FLUX 634462 Pure DExpander Dynamics Enhancement Plugin Instruction Manual

A: To reset the Pure DExpander to its default settings, navigate to the settings menu and look for the option to reset or initialize the device. Confirm the action to restore all parameters to their default values.

Q: Can I use the Pure DExpander in a live performance setting?

A: Yes, the Pure DExpander is suitable for live performances and can be integrated into your audio setup to enhance the audio quality in real time.

Pure DExpander

Pure DExpander is the de-expander section of the Solera. Pure DExpander enhances the low levels of sound. The space information is magnified. Pure DExpander also makes your sound more compact. The Dynamic Ratio algorithm permits some heavy processing while keeping an organic character. The Threshold value is expressed in dB – The plug-in compares it to the RMS (Root Mean Square or effective power) of the input signal. This value is displayed as a green rectangle on the input level meter. The level variations below the threshold are affected by the Ratio parameter. For a 1:1 de-expander ratio, the processed signal isn’t affected by the processing: A 1 dB variation above the threshold at the input is reflected by a 3 dB variation at the output. Let’s apply now a 3:1 ratio. If the input signal rises above 1 dB the threshold value, the output signal rises from 3 dB: Here is the de-expander action. The input signal gain is increased by a 3:1 ratio above the threshold point. The Knee sets how progressive is the start up of the compressor action In other words, It smoothes the transition point between no processing and full processing. If the Knee value expressed in dB is increased, the progressiveness of the action will be spread below and above the threshold point. The Range value sets the processing maximum action. No gain variation can exceed this value.

General Settings

Input Gain (1)

Unit: dB
Value Range: -48 / +48

Step: 0.01
Default Value: 0 dB

Sets the gain applied to the dynamic processing input.

Output Gain (2)

Unit: dB
Value Range: -48 / +48

Step: 0.01
Default Value: 0 dB

Sets the global gain applied to the dynamic processing output.

Invert Phase (3)

Default Value: Off
When this button is engaged, the phase of the processed signal is inverted. This 180° phase shift is also applied on the Solo of the detector Equalizer.

2.4 Dry Mix (4)

Default Value: -144 dB

This slider controls the amount of the original signal that can be added to the processed audio. This feature is dedicated to mastering works requiring both heavy processing and subtle control. The mix is done before the output gain.

Clipper Knee (5)

Unit: dB
Value Range: 0 / +3
Step: 0.01
Default Value: 1 dB
Sets the smoothness of the transmission curve.

Enable Clipper (6)

The Clipper is the very last stage of the processing chain.

Clipper Celling (7)

The Clipper is the very last stage of the processing chain.

Bypass (50)

It’s a global bypass.

Channel Processing Selector (8)

When operating on a multi-channel bus, all channels are processed by default, but it can be useful to remove some channels from the processing for some reasons. This selector allows to keep the unchecked channels untouched. This feature may be used if different settings are required. Several instances of a plug-in can be used in series, each one processing a particular channel with its own settings.

Channel Side Chain Routing (9)

The side chain is only available for mono and stereo. When operating on a multi-channel bus, all channels are feeding the side chain by default, but it can be useful to prevent some channels feeding the side chain for some reasons. The external side chain button is the one that appears with the channel count + 1 label (for mono, the label is “2”, for stereo label is “3”). Here are the different behaviors for external side chain depending of the host applications:
Audio Unit: The side chain button is displayed when the side chain is connected by the host.
AAX: The side chain button is only active if a side chain bus is selected from the plug-in handler.

VST: No side chain feature is available.

MS Width Control (10)

Unit: dB

Value Range: -6 / +6
Step: 0.01
Default Value: 0

Sets the stereo width of the processed signal. A -6 dB value decreases the stereo width. A +6 dB value increases the wideness of the stereo mix but can produce a phase issue.

MS Mode On/Off (11)

Default Value: Off

Enables one MS encoding matrix at the input and one MS decoding matrix at the output of the dynamic processing in order to control the stereo width of the mix. When engaged, the side chain is fed by a MS encoded signal that is reflected in the display section. M channel corresponds to the normal left channel. And the S channel corresponds to the normal right channel This feature is only available when two channels (no more, no less) are processed.

Link (12)

Default: Enabled By default the maximum value issued from all channels feeding the side chain is retained as a source for processing. In this manner, the space information is kept for the processed multi-channel signals. When disabled, every channel uses its own value for individual processing. This configuration may be used in conjunction with the MS width section which encodes the signal in MS before processing and decode at the output. In this manner, the M signal can be processed while keeping the S channel untouched.

Smooth (13)

Default: Enabled When engaged, the side chain is set to preserve bass frequencies from excessive processing. Removing the Smooth profile is usually a great help when trying to smash a kick drum.

Time-Related Settings

Delay (14)

Unit: ms
Value Range: 0 to 50.0 ms
Default Value: 0 ms

A delay reflecting the attack time can be introduced into the signal path in order to produce a zero attack time for the dynamic processing. Shifting the delay value from the attack time allows to control of transients. A delay value inferior to the attack value lets
peaks untouched by the processing.

Note

Note that the different delay values of every band are automatically compensated. Solera can’t be used to produce delay-based special effects.

Warning

Warning: Morphing between presets with different delay values produces sound artifacts. Of course, this delay introduces latency in the processing.

Auto Delay (15)

Default Value: Off
When enabled, the delay value is linked to the attack value. Be aware that the latency introduced by this function is now equal to your attack time divide by 2.

Mode (16)

Default Value: Solera
8 different detection modes are available:

Solera: The Attack setting also controls the integration time for RMS detection. When “Auto” is engaged for the delay value, the produced attack time is zero.
Solera Feed Backward: The Attack setting also controls the integration time for RMS detection which is done on the output of the processor. This mode disables the Delay feature. Note also that the Solera Feed Backward prevents to use the external side chain because it’s the processed signal that feed the side chain.
Classic Fast: The integration time for RMS detection is 10 ms with no direct relation to the Attack setting. But when “Auto” is engaged for the delay value, the produced attack time is zero.

