DigiTech RP-1 Guitar Effects Processor/Controller and Preamp

Owner's Manual

A Harman International Company

Introduction

Congratulations on your purchase of the DigiTech RP-1 multi-effects processor / MIDI foot controller. The RP-1 packs the power of a rack unit into a convenient floor controller, offering professional quality effects.

Key Features:

The RP-1 can also serve as a remote MIDI foot controller for other MIDI devices.

About This Manual

This manual guides you through the RP-1's four basic operating modes: Performance Mode, Edit Mode, Title, and Utility. It is recommended to read through it carefully and then experiment with the unit's extensive possibilities.

CAUTION!

This product contains a lithium battery. There is danger of explosion if battery is incorrectly replaced. Replace only with an Eveready CR 2032 or equivalent. Make sure the battery is installed with the correct polarity. Discard used batteries according to manufacturer's instructions.

ADVARSEL! Lithiumbatteri - Eksplosjonsfare. Ved uskifting benyttes kun batteri som anbefalt av apparatfabrikanten. Brukt batteri returneres apparatleverandøren.

ADVARSEL! Lithiumbaterie - Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type. Lever det brugte batteri tilbage til leverandøren.

VAROITUS Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda ainoastaan laitevalmistajan suosittelemaan tyyppiin. Käytetty paristo hävitettävä valmistajan ohjeiden mukaisesti.

VARNING! Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera använt batteri enligt fabrikantens instruktioner.

The symbols shown above are internationally accepted symbols that warn of potential hazards with electrical products. The lightning flash with arrow point in an equilateral triangle (⚡) means that there are dangerous voltages present within the unit. The exclamation point in an equilateral triangle (❗) indicates that it is necessary for the user to refer to the owner's manual.

These symbols warn that there are no user-serviceable parts inside the unit. Do not open the unit. Do not attempt to service the unit yourself. Refer all servicing to qualified personnel. Opening the chassis for any reason will void the manufacturer's warranty. Do not get the RP-1 wet. If liquid is spilled on the unit, shut it off immediately and take it to a dealer for service. Disconnect the equipment during storms to prevent damage.

Section 1 - Startup

Power and Grounding Information

The RP-1, like any piece of computer hardware, is sensitive to voltage drops, spikes, and surges. Interference such as lightning or power "brownouts" can seriously, and in extreme cases, permanently damage the circuitry inside the unit. Here are some steps to help avoid this type of damage:

Rear Panel Connections

Fig. 1-1 The Back Panel

Diagram showing the rear panel with 10 numbered connection points:

  • 1) Input: Instrument input jack.
  • 2) Left/Mono Output: Left side output. Use for mono applications.
  • 3) Right Output: Right side output for stereo setups.
  • 4) Headphone Output: Stereo mini-plug for headphone monitoring.
  • 5) FX Return: Effects loop return jack. Connect to the output of an external effects device.
  • 6) FX Send: Effects loop send jack. Connect to the input of an external effects device.
  • 7) MIDI In: Receives information from other MIDI instruments (synthesizers, sequencers, computers, etc.).
  • 8) MIDI Out: Sends out MIDI data generated by the RP-1 to other MIDI instruments.
  • 9) MIDI Thru: Passes MIDI data detected at the MIDI In port directly through the unit. The RP-1 only recognizes data on its selected MIDI channel.
  • 10) AC Line Input: Power cord receptacle.

MIDI and Audio Routing Setups

Several diagrams illustrate possible MIDI and Audio routing setups using the RP-1:

Fig. 1-2 The RP-1 in a basic setup

Description: A guitar is connected to the RP-1's input, and the RP-1's output is connected to a guitar amplifier.

Fig. 1-3 Using the RP-1 with outboard effects

Description: Guitar connects to RP-1 Input. RP-1 FX Send connects to the input of an external effect. The external effect's output connects to the RP-1 FX Return. The RP-1 Output connects to an amplifier.

Fig. 1-4 Using the RP-1 as a multi-effects controller

Description: Guitar connects to RP-1 Input. RP-1 Outputs connect to two amplifiers (stereo setup). A MIDI controller is connected to the RP-1 MIDI In.

