step If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Rate at which the 16-step sequence will cycle Speed at which the level changes between steps Specifies whether an input note will cause the sequence to resume from the first step of the sequence (ON) or not (OFF) Volume at which an input note will be detected Sets the manner in which the volume changes as one step progresses to the next. LEGATO: The change in volume from one step's level to the next remains unaltered. If the level of a following step is the same as the one preceding it, there is no change in volume. SLASH: The level is momentarily set to 0 before progressing to the level of the next step. This change in volume occurs even if the level of the following step is the same as the preceding step. Timing of volume changes in levels for evennumbered steps (step 2, step 4, step 6...). The higher the value, the later the beat progresses. Output Level Rate (sync sw) Rate (Hz) Rate (note) Depth Low Gain High Gain Level L OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 -15+15 [dB] -15+15 [dB] 0127 L If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of the change Depth to which the effect is applied Gain of the low range Gain of the high range Output Level 22 MFX Parameters 21 Rotary This simulates a classic rotary speaker of the past. Since the operation of the high-frequency and low-frequency rotors can be specified independently, the distinctive modulation can be reproduced realistically. This is most effective on organ patches. 22 VK Rotary This type provides modified response for the rotary speaker, with the low end boosted further. This effect features the same specifications as the VK-7's built-in rotary speaker. L in R in Parameter Speed Rotary Value SLOW, FAST Woofer Slow Speed 0.0510.00 [Hz] Woofer Fast Speed 0.0510.00 [Hz] Woofer Acceleration 015 Woofer Level 0127 Tweeter Slow Speed 0.0510.00 [Hz] Tweeter Fast Speed 0.0510.00 [Hz] Tweeter Acceleration 015 Tweeter Level 0127 Separation 0127 Level 0127 L out R out Explanation Simultaneously switch the rotational speed of the low frequency rotor and high frequency rotor. SLOW: Slows down the rotation to the Slow Rate. FAST: Speeds up the rotation to the Fast Rate. Slow speed (SLOW) of the low frequency rotor Fast speed (FAST) of the low frequency rotor Adjusts the time it takes the low frequency rotor to reach the newly selected speed when switching from fast to slow (or slow to fast) speed. Volume of the low frequency rotor Settings of the high frequency rotor The parameters are the same as for the low frequency rotor Spatial dispersion of the sound Output Level L in R in Parameter Speed Rotary Value SLOW, FAST Brake OFF, ON Woofer Slow Speed 0.0510.00 [Hz] Woofer Fast Speed 0.0510.00 [Hz] Woofer Trans Up 0127 Woofer Trans Down 0127 Woofer Level 0127 Tweeter Slow Speed 0.0510.00 [Hz] Tweeter Fast Speed 0.0510.00 [Hz] Tweeter Trans Up 0127 Tweeter Trans Down 0127 Tweeter Level 0127 Spread 010 Low Gain -15+15 [dB] High Gain -15+15 [dB] Level 0127 OD Switch OFF, ON OD Gain 0127 OD Drive OD Level 0127 0127 2-Band EQ L out 2-Band EQ R out Explanation Rotational speed of the rotating speaker SLOW: Slow FAST: Fast Switches the rotation of the rotary speaker. When this is turned on, the rotation will gradually stop. When it is turned off, the rotation will gradually resume. Low-speed rotation speed of the woofer High-speed rotation speed of the woofer Adjusts the rate at which the woofer rotation speeds up when the rotation is switched from Slow to Fast. Adjusts the rate at which the woofer rotation speeds up when the rotation is switched from Fast to Slow. Volume of the woofer Settings of the tweeter The parameters are the same as for the woofer. Sets the rotary speaker stereo image. Gain of the low range Gain of the high range Output Level Overdrive on/off Overdrive input level Higher values will increase the distortion. Degree of distortion Volume of the overdrive 23 MFX Parameters 23 Chorus This is a stereo chorus. A filter is provided so that you can adjust the timbre of the chorus sound. L in R in Parameter Filter Type Cutoff Freq Pre Delay Rate (sync sw) Rate (Hz) Rate (note) Depth Phase Low Gain High Gain Balance Level Chorus Chorus Balance D 2-Band EQ Balance W Balance W Balance D 2-Band EQ L out R out Value Explanation OFF, LPF, HPF Type of filter OFF: No filter is used. LPF: Cuts the frequency range above the Cutoff Freq HPF: Cuts the frequency range below the Cutoff Freq 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, Basic frequency of the filter 2500, 3150, 4000, 5000, 6300, 8000 [Hz] 0.0100 [msec] Adjusts the delay time from the direct sound until the chorus sound is heard. OFF, ON If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) 0.0510.00 [Hz] Note & "Note" (p. 51) Frequency of modulation 0127 Depth of modulation 0180 [deg] Spatial spread of the sound -15+15 [dB] Gain of the low range -15+15 [dB] D100:0WD0:100W 0127 Gain of the high range Volume balance between the direct sound (D) and the chorus sound (W) Output Level 24 Flanger This is a stereo flanger (The LFO has the same phase for left and right.). It produces a metallic resonance that rises and falls like a jet airplane taking off or landing. A filter is provided so that you can adjust the timbre of the flanged sound. Balance D L in 2-Band EQ L out Flanger Balance W Feedback Feedback R in Parameter Filter Type Cutoff Freq Pre Delay Rate (sync sw) Rate (Hz) Rate (note) Depth Phase Feedback Low Gain High Gain Balance Level Flanger Balance D Balance W 2-Band EQ R out Value Explanation OFF, LPF, HPF Type of filter OFF: No filter is used. LPF: Cuts the frequency range above the Cutoff Freq HPF: Cuts the frequency range below the Cutoff Freq 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, Basic frequency of the filter 2500, 3150, 4000, 5000, 6300, 8000 [Hz] 0.0100 [msec] Adjusts the delay time from the direct sound until the flanger sound is heard. OFF, ON If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) 0.0510.00 [Hz] Note & "Note" (p. 51) Frequency of modulation 0127 Depth of modulation 0180 [deg] -98+98 [%] -15+15 [dB] -15+15 [dB] Spatial spread of the sound Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Gain of the low range Gain of the high range D100:0WD0:100W 0127 Volume balance between the direct sound (D) and the flanger sound (W) Output Level 24 MFX Parameters 25 Step Flanger This is a flanger in which the flanger pitch changes in steps. The speed at which the pitch changes can also be specified in terms of a note-value of a specified tempo. Balance D L in 2-Band EQ L out Step Flanger Balance W Feedback Feedback R in Parameter Filter Type Cutoff Freq Pre Delay Rate (sync sw) Rate (Hz) Rate (note) Depth Phase Feedback Step Rate (sync sw) Step Rate (Hz) Step Rate (note) Low Gain High Gain Balance Level Step Flanger Balance D Balance W 2-Band EQ R out Value Explanation OFF, LPF, HPF Type of filter OFF: No filter is used. LPF: Cuts the frequency range above the Cutoff Freq HPF: Cuts the frequency range below the Cutoff Freq 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, Basic frequency of the filter 2500, 3150, 4000, 5000, 6300, 8000 [Hz] 0.0100.0 [msec] Adjusts the delay time from the direct sound until the flanger sound is heard. OFF, ON If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) 0.0510.00 [Hz] Note & "Note" (p. 51) Frequency of modulation 0127 Depth of modulation 0180 [deg] Spatial spread of the sound -98+98 [%] Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. OFF, ON If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) 0.1020.00 [Hz] Note & "Note" (p. 51) Rate (period) of pitch change -15+15 [dB] Gain of the low range -15+15 [dB] Gain of the high range D100:0WD0:100W 0127 Volume balance between the direct sound (D) and the flanger sound (W) Output Level 26 Hexa-Chorus Uses a six-phase chorus (six layers of chorused sound) to give richness and spatial spread to the sound. Balance D L in L out Hexa Chorus Balance W Balance W R in R out Balance D Parameter Pre Delay Rate (sync sw) Rate (Hz) Rate (note) Depth Pre Delay Deviation Depth Deviation Pan Deviation Balance Level Value 0.0100 [msec] OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 020 -2020 020 D100:0WD0:100W 0127 Explanation Adjusts the delay time from the direct sound until the chorus sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of modulation Depth of modulation Adjusts the differences in Pre Delay between each chorus sound. Adjusts the difference in modulation depth between each chorus sound. Adjusts the difference in stereo location between each chorus sound. 0: All chorus sounds will be in the center. 20: Each chorus sound will be spaced at 60 degree intervals relative to the center. Volume balance between the direct sound (D) and the chorus sound (W) Output Level 25 MFX Parameters 27 Tremolo Chorus 29 Overdrive This is a chorus effect with added Tremolo (cyclic modulation of volume). Balance D L in L out Tremolo Chorus Balance W Balance W R in R out Balance D Parameter Pre Delay Value 0.0100 [msec] Chorus Rate (sync sw) OFF, ON Chorus Rate (Hz) Cho Note (Chorus Rate (note)) Chorus Depth 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 Tremolo Rate (sync sw) OFF, ON Tremolo Rate (Hz) Tremolo Rate (note) 0.0510.00 [Hz] Note & "Note" (p. 51) Explanation Adjusts the delay time from the direct sound until the chorus sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Modulation frequency of the chorus effect Modulation depth of the chorus effect If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Modulation frequency of the tremolo effect Tremolo Separation 0127 Depth of the tremolo effect Tremolo Phase Balance Level 0180 [deg] D100:0WD0:100W 0127 Spread of the tremolo effect Volume balance between the direct sound (D) and the tremolo chorus sound (W) Output Level 28 Space-D This is a multiple chorus that applies two-phase modulation in stereo. It gives no impression of modulation, but produces a transparent chorus effect. L in R in Parameter Pre Delay Rate (sync sw) Rate (Hz) Rate (note) Depth Phase Low Gain High Gain Balance Level Space D Space D Balance D 2-Band EQ Balance W Balance W Balance D 2-Band EQ L out R out Value 0.0100 [msec] OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 0180 [deg] -15+15 [dB] -15+15 [dB] D100:0WD0:100W 0127 Explanation Adjusts the delay time from the direct sound until the chorus sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of modulation Depth of modulation Spatial spread of the sound Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the chorus sound (W) Output Level This is an overdrive that provides heavy distortion. L in R in Parameter Drive Tone