Classic Medium: The integration time for RMS detection is 40 ms with no direct relation with the Attack setting. But when “Auto” is engaged for the delay value, the produced attack time is zero.
Classic Slow: The integration time for RMS detection is 80 ms with no direct relation with the Attack setting. But when “Auto” is engaged for the delay value, the produced attack time is zero.
Classic Feed Backward Fast: The integration time is 10 ms for RMS detection which is done on the output of the processor. This mode disables the Delay feature. Note also that the Feed Backward mode prevents to use the external side chain because it’s the

processed signal which feed the side chain.
Classic Feed Backward Medium: The integration time is 40 ms for RMS detection which is done on the output of the processor. Note also that the Feed Backward mode prevents to use the external side chain because it’s the processed signal which feed the
side chain.

Classic Feed Backward Slow: The integration time is 80 ms for RMS detection which is done on the output of the processor. Note also that the Feed Backward mode prevents to use the external side chain because it’s the processed signal which feed the side chain.
These Feed Backward modes have been inspired by vintage hardware architectures. they create a sort of auto-regulation of the processing which produces a naturally beefy sound.

Attack (17)

Unit: ms
Value Range: 0 ms to 100 ms
Default Value: 0.0 ms

Sets the attack time of the processing envelope. It also controls the manner the RMS value is computed from the incoming signal.

Warning

Warning: The Attack setting also controls the integration time for RMS detection.

Hold (18)

Unit: ms
Value Range: 0 ms / 500 ms.

Default Value: 0 ms

Hold (18)

Unit: ms

Value Range: 0 ms / 500 ms.
Default Value: 0 ms
This parameter is the only one in the time-related settings, that is independent per dynamic processor. The compressor and the expander may have different hold time. Used in the Expander section, this setting allows very precise gating of drum tracks. It can also be used for creative purposes on the other dynamic sections.

Release Mode (19)

Default Value: Auto
Three release modes are available for the envelope of the dynamic processing.

Manual corresponds to the value you have set.
Auto enables our specific algorithm to generate a signal-dependent value to avoid typical pumping effects.
Advanced gives access to two different values for release and to the control of the velocity of the variations between the maximum and the minimum release values.

Release (20)

Unit: ms
Value Range: 0.67 ms / 10000.00 ms

Default Value: 500.00 ms
Sets the manual release value and the maximum release value when in Advanced Mode.

Release Minimum (21)

Unit: ms
Value Range: 0.67ms / 5000.00
Step: 0.01

Default Value: 1.30 ms
Sets the minimum release value when in Advanced Mode.

Dynamic Factor (22)

Unit: x
Value Range: 0 / 3.0
Step: variable.

Default Value: 1
Amplify or dim the extracted real-time dynamic information.

Dynamic Velocity (23)

Unit: %
Value Range: 10 / 1000
Step: 1

Default Value: 50 %
Sets the speed of variation on the dynamic information.
4 Dynamic Section Settings

Threshold (24)

Unit: dB
Value Range: -32 to +16

Default Value: 0
Sets the threshold of the specific dynamic processing section. This dB scale refers to an RMS value. The threshold effective value is modified by the L.I.D., the L.I.D. Threshold and, the L.I.D. Maximum settings.

Ratio (25)

Unit: dB
Value Range: 1 to 10
Step: 0.01

Default Value: 1
Sets the ratio of the specific dynamic processing section. The ratio effective value is modified by the Dynamic Ratio amount.

Infinite (26)

Sets the ratio to its maximum.

Range (27)

Unit: dB

Value Range: 0 to 48
Default Value: 24
Sets the maximum allowed gain variation for a specific dynamic processing section.

Knee (28)

Unit: dB
Value Range: 0 to +24

Default Value: 0
Sets the smoothness of the transmission curve for the specific dynamic processing section. The curve is smoothed around the threshold value of the dB amount set with the knee value.

Peak Detection Amount (29)

Unit: %
Value Range: 0 / 100
Step: 1
Default Value: 0 %
Instant peak value can be added to the RMS signal feeding the detector section, making the dynamic processing more sensitive to audio transients.

Dynamic Ratio (30)

Unit: %
Value Range: 0 / 100
Step: 1
Default Value: 0 %
This setting relaxes the ratio applied to the processor section when the detected signal dynamic raises. This setting literally opens the sound, increases the dynamic impression and keeps some crest by adjusting in real time the ratio of every dynamic processing section regarding both their current settings about ratio and the signal content (mainly dynamic range). To start under-standing this setting and easily hear it, take a full mixed drum kit or a complete mix with punchy drums, set the compression threshold, and ratio to get something near pumping or an aggressive compression. Then increase the output gain to compensate for the gain lost and then toggle between 0 and 100% of the Dynamic Ratio. At 100 % you should hear more air in the sound, more transient, and less compression impression; especially in terms of attack.

Dynamic Ratio Inverter (31)

When engaged, the behavior of the Dynamic Ratio is inverted. The ratio value is increased depending of the detected signal dynamic.

L.I.D.. (Level Independent Detector) (32)

Unit: %
Value Range: 0 / 100
Step: 1
Default Value: 0 %
Allows to process the audio signal independently of the sound level but regarding the signal dynamic range. It is mixed with the standard compression scheme.

Note

Take a piece of full mixed music, set the ratio to 3-4 and the compression will start working. Now set the threshold of the compressor to the maximum value, the compressor will stop working because the sound level will never reach the threshold. Then increase the L.I.D… and you will see (and hear) the compression working again!!! Now decrease or increase the input gain (in Solera or before, as you want) and you will see that the compression will continue to work equally; it’s totally, completely independent of the sound level and depends only on Ratio, Knee, and sound content. How can this be used? When you have too much dynamic in the sound, go for e.g. from -3, -6 dB Vu (or less) to +12 dB; If you want to compress the low levels you will hear the sound “pumping” when the sound reaches the High levels and the only thing to do with the standard compressor will be to increase the threshold to rescue some airiness in the sound. But when doing that the compressor will not work anymore on the low levels and you will hear some sound differences (in term of density, live space, grain, etc…) especially when the compressor starts working. With Solera L.I.D.., adjust the threshold and ratio on the High levels to what you think OK, then increase the L.I.D.. (from 20 to 50 %) and listen now the low levels and especially the transition between Low and High levels. You can also start increasing the ratio to increase the effect. You’ll then notice that the compression will always be active but can still take care of High, loud levels (unless you set 100% L.I.D..) and make the compression very smooth and no more pumping… In addition to the Dynamic Ratio function, you’ll be able to set a constant and very natural envelope that allows to increase low levels, low frequency and to keep important transients.

