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Canon EOS R6 Mark II Digital Catalog

Table of Content
Click on the feature of your interest and learn more!
IMAGE QUALITY
01 Approx. 24.2MP High Image Quality
DRIVE & AUTOFOCUS
02 High-Speed Continuous Shooting 03 EOS iTR AF X Subject Detection 04 Eye Detection AF | Wide AF Coverage
HDR & IMAGE STABILISATION
05 HDR Mode (Moving Subjects) 06 Image Stabilisation
MOVIE
07 Movie Digital IS 08 6K RAW HDMI Out 09 4K 60p & FHD 180p 10 Canon Log 3 11 Pre-Recording (Movie) 12 Hybrid Auto Mode 13 Movie Exposure Tools 14 UVC/UAC Compatibility
OPERABILITY & CONNECTIVITY
15 Ergonomic Design 16 Connectivity 17 Extensive Lens Options
18 SPECIFICATIONS

Approx. 24.2MP High Image Quality
All-New Full-Frame CMOS Sensor
The next-generation EOS R6 Mark II is engineered to take your photography and videography to the next level.
A newly developed 24.2-megapixel CMOS sensor offers improved resolution with a greater number of pixels that surpasses its predecessor--the EOS R6.
Powered by the latest DIGIC X image processor, the EOS R6 Mark II delivers high quality imagery with less noise for both stills and movies. It also features low light sensitivity of up to EV -6.5 (stills), and up to ISO 102400 to help you thrive, even in challenging lighting conditions.

High-Speed Continuous Shooting
High-Speed Burst Shooting with Electronic and Mechanical Shutter
Easily capture key moments or high-speed action with continuous shooting speeds of up to 40fps (electronic) and 12fps (mechanical), both with AF/AE tracking. The anti-flicker function is helpful for indoor sports photography, while quiet burst shooting also comes in super handy during times where shutter noise becomes a concern--such as photographing wildlife, concerts or sports events.
RAW Burst with Pre-Shooting
Debuting in an EOS full-frame camera for the first time, RAW burst mode is now possible at up to approx. 30fps. Pre-shooting can also be activated to capture moments 0.5 seconds before the shutter button is actually pressed, further reducing the chances of missing a shot.
Note: Rolling shutter distortion may occur depending on the subject and shooting conditions.

EOS iTR AF X Subject Detection
New AF Subjects: Horse, Plane and Train
Using algorithm driven by deep learning technology, the EOS iTR AF X (Intelligent Tracking & Recognition Autofocus) allows for easy detection and tracking of fast-moving subjects so you can focus on composition.
This exciting feature has been further enhanced to include new animal and vehicle tracking subjects. In addition to dogs, cats and birds, Animal Priority is now able to detect and track the face, eye or body of horses.
Likewise, Vehicle Priority has also been newly expanded to include trains and airplanes, in addition to bikes and cars in motor sports. Using Spot detection, it is also possible to achieve specific focus on the cockpit area.
Vehicle Priority

Human Priority

Animal Priority

Eye Detection AF
Eyes are windows to the soul and Eye Detection AF helps you capture that precisely in both stills and movies. Your subject's eye can be tracked as they move, or even when the face is partially obscured (e.g. by hair or face mask etc.). The Left/Right Eye Priority AF Tracking introduces more flexibility by automatically tracking the eye and allowing you to easily switch focus between the left and right eye, even during viewfinder shooting.
Wide AF Coverage
Accurate subject tracking over a wide area (100% horizontal x vertical) is also available thanks to Dual Pixel CMOS AF II, which offers up to 1053 AF areas for automatic selection. This means that even subjects at the frame edge can be in focus, giving you maximum room for photo composition and creative expression.

HDR Mode (Moving Subjects)
A variety of HDR modes lets you capture realistic images with high dynamic range (HDR) of approx. 3000 nits. This allows for greater richness in the shadow and highlight areas of the images, creating a more realistic image similar to what the eyes perceive. Dynamic Range Priority combines 3 shots taken at different exposure levels into 1 composite HDR shot, with a greater balance of highlights and shadows. With the new Moving Subject Priority function, HDR capture of moving subjects--which used to be a challenge for subjects that move while the 3 shots are being taken--is now possible to capture as a single shot HDR image.
Moving Subject Priority
Dynamic Range Priority

Image Stabilisation

5-Axis In-Body Image Stabilisation

The EOS R6 Mark II lets you pull off high quality handheld shots with 5-axis in-body image stabilisation (IS) that offers up to 8.0 stops^ of camera-shake correction. This allows even more room for creativity to flourish, or get bolder with long exposure settings, and is especially useful for night photography!
5
2 1
3

1. Horizontal direction 2.Vertical direction

4 3. Yaw axis 4. Pitch axis

5. Roll axis

^ When used with selected RF lens that supports coordinated control IS.