Amp Sw Amp Type Low Gain High Gain Pan Level Overdrive Amp Simulator 2-Band EQ L out Pan L Pan R R out Value 0127 0127 OFF, ON SMALL, BUILT-IN, 2-STACK, 3-STACK -15+15 [dB] -15+15 [dB] L6463R 0127 Explanation Degree of distortion Also changes the volume. Sound quality of the Overdrive effect Turns the Amp Simulator on/off. Type of guitar amp SMALL: Small amp BUILT-IN: Single-unit type amp 2-STACK: Large double stack amp 3-STACK: Large triple stack amp Gain of the low range Gain of the high range Stereo location of the output sound Output Level 30 Distortion This is a distortion effect that provides heavy distortion. L in R in Parameter Drive Tone Amp Sw Amp Type Low Gain High Gain Pan Level Distortion Amp Simulator 2-Band EQ L out Pan L Pan R R out Value 0127 0127 OFF, ON SMALL, BUILT-IN, 2-STACK, 3-STACK -15+15 [dB] -15+15 [dB] L6463R 0127 Explanation Degree of distortion Also changes the volume. Sound quality of the Overdrive effect Turns the Amp Simulator on/off. Type of guitar amp SMALL: Small amp BUILT-IN: Single-unit type amp 2-STACK: Large double stack amp 3-STACK: Large triple stack amp Gain of the low range Gain of the high range Stereo location of the output sound Output Level 26 31 T-Scream This models a classic analog overdrive. It is distinctive in adding an appropriate amount of overtones without muddying the sound. L in Distortion Tone L out R in Parameter Distortion Tone Level Distortion Value 0127 0127 0127 Tone R out Explanation Degree of distortion Also changes the volume. Tonal character of the overdrive Output Level MFX Parameters 32 Guitar Amp Simulator This is an effect that simulates the sound of a guitar amplifier. L in L out Pan L Pre Amp Speaker Pan R R in R out Parameter Pre Amp Sw Pre Amp Type Pre Amp Volume Pre Amp Master Pre Amp Gain Pre Amp Bass Pre Amp Middle Pre Amp Treble Pre Amp Presence Pre Amp Bright Value Explanation OFF, ON Turns the amp switch on/off. Type of guitar amp JC-120 CLEAN TWIN MATCH DRIVE BG LEAD MS1959I MS1959II MS1959I+II SLDN LEAD METAL 5150 METAL LEAD OD-1 OD-2 TURBO DISTORTION FUZZ 0127 0127 LOW, MIDDLE, HIGH This models the sound of the Roland JC-120. This models a Fender Twin Reverb. This models the sound input to left input on a Matchless D/C-30. A simulation of the latest tube amp widely used in styles from blues and rock. This models the lead sound of the MESA/ Boogie combo amp. The sound of a tube amp typical of the late `70s to `80s. This models the sound input to Input I on a Marshall 1959. This is a trebly sound suited to hard rock. This models the sound input to Input II on a Marshall 1959. This models the sound of connecting inputs I and II on a Marshall 1959 in parallel. lt creates a sound with a stronger low end than I. This models a Soldano SLO-100. This is the typical sound of the eighties. This models the lead channel of a Peavey EVH5150. This is distortion sound that is ideal for performances of heavy riffs. This models the sound of the BOSS OD-1. This produces sweet, mild distortion. This is the high-gain overdrive sound of the BOSS OD-2. This gives a basic, traditional distortion sound. A fuzz sound with rich harmonic content. Volume and amount of distortion of the amp Volume of the entire pre-amp Amount of pre-amp distortion 0127 Tone of the bass/mid/treble frequency range 0127 OFF, ON Tone for the ultra-high frequency range Turning this "On" produces a sharper and brighter sound. * This parameter applies to the "JC-120,""CLEAN TWIN,""MATCH DRIVE," and "BG LEAD" Pre Amp Types. 27 MFX Parameters Parameter Speaker Sw Value OFF, ON Speaker Type Mic Setting Mic Level Direct Level Pan Level SMALL 1 SMALL 2 MIDDLE JC-120 BUILT-IN 1 BUILT-IN 2 BUILT-IN 3 BUILT-IN 4 BUILT-IN 5 BG STACK1 BG STACK2 MS STACK1 MS STACK2 MTL STACK 2-STACK 3-STACK 1, 2, 3 0127 0127 L6463R 0127 Explanation Determines whether the signal passes through the speaker (ON), or not (OFF). Cabinet Diameter (in inches) and number of the speaker Microphone Small open-back 10 enclosure Dynamic Small open-back enclosure 10 Dynamic Open back enclosure 12 x 1 Dynamic Open back enclosure 12 x 2 Dynamic Open back enclosure 12 x 2 Dynamic Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Sealed enclosure 12 x 2 Condenser Large sealed enclosure 12 x 2 Condenser Large sealed enclosure 12 x 4 Condenser Large sealed enclosure 12 x 4 Condenser Large double stack 12 x 4 Condenser Large double stack 12 x 4 Condenser Large triple stack 12 x 4 Condenser Adjusts the location of the microphone that is recording the sound of the speaker. This can be adjusted in three steps, with the microphone becoming more distant in the order of 1, 2, and 3. Volume of the microphone Volume of the direct sound Stereo location of the output sound Output Level 33 Compressor Flattens out high levels and boosts low levels, smoothing out fluctuations in volume. L in Compressor 2-Band EQ L out R in Parameter Attack Release Threshold Knee Ratio Post Gain Level Compressor 2-Band EQ R out Value 0124 0124 -600 [dB] 030 [dB] 1:1, 1.5:1, 2:1, 4:1, 16:1, INF:1 0+18 [dB] 0127 Explanation Sets the time from when the input exceeds the Threshold until the volume starts being compressed Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied. Adjusts the volume at which compression begins This is a function that smooths the onset of compression from the uncompressed state; it gradually applies compression starting earlier than Threshold. Higher values produce a smoother transition. Compression ratio Adjusts the output gain. Output Level 34 Limiter Compresses signals that exceed a specified volume level, preventing distortion from occurring. L in Limiter 2-Band EQ L out R in Parameter Release Threshold Ratio Post Gain Low Gain High Gain Level Limiter 2-Band EQ R out Value 0127 0127 1.5:1, 2:1, 4:1, 100:1 0+18 [dB] -15+15 [dB] -15+15 [dB] 0127 Explanation Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied. Adjusts the volume at which compression begins Compression ratio Adjusts the output gain. Gain of the low range Gain of the high range Output Level 28 MFX Parameters 35 Sustainer By compressing loud input and boosting low input, this effect keeps the volume consistent to produce a sustain effect without distortion. L in Sustainer 2-Band EQ L out R in Parameter Sustain Attack Release Post Gain Low Gain High Gain Level Sustainer 2-Band EQ R out Value 0127 0127 0127 -15+15 [dB] -15+15 [dB] -15+15 [dB] 0127 Explanation Adjusts the range in which a low input signal is boosted to a consistent volume. Higher values produce longer sustain. Time until the volume is compressed Time until compression is removed Adjusts the output gain. Gain of the low range Gain of the high range Output Level 36 Gate Cuts the reverb's delay according to the volume of the sound sent into the effect. Use this when you want to create an artificial-sounding decrease in the reverb's decay. L in Gate L out R in Parameter Threshold Mode Attack Hold Release Balance Level Gate R out Value 0127 GATE, DUCK 0127 0127 0127 D100:0WD0:100W 0127 Explanation Volume level at which the gate begins to close Type of gate GATE: The gate will close when the volume of the original sound decreases, cutting the original sound. DUCK (Duking): The gate will close when the volume of the original sound increases, cutting the original sound. Adjusts the time it takes for the gate to fully open after being triggered. Adjusts the time it takes for the gate to start closing after the source sound falls beneath the Threshold. Adjusts the time it takes the gate to fully close after the hold time. Volume balance between the direct sound (D) and the effect sound (W) Output Level 37 Delay This is a stereo delay. When Feedback Mode is NORMAL: Balance D L in 2-Band EQ Delay Balance W L out Feedback Feedback R in Delay Balance D Balance W 2-Band EQ When Feedback Mode is CROSS: Balance D L in 2-Band EQ Delay Balance W R out L out Feedback Feedback R in Parameter Delay Left (sync sw) Delay Left (msec) Delay Left (note) Delay Right (sync sw) Delay Right (msec) Delay Right (note) Phase Left Phase Right Feedback Mode Feedback HF Damp Low Gain High Gain Balance Level Delay Balance D Balance W 2-Band EQ R out Value Explanation OFF, ON 11300 [msec] Note & "Note" (p. 51) OFF, ON 11300 [msec] Note & "Note" (p. 51) If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time until the left delay sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time until the right delay sound is heard. NORMAL, INVERSE Phase of left and right delay sound NORMAL: Non-inverted INVERT: Inverted NORMAL, CROSS -98+98 [%] 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] Selects the way in which delay sound is fed back into the effect. (See the figures above.) Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut). -15+15 [dB] -15+15 [dB] D100:0WD0:100W Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the delay sound (W) 0127 Output Level 29 MFX Parameters 38 Modulation Delay Adds modulation to the delayed sound. When Feedback Mode is NORMAL: Balance D L in Delay Modulation 2-Band EQ Balance W L out Feedback Feedback R in Delay Modulation Balance D Balance W 2-Band EQ R out When Feedback Mode is CROSS: L in R in Parameter Delay Left (sync sw) Delay Left (msec) Delay Left (note) Delay Right (sync sw) Delay Right (msec) Delay Right (note) Feedback Mode Feedback HF Damp Rate (sync sw) Rate (Hz) Rate (note) Depth Phase Low Gain High Gain Balance Level Balance D Delay Modulation 2-Band EQ Balance W L out Feedback Feedback Delay Modulation Balance D Balance W 2-Band EQ R out Value Explanation OFF, ON 11300 [msec] Note & "Note" (p. 51) OFF, ON 11300 [msec] Note & "Note" (p. 51) If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time until the left delay sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time until the right delay sound is heard. NORMAL, CROSS Selects the way in which delay sound is fed back into the effect. (See the figures above.) -98+98 [%] Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut). If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of modulation 0127 Depth of modulation 0180 [deg] Spatial spread of the sound -15+15 [dB] -15+15 [dB] D100:0WD0:100W 0127 Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the delay sound (W) Output Level 39 3Tap Pan Delay Produces three delay sounds; center, left and right. Balance D L in 2-Band EQ L out Left Tap Balance W Triple Tap Delay Center Tap R in Feedback Right Tap Balance D Balance W 2-Band EQ R out Parameter Value Explanation Delay Left (sync switch) OFF, ON Delay Left (msec) Delay Left (note) 12600 [msec] Note & "Note" (p. 51) Delay Right (sync switch) OFF, ON Delay Right (msec) Delay Right (note) 12600 [msec] Note & "Note" (p. 51) Delay Center (sync sw) OFF, ON Delay Center (msec) Delay Center (note) 12600 [msec] Note & "Note" (p. 51) Center Feedback -98+98 [%] HF Damp Left Level Right Level Center Level Low Gain High Gain Balance Level 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] 0127 0127 0127 -15+15 [dB] -15+15 [dB] D100:0WD0:100W 0127 If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time until the left delay sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time until the right delay sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time until the center delay sound is heard. Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut). Volume of each delay sound Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the delay sound (W) Output Level 30 MFX Parameters 40 4Tap Pan Delay This effect has four delays. L in R in Feedback Delay 1 Quadruple Tap Delay Delay 2 Delay 3 Delay 4 Balance D L out Balance W Balance D Balance W R out 2 1 L 3 4 R Parameter Delay 1 Time (sync sw) Delay 1 Time (msec) Delay 1 Time (note) Delay 2 Time (sync sw) Delay 2 Time (msec) Delay 2 Time (note) Delay 3 Time (sync sw) Delay 3 Time (msec) Delay 3 Time (note) Delay 4 Time (sync sw) Delay 4 Time (msec) Delay 4 Time (note) Delay 1 Feedback HF Damp Delay 1 Level Delay 2 Level Delay 3 Level Delay 4 Level Low Gain High Gain Balance Level Value OFF, ON 12600 [msec] Note & "Note" (p. 51) OFF, ON 12600 [msec] Note & "Note" (p. 51) OFF, ON 12600 [msec] Note & "Note" (p. 51) OFF, ON 12600 [msec] Note & "Note" (p. 51) -98+98 [%] 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] 0127 -15+15 [dB] -15+15 [dB] D100:0WD0:100W 0127 Explanation If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time until Delay 1 is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time until Delay 2 is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time until Delay 3 is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time from the original sound until Delay 4 is heard. Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut). Output level of Delays 14 Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the delay sound (W) Output Level 41 Multi Tap Delay This effect has four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound. L in R in Feedback Delay 1 Delay 2 Multi Tap Delay Delay 3 Delay 4 Balance D 2-Band EQ Balance W L out Balance D Balance W 2-Band EQ R out Parameter Delay 1 Time (sync sw) Delay 1 Time (msec) Delay 1 Time (note) Delay 2 Time (sync sw) Delay 2 Time (msec) Delay 2 Time (note) Delay 3 Time (sync sw) Delay 3 Time (msec) Delay 3 Time (note) Delay 4 Time (sync sw) Delay 4 Time (msec) Delay 4 Time (note) Delay 1 Feedback HF Damp Delay 1 Pan Delay 2 Pan Delay 3 Pan Delay 4 Pan Delay 1 Level Delay 2 Level Delay 3 Level Delay 4 Level Low Gain High Gain Balance Level Value OFF, ON 12600 [msec] Note & "Note" (p. 51) OFF, ON 12600 [msec] Note & "Note" (p. 51) OFF, ON 12600 [msec] Note & "Note" (p. 51) OFF, ON 12600 [msec] Note & "Note" (p. 51) -98+98 [%] 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] L6463R 0127 -15+15 [dB] -15+15 [dB] D100:0WD0:100W 0127 Explanation If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time from the original sound until Delay 1 is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time from the original sound until Delay 2 is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time from the original sound until Delay 3 is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the time from the original sound until Delay 4 is heard. Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut). Stereo location of Delays 14 Output level of Delays 14 Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the effect sound (W) Output Level 31 MFX Parameters 42 Reverse Delay This is a reverse delay that adds a reversed and delayed sound to the input sound. A tap delay is connected immediately after the reverse delay. L in 2-Band EQ L out Rev . Delay Feedback Rev D1 Delay D3 D2 R in 2-Band EQ R out Parameter Value Explanation Threshold 0127 Rev Delay Time (sync OFF, ON sw) Rev Delay Time (msec) Rev Delay Time (note) 11300 [msec] Note & "Note" (p. 51) Rev Delay Feedback -98+98 [%] Rev Delay HF Damp Rev Delay Pan Rev Delay Level 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] L6463R 0127 Delay 1 Time (sync sw) OFF, ON Delay 1 Time (msec) Delay 1 Time (note) 11300 [msec] Note & "Note" (p. 51) Delay 2 Time (sync sw) OFF, ON Delay 2 Time (msec) Delay 2 Time (note) 11300 [msec] Note & "Note" (p. 51) Delay 3 Time (sync sw) OFF, ON Delay 3 Time (msec) Delay 3 Time (note) 11300 [msec] Note & "Note" (p. 51) Delay 3 Feedback -98+98 [%] Delay HF Damp Delay 1 Pan Delay 2 Pan Delay 1 Level Delay 2 Level Low Gain High Gain Balance Level 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] L6463R L6463R 0127 0127 -15+15 [dB] -15+15 [dB] D100:0WD0:100W 0127 Volume at which the reverse delay will begin to be applied If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Delay time from when sound is input into the reverse delay until the delay sound is heard Proportion of the delay sound that is to be returned to the input of the reverse delay (negative (-) values invert the phase) Frequency at which the high-frequency content of the reverse-delayed sound will be cut (BYPASS: no cut) Panning of the reverse delay sound Volume of the reverse delay sound If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Delay time from when sound is input into the tap delay until the delay sound is heard If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Delay time from when sound is input into the tap delay until the delay sound is heard If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Delay time from when sound is input into the tap delay until the delay sound is heard Proportion of the delay sound that is to be returned to the input of the tap delay (negative (-) values invert the phase) Frequency at which the hi-frequency content of the tap delay sound will be cut (BYPASS: no cut) Panning of the tap delay sounds Volume of the tap delay sounds Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the delay sound (W) Output Level 32 43 Time Ctrl Delay A stereo delay in which the delay time can be varied smoothly. L in R in Parameter Delay Time (sync sw) Delay Time (msec) Delay Time (note) Acceleration Feedback HF Damp Low Gain High Gain Balance Level Balance D Time Ctrl Delay 2-Band EQ Balance W L out Feedback Feedback Time Ctrl Delay Balance D Balance W 2-Band EQ R out Value Explanation OFF, ON 11300 [msec] Note & "Note" (p. 51) 015 If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Delay time from when the original sound is heard to when the delay sound is heard Speed at which the current delay time changes to the specified delay time when you change the delay time. This affects the speed of pitch change as well as the delay time. -98+98 [%] Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut). -15+15 [dB] Gain of the low range -15+15 [dB] Gain of the high range D100:0WD0:100W Volume balance between the direct sound (D) and the delay sound (W) 0127 Output Level MFX Parameters 44 Tape Echo A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo. Direct Level L in L out Tape Echo Echo Level Echo Level R in Parameter Mode Repeat Rate Intensity Bass Treble Head S Pan Head M Pan Head L Pan Tape Distortion W/F Rate W/F Depth Echo Level Direct Level Level Direct Level R out Value S, M, L, S+M, S+L, M+L, S+M+L 0127 0127 -15+15 [dB] -15+15 [dB] L6463R L6463R L6463R 05 0127 0127 0127 0127 0127 Explanation Combination of playback heads to use Select from three different heads with different delay times. S: Short M: Middle L: Long Tape speed Increasing this value will shorten the spacing of the delayed sounds. Amount of delay repeats Boost/cut for the lower range of the echo sound Boost/cut for the upper range of the echo sound Independent panning for the short, middle, and long playback heads Amount of tape-dependent distortion to be added This simulates the slight tonal changes that can be detected by signal-analysis equipment. Increasing this value will increase the distortion. Speed of wow/flutter (complex variation in pitch caused by tape wear and rotational irregularity) Depth of wow/flutter Volume of the echo sound Volume of the original sound Output Level 45 LOFI Compress Degrades the sound quality. L in Compressor Lo-Fi 2-Band EQ L out R in Compressor Lo-Fi 2-Band EQ R out Parameter Pre Filter Type LoFi Type Post Filter Type Value 1, 2, 3, 4, 5, 6 1, 2, 3, 4, 5, 6, 7, 8, 9 OFF, LPF, HPF Explanation Selects the type of filter applied to the sound before it passes through the Lo-Fi effect. 1: Compressor off 26: Compressor on Degrades the sound quality. The sound quality grows poorer as this value is increased. Selects the type of filter applied to the sound after it passes through the Lo-Fi effect. OFF: No filter is used. LPF: Cuts the frequency range above the Cutoff Freq HPF: Cuts the frequency range below the Cutoff Freq Parameter Post Filter Cutoff Low Gain High Gain Balance Level Value Explanation 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, Basic frequency of the Post Filter 2500, 3150, 4000, 5000, 6300, 8000 [Hz] -15+15 [dB] Gain of the low range -15+15 [dB] D100:0WD0:100W 0127 Gain of the high range Volume balance between the direct sound (D) and the effect sound (W) Output Level 46 Bit Crusher This creates a lo-fi sound. L in Bit Crusher 2-Band EQ L out R in Parameter Sample Rate Bit Down Filter Low Gain High Gain Level Bit Crusher 2-Band EQ R out Value 0127 020 0127 -15+15 [dB] -15+15 [dB] 0127 Explanation Adjusts the sample rate. Adjusts the bit depth. Adjusts the filter depth. Gain of the low range Gain of the high range Output Level 47 Pitch Shifter A stereo pitch shifter. L in Pitch Shifter 2-Band EQ L out Pitch Shifter R in 2-Band EQ R out Parameter Coarse Fine Delay Time (sync sw) Delay Time (msec) Delay Time (note) Feedback Low Gain High Gain Balance Level Value Explanation -24+12 [semi] -100+100 [cent] OFF, ON 11300 [msec] Note & "Note" (p. 51) -98+98 [%] -15+15 [dB] -15+15 [dB] D100:0WD0:100W 0127 Adjusts the pitch of the pitch shifted sound in semitone steps. Adjusts the pitch of the pitch shifted sound in 2-cent steps. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the delay time from the direct sound until the pitch shifted sound is heard. Adjusts the proportion of the pitch shifted sound that is fed back into the effect. Negative (-) settings will invert the phase. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the pitch shifted sound (W) Output Level 33 MFX Parameters 48 2Voice Pitch Shifter Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the original sound. L in R in Balance D Level 1 Pan 1 L 2 Voice Pitch Shifter Pan 1 R Pan 2 L Level 2 Pan 2 R Balance D 2-Band EQ Balance W Balance W 2-Band EQ L out R out Parameter Pitch1 Coarse Pitch1 Fine Pitch1 Delay (sync sw) Pitch1 Delay (msec) Pitch1 Delay (note) Pitch1 Feedback Pitch1 Pan Pitch1 Level Pitch2 Coarse Pitch2 Fine Pitch2 Delay (sync sw) Pitch2 Delay (msec) Pitch2 Delay (note) Pitch2 Feedback Pitch2 Pan Pitch2 Level Low Gain High Gain Balance Level Value -24+12 [semi] -100+100 [cent] OFF, ON 11300 [msec] Note & "Note" (p. 51) -98+98 [%] L6463R 0127 -24+12 [semi] -100+100 [cent] OFF, ON 11300 [msec] Note & "Note" (p. 51) -98+98 [%] L6463R 0127 -15+15 [dB] -15+15 [dB] D100:0WD0:100W 0127 Explanation Adjusts the pitch of Pitch Shift 1 in semitone steps. Adjusts the pitch of Pitch Shift Pitch 1 in 2-cent steps. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Adjusts the delay time from the direct sound until the Pitch Shift 1 sound is heard. Adjusts the proportion of the pitch shifted sound that is fed back into the effect. Negative (-) settings will invert the phase. Stereo location of the Pitch Shift 1 sound Volume of the Pitch Shift 1 sound Settings of the Pitch Shift 2 sound. The parameters are the same as for the Pitch Shift 1 sound. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the pitch shifted sound (W) Output Level 49 Overdrive 0 Chorus Balance D L in L out Overdrive Chorus Balance W Balance W R in R out Balance D Parameter Overdrive Drive Overdrive Pan Chorus Pre Delay Chorus Rate (sync sw) Chorus Rate (Hz) Chorus Rate (note) Chorus Depth Chorus Balance Level Value 0127 L6463R 0.0100 [msec] OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 D100:0WD0:100W 0127 Explanation Degree of distortion Also changes the volume. Stereo location of the overdrive sound Adjusts the delay time from the direct sound until the chorus sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of modulation Depth of modulation Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D). Output Level 50 Overdrive 0 Flanger L in Overdrive R in Balance D Feedback Flanger Balance D L out Balance W Balance W R out Parameter Value Explanation Overdrive Drive Overdrive Pan Flanger Pre Delay 0127 L6463R 0.0100 [msec] Flanger Rate (sync sw) OFF, ON Flanger Rate (Hz) 0.0510.00 [Hz] Degree of distortion Also changes the volume. Stereo location of the overdrive sound Adjusts the delay time from the direct sound until the flanger sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Flanger Rate (note) Note & "Note" (p. 51) Frequency of modulation Flanger Depth Flanger Feedback Flanger Balance Level 0127 -98+98 [%] D100:0WD0:100W 0127 Depth of modulation Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D). Output Level 34 MFX Parameters 51 Overdrive 0 Delay 53 Distortion 0 Flanger L in R in Parameter Overdrive Drive Overdrive Pan Delay Time (sync sw) Delay Time (msec) Delay Time (note) Delay Feedback Delay HF Damp Delay Balance Level Overdrive Balance D Delay Feedback Balance D L out Balance W Balance W R out Value Explanation 0127 L6463R OFF, ON 12600 [msec] Note & "Note" (p. 51) -98+98 [%] Degree of distortion Also changes the volume. Stereo location of the overdrive sound If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Delay time from when the original sound is heard to when the delay sound is heard Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] D100:0WD0:100W 0127 Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut). Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). Output Level 52 Distortion 0 Chorus L in R in Distortion Balance D Chorus Balance D L out Balance W Balance W R out Parameter Distortion Drive Distortion Pan Chorus Pre Delay Chorus Rate (sync sw) Chorus Rate (Hz) Chorus Rate (note) Chorus Depth Chorus Balance Level Value 0127 L6463R 0.0100 [msec] OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 D100:0WD0:100W 0127 Explanation Degree of distortion Also changes the volume. Stereo location of the overdrive sound Adjusts the delay time from the direct sound until the chorus sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of modulation Depth of modulation Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D). Output Level L in Distortion R in Balance D Feedback Flanger Balance D L out Balance W Balance W R out Parameter Distortion Drive Distortion Pan Flanger Pre Delay Flanger Rate (sync sw) Flanger Rate (Hz) Flanger Rate (note) Flanger Depth Flanger Feedback Flanger Balance Level Value 0127 L6463R 0.0100 [msec] OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 -98+98 [%] D100:0WD0:100W 0127 Explanation Degree of distortion Also changes the volume. Stereo location of the overdrive sound Adjusts the delay time from the direct sound until the flanger sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of modulation Depth of modulation Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D). Output Level 54 Distortion 0 Delay L in R in Parameter Distortion Drive Distortion Pan Delay Time (sync sw) Delay Time (msec) Delay Time (note) Delay Feedback Delay HF Damp Delay Balance Level Distortion Balance D Delay Feedback Balance D L out Balance W Balance W R out Value Explanation 0127 L6463R Degree of distortion Also changes the volume. Stereo location of the overdrive sound OFF, ON 12600 [msec] Note & "Note" (p. 51) -98+98 [%] If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Delay time from when the original sound is heard to when the delay sound is heard Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] D100:0WD0:100W Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut). Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). 0127 Output Level 35 MFX Parameters 55 OD/DS 0 TouchWah 56 OD/DS 0 AutoWah L in R in Parameter Drive Switch Drive Type Drive Tone Amp Switch Amp Type TWah Switch TWah Mode TWah Polarity TWah Sens TWah Manual TWah Peak TWah Balance Low Gain High Gain Level Overdrive/ Distortion Amp Simulator Touch Wah 2-Band EQ L out Pan L Pan R R out Value OFF, ON OVERDRIVE, DISTORTION 0127 0127 OFF, ON SMALL, BUILT-IN, 2-STACK, 3-STACK OFF, ON LPF, BPF DOWN, UP 0127 0127 0127 D100:0WD0:100W -15+15 [dB] -15+15 [dB] 0127 Explanation Turns overdrive/distortion on/off Type of distortion Degree of distortion Also changes the volume. Sound quality of the Overdrive effect Turns the Amp Simulator on/off. Type of guitar amp SMALL: Small amp BUILT-IN: Single-unit type amp 2-STACK: Large double stack amp 3-STACK: Large triple stack amp Wah on/off Type of filter LPF: Produces a wah effect in a broad frequency range. BPF: Produces a wah effect in a narrow frequency range. Direction in which the filter will move UP: The filter will change toward a higher frequency. DOWN: The filter will change toward a lower frequency. Adjusts the sensitivity with which the filter is controlled. Center frequency at which the wah effect is applied Width of the frequency region at which the wah effect is applied Increasing this value will make the frequency region narrower. Volume balance of the sound that passes through the wah (W) and the unprocessed sound (D) Gain of the low range Gain of the high range Output Level L in L out Overdrive/ Amp Distortion Simulator Auto Wah 2-Band EQ Pan L Pan R R in R out Parameter Drive Switch Drive Type Drive Tone Amp Switch Value OFF, ON OVERDRIVE, DISTORTION 0127 0127 OFF, ON Amp Type SMALL, BUILT-IN, 2-STACK, 3-STACK AutoWah Switch OFF, ON AutoWah Mode LPF, BPF AutoWah Manual 0127 AutoWah Peak 0127 AutoWah Rate (sync sw) OFF, ON AutoWah Rate (Hz) AutoWah Rate (note) AutoWah Depth 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 AutoWah Balance D100:0WD0:100W Low Gain High Gain Level -15+15 [dB] -15+15 [dB] 0127 Explanation Turns overdrive/distortion on/off Type of distortion Degree of distortion Also changes the volume. Sound quality of the Overdrive effect Turns the Amp Simulator on/off. Type of guitar amp SMALL: Small amp BUILT-IN: Single-unit type amp 2-STACK: Large double stack amp 3-STACK: Large triple stack amp Wah on/off Type of filter LPF: Produces a wah effect in a broad frequency range. BPF: Produces a wah effect in a narrow frequency range. Center frequency at which the wah effect is applied Width of the frequency region at which the wah effect is applied Increasing this value will make the frequency region narrower. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Modulation frequency of the wah effect Depth of modulation Volume balance of the sound that passes through the wah (W) and the unprocessed sound (D) Gain of the low range Gain of the high range Output Level 36 MFX Parameters 57 GtAmpSim 0 Chorus L in R in Parameter Pre Amp Sw Pre Amp Type Pre Amp Volume Pre Amp Master Pre Amp Gain Pre Amp Bass Pre Amp Middle Pre Amp Treble Pre Amp Speaker Balance D Chorus Balance D L out Balance W Balance W R out Value OFF, ON JC-120 CLEAN TWIN MATCH DRIVE BG LEAD MS1959I MS1959II MS1959I+II SLDN LEAD METAL 5150 METAL LEAD OD-1 OD-2 TURBO DISTORTION FUZZ Explanation Turns the amp switch on/off. Type of guitar amp This models the sound of the Roland JC-120. This models a Fender Twin Reverb. This models the sound input to left input on a Matchless D/C-30. A simulation of the latest tube amp widely used in styles from blues and rock. This models the lead sound of the MESA/ Boogie combo amp. The sound of a tube amp typical of the late `70s to `80s. This models the sound input to Input I on a Marshall 1959. This is a trebly sound suited to hard rock. This models the sound input to Input II on a Marshall 1959. This models the sound of connecting inputs I and II on a Marshall 1959 in parallel. lt creates a sound with a stronger low end than I. This models a Soldano SLO-100. This is the typical sound of the eighties. This models the lead channel of a Peavey EVH 5150. This is distortion sound that is ideal for performances of heavy riffs. This models the sound of the BOSS OD-1. This produces sweet, mild distortion. This is the high-gain overdrive sound of the BOSS OD-2. This gives a basic, traditional distortion sound. A fuzz sound with rich harmonic content. 