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User Guide for AIR Music Tech models including: OPx-4, OPx-4 FM Synth Sounds Control, FM Synth Sounds Control, Synth Sounds Control, Sounds Control, Control
16 janv. 2023 — This user guide explains the features and functions of the plugin instrument. For more information on using this plugin with other software, please refer to ...
Akai Pro Force - Page 353 - Gearspace.com https://www.youtube.com/watch?v=DQla...xIkW-w&index=9 OPx-4 Generative Patching!; https://www.youtube.com/watch?v=hPex...xIkW-w&index=7 He even had the link for the manual which is good to have I guess ;
File Info : application/pdf, 28 Pages, 1.79MB
DocumentDocumentOPx-4 User Guide English Manual Version 1.1 Introduction Thank you for purchasing the AIR OPx-4 plugin instrument. The AIR OPx-4 plugin is a four-operator frequency modulation powerhouse, delivering the ultimate in FM sound shaping. · Advance FM synthesis. At the source, each operator is capable of producing complex waveform results via feedback, formant shaping, FM Filtering and FM shaping parameters. · Dual multimode filter path with 23 different filter types · 6 envelopes with tempo-synced looping · 2 LFOs · 2 ramps · 3 insert effects slots and 2 global effects slots with dynamic effects. Choose from a huge library of 27 AIR effects plugins including reverbs, delays, modulation, and distortion. · Modulation matrix with 32 slots · Sample layer for adding percussive attacks This user guide explains the features and functions of the plugin instrument. For more information on using this plugin with other software, please refer to your software's documentation for adding and using plugin instruments. System Requirements & Product Support For complete system requirements and compatibility information, visit airmusictech.com. For technical support, visit support.airmusictech.com. Installation 1. Double-click the .exe (Windows) or .pkg (macOS) file you downloaded. Follow the on-screen instructions to install the software. 2. Open the plugin application. 3. Click Sign In to sign into your inMusic Brands Profile using your Internet browser. If you do not have an inMusic Brands Profile yet, you will be prompted to create one. 4. Once you have signed in, click Activate in the plugin window to enter your serial key to unlock the plugin. You can unlock each plugin on up to three devices at a time. 5. If you do not have a serial key, you can click Try Unlicensed to explore the plugin with intermittent audio alerts. You can also click 10-Day Trial to initiate a free, fully featured trial of the plugin for 10 days. If you would like to purchase a serial key, click the link to purchase a license at profile.inmusicbrands.com. 2 Operation Overview Setup Section Operators and FM Matrix Filter 1/2 Modulation FX 13 LFO 1/2 Utilities Bus Mix Global Controls, Macros Global / Sample Envelopes 16 Global FX 12 3 Setup Section 1 2 3 4 5 1. Keyboard: Click this icon to enable or disable the virtual keyboard. When enabled, you can click these keys to input notes, or view notes being played on an external MIDI device. 2. Tempo: Displays the current plugin tempo. To change the tempo: · Click the number and use your keyboard to input a new value. · Click and drag the tempo value up or down using your cursor. · Click the Tap button at regular intervals. 3. Settings: Click this icon to open the Settings window, where you can set the following parameters: · Output: Click this drop-down menu to select an audio hardware driver in your computer system. Click the Test button to play a test tone for checking your audio output settings. (Careful! You should lower the volume on your audio system beforehand.) · Sample Rate: Click this drop-down menu to select the desired sample rate for your project. This depends on the available sample rates of the type of MPC hardware you are using or of your audio interface (i.e., select 96000 Hz only if your interface allows a 96 kHz sample rate). · Audio Buffer Size: Click this drop-down menu to set your audio system's latency. Lower values result in a more immediate playing response but also more CPU consumption. If you are working with larger projects, this may cause audible clicks and pops. Higher values are more CPU-friendly but can produce more delay between pressing a pad and hearing the corresponding sound. The ideal audio buffer size also depends on your computer's CPU performance. Experiment with this to find the best setting for your system. · Active MIDI Inputs: Displays available MIDI input devices. To enable a device, check the box next to its name. · Bluetooth MIDI: Click this icon to open your system's Bluetooth settings menu, where you can select a Bluetooth-enabled MIDI device to control the plugin. 