Photo taken: 3 secs | F13 | ISO 100

Movie Digital IS
Coordinated Control for Handheld Videos
Counteract camera shakes that usually occur when recording movies while walking, and get stable footage by combining all three image stabilising systems: 5-axis in-body IS; lens IS^ and movie digital IS.
Another advantage of having rigorous image stabilisation is the ability to shoot flexibly from any angle with just a minimal camera setup.
^ When used with RF lenses that are equipped with lens IS.

6K RAW HDMI Out
The EOS R6 Mark II is able to record up to 6K 60p 10-bit RAW movies with HDMI output to an external recording device. This gives movie editors the highest image quality and flexibility needed for panning, zooming and colour adjustment during post-processing.
With a compatible external recording device, e.g.: Atomos Ninja V+. Sold separately.

4K 60p & FHD 180p
4K Movie with 6K Oversampling
The EOS R6 Mark II is equipped with the 6K oversampling process that applies the debayer algorithm used in CINEMA EOS system to generate high-quality 4K movies. Movies recorded can also be converted into smaller file sizes via IPB Light / Transcode, to allow quicker transfers to a smartphone, or as a proxy for editing 4K footage.
High Frame Rate 180p FHD
Achieve more dramatic effect in your storytelling with high frame rate 180p recording in Full HD. Enjoy a wide full-frame field of view and a slow-motion effect up to 6x slower than normal playback speed.
High frame rate 180p shooting is not possible when using an RF-S / EF-S lens or when movie crop is set.

Canon Log 3
Shoot in Canon Log 3, the format that's also widely used in the Cinema EOS system. Its high editing tolerance in the post production process, great dynamic range, and ability to express gradation in high contrast makes it well-liked among filmmakers.

Ungraded

Graded

Pre-Recording (Movie)
Often, subjects can move or scenes may change before we can react. This is where the EOS R6 Mark II gets ever more helpful. Being the first-ever EOS camera with the Pre-recording function, it lets users capture scenes 3-5 secs before the "Record" button is pressed.
With Pre-recording turned on, your chances of missing those crucial moments are reduced to near zero. This can boost your confidence, especially when the subjects are unpredictable wildlife.

With Pre-recording
Pre-recording Up to 5 seconds earlier

Shutter button pressed Recording

Without Pre-recording

Recording

Hybrid Auto Mode
Hybrid Auto mode can also help you enjoy some easy movie-making by creating a digest video automatically after a day of photo-taking. It does so by recording the scenes for approx. 2 to 4 seconds prior to shutter release (while capturing still photos), and compiles the short clips taken in the same day--into a digest movie (max FHD 30p).

One day of taking pictures

A movie of the scene right before shutter release (2 to 4 sec.)

Shutter release
Still picture

These short pieces of motion picture are automatically compiled into a digest movie.

Movie Exposure Tools

The EOS R6 Mark II is equipped with False Colour and Zebra Settings to assist you in scenes where exposure is hard to judge.

False Colour
False Colour OFF

False Colour ON

False Colour, the function widely used in the Cinema EOS system is also available in EOS R6 Mark II to help identify the exposure state of the image, allowing you to make adjustments to prevent underexposure and overexposure in your videos.

Zebra Display
Zebra - OFF

Zebra - ON

Zebra Pattern is displayed on areas of the image where brightness levels exceed the preset level, and helps to quickly indicate the need to suppress overexposure or blown highlights.

UVC/UAC Compatibility
With USB Video Class/USB Audio Class (UVC/UAC) support, the EOS R6 Mark II can also function as your webcam. This convenient plug-and-play via USB requires no additional drivers' installation, provides audio support, and delivers high quality video with less noise for your livestreams.

Ergonomic Design
The dust- and drip-resistant EOS R6 Mark II is highly suited for outdoor usage as it is solidly built and encased in a durable structure to help withstand the elements. Improvements have also been made to the dial ergonomics as well as the design of the multi-controller to make way for swifter operability while looking through the viewfinder. It also features a 3.0" Vari-angle touchscreen LCD that allows for shooting from challenging low or high angles.
Multi-function shoe for mounting flash/video/ audio accessories
Ergonomic dials' layout for swifter control of key settings

3.69 million dots high-definition EVF
1.62 million dots vari-angle LCD

Multi-controller for improved thumb operability and shooting efficacy

Connectivity
Wired & Wireless Connectivity
The EOS R6 Mark II can be connected to Android and iOS smartphones using a USB-C wired connection or wirelessly via Wi-Fi (2.4GHz/5GHz) or Bluetooth Low Energy (LE) using the Canon Camera Connect app. This allows for remote shooting and high-speed transfer of video and image files to smartphones for upload to social media.
Enhance inter-device connectivity via Canon Camera Connect app!