0127 Volume and amount of distortion of the amp 0127 LOW, MIDDLE, HIGH 0127 0127 0127 Volume of the entire pre-amp Amount of pre-amp distortion Tone of the bass/mid/treble frequency range Parameter Speaker Sw Speaker Type Chorus Switch Chorus Pre Delay Chorus Rate (Hz) Chorus Depth Chorus Balance Level Value OFF, ON SMALL 1 SMALL 2 MIDDLE JC-120 BUILT-IN1 BUILT-IN2 BUILT-IN3 BUILT-IN4 BUILT-IN5 BG STACK1 BG STACK2 MS STACK1 MS STACK2 MTL STACK 2-STACK 3-STACK OFF, ON 0.0100 [msec] 0.0510.00 [Hz] 0127 D100:0WD0:100W 0127 Explanation Selects whether the sound will be sent through the speaker (ON) or not (OFF) Cabinet Diameter (in inches) and number of the speaker Microphone Small open-back 10 enclosure Dynamic Small open-back enclosure 10 Dynamic Open back enclosure 12 x 1 Dynamic Open back enclosure 12 x 2 Dynamic Open back enclosure 12 x 2 Dynamic Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Sealed enclosure 12 x 2 Condenser Large sealed enclosure 12 x 2 Condenser Large sealed enclosure 12 x 4 Condenser Large sealed enclosure 12 x 4 Condenser Large double stack 12 x 4 Condenser Large double stack 12 x 4 Condenser Large triple stack 12 x 4 Condenser Chorus on/off Adjusts the delay time from the direct sound until the chorus sound is heard. Frequency of modulation Depth of modulation Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D). Output Level 37 MFX Parameters 58 GtAmpSim 0 Flanger L in R in Parameter Pre Amp Sw Pre Amp Type Pre Amp Volume Pre Amp Master Pre Amp Gain Pre Amp Bass Pre Amp Middle Pre Amp Treble Pre Amp Speaker Balance D Feedback Flanger Balance D L out Balance W Balance W R out Value Explanation OFF, ON Turns the amp switch on/off. Type of guitar amp JC-120 CLEAN TWIN MATCH DRIVE BG LEAD MS1959I MS1959II MS1959I+II SLDN LEAD METAL 5150 METAL LEAD OD-1 OD-2 TURBO DISTORTION FUZZ 0127 0127 LOW, MIDDLE, HIGH 0127 0127 0127 This models the sound of the Roland JC-120. This models a Fender Twin Reverb. This models the sound input to left input on a Matchless D/C-30. A simulation of the latest tube amp widely used in styles from blues and rock. This models the lead sound of the MESA/ Boogie combo amp. The sound of a tube amp typical of the late `70s to `80s. This models the sound input to Input I on a Marshall 1959. This is a trebly sound suited to hard rock. This models the sound input to Input II on a Marshall 1959. This models the sound of connecting inputs I and II on a Marshall 1959 in parallel. lt creates a sound with a stronger low end than I. This models a Soldano SLO-100. This is the typical sound of the eighties. This models the lead channel of a Peavey EVH5150. This is distortion sound that is ideal for performances of heavy riffs. This models the sound of the BOSS OD-1. This produces sweet, mild distortion. This is the high-gain overdrive sound of the BOSS OD-2. This gives a basic, traditional distortion sound. A fuzz sound with rich harmonic content. Volume and amount of distortion of the amp Volume of the entire pre-amp Amount of pre-amp distortion Tone of the bass/mid/treble frequency range Parameter Speaker Sw Speaker Type Flanger Switch Flanger Pre Delay Flanger Rate (Hz) Flanger Depth Flanger Feedback Flanger Balance Level Value OFF, ON SMALL 1 SMALL 2 MIDDLE JC-120 BUILT-IN1 BUILT-IN2 BUILT-IN3 BUILT-IN4 BUILT-IN5 BG STACK1 BG STACK2 MS STACK1 MS STACK2 MTL STACK 2-STACK 3-STACK OFF, ON 0.0100 [msec] 0.0510.00 [Hz] 0127 -98+98 [%] D100:0WD0:100W 0127 Explanation Determines whether the signal passes through the speaker (ON), or not (OFF). Cabinet Diameter (in inches) and number of the speaker Microphone Small open-back 10 enclosure Dynamic Small open-back enclosure 10 Dynamic Open back enclosure 12 x 1 Dynamic Open back enclosure 12 x 2 Dynamic Open back enclosure 12 x 2 Dynamic Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Sealed enclosure 12 x 2 Condenser Large sealed enclosure 12 x 2 Condenser Large sealed enclosure 12 x 4 Condenser Large sealed enclosure 12 x 4 Condenser Large double stack 12 x 4 Condenser Large double stack 12 x 4 Condenser Large triple stack 12 x 4 Condenser Flanger on/off Adjusts the delay time from the direct sound until the flanger sound is heard. Frequency of modulation Depth of modulation Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D). Output Level 38 MFX Parameters 59 GtAmpSim 0 Phaser L in L out Parameter Speaker Sw Value OFF, ON R in Pre Amp Speaker Phaser Mix Resonance R out Parameter Pre Amp Sw Pre Amp Type Pre Amp Volume Pre Amp Master Pre Amp Gain Pre Amp Bass Pre Amp Middle Pre Amp Treble Value Explanation OFF, ON Turns the amp switch on/off. Type of guitar amp JC-120 CLEAN TWIN MATCH DRIVE BG LEAD MS1959I MS1959II MS1959I+II SLDN LEAD METAL 5150 METAL LEAD OD-1 OD-2 TURBO DISTORTION FUZZ 0127 0127 LOW, MIDDLE, HIGH 0127 0127 0127 This models the sound of the Roland JC-120. This models a Fender Twin Reverb. This models the sound input to left input on a Matchless D/C-30. A simulation of the latest tube amp widely used in styles from blues and rock. This models the lead sound of the MESA/ Boogie combo amp. The sound of a tube amp typical of the late `70s to `80s. This models the sound input to Input I on a Marshall 1959. This is a trebly sound suited to hard rock. This models the sound input to Input II on a Marshall 1959. This models the sound of connecting inputs I and II on a Marshall 1959 in parallel. lt creates a sound with a stronger low end than I. This models a Soldano SLO-100. This is the typical sound of the eighties. This models the lead channel of a Peavey EVH5150. This is distortion sound that is ideal for performances of heavy riffs. This models the sound of the BOSS OD-1. This produces sweet, mild distortion. This is the high-gain overdrive sound of the BOSS OD-2. This gives a basic, traditional distortion sound. A fuzz sound with rich harmonic content. Volume and amount of distortion of the amp Volume of the entire pre-amp Amount of pre-amp distortion Tone of the bass/mid/treble frequency range Speaker Type Phaser Switch Phaser Rate (Hz) Phaser Manual Phaser Depth Phaser Resonance Phaser Mix Level SMALL 1 SMALL 2 MIDDLE JC-120 BUILT-IN1 BUILT-IN2 BUILT-IN3 BUILT-IN4 BUILT-IN5 BG STACK1 BG STACK2 MS STACK1 MS STACK2 MTL STACK 2-STACK 3-STACK OFF, ON 0.0510.00 [Hz] 0127 0127 0127 0127 0127 Explanation Determines whether the signal passes through the speaker (ON), or not (OFF). Cabinet Diameter (in inches) and number of the speaker Microphone Small open-back 10 enclosure Dynamic Small open-back enclosure 10 Dynamic Open back enclosure 12 x 1 Dynamic Open back enclosure 12 x 2 Dynamic Open back enclosure 12 x 2 Dynamic Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Sealed enclosure 12 x 2 Condenser Large sealed enclosure 12 x 2 Condenser Large sealed enclosure 12 x 4 Condenser Large sealed enclosure 12 x 4 Condenser Large double stack 12 x 4 Condenser Large double stack 12 x 4 Condenser Large triple stack 12 x 4 Condenser Phaser on/off Modulation rate Center frequency at which the sound is modulated Depth of modulation Amount of feedback Level of the phase-shifted sound Output Level 39 MFX Parameters 60 GtAmpSim 0 Delay L in R in Parameter Pre Amp Sw Pre Amp Type Pre Amp Volume Pre Amp Master Pre Amp Gain Pre Amp Bass Pre Amp Middle Pre Amp Treble Pre Amp Speaker Balance D Delay Feedback Balance D L out Balance W Balance W R out Value Explanation OFF, ON Turns the amp switch on/off. Type of guitar amp JC-120 CLEAN TWIN MATCH DRIVE BG LEAD MS1959I MS1959II MS1959I+II SLDN LEAD METAL 5150 METAL LEAD OD-1 OD-2 TURBO DISTORTION FUZZ 0127 0127 LOW, MIDDLE, HIGH 0127 0127 0127 This models the sound of the Roland JC-120. This models a Fender Twin Reverb. This models the sound input to left input on a Matchless D/C-30. A simulation of the latest tube amp widely used in styles from blues and rock. This models the lead sound of the MESA/ Boogie combo amp. The sound of a tube amp typical of the late `70s to `80s. This models the sound input to Input I on a Marshall 1959. This is a trebly sound suited to hard rock. This models the sound input to Input II on a Marshall 1959. This models the sound of connecting inputs I and II on a Marshall 1959 in parallel. lt creates a sound with a stronger low end than I. This models a Soldano SLO-100. This is the typical sound of the eighties. This models the lead channel of a Peavey EVH5150. This is distortion sound that is ideal for performances of heavy riffs. This models the sound of the BOSS OD-1. This produces sweet, mild distortion. This is the high-gain overdrive sound of the BOSS OD-2. This gives a basic, traditional distortion sound. A fuzz sound with rich harmonic content. Volume and amount of distortion of the amp Volume of the entire pre-amp Amount of pre-amp distortion Tone of the bass/mid/treble frequency range Parameter Speaker Sw Speaker Type Delay Switch Delay Time Delay Feedback Delay HF Damp Delay Balance Level Value Explanation OFF, ON Determines whether the signal passes through the speaker (ON), or not (OFF). Cabinet Diameter (in inches) and number of the speaker Microphone SMALL 1 SMALL 2 MIDDLE JC-120 BUILT-IN1 BUILT-IN2 BUILT-IN3 BUILT-IN4 BUILT-IN5 BG STACK1 BG STACK2 MS STACK1 MS STACK2 MTL STACK 2-STACK 3-STACK OFF, ON 11300 [msec] -98+98 [%] 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] D100:0WD0:100W 0127 Small open-back 10 enclosure Dynamic Small open-back enclosure 10 Dynamic Open back enclosure 12 x 1 Dynamic Open back enclosure 12 x 2 Dynamic Open back enclosure 12 x 2 Dynamic Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Open back enclosure 12 x 2 Condenser Sealed enclosure 12 x 2 Condenser Large sealed enclosure 12 x 2 Condenser Large sealed enclosure 12 x 4 Condenser Large sealed enclosure 12 x 4 Condenser Large double stack 12 x 4 Condenser Large double stack 12 x 4 Condenser Large triple stack 12 x 4 Condenser Delay on/off Delay time from when the original sound is heard to when the delay sound is heard Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Frequency at which the high-frequency portion of the delay sound will be cut (BYPASS: no cut) Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). Output Level 40 MFX Parameters 61 EPAmpSim 0 Tremolo L in L out EP Amp Speaker Tremolo R in R out Parameter Value Type OLDCASE NEWCASE Bass Treble Tremolo Switch WURLY -50+50 -50+50 OFF, ON Tremolo Speed (sync OFF, ON sw) Tremolo Speed (Hz) Tremolo Speed (note) Tremolo Depth 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 Tremolo Duty -10+10 Speaker Type OD Switch OD Gain OD Drive Level LINE, OLD, NEW, WURLY, TWIN OFF, ON 0127 0127 0127 Explanation Type of amp A standard electric piano sound of the early 70s A standard electric piano sound of the late 70s and early 80s A standard electric piano sound of the 60s Amount of low-frequency boost/cut Amount of high-frequency boost/cut Tremolo on/off If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Rate of the tremolo effect Depth of the tremolo effect Adjusts the duty cycle of the LFO waveform used to apply tremolo. Type of speaker If LINE is selected, the sound will not be sent through the speaker simulation. Overdrive on/off Overdrive input level Degree of distortion Also changes the volume. Output Level 62 EPAmpSim 0 Chorus L in R in EP Amp Speaker Balance D Chorus Balance D L out Balance W Balance W R out Parameter Value Type Bass Treble Chorus Switch Chorus Pre Delay OLDCASE NEWCASE -50+50 -50+50 OFF, ON 