4. Menu: Click this icon to open the menu, where you can find the following options: · Scale: Click here to select a value to scale the plugin window to a new size. · Load Preset: Click here to load a saved preset. · Save Preset: Click here to save the current preset. · Open User Guide: Click here to open this User Guide. · About: Click here to view plugin version information. 5. Preset: Click this drop-down menu to view the list of included plugin presets. You can also click the up and down arrows next to this field to move to the previous or next preset. 4 Global Controls and Macros Parameter Mix & FX Macros Pan Level Description Value Range Toggles the main view between the Operators Off, On and the Mix & FX parameters. These eight macro controls are unique to each Varies preset. Stereo panning of the instrument. L64 C R64 Overall volume level of the plugin. -inf 0.0 +6.0 dB 5 Operators and FM Matrix Parameter Operators FM Matrix 14 Ratio Offset Level PW Formant FM Shaping FM Filtering FM Scaling Description Value Range Enables or disables the selected voice. Off, On As the ratio doubles, the sound goes up one 0.0000 64.0000 octave. For instance, if your starting note is C3 (Ratio 1.0000), a Ratio of 0.5000 results in C2, a Ratio of 2.0000 results in C4, and so on. Amount of frequency offset in Hz of the operator from the original pitch. -9999.00 0 9999.00 Volume of the selected Operator in the mix. 0100% Depth of pulse width modulation. 0100% Increases resonant frequencies to adjust the timbre of the sound. 0.00 10.00 Controls the modulation levels for the four Operator voices. Use the colored Operator numbers to enable or disable each voice. Use the value matrix to decrease or increase the modulation of the selected voices in the matrix. -100 0 +100% Adjusts the frequency modulation between the 0100% original operator value (at 0) and the squared value (at 100). Amount of high-end filtering applied to the sound to reduce harshness. 0100% Adjust how much overall modulation from the 0100% FM Matrix is applied to the sound. 6 Global / Sample Click Global to view and edit the global settings for the plugin. Click Sample to view and edit the settings for the sample layer. You can use this to add a sampled audio clip as part of the synthesized sound. Parameter Global Transpose Tune Polyphony Glide Legato Time Sample Layer Looped Transpose Tune Level Key Track Dec / Rel Velocity Description Value Range Transposition of the instrument, in semitones. -48 0 +48 Semitones Fine tuning of the plugin, in cents. -50 0 +50 Cents Number of available voices. Legato, Retrigger, 27, Poly Enable or disable pitch gliding. Off, On Enables or disables pitch gliding for legato notes. Off, On Amount of time to slide from the pitch of one note to the next note played. 0.0 2000.0 ms Select the sample layer sound. Varies Enables or disables looping of the sample layer. Off, On Amount of transposition applied to the sample -48 0 +48 semitones layer. Amount of tuning offset applied to the sample -50 0 +50 cents layer. Volume of the sample layer. 0100% Ties the pitch of the sample to the pitch being 0100% played. Length of decay and release of the sample. 10.00 5000.00 ms The amount of effect velocity has on the level of 0100% the sample. When set to 0, velocity has no effect. 7 Filter 1/2 Parameter Type Cutoff Res Drive Description Enables and sets the type of filter applied. · LP: Low Pass · BP: Band Pass · HP: High Pass · BR: Band Reject · AP: All Pass Center cutoff frequency of the filter. Amount of resonance applied to the filter. Amount of overdrive applied to the filter signal. Value Range Off, LP4, LP3, LP2, LP1, BP2, BP4, HP2+LP1, HP3+LP1, HP4, HP3, HP2, HP1, BR2, BR4, BR2+LP1, BR2+LP2, HP1+BR2, BP2+BR2, HP1+LP2, HP1+LP3, AP3, AP3+LP1, HP1+AP3 55.0 Hz 20.0 kHz 0.720.0 0100% LFO 1/2 Click the LFO1 and LFO2 icons to view each LFO's controls. Parameter Global Sync Type Speed Level Delay Phase Fade In Description Value Range Enables or disables the selected LFO. Off, On Sync the LFO Speed to the Global Tempo Off, On or turn Off to adjust Speed by Hz. Type of modulation waveform. Ramp Up, Ramp Down, Triangle, Sine, Square, Rnd1, Rnd2 Speed of modulation. When Sync is Off: 0.10 50.00 Hz When Sync is On: 16, 8T, 16D, 8, 4T, 8D, 4, 2T, 4D, 2, 1T, 3/4, 4/4, 5/4, 6/4, 7/4, 8/4 Amount of LFO applied. 