L.I.D.. Threshold (33)
Sets the gain range of the L.I.D. parameter.
Up: Increasing of the L.I.D. action
Down: Decreasing of the L.I.D. action The current L.I.D. The threshold value is reflected by two blue lines on the Dynamic Activity display.
For Compressor and DCompressor sections, the L.I.D. action is effective only when the or-ange Dynamic Activity (18) exceeds the area between the two blue lines. For Expander and DExpander sections, the L.I.D. action is effective only when the orange
Dynamic Activity (18) stays inside the area between the two blue lines.

L.I.D.. Maximum (34)

When engaged, the threshold for the processing is determined by the maximum values from RMS/peak detection OR from the signal dynamic detection. The L.I.D. Threshold is still active, but the L.I.D. mix button is disabled. This feature allows the whole process to be more reactive to the signal content. It is worth trying on drum tracks.

Display

Resulting Transfer Curve (35)

Auto Scale depending of the threshold value(s)

Input Level Meter (36)

Vu-meter not peak-meter, referenced to -16 dB Fs by default, with auto scale depending of the threshold values.
When the MS Width section is engaged, the M (Middle) level is displayed on the left meter. S (Side) is displayed on the right meter.
The green index reflects the threshold value.

Output Level Meter (37)

Vu-meter not peak-meter, referenced to -16 dB Fs by default, with auto scale depending of the threshold values.
When the MS Width section is engaged, the M (Middle) level is displayed on the left meter. S (Side) is displayed on the right meter.

Resultant Envelop (38)

Vu-meter not peak-meter, referenced to -16 dB Fs by default.
The scale is +/- 12 dB.
This is the compression, decompression, expander and de-expander summing envelop.

Dynamic difference between in and out (39)

Vu-meter not peak-meter, referenced to -16 dB Fs by default.
The scale is +/- 12 dB.

Level difference between in and out (40)

Vu-meter not peak-meter, referenced to -16 dB Fs by default.
The scale is +/- 12 dB.
This is the compression, decompression, expander, and de-expander summing envelope which also takes account of the input and output gains of the band.

Dynamic Activity Display (41)

No scale
The current Hysteresis Threshold value is reflected by two green lines on the Dynamic Activity display.
The hysteresis action is effective only when the orange Dynamic Activity stays inside the area between the two green lines.

Instant Release Value (42)

Auto Scale depending of the release value(s)

Preset Management

Save (43)

Save replaces the selected preset by a new one under the same name featuring the current settings. If you want to keep an existing preset without your new modifications, just select an empty place into the preset list, enter a new name for this modified preset featuring the current settings and press Save.

Recall (44)

Once a preset is selected from the preset list it must be explicitly loaded into section A or the section B by using the recall button. A preset is effective only after it has been recalled.

Copy A / Copy B (45)

The current parameters of a section are copied to the other one. Section A or B is re-initialized with the current values and the morphing slider is parked at 100% of the corresponding section.

Morphing Slider (46)

This horizontal slider has no unity nor specific value display. It allows to morphing of current settings between two loaded presets.
Double-click on one side of the slider area toggle between full A and full B settings.
The results of an in-between setting can be saved as a new preset.
A global preset including the two loaded presets and the morphing slider position can also be saved from preset management window.

Automation Control of the Morphing Slider (47)

Default Value: Off
When this button is disabled, all the plug-in parameter values are recorded when writing automation. The morphing slider is ignored.
When reading automation, if this button is disabled, all the plug-in parameters are controlled by the host automation except the morphing slider.
When this button is engaged, all parameters are recorded when writing automation including the morphing slider.
When this button is engaged, ONLY the morphing slider value is applied when reading automation.
The Automation button must be engaged if the morphing slider has to be mapped on a control surface.

Loaded Preset Preset Display (48)

Preset Manager Access (49)

Specifications

Processing Specifications – Pure DExpander

Up to 16 channels Input/Output.
64-bits internal floating point processing.
Sampling rate up to 384 kHz DXD (Pyramix and Ovation MassCore/Native).
Sampling rate up to 192 kHz for Native (AU/VST/ST3/AAX/AAX AudioSuite).

Processing Specifications – Pure DExpander Session

Mono/Stereo Input/Output.
64-bits internal floating point processing.
Sampling rate up to 96 kHz.

Licence Requirements

In order to use Pure DExpander or Pure DExpander Session, one of the following is required: -An iLok.com user account (the iLok USB Smart Key is not required). – A Flux:: USB Dongle (Available in our online store).

Credits

Software development

Project Manager and Designer:

Gaël Martinet

Application Development:

Gaël Martinet, Alexis Gentil, Bastien Prevosto, Anthony Belard, Maxence Grandidier, Siegfried Hand and Antoine Lorence.

FLUX:: DSP Design and Development:

Gaël Martinet, Maxence Grandidier and Lorcan Mc Donagh

Graphic design:

Nicolas Philippot

FLUX:: Framework development:

Gaël Martinet, Florie-Anne Lafaye, Alexis Gentil, Lorcan Mc Donagh, Bastien Prevosto, An-thony Belard, Siegfried Hand and Antoine Lorence
Additional contributions: Vincent Carlier, Jean-Loup pecquais, Nicolas Erard, Jean Cruypenynck, Pablo Arias, Samuel Tracol

FLUX:: Framework graphic engine:

Emmanuel Julien (GS lib) and Gaël Martinet

And

thanks to all the fantastic testers…

FLUX:: Special Thanks to:

Alain, Yves, Bruno and Claude for helping to shape our minds over the years.