0.0100 [msec] Chorus Rate (sync sw) OFF, ON Chorus Rate (Hz) Chorus Rate (note) Chorus Depth 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 Explanation Type of amp A standard electric piano sound of the early 70s A standard electric piano sound of the late 70s and early 80s Amount of low-frequency boost/cut Amount of high-frequency boost/cut Chorus on/off Adjusts the delay time from the direct sound until the chorus sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of modulation Depth of modulation Parameter Chorus Balance Speaker Type OD Switch OD Gain OD Drive Level Value D100:0WD0:100W LINE, OLD, NEW, WURLY, TWIN OFF, ON 0127 0127 0127 Explanation Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D). Type of speaker If LINE is selected, the sound will not be sent through the speaker simulation. Overdrive on/off Overdrive input level Degree of distortion Also changes the volume. Output Level 63 EPAmpSim 0 Flanger L in EP Amp Speaker R in Balance D Feedback Flanger Balance D L out Balance W Balance W R out Parameter Type Bass Treble Flanger Switch Flanger Pre Delay Flanger Rate (sync sw) Flanger Rate (Hz) Flanger Rate (note) Flanger Depth Flanger Feedback Flanger Balance Speaker Type OD Switch OD Gain OD Drive Level Value OLDCASE NEWCASE -50+50 -50+50 OFF, ON 0.0100 [msec] OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 -98+98 [%] D100:0WD0:100W LINE, OLD, NEW, WURLY, TWIN OFF, ON 0127 0127 0127 Explanation Type of amp A standard electric piano sound of the early 70s A standard electric piano sound of the late 70s and early 80s Amount of low-frequency boost/cut Amount of high-frequency boost/cut Flanger on/off Adjusts the delay time from the direct sound until the flanger sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of modulation Depth of modulation Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D). Type of speaker If LINE is selected, the sound will not be sent through the speaker simulation. Overdrive on/off Overdrive input level Degree of distortion Also changes the volume. Output Level 41 MFX Parameters 64 EPAmpSim 0 Phaser L in L out R in EP Amp Speaker Phaser Mix Resonance R out Parameter Value Type Bass Treble Phaser Switch OLDCASE NEWCASE -50+50 -50+50 OFF, ON Phaser Rate (sync sw) OFF, ON Phaser Rate (Hz) Phaser Rate (note) Phaser Manual Phaser Depth Phaser Resonance Phaser Mix Speaker Type OD Switch OD Gain OD Drive Level 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 0127 0127 0127 LINE, OLD, NEW, WURLY, TWIN OFF, ON 0127 0127 0127 Explanation Type of amp A standard electric piano sound of the early 70s A standard electric piano sound of the late 70s and early 80s Amount of low-frequency boost/cut Amount of high-frequency boost/cut Phaser on/off If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Modulation rate Center frequency at which the sound is modulated Depth of modulation Amount of feedback Level of the phase-shifted sound Type of speaker If LINE is selected, the sound will not be sent through the speaker simulation. Overdrive on/off Overdrive input level Degree of distortion Also changes the volume. Output Level 65 EPAmpSim 0 Delay L in R in Parameter Type Bass Treble Delay Switch Delay Time (sync sw) Delay Time (msec) Delay Time (note) EP Amp Speaker Balance D Time Ctrl Delay Feedback Balance D L out Balance W Balance W R out Value OLDCASE NEWCASE -50+50 -50+50 OFF, ON OFF, ON 11300 [msec] Note & "Note" (p. 51) Explanation Type of amp A standard electric piano sound of the early 70s A standard electric piano sound of the late 70s and early 80s Amount of low-frequency boost/cut Amount of high-frequency boost/cut Delay on/off If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Delay time from when the original sound is heard to when the delay sound is heard Parameter Delay Accel Delay Feedback Delay HF Damp Delay Balance Speaker Type OD Switch OD Gain OD Drive Level Value 015 -98+98 [%] 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] D100:0WD0:100W LINE, OLD, NEW, WURLY, TWIN OFF, ON 0127 0127 0127 Explanation Speed at which the current delay time changes to the specified delay time when you change the delay time. This affects the speed of pitch change as well as the delay time. Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Frequency at which the high-frequency portion of the delay sound will be cut (BYPASS: no cut) Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). Type of speaker If LINE is selected, the sound will not be sent through the speaker simulation. Overdrive on/off Overdrive input level Degree of distortion Also changes the volume. Output Level 66 Enhancer 0 Chorus L in Enhancer Mix R in Enhancer Mix Balance D Chorus Balance D L out Balance W Balance W R out Parameter Enhancer Sens Enhancer Mix Chorus Pre Delay Chorus Rate (sync sw) Chorus Rate (Hz) Chorus Rate (note) Chorus Depth Chorus Balance Level Value 0127 0127 0.0100 [msec] OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 D100:0WD0:100W 0127 Explanation Sensitivity of the enhancer Level of the overtones generated by the enhancer Adjusts the delay time from the direct sound until the chorus sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of modulation Depth of modulation Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D). Output Level 42 MFX Parameters 67 Enhancer 0 Flanger 69 Chorus 0 Delay L in Enhancer Mix R in Enhancer Mix Balance D Feedback Flanger Balance D L out Balance W Balance W R out Parameter Value Explanation Enhancer Sens 0127 Sensitivity of the enhancer Enhancer Mix Flanger Pre Delay Flanger Rate (sync sw) Flanger Rate (Hz) Flanger Rate (note) Flanger Depth Flanger Feedback Flanger Balance Level 0127 0.0100 [msec] OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 -98+98 [%] D100:0WD0:100W 0127 Level of the overtones generated by the enhancer Adjusts the delay time from the direct sound until the flanger sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of modulation Depth of modulation Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D). Output Level 68 Enhancer 0 Delay L in Enhancer Mix R in Enhancer Mix Balance D Delay Feedback Balance D L out Balance W Balance W R out Parameter Enhancer Sens Enhancer Mix Delay Time (sync sw) Delay Time (msec) Delay Time (note) Delay Feedback Delay HF Damp Delay Balance Level Value Explanation 0127 0127 Sensitivity of the enhancer Level of the overtones generated by the enhancer OFF, ON 12600 [msec] Note & "Note" (p. 51) -98+98 [%] If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Delay time from when the original sound is heard to when the delay sound is heard Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut). D100:0WD0:100W 0127 Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). Output Level L in R in Balance D Balance W Chorus Balance W Balance D Balance D Delay Feedback Balance D L out Balance W Balance W R out Parameter Chorus Pre Delay Chorus Rate (sync sw) Chorus Rate (Hz) Chorus Rate (note) Chorus Depth Chorus Balance Delay Time (sync sw) Delay Time (msec) Delay Time (note) Delay Feedback Delay HF Damp Delay Balance Level Value Explanation 0.0100 [msec] Adjusts the delay time from the direct sound until the chorus sound is heard. OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of modulation Depth of modulation D100:0WD0:100W Volume balance between the direct sound (D) and the chorus sound (W) OFF, ON 12600 [msec] Note & "Note" (p. 51) -98+98 [%] 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Delay time from when the original sound is heard to when the delay sound is heard Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut). D100:0WD0:100W Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). 0127 Output Level 43 MFX Parameters 70 Flanger 0 Delay 71 Chorus 0 Flanger L in R in Balance D Feedback Flanger Balance W Balance W Balance D Balance D Delay Feedback Balance D L out Balance W Balance W R out Parameter Flanger Pre Delay Flanger Rate (sync sw) Flanger Rate (Hz) Flanger Rate (note) Flanger Depth Flanger Feedback Flanger Balance Delay Time (sync sw) Delay Time (msec) Delay Time (note) Delay Feedback Delay HF Damp Delay Balance Level Value 0.0100 [msec] OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 -98+98 [%] D100:0WD0:100W OFF, ON 12600 [msec] Note & "Note" (p. 51) -98+98 [%] 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] D100:0WD0:100W 0127 Explanation Adjusts the delay time from the direct sound until the flanger sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Frequency of modulation Depth of modulation Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Volume balance between the direct sound (D) and the flanger sound (W) If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Delay time from when the original sound is heard to when the delay sound is heard Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut). Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). Output Level L in R in Balance D Balance W Chorus Balance W Balance D Balance D Feedback Flanger Balance D L out Balance W Balance W R out Parameter Chorus Pre Delay Chorus Rate (sync sw) Chorus Rate (Hz) Chorus Rate (note) Chorus Depth Chorus Balance Flanger Pre Delay Flanger Rate (sync sw) Flanger Rate (Hz) Flanger Rate (note) Flanger Depth Flanger Feedback Flanger Balance Level Value 0.0100 [msec] OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 D100:0WD0:100W 0.0100 [msec] OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 0127 -98+98 [%] D100:0WD0:100W 0127 Explanation Adjusts the delay time from the direct sound until the chorus sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Modulation frequency of the chorus effect Modulation depth of the chorus effect Volume balance between the direct sound (D) and the chorus sound (W) Adjusts the delay time from the direct sound until the flanger sound is heard. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Modulation frequency of the flanger effect Modulation depth of the flanger effect Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D). Output Level 72 CE-1 This models the classic BOSS CE-1 chorus effect unit. It provides a chorus sound with a distinctively analog warmth. L in R in Parameter Intensity Low Gain High Gain Level 2-Band EQ L out CE-1 2-Band EQ R out Value 0127 -15+15 [dB] -15+15 [dB] 0127 Explanation Chorus depth Gain of the low range Gain of the high range Output Level 44 MFX Parameters 73 SBF-325 This effect reproduces Roland's SBF-325 analog flanger. It provides three types of flanging effect (which adds a metallic resonance to the original sound) and a chorus-type effect. L in L out SBF-325 R in R out Parameter Mode Rate (sync sw) Rate (Hz) Rate (note) Depth Manual Feedback Value FL1 FL2 FL3 CHO OFF, ON 0.025.00 [Hz] Note & "Note" (p. 51) 0127 0127 0127 CH-R Mode Phase CH-L Phase NORM, INV CH-R Phase Level 0127 Explanation Types of flanging effect A typical mono flanger A stereo flanger that preserves the stereo positioning of the original sound A cross-mix flanger that produces a more intense effect A chorus effect If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Modulation frequency of the flanger effect Modulation depth of the flanger effect Center frequency at which the flanger effect is applied Amount by which the flanging effect is boosted If Mode is CHO, this setting is ignored. Phase of the right channel modulation: Normally, you will leave this at Normal (NORM). If you specify Inverted (INV), the modulation (upward/downward movement) of the right channel is inverted. Phase when mixing the flanging sound with the original sound NORM: normal phase INV: inverse phase Output Level 75 2Tap Pan Delay Balance D L in L out Delay 1 Balance W Double Tap Delay R in Feedback Delay 2 Balance D Balance W R out Parameter Delay Time (sync sw) Delay Time (msec) Delay Time (note) Delay Feedback Delay HF Damp Delay 1 Pan Delay 2 Pan Delay 1 Level Delay 2 Level Low Gain High Gain Balance Level Value Explanation OFF, ON If this is ON, the delay synchronizes with the tempo. 12600 [msec] Note & "Note" (p. 51) -98+98 [%] 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] Adjusts the delay time from the direct sound until the second delay sound is heard. Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut). L6463R Stereo location of Delay 1 L6463R Stereo location of Delay 2 0127 0127 -15+15 [dB] Volume of delay 1 Volume of delay 2 Gain of the low range -15+15 [dB] Gain of the high range D100:0WD0:100W Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). 0127 Output Level 74 SDD-320 This models Roland's DIMENSION D (SDD-320). It provides a clear chorus sound. L in R in Parameter Mode Low Gain High Gain Level SDD-320 2-Band EQ 2-Band EQ L out R out Value 1, 2, 3, 4, 1+4, 2+4, 3+4 -15+15 [dB] -15+15 [dB] 0127 Explanation Switches the mode. Gain of the low range Gain of the high range Output Level 45 MFX Parameters 76 Transient This effect lets you control the way in which the sound attacks and decays. L in R in Parameter Attack Release Output Gain Sense Level Envelope Controller Value -50+50 -50+50 -24+12 [dB] LOW, MID, HIGH 0127 L out R out Explanation Character of the attack. Higher values make the attack more aggressive; lower values make the attack milder. Character of the decay. Higher values make the sound linger; lower values make the sound cutoff quickly. Output gain Quickness with which the attack is detected Output Level 77 Mid-Side EQ This effect allows the left/right signals that have similar phase to be tonally adjusted in a different way than the left/right signals that have different phase. Mid L in LR 5-Band EQ MS / / MS LR R in 5-Band EQ Side L out R out Parameter M EQ Switch M Input Gain M Low Frequency M Low Gain M Mid1 Frequency M Mid1 Gain M Mid1 Q M Mid2 Frequency M Mid2 Gain M Mid2 Q M Mid3 Frequency M Mid3 Gain M Mid3 Q 46 Value Explanation OFF, ON -12.00+12.00 [dB] Switches whether to apply tonal adjustment to left/right input signals whose phase is similar (in phase). Volume of left/right input signals whose phase is similar (in phase) 20, 25, 31, 40, 50, 63, 80, 100, 125, 160, 200, 250, Frequency of the low range 315, 400 [Hz] -12.00+12.00 [dB] Gain of the low range 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 [Hz] Frequency of the middle range 1 -12.00+12.00 [dB] 0.5, 1.0, 2.0, 4.0, 8.0 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 [Hz] Gain of the middle range 1 Width of the middle range 1 Set a higher value to narrow the range to be affected. Frequency of the middle range 2 -12.00+12.00 [dB] 0.5, 1.0, 2.0, 4.0, 8.0 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 [Hz] Gain of the middle range 2 Width of the middle range 2 Set a higher value to narrow the range to be affected. Frequency of the middle range 3 -12.00+12.00 [dB] 0.5, 1.0, 2.0, 4.0, 8.0 Gain of the middle range 3 Width of the middle range 3 Set a higher value to narrow the range to be affected. Parameter M High Frequency M High Gain S EQ Switch S Input Gain S Low Frequency S Low Gain S Mid1 Frequency S Mid1 Gain S Mid1 Q S Mid2 Frequency S Mid2 Gain S Mid2 Q S Mid3 Frequency S Mid3 Gain S Mid3 Q S High Frequency S High Gain Level Value Explanation 2000, 2500, 3150, 4000, 5000, 6300, 8000, 10000, Frequency of the high range 12500, 16000 [Hz] -12.00+12.00 [dB] Gain of the high range OFF, ON Switches whether to apply tonal adjustment to left/right input signals whose phase is distant (opposite phase). -12.00+12.00 [dB] 20, 25, 31, 40, 50, 63, 80, 100, 125, 160, 200, 250, 315, 400 [Hz] -12.00+12.00 [dB] 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 [Hz] -12.00+12.00 [dB] Volume of left/right signals whose phase is distant (opposite phase) Frequency of the low range Gain of the low range Frequency of the middle range 1 Gain of the middle range 1 0.5, 1.0, 2.0, 4.0, 8.0 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 [Hz] -12.00+12.00 [dB] Width of the middle range 1 Set a higher value to narrow the range to be affected. Frequency of the middle range 2 Gain of the middle range 2 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle range 2 Set a higher value to narrow the range to be affected. 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 [Hz] -12.00+12.00 [dB] Frequency of the middle range 3 Gain of the middle range 3 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle range 3 Set a higher value to narrow the range to be affected. 2000, 2500, 3150, 4000, 5000, 6300, 8000, 10000, Frequency of the high range 12500, 16000 [Hz] -12.00+12.00 [dB] 0127 Gain of the high range Output Level MFX Parameters 78 Mid-Side Compressor This effect allows the left/right signals that have similar phase to be adjusted to a different sense of volume than the left/right signals that have different phase. Mid L in LR Compressor MS / / MS R in LR Compressor Side L out R out Parameter M Comp Switch M Attack M Release M Threshold M Knee M Ratio M Post Gain S Comp Switch S Attack S Release S Threshold S Knee S Ratio S Post Gain Level Value OFF, ON 0124 0124 -600 [dB] 030 [dB] 1:1, 1.5:1, 2:1, 4:1, 16:1, INF:1 0+18 [dB] OFF, ON 0124 0124 -600 [dB] 030 [dB] 1:1, 1.5:1, 2:1, 4:1, 16:1, INF:1 0+18 [dB] 0127 Explanation Switches whether to adjust the sense of volume for left/right input signals whose phase is similar (in phase). Sets the time from when the input exceeds the Threshold until the volume starts being compressed Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied. Adjusts the volume at which compression begins This is a function that smooths the onset of compression from the uncompressed state; it gradually applies compression starting earlier than THRESHOLD. Higher values produce a smoother transition. Compression ratio Adjusts the output gain. Switches whether to adjust the sense of volume for left/right input signals whose phase is distant (opposite phase). Sets the time from when the input exceeds the Threshold until the volume starts being compressed Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied. Adjusts the volume at which compression begins This is a function that smooths the onset of compression from the uncompressed state; it gradually applies compression starting earlier than THRESHOLD. Higher values produce a smoother transition. Compression ratio Adjusts the output gain. Output Level 79 Tone Fattener This effect applies distinctive distortion, adding overtones to give more depth to the sound. L in R in Parameter Odd Level Even Level Level Odd Overtone Generator Even Overtone Generator Even Overtone Generator Odd Overtone Generator L out R in Value 0400 [%] 0400 [%] 0127 Explanation Raising the value adds odd-order overtones. Raising the value adds even-order overtones. Output Level 80 Mid-Side Delay This effect applies different amounts of delay to left/right signals of similar phase and differing phase. L in Mid Multi Tap LR Delay MS / / R in MS Multi Tap Side Delay LR L out R out Parameter M Delay Level Value 0127 M Delay Mode 2Tap, 3Tap, 4Tap M Delay Time (sync sw) OFF, ON Explanation Delay volume of left/right input signals whose phase is similar (in phase) Delay divisions for the input signals whose left/right phase is similar (identical phase) If this is ON, the delay synchronizes with the tempo. M Delay Time (msec) M Delay Time (note) M Delay 1 Feedback M HF Damp M Delay 1 Pan M Delay 2 Pan M Delay 3 Pan M Delay 4 Pan S Delay Level S Delay Mode S Delay Time (sync sw) 11300 [msec] Note & "Note" (p. 51) -98+98 [%] 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] L6463R 0127 2Tap, 3Tap, 4Tap OFF, ON Adjusts the time from the original sound until the delay sound is heard. Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut). Panning of the first delay sound Panning of the second delay sound Panning of the third delay sound Panning of the fourth delay sound Delay volume of left/right input signals whose phase is distant (opposite phase) Delay divisions for the input signals whose left/right phase is distant (reverse phase) If this is ON, the delay synchronizes with the tempo. S Delay Time (msec) S Delay Time (note) 11300 [msec] Note & "Note" (p. 51) Adjusts the time from the original sound until the delay sound is heard. 