0100% Amount of delay between note start and LFO start. 0.00 15000.00 ms Position of the waveshape when the sound 0100% is triggered. Amount of fade-in time applied to the LFO 0.00 15000.00 ms signal. 8 Utilities Click the Utilities icon to show these settings in the same area of LFO1/2. Parameter Note Counter 1/2 Notes Mode Velocity Curve Ramp 1/2 Global Time Curve Description Value Range Number of available voices. 216 Determines how voices are triggered within the range set in Notes: · Wrap: Voices trigger in order and wrap back around to the minimum once the maximum is reached. · Random: A random number is generated within the value range each time a voice is played. · Ping Pong: Alternates between high and low values within the range. Wrap, Random, Ping Pong Determines how playing notes translates into velocity values. -100 0 +100% At negative values, it takes more force to hit higher velocity values; at positive values, it takes less force. Enables or disables applying the ramp globally. Off, On Length of time for the selected ramp. 10.00 10000.00 ms Adjust the shape of the ramp. -100 0 +100% 9 Envelopes 16 Use these tabs to adjust the six amplitude modulation envelopes. Tap the tab to cycle between each, or tap the envelope icons at the top of the window. In addition to the controls at the bottom of the window, you can also directly tap and drag each envelope point in the graph. Parameter Time Scale Tempo Sync Mode Delay Attack Attack Curve Decay Decay Level Decay Curve Decay 2 Decay 2 Curve Sustain Release Release Curve Description Value Range Duration of the envelope. 10.00 100.00% Length of the envelope relative to the Global Tempo. Set 16, 8T, 16D, 8, 4T, 8D, 4, 2T, to Off set the envelope length according to the stage 4D, 2, 1T, 3/4, 4/4, 5/4, 6/4, settings in milliseconds. 7/4, 8/4, Off Type of envelope applied. DADSR, Loop, One-Shot Amount of time between note start and envelope start. 0.00 15000.00 ms Length of time for the note to reach full level. 0.50 10000.00 ms Adjust the shape of the envelope's Attack phase. 0100% Length of time for the initial attack decay phase. 1.00 10000.00 ms Level of the initial decay phase compared to the attack phase. 0100% Adjust the shape of the envelope's Decay phase. 0100% Length of time for the secondary decay phase for note to 1.00 10000.00 ms reach sustain level. Adjust the shape of the envelope's Decay 2 phase. 0100% Level of the sound while the note is held. 0100% Length of time for the note to dissipate when released. 10.00 5000.00 ms Adjust the shape of the envelope's Release phase. 0100% 10 Envelopes 16 (continued) Click the Env Scale button to view the Envelope Scaling options, which allow you to further adjust how much of the envelope is applied. Parameter Delay Attack Decay 1 Decay 1 Level Decay 2 Sustain Release Time Stretch Description Adjust the overall Delay envelope amount. Adjust the overall Attack envelope amount. Adjust the overall Decay 1 envelope amount. Adjust the overall Decay 1 Level. Adjust the overall Decay 2 envelope amount. Adjust the overall Sustain level. Adjust the overall Release envelope amount. Adjust the overall length of the envelope. Value Range 0100% 0100% 0100% 0100% 0100% 0100% 0100% 100.00400.00% 11 Modulation The 32 modulation points can be configured to add a wide variety of sound shaping tools. To enable a modulation point, click the power button to activate it. To expand the modulation settings, click each modulation number. Click the X icon to return to the list of Modulations. To toggle between viewing modulation groups, click the 116 or 1732 icons. Parameter Mod 132 Power Button Mod Type Description Enables or disables each modulation point. Amount of modulation applied. Type of modulation applied. Min Max Shaper Minimum modulation level of the selected parameter. Maximum modulation level of the selected parameter. Determines how the modulation relationship between the source and target is shaped. Amount Source Target Amount of the Shaper applied. Select the input source of the modulation. Select the output target for