FLUX::

www.flux.audio Copyright 2024, Harman Professional, Inc. ALL RIGHTS RESERVED.

Additional libs

GS lib Emmanuel Julien, Gael Martinet (Copyright 2013 Emmanuel Julien)
ThorVG, Copyright (c) 2020 – 2023 notice for the ThorVG Project (see AUTHORS)
r8brain free – Copyright (c) 2013-2023 Aleksey Vaneev
LibJpeg – Copyright (c) 1991-2016, Thomas G. Lane, Guido Vollbeding
libpng :
- Copyright (c) 1995-2023 The PNG Reference Library Authors.
- Copyright (c) 2018-2023 Cosmin Truta.
- Copyright (c) 2000-2002, 2004, 2006-2018 Glenn Randers-Pehrson.
- Copyright (c) 1996-1997 Andreas Dilger.
- Copyright (c) 1995-1996 Guy Eric Schalnat, Group 42, Inc.
Freetype 2 – Copyright (c) 2006-2023 by David Turner, Robert Wilhelm, and Werner Lemberg.
Zlib – Copyright (c) 1995-2022 Jean-loup Gailly and Mark Adler
bzip2 – Copyright (c) 1996-2010 Julian Seward jseward@bzip.org
Boost – BSL-1.0
ni-media – Copyright (c) 2022 Native Instruments
pfft:
- Copyright (c) 2004 the University Corporation for Atmospheric Research (“UCAR”)
- Copyright (c) 2013 Julien Pommier ( pommier@modartt.com )
- Copyright (c) 2019 Hayati Ayguen ( h_ayguen@web.de )
- Copyright (c) 2020 Dario Mambro ( dario.mambro@gmail.com )
pybind11 – Copyright (c) 2016 Wenzel Jakob wenzel.jakob@epfl.ch
rtaudio – Copyright (c) 2001-2021 Gary P. Scavone
rtmidi – Copyright (c) 2003-2021 Gary P. Scavone
concurrentqueue – Copyright (c) 2013-2016, Cameron Desrochers.
readerwriterqueue – Copyright (c) 2013-2021, Cameron Desrochers.
assimp – Copyright (c) 2006-2021, assimp team
enet – Copyright (c) 2002-2020 Lee Salzman
fmt – Copyright (c) 2012 – present, Victor Zverovich and {fmt} contributors
functions (Erik Rigtorp) – Copyright (c) 2015 Erik Rigtorp erik@rigtorp.se
inplace_function – BSL-1.0
gtest – Copyright 2008, Google Inc.
jsoncpp – Copyright (c) 2007-2010 Baptiste Lepilleur and The JsonCpp Authors
libcurl – Copyright (c) 1996 – 2023, Daniel Stenberg, daniel@haxx.se, and many contributors
magic_enum – Copyright (c) 2019 – 2023 Daniil Goncharov
nanobench – Copyright (c) 2019-2023 Martin Leitner-Ankerl
nlohmann_json – Copyright (c) 2013-2022 Niels Lohmann
openddl – Copyright (c) 1999-2022 Eric Lengyel
openvr – Copyright (c) 2015, Valve Corporation
poly2tri – Copyright (c) 2009-2018, Poly2Tri Contributors
pugixml – Copyright (c) 2006-2022 Arseny Kapoulkine
rapidjson – Copyright (c) 2015 THL A29 Limited, a Tencent company, and Milo Yip.
shared_recursive_mutex – Copyright (c) 2019 konanM
sentry-native – Copyright (c) 2019 Sentry (https://sentry.io) and individual contributors.
sqlite3 – Public Domain License
sqlite_orm – Copyright (c) 2012-2023 Eugene Zakharov and others
stb – Copyright (c) 2017 Sean Barrett
utfcpp – Copyright 2006 Nemanja Trifunovic
unqlite – Copyright (c) 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019 Symisc Systems, S.U.A.R.L [M.I.A.G + Mrad Chems Eddine chm@symisc.net].

Open-source libraries

8.4.1 RTTrPM SDK (Blacktraxx)

ThorVG (replaces crossed-out libraries above) – MIT

https://github.com/thorvg/thorvg/blob/main/LICENSE Copyright (c) 2020 – 2024 notice for the ThorVG Project (see AUTHORS) Permission is hereby granted, free of charge, to any per-son obtaining a copy of this software and associated documentation
files (the “Software”“),
to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software. THE SOFTWARE IS PROVIDED”“AS IS”“, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.”

r8brain free – MIT

https://github.com/avaneev/r8brain-free-src/blob/master/LICENSE

ooura fft from lamp – MIT (or MIT-like)

https://www.kurims.kyoto-u.ac.jp/~ooura/fft.html Copyright Takuya OOURA, 1996-2001

LibJpeg – Custom (BSD-like)

https://jpegclub.org/reference/ Copyright (C) 1991-2016, Thomas G. Lane, Guido Vollbed-ing

libpng – PNG Reference Library License version 2

https://sourceforge.net/p/libpng/code/ci/master/tree/LICENSE Copyright (c) 1995-2023 The PNG Reference Library Authors. Copyright (c) 2018-2023 Cosmin Truta. – Copyright (c) 2000-2002, 2004, 2006-2018 Glenn Randers-Pehrson. Copyright (c) 1996-1997 Andreas Dilger. Copyright (c) 1995-1996 Guy Eric Schalnat, Group 42, Inc.