47 MFX Parameters Parameter S Delay 1 Feedback S HF Damp S Delay 1 Pan S Delay 2 Pan S Delay 3 Pan S Delay 4 Pan Level Value Explanation -98+98 [%] 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz] Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut). Panning of the first delay sound L6463R Panning of the second delay sound Panning of the third delay sound Panning of the fourth delay sound 0127 Output Level 81 RD EPAmpSim This is an effect that was developed for the RD series SuperNatural E.Piano. L in Bass/ Treble Overdrive Speaker Tremolo R in L out R out Parameter Bass Treble Tremolo Switch Value -50+50 -50+50 OFF, ON OLDCASE MONO Tremolo Type OLDCASE STEREO NEWCASE DYNO WURLY Tremolo Speed (sync OFF, ON sw) Tremolo Speed (Hz) 0.0510.00 [Hz] Tremolo Speed (note) Tremolo Depth Tremolo Shape AMP Switch Note & "Note" (p. 51) 0127 020 OFF, ON Speaker Type LINE, OLD, NEW, WURLY, TWIN OD Drive Level 0127 0127 Explanation Amount of low-frequency boost/cut Amount of high-frequency boost/cut Tremolo on/off Type of tremolo effect A standard electric piano sound of the early 70s (mono) A standard electric piano sound of the early 70s (stereo) A standard electric piano sound of the late 70s and early 80s A classic modified electric piano A classic electric piano of the `60s If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Rate of the tremolo effect Depth of the tremolo effect Adjusts the waveform of the tremolo. Turns the speaker and distortion on/off Type of speaker If LINE is selected, the sound will not be sent through the speaker simulation. Degree of distortion Also changes the volume. Output Level 48 82 DJFX Looper Loops a short portion of the input sound. You can vary the playback direction and playback speed of the input sound to add turntable-type effects. L in Delay Loop Sw L out Loop Sw Loop Sw Speed Control R in Parameter Length Speed Loop Sw Level Delay Loop Sw R out Value 0127 -1.00+1.00 OFF, ON 0127 Explanation Specifies the length of the loop. Specifies the playback direction and playback speed. - direction: Reverse playback + direction: Normal playback 0: Stop playback As the value moves away from 0, the playback speed becomes faster. If you turn this on while the sound is heard, the sound at that point will be looped. Turn this off to cancel the loop. * If the effect is recalled with this ON, this parameter must be turned OFF and then turned ON again in order to make the loop operate. Output Level 83 BPM Looper Loops a short portion of the input sound. This can automatically turn the loop on/off in synchronization with the rhythm. L in Delay L out Loop Sw Control R in Parameter Length Rate (sync sw) Rate Hz Rate Note On Timing On Length Loop Mode Delay Value 0127 OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) 18 18 OFF, AUTO, ON R out Explanation Specifies the length of the loop. If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Cycle at which the loop automatically turns on/off Specifies the timing within the cycle at which the loop automatically starts (which step of the eight timing divisions at which the sound is heard) Specifies the length at which the loop automatically ends within the cycle (the number of times that the 1/8-length of sound is heard) If this is AUTO, the loop automatically turns on/off in synchronization with the rhythm. * If the effect is recalled with this ON, this parameter must first be set to something other than ON in order to make the loop operate. MFX Parameters Parameter Level Value 0127 Explanation Output Level 84 Saturator This effect combines overdrive and filter. Balance D L in Pre Filter Overdrive Post Filter1-3 L out Balance W R in Pre Filter Overdrive Post Filter1-3 R out Balance D Parameter Value Explanation DrvPre1 Type THRU, LPF, HPF, LSV, HSV Type of filter that precedes the distortion processing THRU: No filter is applied LPF: A filter that passes the sound below the specified frequency HPF: A filter that passes the sound above the specified frequency LSV: A filter that boosts/cuts the sound below the specified frequency HSV: A filter that boosts/cuts the sound above the specified frequency DrvPre1 Frequency 2016000 [Hz] Frequency at which the pre-distortion filter operates DrvPre1 Gain -24.0+24.0 [dB] For the LSV/HSV types, the amount of boost/ cut Drive 0.0+48.0 [dB] Strength of distortion DrvPost1 Type THRU, LPF, HPF, LSV, Type of filter 1 which follows the distortion HSV processing DrvPost1 Frequency 2016000 [Hz] Frequency at which post-distortion filter 1 operates DrvPost1 Gain -24.0+24.0 [dB] For the LSV/HSV types, the amount of boost/ cut DrvPost2 Type THRU, LPF, HPF, LSV, Type of filter 2 which follows the distortion HSV processing DrvPost2 Frequency 2016000 [Hz] Frequency at which post-distortion filter 2 operates DrvPost2 Gain -24.0+24.0 [dB] For the LSV/HSV types, the amount of boost/ cut DrvPost3 Type THRU, LPF, HPF, BPF, PKG Type of filter 3 which follows the distortion processing THRU: No filter is applied LPF: A filter that passes the sound below the specified frequency HPF: A filter that passes the sound above the specified frequency BPF: A filter that passes only the specified frequency PKG: A filter that boosts/cuts the specified frequency DrvPost3 Frequency 2016000 [Hz] Frequency at which post-distortion filter 3 operates DrvPost3 Gain -24.0+24.0 [dB] For the PKG type, the amount of boost/cut DrvPost3 Q 0.516.0 Width of the frequency range affected by the filter Makeup Sense -60.00.0 [dB] Adjust this value so that the sound is not made louder when distortion is applied. DrvPost Gain -48.0+12.0 [dB] Gain following distortion processing Drive Balance D100:0WD0:100W Volume balance between the dry sound (D) and effect sound (W) Level 0127 Output Level 85 Warm Saturator This is a variety of saturator, and is distinctive for its warmer sound. Balance D L in Low/High R in Low/High Pre Filter Pre Filter Overdrive Overdrive Post Filter1-3 Balance W Post Filter1-3 L out R out Balance D Parameter Value EQ Low Frequency 2016000 [Hz] Explanation Input filter (low range) Boosts/cuts the sound below the specified frequency. EQ Low Gain -24+24 [dB] Amount of boost/cut EQ High Slope THRU, -12dB, -24dB Input filter (high range) Boosts/cuts the sound above the specified frequency. EQ High Frequency 2016000 [Hz] Amount of boost/cut DrvPre1 Type THRU, LPF, HPF, LSV, HSV Types of filter that precedes the distortion processing THRU: No filter is applied LPF: A filter that passes the sound below the specified frequency HPF: A filter that passes the sound above the specified frequency LSV: A filter that boosts/cuts the sound below the specified frequency HSV: A filter that boosts/cuts the sound above the specified frequency DrvPre1 Frequency 2016000 [Hz] Frequency at which the pre-distortion filter operates DrvPre1 Gain -24.0+24.0 [dB] For the LSV/HSV types, the amount of boost/ cut Drive 0.0+48.0 [dB] Strength of distortion DrvPost1 Type THRU, LPF, HPF, LSV, Type of filter 1 which follows the distortion HSV processing DrvPost1 Frequency 2016000 [Hz] Frequency at which post-distortion filter 1 operates DrvPost1 Gain -24.0+24.0 [dB] For the LSV/HSV types, the amount of boost/ cut DrvPost2 Type THRU, LPF, HPF, LSV, Type of filter 2 which follows the distortion HSV processing DrvPost2 Frequency 2016000 [Hz] Frequency at which post-distortion filter 2 operates DrvPost2 Gain -24.0+24.0 [dB] For the LSV/HSV types, the amount of boost/ cut DrvPost3 Type THRU, LPF, HPF, LSV, HSV Type of filter 3 which follows the distortion processing THRU: No filter is applied LPF: A filter that passes the sound below the specified frequency HPF: A filter that passes the sound above the specified frequency BPF: A filter that passes only the specified frequency PKG: A filter that boosts/cuts the specified frequency DrvPost3 Frequency 2016000 [Hz] Frequency at which post-distortion filter 3 operates DrvPost3 Gain -24.0+24.0 [dB] For the PKG type, the amount of boost/cut DrvPost3 Q 0.516.0 Width of the frequency range affected by the filter Makeup Sense -60.00.0 [dB] Adjust this value so that the sound is not made louder when distortion is applied. DrvPost Gain -48.0+12.0 [dB] Gain following distortion processing 49 MFX Parameters Parameter Drive Balance Level Value Explanation D100:0WD0:100W 0127 Volume balance between the dry sound (D) and effect sound (W) Output Level 86 Fuzz Adds overtones and intensely distorts the sound. L in Pre Filter Overdrive Post Filter Tone Control L out R in Parameter Drive Tone Level Pre Filter Overdrive Post Filter Tone Control R out Value 0127 0127 0127 Explanation Adjusts the amount of distortion. This also changes the volume. Sound quality of the Overdrive effect Output Level 87 JUNO-106 Chorus This models the chorus effects of the Roland JUNO-106. L in R in Parameter Mode Noise Level Balance Level L out Chorus Noise Generator R out Value I, II, I+II, JX I, JX II 0127 D100:0WD0:100W 0127 Explanation Type of Chorus I+II: The state in which two buttons are pressed simultaneously. Volume of the noise produced by chorus Volume balance between the dry sound (D) and effect sound (W) Output Level 88 Multi Mode Filter This is a filter that is adjusted for effective use in a DJ performance. L in Multimode Filter L out R in Parameter Filter Type Filter Tone Filter Color Filter Slope Filter Gain Level Multimode Filter Value LPF/HPF, LPF, HPF, BPF 0255 0255 -12, -24, -36 [dB] 0+12 [dB] 0127 R out Explanation Type of filter LPF/HPF: The filter type is automatically switched according to the Filter Tone parameter value. Frequency at which the filter operates Filter resonance level Higher values more strongly emphasize the region of the operating frequency. Amount of attenuation per octave -12 dB: gentle -24 dB: steep -36 dB: extremely steep Amount of boost for the filter output Output Level 50 89 HMS Distortion This is a distortion-type effect that models the vacuum tube amp section of a rotary speaker of the past. L in R in Parameter Distortion Level Tube Model Distortion Value 0127 0127 L out R out Explanation Strength of distortion Output Level 90 Phaser 100 This simulates an analog phaser of the past. L in Phaser L out R in Parameter Rate (sync sw) Rate (Hz) Rate (note) Duty Min Max Manual Sw Manual Resonance Mix Level Phaser Value OFF, ON 0.0510.00 [Hz] Note & "Note" (p. 51) -5050 0100 0100 OFF, ON 0100 066 0127 0127 R out Explanation If this is ON, the rate synchronizes with the tempo of the rhythm. & "BPM" (p. 7) Modulation rate Adjusts the ratio of speeds at which the modulation rises or falls. Lower limit reached by modulation Upper limit reached by modulation Applies modulation according to the value of the Manual parameter, rather than modulating automatically. Center frequency at which the sound is modulated Amount of feedback Level of the phase-shifted sound Output Level Note Sixty-fourth-note triplet Sixteenth-note triplet Dotted sixteenth note Quarter note Whole-note triplet Dotted whole note Sixty-fourth note Dotted thirtysecond note Eighth note Half-note triplet Dotted half note Double note Thirty-secondnote triplet Sixteenth note Quarter-note triplet Dotted quarter note Whole note Thirty-second note Eighth-note triplet Dotted eighth note Half note Double-note triplet MFX Parameters 51 Block Diagram TRACK KICK (SNARE,HI-HAT,KIT,BASS,INST1,INST2) TONE DRUM LOOPER (ONLY IINST1,INST2) Position REC SRC :KICK COMP MFX COMP EQ PAN TRACK VOCAL TAKE 1 TAKE 16 BUILT IN MIC MIC IN LINE IN EXT IN PC USB OUT MIX CH1-2(Vendor) REC SRC : EXT IN(DRY) USB OUT MIX PC CH1-2(Generic) CH3-4(Vendor) Position VOCAL PROCESSOR REC SRC : VOCAL COMP MFX EQ PAN VOCAL PROCESSOR REC SRC : EXT IN(WET) / EXT IN(W/D) REC SRC : PC IN VOCAL PROCESSOR PAN DELAY TOTAL EFFECT REC SRC : MIX OUT MFX MULTI COMP 5 BAND EQ LIMITER 52 REVERB USB IN TRACK 1 CH3-4(Vendor) USB IN TRACK 7 CH15-16(Vendor) USB IN TRACK 8 CH17-18(Vendor) USB IN EXT IN CH19-20(Vendor) PHONES LINE OUT USB IN MIX OUT CH1-2(Generic) CH1-2(Vendor)Adobe InDesign CS6 (Windows) Adobe PDF Library 10.0.1