the modulation. Value Range Off, On 0100% Bipolar, Unipolar, Bipolar (scaled), Unipolar (reverse) 0100% 0100% Off, Square, Cubic, InvSquare, InvCubic, SquareRoot, CubeRoot, Sine, DoubleSine, Quantize0025, Quantize0050, Quantize0075, Quantize2550, Quantize5075, Quantize75100, 0100% Varies Varies 12 Bus Mix Use this section to adjust the settings for the three bus mixes: The columns represent Operators 14, the Sample layer, and the submix Panning. The rows represent the signal path to FX 13. Rows 1 and 2 are also routed through Filter 1 and 2, respectively. Row 3 does not pass through either filter. All submix outputs will be routed through the Global FX 12, if active. Parameter Operator 14 Sample Pan Description Volume level of the operator in each submix. Level of sample layer audio in each submix. Stereo panning of each submix. Value Range 0100% 0100% L64 C R64 13 FX13 Use these sections to adjust the settings for the three available effects slots: Off Chorus Ensemble Tremolo Delay Multitap Delay Highpass EQ (3 bands) Phaser Phase (vintage) Flanger (vintage) Tube Drive Compressor Expander Click the arrow icon in each FX13 slot to select an effect. Click the 13 icon to bypass the effect. Parameter Chorus Ensemble Rate Depth Mix Delay Feedback Offset LFO Wave Rate Depth Mix Delay Shimmer Width Description Value Range Modulation speed of the chorus effect. 0.01 10.0 Hz Modulation depth of the chorus effect. 0.00 24.00 ms Wet/dry amount of the chorus effect. 0100% Amount of delay between the original signal and modulated signal. 0.00 24.00 ms Amount of signal feed back into the delay line. 0100% Degree of offset that at the start of the LFO wave. -180 0 +180 degrees Type of modulation wave. Tri, Sine Modulation speed of the ensemble effect. 0.01 10.0 Hz Modulation depth of the ensemble effect. 0.00 24.00 ms Wet/dry amount of the ensemble effect. 0100% Amount of delay between the original signal and modulated signal. 0.00 24.00 ms Randomizes the Delay time, adding texture to 0100% the effect. Stereo width of the ensemble effect. 0100% 14 FX13 (continued) Parameter Tremolo Delay Sync Rate Depth Sync Phase Shape Mode Sync Type Delay Feedback Mix L / R Ratio Width Low Cut High Cut Description Value Range Sync the modulation Rate to the Global Tempo Off, On or turn Off to adjust Rate by Hz. Speed of the modulation. When Sync is Off: 0.25 13.00 Hz When Sync is On: 8/4, 6/4, 5/4, 4/4, 3/4, 1T, 2, 4D, 2T, 4, 8D, 4T, 8, 16D, 8T, 16 Modulation depth of the tremolo effect. 0100% Adjusts the starting position of the modulation -180 0 +180 waveform. Type of modulation wave. Sine, Sqr Type of effect applied. Trem, Pan Sync the Delay to the Global Tempo or turn Off, On Off to adjust Delay by milliseconds or seconds. Type of delay applied. Mono, Stereo, Cross Amount of time between the dry signal and the delayed signal. When Sync is Off: 1 ms 4.00 s When Sync is On: 16, 8T, 16D, 8, 4T, 8D, 4, 2T, 4D, 2, 1T, 3/4, 4/4, 5/4, 6/4, 7/4, 8/4 Amount of signal fed back into the delay line. 0100% Wet/dry amount of the delay effect. 0100% Reduces the delay Time in either the Left or Right stereo field. This is useful for creating offset, panned delays. L 50:100 R 100:50 Stereo width of the delay effect. 0100% Center frequency for delay signal low-cut filter. 20.0 Hz 1.0 kHz Center frequency for delay signal high-cut filter. 1.00 kHz 20.0 kHz 15 FX13 (continued) Parameter Description Value Range Multitap Delay From Select the signal where the feedback is taken Tap 15 from. To Select the signal where the feedback is sent to. Input, Tap 15 Sync Sync the Delay to the Global Tempo or turn Off, On Off to adjust Delay by milliseconds or seconds. Low Cut Center frequency for delay signal low-cut filter. 20.0 Hz 1.0 kHz High Cut Center frequency for delay signal high-cut filter. 1.00 kHz 20.0 kHz Delay Amount of time between the dry signal and the delayed signal. When Sync is Off: 1 ms 4.00 s When Sync is On: 16, 8T, 16D, 8, 4T, 8D, 4, 2T, 4D, 2, 1T, 3/4, 4/4, 5/4, 6/4, 7/4, 8/4 Feedback Amount of signal fed back into the delay line. 0100% Mix Wet/dry amount of the delay effect. 0100% Tap 15 Enable or disable each tap delay, which create Off, On multiple delay points. Tap Delay 15 Percent from the original Delay value that each 0100% tap delay is set to. At 100%, the tap delay uses the full Delay amount. Tap Level 15 Volume of the tap delay. -inf 0.0 dB Tap Pan 15 Stereo panning of the tap delay. L100 C R100 Highpass Cutoff Cutoff frequency of the high-pass filter. 