Freetype 2 – FreeType License

https://github.com/freetype/freetype/blob/master/LICENSE.TXT Copyright (C) 2006-2023 by David Turner, Robert Wilhelm, and Werner Lemberg3

Zlib – zlib

https://zlib.net/zlib_license.html Copyright (C) 1995-2022 Jean-loup Gailly and Mark Adler

bzip2 – Modified zlib

Boost – BSL-1.0

https://github.com/boostorg/boost/blob/master/LICENSE_1_0.txt

mimalloc – MIT

https://github.com/microsoft/mimalloc/blob/master/LICENSE

ni-media – MIT

https://github.com/NativeInstruments/ni-media/blob/master/LICENSE

pfft

https://github.com/marton78/pffft/blob/master/LICENSE.txt

pybind11

https://github.com/pybind/pybind11/blob/master/LICENSE

rtaudio

https://github.com/thestk/rtaudio/blob/master/LICENSE

rtmidi

https://github.com/thestk/rtmidi/blob/master/LICENSE

concurrentqueue – Simplified BSD

https://github.com/cameron314/concurrentqueue/blob/master/LICENSE.md copyright (c) 2013-2016, Cameron Desrochers. All rights reserved. Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

Redistributions of source code must retain the above copyright notice, this list of condi-tions, and the following disclaimer.
Redistributions in binary form must reproduce the above copyright notice, this list of conditions, and the following disclaimer in the documentation and/or other materials provided with the distribution.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS ““AS IS”” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDI-RECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (IN-CLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.”

readerwriterqueue – Simplified BSD

https://github.com/cameron314/readerwriterqueue/blob/master/LICENSE.md Copyright (c) 2013-2021, Cameron Desrochers All rights reserved. Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

Redistributions of source code must retain the above copyright notice, this list of condi-tions and the following disclaimer.
Redistributions in binary form must reproduce the above copyright notice, this list of conditions, and the following disclaimer in the documentation and/or other materials provided with the distribution.
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FIT-NESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (IN-CLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.”

assimp

https://github.com/assimp/assimp/blob/master/LICENSE Copyright (c) 2006-2021, assimp team All rights reserved. Redistribution and use of this software in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

Redistributions of source code must retain the above copyright notice, this list of condi-tions, and the following disclaimer.
Redistributions in binary form must reproduce the above copyright notice, this list of conditions, and the following disclaimer in the documentation and/or other materials provided with the distribution.
Neither the name of the assimp team nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission of the assimp team.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (IN-CLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.”

enet – MIT

https://github.com/lsalzman/enet/blob/master/LICENSE

fmt

https://github.com/fmtlib/fmt/blob/master/LICENSE.rst Copyright notice Copyright (c) 2012 – present, Victor Zverovich and {fmt} contributors

THE SOFTWARE IS PROVIDED ““AS IS”“, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.”

functions (Erik Rigtorp) – MIT

https://github.com/rigtorp/Function/blob/master/LICENSE

inplace_function – BSL-1.0

gtest – ” BSD 3-Clause “New”” or “Revised”“ ”

https://github.com/google/googletest/blob/main/LICENSE

jsoncpp – MIT

https://github.com/open-source-parsers/jsoncpp/blob/master/LICENSE Copyright (c) 2007-2010 Baptiste Lepilleur and The JsonCpp Authors Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the ““Software”“), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.”
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https://curl.se/docs/copyright.html Copyright (c) 1996 – 2024, Daniel Stenberg, daniel@haxx.se, and many contributors, see the THANKS file.

Permission to use, copy, modify, and distribute this software for any purpose with or without fee is hereby granted, provided that the above copyright notice and this permission notice appear in all copies.
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Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the ““Software”“), to deal in the Software without restric-tion, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software. THE SOFTWARE IS PROVIDED ““AS IS”“, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.”

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https://github.com/martinus/nanobench/blob/master/LICENSE) Copyright (c) 2019-2023 Martin Leitner-Ankerl Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the ““Software”“), to deal in the Software without restric-tion, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED ““AS IS”“, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGE MENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.”

8.4.29 nlohmann_json – MIT
https://github.com/nlohmann/json/blob/develop/LICENSE.MIT Copyright (c) 2013-2022 Niels Lohmann

openddl – MIT

https://github.com/EricLengyel/OpenDDL/blob/main/LICENSE Copyright (c) 1999-2022 Eric Lengyel

openvr – ” BSD 3-Clause ““New”” or ““Revised”“ ”

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pugixml – MIT

rapidjson – MIT

https://github.com/Tencent/rapidjson/blob/master/license.txt – “Terms of the MIT License:——————————————————————–
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the ““Software”“), to deal in the Software without restric-tion, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software. THE SOFTWARE IS PROVIDED”“AS IS”“, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR
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shared_recursive_mutex – MIT

Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the ““Software”“), to deal in the Software without restric-tion, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or sub stantial portions of the Software. THE SOFTWARE IS PROVIDED ““AS IS”“, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.”

sentry-native – MIT

sqlite3 – Public Domain

https://www.sqlite.org/copyright.html

sqlite_orm – MIT

https://github.com/fnc12/sqlite_orm/blob/master/COMM-LICENSE Copyright (c) 2012-2023 Eugene Zakharov and others Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the ““Software”“), to deal in the Software without restric-tion, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

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https://github.com/nothings/stb/blob/master/LICENSE Copyright (c) 2017 Sean Barrett Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the ““Software”“), to deal in the Software without restric-tion, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software. THE SOFTWARE IS PROVIDED”“AS IS”“, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED,

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utfcpp – BSL-1.0

https://github.com/nemtrif/utfcpp/blob/master/LICENSE “Boost Software License – Version 1.0 – August 17th, 2003

Permission is hereby granted, free of charge, to any person or organization obtaining a copy of the software and accompanying documentation covered by this license (the ““Software”“) to use, reproduce, display, distribute, execute, and transmit the Software, and to prepare derivative works of the Software, and to permit third-parties to whom the Software is furnished to do so, all subject to the following: The copyright notices in the Software and this entire statement, including the above license grant, this restriction and the following disclaimer, must be included in all copies of the Software, in whole or in part, and all derivative works of the Software, unless such copies or derivative works are solely in the form of machine-executable object code generated by a source language processor. THE SOFTWARE IS PROVIDED ““AS IS”“, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, TITLE AND NON-INFRINGEMENT. IN NO EVENT SHALL THE COPYRIGHT HOLDERS OR ANYONE DISTRIBUTING THE SOFTWARE BE LIABLE FOR ANY DAMAGES OR OTHER LIA-BILITY, WHETHER IN CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.”