Wired data transfer to iOS smartphones requires a compatible cable for such communication.

Extensive Lens Options
Complete Lens Flexibility
The EOS R6 Mark II is part of the EOS R mirrorless camera system and is compatible with a wide range of highperformance RF lenses exclusively designed for the RF mount. Additionally, it is still compatible with all existing EF and EF-S lenses via mount adapters.This further expands the lens options for the EOS R6 Mark II.

The Advanced Canon RF Lenses Line-up

Specifications

TYPE Image sensor Image processor Lens mount Compatible lenses RECORDING SYSTEM Recording media
Pixels recorded
AUTOFOCUS Focus method AF method Available AF point positions
*When selected with the Multi-controller.
Available AF areas when automatically selected Subject Detection AF
AF operation
Focusing brightness range
EXPOSURE CONTROL Metering sensor
Metering mode
Metering brightness range

24.2 megapixels, full-frame (36.0 × 24.0 mm) CMOS sensor DIGIC X
Canon RF mount Canon RF and RF-S lenses Canon EF and EF-S lenses (EF-EOS R mount adapter required)

2 memory cards · 2 x SD, SDHC, SDXC memory card (UHS-II compatible)
RAW/C-RAW, HEIF, JPEG Large: Approx. 24.2 MP (6000 x 4000) HEIF, JPEG Medium: Approx. 10.6 MP (3984 x 2656) HEIF, JPEG Small 1: Approx. 5.9 MP (2976 x 1984) HEIF, JPEG Small 2: Approx. 3.8 MP (2400 x 1600)

Dual Pixel CMOS AF II

Spot AF, 1-point AF, Expand AF area (above/below/left/right/around), Flexible Zone AF 1 / 2 / 3, Whole area AF

Stills

Max. 4897 positions (83 x 59)

Movies

Max. 4067 positions (83 x 49)

Stills Movies

Max. 1053 zones (39 x 27)

EOS iTR AF X (intelligent Tracking & Recognition) Automatic / Human priority / Animal priority / Vehicle priority

Stills

One-Shot AF, Servo AF, AI Focus AF (set automatically in Scene Intelligent Auto mode)

Movies

One-Shot AF, Movie Servo AF

Stills

EV -6.5 to 21
f / 1.2 lens (except RF lenses with a DS coating), center AF point, One-Shot AF,
at room temperature and ISO 100

Movies

EV -4.0 to 21 (4K)
EV -4.5 to 21 (Full HD)
f/1.2 lens (except RF lenses with a DS coating), center AF point, One-Shot AF, at room temperature. ISO 100, and 29.97 / 25.00 fps

384 zones (24 x 16) metering using image sensor output signals

Stills

Evaluative metering, Partial metering, Spot metering, Centre-weighted average

Movies

Evaluative metering (when faces are detected), Center-weighted average (when no faces are detected,
when set to Canon Log 3)

Stills

EV -3 to 20 (at room temperature, ISO 100)

Movies

EV -1 to 20 (at room temperature, ISO 100)

Specifications

EXPOSURE CONTROL
Shooting mode
ISO speed (recommended exposure index)
Exposure compensation HDR PQ Recording format Bit depth Colour sampling HDR standards SHUTTER Shutter mode Shutter speed
X-sync DRIVE SYSTEM High-speed continuous shooting MOVIE RECORDING Movie recording size HDMI RAW output (External Recording*)
*Compatible with ATOMOS Ninja V+
Frame rate
Canon Log

