SmallRig Forevala W60 2-Person Compact Wireless Microphone System (2.4 GHz)
Specifications
SYSTEM
- WIRELESS TECHNOLOGY: Digital 2.4 GHz
- INCLUDED TRANSMITTERS: 2 x Clip-On with Microphone
- RF FREQUENCY BAND: 2400 to 2483.5 MHz
- RF CHANNEL SCANNING: Auto-Scan
- MAX OPERATING RANGE: 328.1′ / 100 m
- MAX TRANSMITTERS PER BAND: 2
- LATENCY: < 15 ms
RECEIVER
- RECEIVER TYPE: Camera-Mount
- ANTENNA: Internal
- NUMBER OF AUDIO CHANNELS: 2
- AUDIO I/O: 1 x 1/8″ / 3.5 mm TRS Balanced/Unbalanced Line Output
1 x 1/8″ / 3.5 mm 3-Pin Balanced/Unbalanced Headphone Output - GAIN RANGE: 0 to 10 dB
- USB/LIGHTNING CONNECTIVITY: 1 x USB Type-C Female
- POWER REQUIREMENTS: Battery
- BATTERY TYPE: 1 x Rechargeable (Included)
- BATTERY CHARGING TIME: 1.5 Hours
- APPROX. BATTERY LIFE: 8 Hours (Lithium Rechargeable)
- DC INPUT POWER: 5 VDC
- DISPLAY & INDICATORS: LCD (Battery Status, Channel, Output Level, Power)
- HOUSING: ABS, Aluminum
- OPERATING TEMPERATURE: 32 to 122°F / 0 to 50°C
- DIMENSIONS: 2.4 x 1.7 x 0.8″ / 6.1 x 4.4 x 2.1 cm
TRANSMITTER
- TRANSMITTER TYPE: Clip-On with Microphone
- AUDIO I/O: 1 x 1/8″ / 3.5 mm TRS Female Input
- INCLUDED CABLE CONNECTOR: 1/8″ / 3.5 mm TRS
- ANTENNA: Internal
- POWER REQUIREMENTS: Battery
- BATTERY TYPE: 1 x Built-In Rechargeable (Included)
- BATTERY CHARGING TIME: 1 Hour
- USB/LIGHTNING CONNECTIVITY: 1 x USB Type-C (Charging)
- DISPLAY & INDICATORS: LCD (Battery Status, Channel, Mute, Signal Strength)
- HOUSING: ABS, Aluminum
- OPERATING TEMPERATURE: 32 to 122°F / 0 to 50°C
DIMENSIONS: 2.2 x 1.5 x 0.7″ / 5.7 x 3.7 x 1.8 cm
MICROPHONE
- MICROPHONE TYPE: Integrated
- SOUND FIELD: Mono, Stereo
- CAPSULE: Condenser
- POLAR PATTERN: Omnidirectional
SmallRig’s Forevala W60 2-Person Compact Wireless Microphone System operates at 2.4 GHz and has a range of 328 feet while transmitting high-quality audio with little latency. The system consists of two clip-on transmitters and one receiver. Mono or stereo audio can be recorded using the built-in omnidirectional condenser microphones, which also have a low-cut capability that removes low-frequency disturbances under 200 Hz. Dials located at the top of the receiver can be used to individually adjust the gain of each transmitter. Your preferred recording equipment is connected to the receiver through a 3.5mm output.
Each transmitter has a 3.5mm input for lavalier microphones that are sold separately. The power status, signal strength, and volume of each device are shown on LCD panels found on both the transmitters and the receivers. Built-in lithium rechargeable batteries have a lifespan of up to 8 hours and are quick to recharge; the transmitter takes an hour and the receiver takes 1.5 hours. The gadgets include plug-and-play capabilities for smart pairing.
HOW WIRELESS MICROPHONE SYSTEM WORKS
Through their built-in transmitters, wireless microphones broadcast their output signals wirelessly. The audio signal from the microphone will be converted by the transmitter into a carrier signal and wirelessly transmitted to the receiver. The original mic signal for the associated mic input will then be decoded by the receiver.
HOW TO USE MICROPHONE FOR AN INTERVIEW
When doing a one-on-one interview, you should aim the shotgun microphone at the region under the subject’s chin. The interviewee should be as close to the microphone as is practical while still being out of frame.
HOW TO CONNECT WIRELESS MICROPHONE TO TV
- Bluetooth is the ideal method for syncing your smart TV and microphone.
- Simply activate your microphone’s Bluetooth discovery.
- Then enter the TV’s settings, activate Bluetooth, and look for devices.
- Your smart TV and microphone are now linked.
HOW TO STOP WIRELESS MICROPHONE INTERFERENCE
To remove the intended signal, turn off the transmitter. To simulate the “worst-case” signal situation, turn on all auxiliary equipment nearby. To prevent the sound system from becoming very loud, turn the receiver volume control to the lowest setting. Activate the receiver’s power.
FAQs
The working range of your wireless system must be 1,000 feet or greater. Despite the fact that your working area may just be 900 square feet and be relatively free of obstacles, we’ve discovered that wireless mic systems with short operating distances frequently experience interference issues.
A microphone, a transmitter, and a receiver are required. A microphone, a transmitter, and a receiver make up the three discrete parts of a working wireless microphone system. Simply put, a microphone is the device through which a user talks or sings.
One active microphone transmitter at a time can only have its signal demodulated by a wireless receiver. However, as long as only one transmitter is turned on at any given time, you are free to utilize either one.
You may record two sound sources simultaneously with the Wireless GO II’s dual channel wireless microphone system, or you can use it as a single channel wireless microphone.
A microphone operates independently of any speakers, headphones, or other playback devices, as was before explained.
No, as wireless microphones may employ incompatible frequencies, exclusive noise reduction circuits, and safe 128- or 256-bit encryption, they will NOT function with any receiver. However, a wireless microphone can be used with a variety of receivers from the same manufacturer’s compatible model line.
No. When configuring wireless microphone systems, a dedicated receiver is required for each microphone that will be used (i.e.: one microphone to one receiver). To communicate with one another, the receiver and the microphone need to be on the same frequency.
Reading text aloud is quicker than using a keyboard to type it. When included into the voice activation system, it can enhance security and safety. As opposed to a recording made before, sound can be altered in real time.
Less brain power is required to actually hear the information, which allows for greater memory retention. For everyone, but especially for those who have hearing loss, this is true.
Some microphones (active mics) require power to operate, while others do not (passive mics). Power is needed for microphones with integrated active electronics or non-electret electrostatic (condenser) capsules. Powered dynamic microphones are those that lack an inbuilt preamp.
To sum it up into the fundamentals of a microphone, a computer, an audio interface, and a microphone are all that are required. Everything else can be thought of as inexpensive accessories.
To change the volume for a microphone, select Properties from the context menu by right-clicking on it. Select the Microphone alternatively, then click the Properties button. Use the slider on the Levels tab to adjust the level or type a greater value into the text box to make it louder.
Unlicensed wireless microphones can use a piece of the 600 MHz guard band (614-616 MHz) and a section of the 600 MHz duplex gap, while licensed wireless microphones can use certain frequencies in the 600 MHz duplex gap (653-657 MHz) (657-663 MHz).
Changing the battery or moving the microphone closer to the receiver are frequently the simplest solutions for dealing with static. Move the receivers to a location backstage or onstage to get the mic closer to the receiver. There is already cable running from many venues’ backstage or onstage sections to their tech booths.
It can be difficult to do this, though, as interference, faulty antenna cables, antenna distribution issues, frequency selection, and antenna positioning are just a few of the problems that can result in wireless system dropouts.