quite – BSD 2-clause

https://github.com/symisc/unqlite/blob/master/LICENSE ” * Copyright (C) 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019 Symisc Systems, S.U.A.R.L [M.I.A.G Mrad Chems Eddine chm@symisc.net]. * All rights reserved. Redistribution and use in source and binary forms, with or without * modification, are permitted provided that the following conditions * are met: * 1. Redistributions of source code must retain the above copyright * notice, this list of conditions and the following disclaimer. * 2. Redistributions in binary form must reproduce the above copyright * notice, this list of conditions and the following disclaimer in the * documentation and/or other materials provided with the distribution. THIS SOFTWARE IS PROVIDED BY SYMISC SYSTEMS “AS IS’ ’ AND ANY EXPRESS * OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED * WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR * NON-INFRINGEMENT, ARE DISCLAIMED. IN NO EVENT SHALL SYMISC SYSTEMS * BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR * CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF * SUBSTITUTE GOODS OR SERVICES ; LOSS OF USE, DATA, OR PROFITS – OR * BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, * WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE * OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN * IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.” 3rd Party Open Source Python Modules – – – –

argh (Andrey Mikhaylenko) – LGPLv3

https://pypi.org/project/argh/

chardet (Mark Pilgrim, Daniel Blanchard) – LGPL v2.1

https://github.com/chardet/chardet/blob/main/LICENSE

charset_normalizer – MIT

docopt (Vladimir Keleshev) – MIT

dotenv – “BSD 3-Clause”“New”” or ““Revised”“ ”

https://github.com/theskumar/python-dotenv/blob/main/LICENSE Copyright (c) 2014, Saurabh Kumar (python-dotenv), 2013, Ted Tieken (django-dotenv-rw), 2013, Jacob Kaplan-Moss (django-dotenv) Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

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THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS ““AS IS”” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FIT-NESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDI-RECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (IN-CLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CON-TRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.”

A Release Notes

Build 24.07.0.50393 – All plugins

New Features

VST3 automation state on UI

Improvements

EVO EQ – Dark mode update

Bugs

All plugins – VST3 – GUI freeze when reloading a session in Studio One
All plugins – VST3 – Wrong parameters frequencies when reloading session at 44.1KHz
All plugins – crash when loading a StudioOne session
All plugins AAX – Crash protools when using the protools plugin preset manager on Windows
EVO Channel/Touch and BS Pro – Presets have to be loaded twice to apply the filter values from the Touch section properly
Elixir – Latency not properly compensated after changing stage parameters value in VST and AudioUnit
Elixir – VST – May crash or bypass the audio when reloading a previous session in Nuendo
Evo Channel – GUI issues on Geek panel
Evo Channel/Evo EQ – Bad init on the lowpass filter cut off frequency
HEar – Failed to load HRTF message in Logic until audio playback
Verb and VerbSession – VST3 – Freeze during Steinberg TestHost on Windows

Known Issues

Important

All plugins – AU – Crash in Logic 10.5 on Macos Mojave
All plugins – AU – Sidechain not available
All plugins – VST versions – GUI issue in Izotope Ozone and Davinci Resolve
Elixir – VST3 – Elixir is not available as 32 channels (24 max) in Reaper
HEar – AU – Crashes Ableton
HEar – Do not work properly with Ambisonic streams
Trax – Ran out of CPU error and playback issue in Protools
Verb – AAX – Moving any temporal parameter mute audio and generate noisy artefacts
Verb – HOA 3rd order not working properly

Host Specific

All plugins – VST2 – GUI cropped in TwistedWave
All plugins – VST3 – Do not process the audio in TwistedWave
EVO EQ – AAX-DSP – Not listed in DSP plugins list
EVO Series – AAX DSP – No metering
Evo Channel/Evo EQ – AudioUnit – LPF cut off frequency badly initialized when sam-plerate is 2FS or more
StereoTool – AAX DSP – No metering

Build 24.06.0.50386 – All plugins

Improvements

All plugins – Preset manager filter options updated
All plugins – Preset recall button improved
All plugins – Preset save button improved

Bugs

AAX – Preset manager – Default preset is not applied to parameters at plugin instantiation
All plugins – AAX bad GUI recall with user scale x2 and display scale x2
All plugins – AU – auval real time safety checks
All plugins – All parameters are reset when reloading a session when using presets
All plugins – GUI issue on Windows
All plugins – GUI issue with Retina in FLStudio
All plugins – Mouse wheel not working anymore on knobs
All plugins – Parameters are reset when deactivating/reactivating the plugin in Protools
All plugins – Parameters are reset when loading a session if a preset is used
All plugins – Preset manager font issues
All plugins – VST3 – Keys not working in Pyramix
All plugins – VST3 – Meters not working in Adobe premiere Pro, Adobe audition, Isotope RX10 and Waves Studio Rack
All plugins – VST3 – preset name back reset to default when loading a session
All plugins – VST3 – Can’t edit values using keyboard on Windows
All plugins – mouse wheel + shift key increase controls value when scroll down
All plugins – AAX – Crash protools when using the protools plugin preset manager on Windows
All plugins – VST3 – crash plugin scan when OSC enabled in prefs
EVO Channel – Dark mode display issue when closing/opening the plugin
EVO Channel – custom preset does not load some parameters
EVO In – Phase shift amount automation line display issue in Logic
VO Series – Display issues on some parameter values
EVO Series – Missing controls text
EVO Series – Save button from preset manager not working
EVO Series – save/recall/copy A & B preset buttons from main window not working
VO Series – wrong RMS reference value initialisation
Elixir 1-Stage – GUI broken
EvoEq – very low noise generated when offline rendering (32bit FP)
HEar – AudioUnit – Crashes validation in Logic
Preset Manager – Refresh missing – Preset name still displayed as current preset after being deleted.
Solera – VST3 on Windows – DExp tab selected as default
StereoTool – Correlation phase meter is wrong when quality setting set at 60fps
StudioSession Plugins – May fail to scan in logic
StudioSession Plugins – loads without the limitations
Trax – VST3 – Learn feature not working
VST3 – Some plugins are blacklisted in Cubase 13 on Windows
VST3 – Conformity report
ST3 – Display quality (15/30/60Hz) always reverts to initialized value
VST3 – Verb & VerbSession – Crash in VST3 test host unit test
VST3 – presets slots values are not correctly recalled when a session is saved after using morphing
Verb – AAX – Matrix not reloaded on atmos 9.1.4 tracks
Verb – Does not load the saved multichannel layout
Verb – Multichannel layout not automatically set in Logic
Verb – When in High Density, the dry signal is output
Verb Session – AAX – GUI issue in HiDPI on Windows