01000 Hz Resonance Amount of resonance of the filter. 0100% EQ (3 bands) Low Gain Level of the low EQ band. -15.0 0 +15.0 dB Low Freq Center frequency of the low EQ band. 20.0 Hz 1.00 kHz Mid Gain Level of the mid EQ band. -15.0 0 +15.0 dB Mid Q Width of the mid EQ band. 0.5010.00 Mid Freq Center frequency of the mid EQ band. 40.0 Hz 16.0 kHz High Gain Level of the high EQ band. -15.0 0 +15.0 dB High Freq Center frequency of the high EQ band. 2.00 20.0 kHz Output Output level of the post-EQ audio. -20.0 0 +20.0 dB 16 FX13 (continued) Parameter Phaser Sync Rate Depth Feedback Mix Low Cut Center Poles LFO Wave Offset Phase (vintage) Rate Depth Feedback Mix Offset Flanger (vintage) Phase/Rate Model Rate Depth Mix Feedback Headroom Description Value Range Sync the Phaser Rate to the Global Tempo or Off, On turn Off to adjust Rate by Hz. Speed of modulation. When Sync is set to Off: 0.01 10.0 Hz When Sync is set to On: 8/4, 6/4, 5/4, 4/4, 3/4, 1T, 2, 4D, 2T, 4, 8D, 4T, 8, 16D, 8T, 16 Amount of modulation applied. 0100% Amount of signal fed back into the audio line. 0100% Wet/dry mix of the phaser effect. 0100% Center frequency for the phaser low-cut filter. 20.0 Hz 1.00 kHz Center frequency of the phaser poles. 100 Hz 10.0 kHz Number of phase stages, where a higher 2, 4, 6, 8 number creates a more intense phasing effect. Adjusts the modulation wave between a triangle 0100% wave and sine wave. Degree of offset that at the start of the LFO wave. -180 0 +180 deg Speed of modulation. 0.10 10.00 Hz Amount of modulation applied. 0100% Amount of signal fed back into the audio line. 0100% Wet/dry mix of the phaser effect. 0100% Degree of offset applied to start of the LFO wave or the modulation speed. When Phase/Rate is set to Phase: -180 0 +180 deg When Phase/Rate is set to Rate: 25400% Determines what is affected by the Offset control. Phase, Rate Type of vintage phaser model. Vibe, Stone, Ninety, Tron Speed of modulation. 0.10 10.00 Hz Amount of modulation applied. Wet/dry mix of the phaser effect. Amount of signal fed back into the audio line. Amount of gain reduction between the clean signal and the flanger signal. 0100% 0100% 0100% -20.0 0.0 dB FS 17 FX13 (continued) Parameter Tube Drive Drive Headroom Compressor Saturation Output Type Threshold Ratio Output Knee Expander Attack Release Low Sens High Sens Threshold Ratio Range Output Attack Release Description Value Range Amount of drive applied. 0100% Point at which the incoming signal starts to distort. At lower settings, the signal will distort even at low volumes. At higher settings, the signal will remain "clean" at lower or mid-range volumes and then start distorting when it becomes very loud -30.0 0.0 dB Amount of saturation applied. 0100% Output level of the post-drive audio. -20.0 0 +20.0 dB Type of compression applied. Peak, RMS, Opto Signal level after which the compressor will be -40.0 0.0 dB applied. Amount of compression applied. 1.0:1 100:1 Amount of additional output gain for the compressed signal. -20.0 0 +20.0 dB How gradually the compressor reacts as the threshold is reached. 0100% Lower values apply a "soft" knee (compression is applied more slowly as signal approaches the threshold), and higher values apply a "hard" knee (compression is immediately applied when the threshold is reached). Length of time to apply the compression. 10.0 us 100 ms Length of time for compressed signal to return 10.0 ms 10.00 s to original level. Sensitivity threshold of the compressor for low- -12.0 0 +12.0 dB end frequencies. Sensitivity threshold of the compressor for high-end frequencies. -12.0 0 +12.0 dB Signal level below which the expander will reduce signal. -40.0 0.0 dB Amount of expansion applied. 1:1.0 1:100 Set the dynamic range above the threshold value. 0.0 40.0 dB Output level of the expansion audio. -20.0 0 +20.0 dB Length of time to apply the expansion. 10.0 us 100 ms Length of time for expanded signal to return to 10.0 ms 10.00 s original level. 