Section 2 - Basic Operations

The Foot Controller

Fig. 2-1 The RP-1 Foot Controller

Description: The RP-1's front panel features 12 footswitches, a high-visibility display, input and output level controls, and control panel buttons. Switches are numbered 0-9 and can operate in 5 Patch or 10 Patch modes.

The main control panel buttons function as follows:

About Modes and Menus

The RP-1's menu architecture can be thought of as a series of levels. The primary operating mode is Performance Mode.

Performance Mode: The vehicle for accessing all Programs, Patches, and Sets. When powering up, the RP-1 defaults to Performance Mode.

Edit Mode: Accessed by pressing the <LEFT> or <RIGHT> parameter buttons from Performance Mode. Used for editing program parameters.

5 and 10 Patch Modes

These modes determine the function of the footswitches:

The switch mode is controlled from the RP-1 Footswitch Setup Menu within the Utility Menu.

Section 2 - Basic Operations (Continued)

Changing Programs and Sets

Programs and Sets can be changed independently.

Changing Programs:

Changing Sets:

<BYPASS> Footswitch: Acts as a unit bypass switch, disabling all effects and continuous controllers. The Bypass LED indicates when the unit is bypassed. Incoming Program Change messages are recognized but not heard until Bypass is deactivated.

Section 3 - Programming the RP-1

About Programs

Programs define your guitar's sound, including effects configuration, parameters, and title.

Program Algorithms

An algorithm is an effects chain, forming the basis of RP-1 processing. Selecting an algorithm determines the types of digital effects available.

Analog Effects:

Digital Effects:

NOTE: Not all digital effects appear in all algorithms.

Changing Configurations

To change the Program algorithm (effect configuration):

  1. From Performance Mode, press the <RIGHT> parameter button. The display shows the current algorithm.
  2. Use the <UP> or <DOWN> parameter buttons to scroll to the desired algorithm.

NOTE: If the RP-1 is set to 5 Patch Mode, the effect bypass switch LEDs will change to match the default settings of each algorithm.

Once an algorithm is selected, you can scroll through its parameters using <LEFT>/<RIGHT> and modify values with <UP>/<DOWN>.

Effects And Their Parameters

The RP-1 offers a wide range of effects with adjustable parameters. Detailed descriptions of each effect and its parameters can be found on pages 11-14 of the original manual. Key effects include:

Basic Program Editing

The first 75 memory locations (Programs 1-75) are user-programmable. Locations 76-150 contain factory presets and cannot be overwritten.

To customize a Program:

  1. Select a memory location (1-75). It's often helpful to start with a program similar to your desired sound.
  2. In Performance Mode, press <RIGHT> to select the algorithm using <UP>/<DOWN>.
  3. Use <LEFT>/<RIGHT> to scroll to the desired parameter.
  4. Use <UP>/<DOWN> to change the parameter value. Values in parentheses () indicate the currently stored value.
  5. Repeat steps 3-4 for other parameters.

Program Titling

Use the <TITLE> button to assign a custom name (up to 16 characters) to a Program. Use <UP>/<DOWN> to change characters and <LEFT>/<RIGHT> to move the cursor.

Comparing Programs

Press the <COMPARE> button to temporarily switch to the original Program settings to compare with your edited version. Press <COMPARE> again to return to the edited version.

Storing/Copying Programs

To save your modified Program, press the <STORE> button. The display shows "SAVE CHANGES TO PROGRAM". Use <UP>/<DOWN> to select the Program number to store it to, then press <STORE> again. To abort, press <COMPARE>.

The <STORE> button can also be used to copy Programs. If no changes have been made, "COPY TO PROGRAM" will appear. Select the destination location and press <STORE>.

The Utility Menu

The Utility Menu provides access to several functions, including the Speaker Simulator Setup Menu, MIDI Setup Menu, RP-1 Footswitch Setup Menu, and the Factory Preset Restore Menu. Access by pressing the <UTILITY> button.

Section 3 - Programming the RP-1 (Continued)

Choosing A Speaker Simulator

The Speaker Simulator section optimizes performance for various guitar/amp combinations. The first Utility menu screen allows selection from four factory programs:

There are also five user-programmable Speaker Simulators. To select a Speaker Simulator:

  1. Press the <UTILITY> button.
  2. Use <LEFT>/<RIGHT> to scroll to the Speaker Simulator selection screen.
  3. Use <UP>/<DOWN> to select the desired program.