Known Issues

Important

All plugins – AU – Crash in Logic 10.5 on Macos Mojave
All plugins – VST2 – GUI cropped in TwistedWave
All plugins – VST3 – Do not process the audio in TwistedWave
All plugins VST versions- GUI issue in Izotope Ozone and Davinci Resolve
Elixir – Latency not properly compensated after changing stage parameters value in VST and AudioUnit
Elixir – Reaper – VST3 – Elixir is not available as 32 channels (24 max)
Evo Channel/Evo EQ – All formats -Bad init on the lowpass filter cut off frequency
HEar – AU – Crashes Ableton
HEar – Do not work properly with Ambisonic streams
HEar – Failed to load HRTF message in Logic until audio playback
Trax – Ran out of CPU error and playback issue in Protools
Verb – AAX – Moving any temporal parameter mute audio and generate noisy artefacts
Verb – HOA 3rd order not working properly.

Build 23.07.50310 – All plugins

New features

Support Pro Tools new track formats

Bugs fixes

All plugins – Nuendo – VST3 – crash when stereo plugins are instantiated on multichannel tracks (StereoTools, …)
All plugins – Pace protected plugins fail to scan on Da Vinci Resolve mac
All plugins – Popups wrong metrics when changing screen
All plugins – Presets not imported
All plugins – VST3 – Nuendo – WIN (UHD360) – Wrong window size init
All plugins – VST3 – WIN (UHD630) – REAPER – GUI refresh issue when in single window mode
All plugins – GUI issue with AMD graphics on windows – flickering issue
All plugins – AU – Plugins parameters are reset when bouncing in Reaper
All plugins – VST2 – no multichannel with the plugins 23.X in Reaper
All plugins – VST – Resizing the GUI does not update the floating window size in Nuendo on Windows with UHD630 graphics
Bittersweet – VST3 – crashes on Pyramix on instantiation
StereoTool / EVO Channel – VST3 – No goniometer / analyzer in Wavelab
Elixir – Not available as 32 channels in Reaper
EVO series – AAX – Dark Mode wrong GUI init
EVO series – remove unused and duplicated presets
EVO Channel – VST3 – spectrum smoothing slider crashes Studio one
EVO Channel / EVO Eq – VST3 – Analyzer not working in Ableton Live
EVO Channel / EVO Eq – scale eq control always reload on auto mode
EVO Eq – weird release on meter
EVO In – GUI refresh issue when toggling night/day mode
EVO Touch – Zero Crossing Threshold label missing in the geek panel
EVO Touch – frequency band selector does not always recall the good settings on session reload
EVO Touch/ EVO Channel – Frequency range slider is hard to handle
Pure Serie – VST3 – Attack value max 80ms
Pure Comp – Crash when loading “Bass guitar” preset
Pure Limiter – VST3 – advanced mode does not turn on advanced settings
StereoTool – VST3 – vector scope not working in Ableton Live on Windows
StereoTool – Not working in Final Cut Pro
TRAX – Crash using oversampling with sessions set at 2FS or higher
TRAX Tr – not usable in Protools anymore (build 50123)

Known issues

All plugins – VST – GUI issue in Izotope Ozone and RX
All plugins – AAX – Preset manager – Default preset is not applied to parameters at plugin instantiation
Elixir – Latency not properly compensated after changing stage parameters value in VST and AudioUnit
TRAX tr – Learn function returning wrong values
VerbV3 – HOA 3rd order not working properly

Build 23.1.0.50251 – All plugins

New features

New plugins Evo Compressor, Evo Touch and Evo EQ.
VST3 support
ARM support for AAX, AU and VST3
Plugins are now resizable
Elixir now supports 32 channels
Alchemist, BitterSweet, Epure, Pure Compressor, Pure DCompressor, Pure Expander, Pure DExpander, PureLimiter, Solera, Syrah now support 16 channels
A. 4.2 Bugs fixes
All plugins – Preset Manager – Update user preset do not work
All plugins – Preset manager – Crash or freeze when saving a preset
All plugins – UI may be black on Intel UHD 630 graphical cards
All plugins – AU/VST3 – Preset manager – Default preset is not applied to parameters at plugin instantiation
All plugins – AAX – Crash with OSC when changing fx slot in Pro Tools
All plugins – AU – Logic Pro – Automation of boolean/integer parameters broken
All plugins – AU – Plugins crash in Da Vinci Resolve
All plugins – DaVinci Resolve – VST – UI is truncated
All plugins – Streamlabs – Plugins do not work
All plugins – Licensing issue in DaVinci Resolve and GarageBand
Alchemist – The range parameter works only for the 1st band
BitterSweet – Not possible to tweak the Output gain after unlinking it
BitterSweet – Output gain not reloaded properly when the link is disabled
BSPro – some modes are not accessible due to GUI issue
Epure – macOS – Bad graphic scale initialization at 2&4FS
Evo Channel – Meter reference is not saved
Syrah – Crash when selecting preset “Static fast compression”
RAX Tr – When the link is activated, the Formant slider does not have the expected audio effect
TRAX Tr – ProTools – Issue in AudioStudio when the modulation is enabled
VerbSession/VerbSession Studio Session and BSPro StudioSession – Pyramix – VST crash when instantiated
Verb/Verb Studio Session – Crash when reloading session having 2 instances