18 Global FX12 Use these sections to adjust the settings for the two available global effects slots: Off Multitap Delay Flanger (vintage) Chorus Highpass Amp Sim MultiChorus EQ (Parametric) Talk Box Ensemble EQ (3 bands) FuzzWah Temolo Phaser Tube Drive Delay Phase (vintage) Overdrive Tape Delay Flanger Decimator Click the arrow icon in each G12 slot to select an effect. Click the G1G2 icon to bypass the effect. Compressor Maximizer Expander Enhancer Reverb Spring Reverb Gated Reverb Parameter Chorus MultiChorus Ensemble Tremolo Delay Rate Depth Voice Count Mix Delay Width Low Cut LFO Wave Description Value Range See FX13 description above. Modulation speed of the chorus effect. 0.01 10.0 Hz Modulation depth of the chorus effect. 0.00 24.00 ms Number of copies of the sound used to create 3, 4, 6 the chorus effect. Wet/dry amount of the chorus effect. 0100% Amount of delay between the original signal and modulated signal. 0.00 24.00 ms Stereo width of the effect. 0100% Center frequency for the effect low-cut filter. 20.0 Hz 1.00 kHz Type of modulation wave. Tri, Sine See FX13 description above. See FX13 description above. See FX13 description above. 19 Global FX12 (continued) Parameter Tape Delay Multitap Delay Highpass Description Value Range Tape Head On/Off 14 Enables or disables each tape head, which create multiple delay points. Off, On Tape Head Delay 14 Percent from the original Delay value that each 0100% tape head is set to. At 100%, the tape head uses the full Delay amount. Tape Head Mix Wet/dry amount of the tape head. 14 0100% Tape Head Pan Stereo panning of the tape head. 14 L100 C R100 Tape Head Amount of signal from the tape head fed back Feedback 14 into the delay line. 0100% Sync Sync the Delay to the Global Tempo or turn Off Off, On to adjust Delay by milliseconds or seconds. Delay Amount of time between the dry signal and the delayed signal. When Sync is Off: 1 4000 ms When Sync is On: 16, 8T, 16D, 8, 4T, 8D, 4, 2T, 4D, 2, 1T, 3/4, 4/4, 5/4, 6/4, 7/4, 8/4 Speed Rate that the simulated tape moves. 0.0 15.0 ips Input Level of the incoming signal. -inf 0 + 12.0 dB Output Level of the outgoing signal. -inf 0 + 12.0 dB Feedback Amount of signal fed back into the delay line. 0100% Low Cut Center frequency for delay signal low-cut filter. 20.0 Hz 1.0 kHz High Cut Center frequency for delay signal high-cut filter. 1.00 kHz 20.0 kHz Mix Wet/dry amount of the delay effect. 0100% Wow Rate Speed of wow pitch variation. 0.10 20.0 Hz Wow Depth Modulation depth of wow pitch variation. 0100% Flutter Rate Speed of flutter pitch variation. 10.0 Hz 1.00 kHz Flutter Depth Modulation depth of flutter pitch variation. 0100% See FX13 description above. See FX13 description above. 20 Global FX12 (continued) Parameter EQ (Parametric) EQ (3 bands) Phaser Phaser (vintage) Description Output Amount of additional output gain reduction or boost for the post-EQ signal. Band On/Off Enables or disables the selected EQ band. Low Cut Amount of frequency drop-off at the low cut frequency. Low Cut Freq Center frequency of the EQ band. Low Gain Level of the low EQ band. Low Q Width of the low EQ band. Low Freq Center frequency of the low EQ band. Low Shelf/Bell Type of EQ band. Low Mid Gain Level of the low mid EQ band. Low Mid Q Width of the EQ band. Low Mid Freq Center frequency of the low mid EQ band. High Mid Gain Level of the high mid EQ band. High Mid Q Width of the EQ band. High Mid Freq Center frequency of the high mid EQ band. High Gain Level of the high EQ band. High Q Width of the EQ band. High Freq Center frequency of the high EQ band. High Shelf/Bell Type of EQ band. High Cut Amount of frequency drop-off at the high cut frequency. High Cut Freq Center frequency of the high cut EQ band. See FX13 description above. See FX13 description above. See FX13 description above. Value Range -20.0 0.0 +20.0 dB Off, On 6, 12, 18, 24 dB 20.0 Hz 8.00 kHz -12.0 0.0 +12.0 dB 0.40 2.00 20.0 Hz 1.00 kHz Shelf, Bell -18.0 0.0 +18.0 dB 0.40 10.00 40.0 Hz 8.00 kHz -18.0 0.0 +18.0 dB 0.40 10.00 120 Hz 16.0 kHz -18.0 0.0 +18.0 dB 0.40 2.00 1.20 20.0 kHz Shelf, Bell 6, 12, 18, 24 dB 120 Hz 20.0 kHz 21 Global FX12 (continued) Parameter Flanger Sync Trigger Invert Rate Flanger (vintage) Depth Delay Mix Feedback Low Cut LFO Wave Offset Description Value Range Sync the Flanger Rate to the Global Tempo or Off, On turn Off to adjust Rate by Hz. Enable to manually reset the LFO phase. Off, On Enable to invert the polarity of the flanged signal, changing the harmonic structure of the effect. Off, On Speed of modulation. When Sync is set to Off: 0.01 10.0 Hz When Sync is set to On: 8/4, 6/4, 5/4, 4/4, 3/4, 1T, 2, 4D, 2T, 4, 8D, 4T, 8, 16D, 8T, 16 Amount of modulation applied to the delay time. 0.00 12.00 ms Amount of time between the dry signal and the 0.00 12.00 ms delayed signal. Wet/dry mix of the flanger effect. 