Exit the Utility Menu by pressing <UTILITY> again.

IMPORTANT: Changing the Speaker Simulator program affects the timbre of all programs.

The Speaker Simulator Setup Menu

This menu allows setup of user Speaker Simulator programs. Each has a six-band graphic equalizer (100 Hz, 160 Hz, 400 Hz, 1.0kHz, 2.5kHz, 6.3kHz, with +/- 12 dB boost/cut in 2 dB steps).

To create a user Speaker Simulator program:

  1. After selecting a Speaker Simulator program, press <UTILITY> and scroll to SPEAKER SIMULATOR SETUP MENU.
  2. Press <DOWN> to access the menu (display reads SPEAKRSIM UI).
  3. Use <UP>/<DOWN> to select the user program number to edit.
  4. Use <RIGHT> to select the frequency band to edit.
  5. Use <UP>/<DOWN> to modify the boost/cut values.
  6. Use <LEFT>/<RIGHT> to scroll until "RETURN TO MAIN UTILITY MENU" appears.
  7. Press <UP> to return to the main Utility menu.

To exit the Utility menu, press <UTILITY>.

Section 3 - Programming the RP-1 (Continued)

The MIDI Setup Menu

The MIDI Setup Menu is the control center for RP-1 interaction with MIDI devices. It includes functions for MIDI input/output mapping, continuous controller linkages, and MIDI data dumping.

To access: Press <UTILITY> and scroll to MIDI SETUP MENU, then press <DOWN>.

Submenus include: RP-1 MIDI Channel, Program Receive (mapping), External Device (mapping), Front Panel PC (Program Change), Continuous Controller assignments, MIDI Data Dump, and MIDI Program Dump.

RP-1 MIDI Channel

Select the MIDI channel (1-16, ALL CHANNELS, or DISABLED) on which the RP-1 receives MIDI data.

Prg Receive Map

Maps incoming Program Changes to RP-1 Programs. This allows using MIDI Program Change numbers outside the RP-1's native range (1-128). For example, map MIDI PC #26 to trigger RP-1 Program #131.

Device Mapping

Allows control and naming of up to four external devices via MIDI, sending independent Program Changes on individual MIDI channels. This is done by changing Patches on the RP-1.

To assign devices:

  1. Scroll to the DEVICE screen in the MIDI Setup Menu. Display reads "DEVICE 1 MIDI CHANNEL 1".
  2. Use <UP>/<DOWN> to select the device number (1-4).
  3. Press <TITLE> to edit the device name. Use <UP>/<DOWN> for characters, <RIGHT> to move cursor. Press <TITLE> again when finished.
  4. Move cursor to MIDI CHANNEL using <RIGHT>.
  5. Use <UP>/<DOWN> to select the MIDI channel (1-16 or DISABLED). Press <RIGHT>.
  6. Display reads "DEVICE 1 PRG 1 SENDS 1". Select the device number (1-4) using <UP>/<DOWN>. Press <RIGHT>.
  7. Cursor appears under PRG 1. Select the RP-1 Program number (1-75) that will send the mapped Program Change using <UP>/<DOWN>. Press <RIGHT>.
  8. Cursor appears under DISABLED. Select the Program Change number to be sent to the external device (1-128 or DISABLED) using <UP>/<DOWN>.

Mappings are stored automatically and remain active.

Front Panel PC (Program Change)

Determines whether Program Changes are sent when scrolling through Programs using the Program <UP>/<DOWN> buttons. Parameter is ENABLED or DISABLED.

Section 3 - Programming the RP-1 (Continued)

Assigning Continuous Controllers

The RP-1 can respond to and send Continuous Controller (CC) messages for controlling remote effects or parameters.

CC SEND: Turn remote MIDI effects on or off.

  1. Scroll to the desired effect (e.g., COMPRESSOR) in the MIDI Setup Menu.
  2. Select the effect parameter to control using <UP>/<DOWN>. Press <RIGHT>.
  3. The cursor is under NOT LINKED. Select the CC number (1-16, ALL, or DISABLED) to control the effect.