Known issues

All plugins – VST – GUI issue in Izotope Ozone and RX
All plugins – AAX – Preset manager – Default preset is not applied to parameters at plugin instantiation
Elixir – Latency not properly compensated after changing stage parameters value in VST and AudioUnit
TRAX tr – Learn function returning wrong values
VerbV3 – HOA 3rd order not working properly

Build 21.12.0.50123 – All plugins except TRAX and StudioSession

Bug fixes

All plugins AudioUnit – GUI issue with Hdpi displays on macOS Monterey
All plugins VST – Plugin scan freeze in Wavelab 11 on Mac M1 machines
All plugins VST – Crash in Adobe Audition on macOS
All plugins VST macOS – Fix crashes with Ableton live
Elixir – Automation is not read for toggle parameters.
Elixir – Crash when clicking on the settings button on Session version
Elixir – Several fixes on the UI
Elixir – Windows AAX – Refresh issue with two instances in ProTools
HEar – Bypass is working in AAX
HEar AAX – Crash when doing offline bounce on macOS
HEar AAX – Crash when editing the matrix on macOS
HEar AAX – Stereo – Change on Matrix are not applied until we change the preset
HEar AudioUnit – Ableton crashes when inserting a second instance

Build 21.11.0.50107 (HEar, IRCAM Verb)

NOTE: CURRENTLY NOT COMPLIANT WITH ABLETON LIVE MACOS Improvement

HEar – 5.1.4 & 5.0.4 now available

Bug fixes

HEar – Fix meters refresh issue
HEar – No verb on some presets
HEar – Protools crashes when doing offline bounce on macOS

FLUX:: Immersive – Plugins (including IRCAM Tools) 21.09

This release includes updates for all FLUX::Immersive plugin processing products with the exception of EVO Channel, Epure, IRCAM Trax, Studio Session.

NOTE: CURRENTLY NOT COMPLIANT WITH ABLETON LIVE MACOS Major optimizations

Apple computers Big Sur (new M1 chips) AU validation
Important updates to the Ircam Verb + Session
Overall better handling of multichannel track setups such for Atmos. (Ircam Hear, Verb and more)
Automatic detection of track format/channel order for DAWs when possible.

Build 21.9.0.50083 Bug fixes

Apple computers Big Sur (new M1 chips) AU validation failing
Empty GUI when close/reopening plugin – Windows 10 – UHD630 graphics
AudioUnit in Reaper – do not process audio when offline bounce
Default preset not loaded correctly on instantiation of Verb + Verb Session
Evo.Channel on Retina – Input and Output Sliders badly scaled
Incompatible AudioUnit issue in Apple Final Cut Pro
Plugins: Recall Preset Flags (e.g. “All but setup”) recall always everything
Preset Manager – UI issue with small plugins when a preset has been created
Ircam Verb Session reload in VST with audio interruption
VST Plugins Session not correctly reloaded if it integrate an IO configuration change
Verb session – Dry/wet not applied in offline render
Verb v3 Atmos crash on AAX
Verb: AU validation failed on Apple M1
Verb: LFE not disabled by default on ProTools
Verb: Recall Preset may be not correct with double click inside the preset manager
Verb: disabled channel is not re-injected according to dry/wet parameter (100 % wet means muted)
Verb: init issue with Nuendo
AAX – Some plugins – Crash on Mac / No GUI on Windows
Overall reliability/stability fixes.
Plugin size not correct
Potential plugins crash when opening UI

FLUX:: Immersive – Plugins (including IRCAM Tools) 20.12

This major release includes updates for all FLUX::Immersive products with the exception of IRCAM Spat V3 legacy product. Please refer to Spat V3 – Spat Revolution crossgrade options.

Major optimizations

HiDPI / Retina support + display enhancements and fixes
Page Table unification for Avid Control, S1, S3, S4, S6 and S6L.
OSC Control for plugins.
IRCAM Verb support for Dolby Atmos, Multichannel support up to 16 channels
IRCAM Hear – Multichannel stability improvement, Now up to 10 channels. (Dolby Atmos 7.1.2)
IRCAM Tools – Audio I/O Matrix and Multichannel enhancement
Most plugins support of 8 channel.
16 channel support for Bittersweet Pro, Evo In and Evo Channel

Build 20.12.0.49880

Bug fixes

Core:

BSPro – Latency report issue (AAX)
IRCAM TRAX Tr – Latency report issue
IRCAM Verb – Wrong initialization value for Reverb density
IRCAM Verb -Dry signal still goes out in disabled channels when wet is 100%
All Pure Dynamics PI + Alchemist – Wrong Thresholds initialization values
AAX “monolithic” are broken like Hear, TRAX, etc…
Almost all AAX plugins don’t reload parameters from 47856 version session.
Pure Limiter – Diff feature bypassed the input gain.
Pure Limiter – Inverted sidechain filters.
Any plugin except Evo Channel – Research Presets resets when click on a preset.
Evo channel – Wrong values when reloading touch section.

UI:

The current preset name disappear on re-opening GUI or session

Known Issues

Wavelab “Sample rate not supported” when a plugin is inserted on a clip, track or output section.
TRAX Tr – Learn frequencies display wrong values (AAX only).
Hear – Internal config labels change when modify LFE input config from routing matrix.
When using OSC on a plugin in Pro Tools, a chrash will occur if you change/move FX insert slots

Documents / Resources

FLUX 634462 Pure DExpander Dynamics Enhancement Plugin [pdf] Instruction Manual
634462 Pure DExpander Dynamics Enhancement Plugin, 634462, Pure DExpander Dynamics Enhancement Plugin, DExpander Dynamics Enhancement Plugin, Dynamics Enhancement Plugin, Enhancement Plugin, Plugin

References

User Manual

FLUX 634462 Pure DExpander Dynamics Enhancement Plugin

Specifications

FAQs

Pure DExpander

General Settings

Time-Related Settings

Display

Preset Management

Specifications

Credits

Documents / Resources

References

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