0100% Amount of signal regeneration of the flanger signal. -100 0 +100% Center frequency for the flanger signal low-cut 20.0 Hz 1.00 kHz filter. Adjusts the modulation wave between a triangle 0100% wave and sine wave. Adjust phase offset of the LFO to the left and -180 0 +180 deg right stereo channels. See FX13 description above. 22 Global FX12 (continued) Parameter Description Value Range Amp Sim Cab Model Type of amplifier simulated. D.I., Brit, 1x8", 1x12", 2x10", 2x12", 4x10", 4x12", 1x15" Bass, 4x10" Bass, Radio Drive Amount of drive applied. 0.011.0 Feedback Amount of amplifier feedback. 0100% Output Output level of the amp signal. -12.0 0.0 +12.0 dB Soft Clip Amount of softening applied to the clipped signal to 0100% decrease high-frequency harmonics and add warmth. Top Boost Amount of gain boost to treble frequencies. 0100% Edge Adjust clipping from being symmetrical to being asymmetrical, which makes it sound richer, and nastier at high settings. 0100% Treble Dampens or maximizes high end frequencies. -12.0 0.0 +12.0 dB Mid Dampens or maximizes mid-range frequencies. -12.0 0.0 +12.0 dB Mid Freq Center frequency for the mid-range EQ. 250 Hz 4.00 kHz Bass Dampens or maximizes low end frequencies. -12.0 0.0 +12.0 dB Mono/Stereo Determines whether the simulation is mono or stereo. Mono, Stereo TalkBox LFO Wave Type of waveform used for the LFO. Sine, Tri, Saw, Square, S&H, Random LFO Sync Sync the LFO Rate to the Global Tempo or turn Off Off, On to adjust LFO Rate by Hz. LFO Rate Speed of LFO modulation. When Sync if Off: 0.01 10.0 Hz When Sync in On: 8/4 16 LFO Depth Amount of modulation applied. -100 0 +100% Vowel Shape of the formant filter, by the vowel sound that is simulated. 0.0001.000 OO, OU, AU, AH, AA, AE, EA, EE, EH, ER, UH, OH, OO Formant Shifts the center formant up or down by semitones. -12.00 0.00 +12.00 Mix Wet/dry amount of the talk box effect. 0100% Env Threshold Amplitude threshold at which the Formant setting begins to be modulated by the Envelope follower. -60.0 0.0 dB Env Attack Length of time for the envelope to trigger. 0.1 10.0 s Env Release Length of time for the envelope to release. 0.1 10.0 s Env Depth Creates a positive or negative offset in the setting of -100 0 100% the Vowel control, effected by the Envelope follower. When the envelope follower is triggered, the Vowel parameter moves to its normal setting and then back to the offset value. 23 Global FX12 (continued) Parameter Fuzz Wah Fuzz Drive Tone Output Wah Pedal Rate Depth Filter Mod Min Freq Max Freq Min Reso Max Reso Order Fuzz Mix Wah Mix Mix Tube Drive Description Enables or disables fuzz distortion. Level of fuzz gain. Brightness of the fuzz distortion. Output level of the fuzz signal. Enables or disables the wah function. Position of the wah pedal. Speed of modulation. Depth of modulation. Type of wah filter. Modulation source for the wah's filter sweep. Frequency of the wah filter at the minimum pedal point. Frequency of the wah filter at the maximum pedal point. Resonance of the wah filter at the minimum pedal point. Resonance of the wah filter at the maximum pedal point. Order of the fuzz and wah effects. Wet/dry amount of the fuzz effect. Wet/dry amount of the wah effect. Wet/dry amount of the combined fuzz/wah effect. See FX13 description above. Value Range Off, On 0 40 dB 1.00 10.0 kHz -Inf 0.0 dB Off, On 0100% 8/4 16 -100 0 +100% Lowpass, Bandpass, Highpass LFO, Env 50.0 Hz 4.00 kHz 50.0 Hz 4.00 kHz 0100% 0100% Fuzz>Wah, Wah>Fuzz 0100% 0100% 0100% 24 Global FX12 (continued) Parameter Overdrive Drive Mode Stereo Output Mix Pre-Shape Threshold Edge High-Cut Description Value Range Amount of input volume to overdrive the audio 060 dB signal. Set the overdrive mode: · Hard: Provides a sharp, immediate distortion of the signal. · Soft: Provides a softer, more gradual distortion of the signal. · Warp: Wraps the waveform back on itself for a complex distortion tone that changes quickly from soft to harsh. Hard, Soft, Wrap Set the effect to stereo or mono output. Off, On Output level of the overdriven signal. 0100% Wet/dry amount of the overdrive effect. 