NOTE: RP-1 MIDI CHANNEL setting must match incoming CC messages.

Incoming CCs: The RP-1 can assign incoming CC messages to control various parameters. These include Global CC and Local CC assignments.

Parameters available for control by incoming CC messages include (but are not limited to): Accent Delay, Bypass, Compression Amount, Compression Level, Chorus, Chorus Delay, Damping Factor, Delay Diffusion, Delay Feedback, Delay In: Chorus, Delay Time, Delay Time Tap1, Delay Time Tap2, Delay Time Tap3, Delay Time Tap4, Digital Delay (On/Off), Distortion Balls, Distortion Type, Distortion (On/Off), Dry Level, Early Delay Time, Early Rflct Level, Envelopment, EQ 1.0 kHz, EQ 2.5 kHz, EQ 63 Hz, EQ 160 Hz, EQ 6.3 kHz, EQ 2.5 kHz, Effects Loop, Flange (On/Off), Flange Delay, Flange Feedback, Flange Feedback Phase, Gate Decay Time, Gate Envelope, Graphic EQ (On/Off), LFO Sweep Depth, LFO Sweep Rate, LFO Waveform, Master Volume, MIDI Mixer (Dry Level, Chorus R/L Level, Delay R/L Level, Flange R/L Level, Reverb R/L Level, Tap 1-4 R/L Level), Noise Gate (On/Off), Noise Gate Threshold, Norm Reflectivity, Norm Room Volume, Reverb Decay, Reverb Filter, Reverb In: Chorus, Reverb In: Dry, Reverb In: Delay, Reverb In: Flange, Reverb Predelay, Reverb (On/Off), Reverse Reverb, Reverse Time, Subsequent Delay, Subsequent Diffusion, Subsequent Level, Subsequent Diffusion, Subsequent Level, Tap 1-4 L/R Level, etc.

MIDI Data Dump

Dumps the entire RP-1 memory contents to the MIDI port for backup or copying to another RP-1.

MIDI Program Dump

Dumps an individual Program from the RP-1 to another device, optionally to a different Program number.

The Footswitch Setup Menu

This utility allows assigning Program numbers to Patch switches, setting the operating mode (5 or 10 Patch), and defining Programs within Sets.

Footswitch Mode

Selects between 5 Patch/FX Bypass Mode and 10 Patch Mode.

Assigning Programs to Patches

Links a Program number to a specific Patch switch within a Set.

This procedure can be repeated for any number of Sets, Patch switches, and Program numbers.

Footswitches can also be assigned as effect on/off switches for various effects (compressor, distortion, EQ, noise gate, effects loop, delay, reverb, Repeat Hold).

Repeat Hold Mode: An infinite repeat function where the delay repeats indefinitely without volume decay.

Footswitch LEDs

Allows reversing the indicator status of switch LEDs, useful in low-light environments (LED OFF means function is active).

Restoring Factory Presets

WARNING: Performing this function will destroy all user-programmed data!

To restore factory presets:

  1. Scroll to FACTORY PRESET RESTORE in the Utility menu.
  2. Press <DOWN>.
  3. The display reads "ARE YOU SURE? PRESS (up) FOR YES". Press <UP> to confirm or any other key to abort.

Appendix A

Effects Configurations

There are eleven algorithms (effect configurations) available for editing. Each includes analog effects and selectable digital effects. The configurations are listed by their component effects:

Any effect within an algorithm can be turned on/off, adjusted, or tweaked.

User Program Sheets

Photocopy these sheets to record your Program parameters.

Appendix B

Program List

Following is a list of the factory Program numbers and titles available on the RP-1:

  1. Silk Stockings
  2. Rippin' Solo
  3. Blue Scream
  4. THUNDER MUG
  5. Star Lifter
  6. Sequence Delay
  7. Symphony Steel
  8. The Ruffy
  9. Layered Echoes
  10. Crystalline
  11. Straight Cab
  12. Mad Reversal
  13. What Mess ?
  14. 4-12 Rhythm
  15. New Jazz
  16. West Coast Pan
  17. Clean Room
  18. Texas Rock
  19. Neck Pickup Blue
  20. BIG COUNTRY
  21. Country Time!!
  22. Kinda Country
  23. That Strat
  24. Rhythm No Hero
  25. DryRite/Wet Left
  26. Buxx Crunch
  27. Figure it 8!
  28. Stratin Sheets
  29. MIRROR*RORRIM
  30. Metal Mash
  31. 4 Quick Taps
  32. Meditation
  33. HAN SOLO
  34. 60's Clean
  35. Heeeerr's Flangy
  36. Chorus Verb
  37. Soft Pickin'
  38. LK Powell Canyon
  39. AnotherCrunch
  40. Witch Lead
  41. Fat Funk Chorus
  42. FAT WIGGY
  43. Aquele Abraco
  44. Slite Flange
  45. Pink Zebra
  46. Crunch Rhythm
  47. Clean Rhythm
  48. Bathtub Solo
  49. Chunk n' Snap
  50. Cranked Tank
  51. Grindin' Rhythm
  52. Crunchenstein
  53. Keep It Simple
  54. Tapped Balls
  55. Rockergate
  56. Whammy Monster
  57. Lead In Yer Face
  58. Stealth Solo
  59. Ain't It Sweet
  60. No Wanks!
  61. Picker Grinder
  62. Clean Reversal
  63. Over The Top
  64. Single Coil Funk
  65. Black Shack
  66. ODYSSEY X
  67. "TUBE" Steak
  68. Sweet&Sour Solo
  69. Biff "Crunchy"
  70. Sludge Nymph
  71. Marrow Escape
  72. Aku Aku
  73. Brass Monkee
  74. Shred Head
  75. JUST SQUEEZE IT

Programs 76-150 are duplicates of Programs 1-75. Programs 1-75 are user programs; 76-150 are factory sounds that cannot be overwritten.

MIDI Implementation Chart

Function...TransmittedRecognizedRemarks
Basic Channel1OMNI
ModeDefault Messages AlteredXX
Note NumberXX
VelocityTrue Voice
Note ONXX
Note OFFXX
After TouchKey's Ch'sXO
Pitch BenderXX
Control Change71
72
73
74
75
76
77
78
79
0-120
Prog Change1-1281-128Mappable
System ExclusiveOO
System Common:Song Pos
:Song Sel
:Tune
XX
System Real Time:Clock CommandsXX
Aux Messages:Local ON/OFF
:All Notes Off
:Active Sense
:Reset
XX
NotesO: Yes
X: No

Mode 1: OMNI ON, POLY
Mode 2: OMNI ON, MONO
Mode 3: OMNI OFF, POLY
Mode 4: OMNI OFF, MONO

Appendix C

System Exclusive Format

The DOD/DigiTech Electronics System Exclusive Format facilitates use and control of various signal processing devices manufactured by DOD DigiTech Electronics. The format allows different types of data transfer with capability for future expansion.

Currently, a DOD/DigiTech digital signal processor can receive machine-dependent microcode, and user-programmed parameters can be received from and dumped to external devices.

For further information, write:

Attention: Software Engineering
DOD Electronics
5639 South Riley Lane
Salt Lake City, Utah, 84107
U.S.A.

DigiTech Warranty

  1. The warranty registration card must be mailed within ten days after purchase date to validate this warranty.
  2. DigiTech warrants this product, when used solely within the U.S., to be free from defects in materials and workmanship under normal use and service.
  3. DigiTech liability under this warranty is limited to repairing or replacing defective materials that show evidence of defect, provided the product is returned through the original dealer, where all parts and labor will be covered up to a period of one year. DigiTech shall not be liable for any consequential damage as a result of the product's use in any circuit or assembly.
  4. Proof-of-purchase is considered to be the burden of the consumer.
  5. DigiTech reserves the right to make changes in design or make additions to or improvements upon this product without incurring any obligation to install the same on PRODUCTS PREVIOUSLY MANUFACTURED.
  6. The foregoing is in lieu of all other warranties, expressed or implied, and DigiTech neither assumes nor authorizes any person to assume for it any obligation or liability in connection with the sale of this product. In no event shall DigiTech or its dealers be liable for special or consequential damages or from any delay in the performance of this warranty due to causes beyond their control.

DigiTech is a registered trademark of DOD Electronics Corporation.

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