Stills Movies Stills Movies

Scene Intelligent Mode, Hybrid Auto, Special Scene Mode, Creative Filters, Fv, P, Tv, Av, Manual, Long Bulb
Exposure*, Custom Shooting Modes (C1 / C2 / C3)
*previously Bulb Exposure
Scene Intelligent Mode, Special Scene Mode (HDR Movie), Creative Filters, P, Tv, Av, Manual, Custom Shooting Modes
(C1 / C2 / C3)
ISO 100-102400*, expandable to L (ISO 50), H (ISO 204800)
(ISO 200-102400 with Highlight tone priority set)
*Expanded ISO cannot be set during HDR mode
ISO 100-25600* expandable to H (ISO 204800) (ISO 200-12800 with Highlight tone priority set)
*Expanded ISO cannot be set during HDR PQ movie, HDR movie or movie recording with shooting creative filters, HDMI RAW output setting, or digital zoom set. *Default setting range when set to Canon Log 3 is ISO 800-25600, expandable to L(ISO 100-640) and H(32000-204800)
± 3 stops in 1 / 3 or 1 / 2-stop increments AEB ± 3 stops or 1 / 2-stop increments

Stills: HEIF, Movies: MP4 10-bit
YCbCr 4:2:2 Rec. ITU-R BT.2100 (PQ)

Mechanical, Electronic 1st curtain, Electronic
Mechanical / Electronic 1st curtain : 1 / 8000 secs. - 30 secs. Electronic shutter: 1 / 16000 secs. - 30 secs. Movie recording: 1 / 8000 secs. - 1 / 60 secs.
Mechanical shutter: 1 / 200 secs. Electronic 1st-curtain: 1 / 250 secs.

Mechanical / Electronic 1st curtain shutter: Max. approx. 12 shots/sec. Electronic shutter: Max. approx. 40 shots/sec.

4K UHD (3840 x 2160) (Uncropped / Cropped) Full HD (1920 x 1080) (Uncropped / Cropped)
6K RAW (6000 x 3374) 3.7K RAW (3744 x 2106)
ProRes RAW format
6K RAW: 59.94p / 29.97p / 25.00p / 50.00p / 23.98p 4K UHD/4K UHD Crop: 59.94p / 29.97p / 25.00p / 50.00p / 23.98p
4K UHD time-lapse: 29.97p / 25.00p 3.7K RAW: 59.94p / 29.97p / 25.00p / 50.00p / 23.98p High frame rate movie HD: 179.82p / 119.88p / 150.00p / 100.00p
Full HD: 59.94p / 50.00p / 29.97p / 25.00p / 23.98p Time-lapse Full HD: 29.97p / 25.00p HDR movie: 29.97p / 25.00p
Creative filters Full HD: 29.97p / 25.00p / 23.98p
Canon Log 3

Specifications

SCREEN

Screen type

Vari-angle, TFT colour, LCD touch screen

Screen size and dots

Approx. 7.62 cm / 3.0 in. (3:2) with approx. 1.62 million dots

VIEWFINDER

Viewfinder type

OLED colour electronic viewfinder

Viewfinder size and dots

Approx. 1.27 cm / 0.5 in. (3:2) with approx. 3.69 million dots

COMMUNICATION FUNCTIONS

Standards compliance

IEEE 802.11 ac/a/b/g/n equivalent

Wi-Fi

Transmission frequency (Centre frequency)

5GHz band (5180-5825 MHz)*,
2.4GHz band (2412-2462 MHz)*
*Specifications may vary by country and region.

Compatible devices

Smart devices, computer and FTP server

Bluetooth

Bluetooth Ver. 5.0

INTERFACE

Digital terminal

SuperSpeed Plus USB (USB 3.2 Gen 2) equivalent, USB Type-C

HDMI output terminal

Type D, supports 4K 60p output

External microphone input & headphone terminal

Available

Remote control

Supports Wireless Remote Control BR-E1 (Bluetooth)

POWER

Battery

LP-E6NH / LP-E6N / LP-E6

DIMENSIONS AND WEIGHT

Dimensions (W x H x D) (CIPA compliant)

Approx. 138.4 x 98.4 x 88.4 mm

Weight (CIPA compliant)

Approx. 670g / 23.63 oz. (including battery and memory card)

Disclaimers: All data above is based on Canon testing standards and CIPA (Camera & Imaging Products Association) testing standards and guidelines. Dimensions and weight listed above are based on CIPA Guidelines (except weight for camera body only). Product and appearance are subject to change without notice. If a problem occurs with a non-Canon lens attached to the camera, contact the respective lens manufacturer.

This document is for information only and the contents are subject to change without notice. Errors and omissions excepted. Images are simulated. Weight and dimensions are approximates. Nothing in this document should be construed as a warranty. Product/Service options, name and availability may vary by region. We expressly disclaim any liability or contractual obligations with respect to this document. Canon and EOS, among others are trademarks of Canon Inc. and/or its affiliates. Other names, marks and logos contained in this document may be the registered trademarks or trademarks of their respective owners.

References

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