0100% Increases or decreases a broad gain boost or attenuation of treble frequencies in the processed signal. -100 0 100% Amount of headroom for the dynamic range of -20.0 0.0 dB FS the distorted signal. Adjust clipping from being symmetrical to being 0100% asymmetrical, which makes it sound richer, and nastier at high settings. Center frequency for the overdrive high-pass filter. 1.00 20.0 kHz 25 Global FX12 (continued) Parameter Decimator Compressor Maximizer Bit Depth Sample Rate Mix Anti-Alias Pre Post Clip Rectify Noise Mod LFO Sync LFO Rate LFO Depth Attack Release Env Depth Threshold Ceiling Look Ahead Release Knee LF Mono Description Value Range Amount of bit depth reduction. 1.0 16.0 bit Amount of sample rate reduction. 500 Hz 50.0 kHz Wet/dry amount of the decimator effect. 0100% Enables or disables anti-aliasing. Off, On Adjust the anti-aliasing filter cutoff applied to the audio signal before resampling. 0.125 2.000 Fs Adjust the range of anti-aliasing filter cutoff applied to the audio signal after resampling. 0.125 2.000 Fs Adds transistor-like distortion to the signal. 0.0 40.0 dB Acts as a waveshaper, adding aggressive, harsh distortion to the signal. 0100% Adds a buzzy, noisy edge to the signal. 0100% Sync the Rate to the Global Tempo or turn Off Off, On to adjust Rate by Hz. Speed of LFO modulation. When LFO Sync if Off: 0.01 10.0 Hz When LFO Sync in On: 8/4 16 Amount of modulation applied. -100 0 100% Adjust the time it takes to respond to increases 0.1 10.0 s in the audio signal level. Adjust the time it takes to recover after the signal level falls. 0.1 10.0 s Creates a positive or negative offset to the envelope follower. -100 0 +100% See FX13 description above. Signal level after which the maximizer will be applied. -40.0 0.0 dB Maximum output level of the maximizer. -20.0 0.0 dB FS Length of time that the maximizer previews audio to smooth upcoming attacks. 0.0 20.0 ms Length of time for maximized signal to return to 10.0 ms 10.0 s original level. How gradually the maximizer reacts as the threshold is reached. A "soft" knee maximizes audio more slowly as signal approaches the threshold, and a "hard" knee maximizers audio immediately when the threshold is reached. Hard, Soft Frequencies below this setting will be summed 10.0 Hz 1.00 kHz into a mono signal instead of stereo. 26 Global FX12 (continued) Parameter Expander Enhancer Low Gain Low Freq Harmonics Phase Output High Gain High Freq Reverb Type Time Low Cut High Cut Mix Spring Reverb Pre-Delay Time Mix Low Cut Diffusion Width Description Value Range See FX13 description above. Level of the low frequency enhancer band. 0.0 12.0 dB Center frequency of the low-end enhancer band. 40.0 640 Hz Level of harmonic overtones. 0.0 12.0 dB Change the polarity of the generated harmonics, changing their phase relationship with the dry signal. + (positive), - (negative) Output level of the enhanced signal. -Inf 0.0 dB Level of the high frequency enhancer band. 0.0 12.0 dB Center frequency of the high-end enhancer band. 1.0 10.0 kHz Type of reverb applied. Hall, Stadium, Room, Abstract Length of reverb tail. 0.4 s +Inf s Center frequency for the reverb low-pass filter. 1 1000 Hz Center frequency for the reverb high-pass filter. 1.0 20.0 kHz Wet/dry amount of the reverb effect. 0100% Length of time between dry signal and reverberated signal. 0 250 ms Length of reverb tail. 1.00 10.0 s Wet/dry amount of the reverb effect. 0100% Center frequency for reverb signal low-cut filter. 20.0 Hz 1.00 kHz Rate of increasing density of reverb reflections. At lower settings, the sound of individual reflections is more present. At higher settings, reflections are more uniform. 0100% Stereo width of reverb signal. Higher values give wider stereo separation. 0100% 27 Global FX12 (continued) Parameter Gated Reverb Dry Delay Pre-Delay Time Mix Diffusion Low Cut High Cut Width Shape Description Value Range Length of delay time added to the dry signal. 01500 ms Length of time between dry signal and reverberated signal. 0250 ms Length of reverb tail. 01000 ms Wet/dry amount of the gated reverb effect. 0100% Rate of increasing density of reverb reflections. At lower settings, the sound of individual reflections is more present. At higher settings, reflections are more uniform. 0100% Center frequency for reverb signal low-cut filter. 20.0 Hz 1.00 kHz Center frequency for reverb signal high-cut filter. 20.0 Hz 1.00 kHz Stereo width of the gated reverb effect. 0100% Type of reverb shape. 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