GENELEC 8020D Active Monitoring System

Quick Setup Guide & Operating Manual

General Description

The bi-amplified GENELEC 8020D is a compact two-way active monitoring loudspeaker designed for near-field monitoring, mobile vans, broadcast and TV control rooms, surround sound systems, home studios, multimedia applications, and computer soundcards. As an active loudspeaker, it contains drivers, power amplifiers, active crossover filters, and protection circuitry. The MDE™ (Minimum Diffraction Enclosure™) loudspeaker enclosure is made of die-cast aluminium and shaped to reduce edge diffraction. Combined with the advanced Directivity Control Waveguide™ (DCW™), this design provides excellent frequency balance in difficult acoustic environments. If necessary, the bass response of the 8020D can be extended with a Genelec subwoofer.

Setup and Connections

Positioning the Loudspeaker

Each 8020D is supplied with an integrated amplifier unit, mains cable, and an operating manual. After unpacking, place the loudspeaker in its required listening position, taking note of the line of the acoustic axis. The axes of all loudspeakers should converge at ear height at the listening position (see Figure 1).

Connections

Before connecting up, ensure that the loudspeakers and the signal source have been switched off. The power switch of the 8020D is located on the back panel (see Figure 3). Connect the loudspeaker to an earthed mains connection with the supplied mains cable. Never connect the loudspeaker to an unearthed mains supply or using an unearthed mains cable. The mains input accepts a wide range of voltages: 100-240 V AC 50-60 Hz. Audio input is via a 10 kOhm balanced female XLR connector. An unbalanced source may be used as long as pin 3 is grounded to pin 1 at the unbalanced source connector (see Figure 2). Never connect the 8020D to the loudspeaker outputs of a power amplifier or an integrated amplifier or receiver. Once the connections have been made, the loudspeakers are ready to be switched on.

ISS™ Autostart Function

When the power switch and the “ISS” switch on the back panel of the loudspeaker are set to “ON”, the Intelligent Signal Sensing™ (ISS™) autostart function of the 8020D is active. Automatic powering down to standby mode happens after a certain time when playback has ended. The power consumption in standby mode is typically less than 0.5 watts. The playback will automatically resume once an input signal is detected from the source. There is a slight delay in the automatic powering up. If this is undesirable, the ISS™ function can be disabled by setting the “ISS” switch on the back panel to the “OFF” position. In this mode, the monitor is powered on and off using the power switch on the back panel.

Sensitivity Control

The input sensitivity of the 8020D can be matched to the output of the signal source by adjusting the rotary sensitivity control on the back panel.

Setting the Tone Controls

The frequency response of the Genelec 8020D can be adjusted to match the acoustic environment by setting the tone control switches on the rear panel. The controls are "Desktop 200 Hz", "Treble Tilt", "Bass Tilt" and "Bass Roll-Off". An acoustic measuring system is recommended for analyzing the effects of the adjustments; however, careful listening with suitable test recordings can also lead to good results. Table 1 shows some examples of typical settings in various situations. Figure 4 shows the effect of the controls on the anechoic response.

Control Descriptions

Desktop 200 Hz (Switch 2): This control attenuates the low frequency response around 200 Hz by 4 dB. It is designed to compensate for the boost often occurring at this frequency range when the loudspeaker is placed upon a meter bridge, table, or similar reflective surface.

Treble Tilt (Switch 3): This control attenuates the treble response of the loudspeaker at frequencies above 5 kHz by 2 dB, which can be used for smoothing down an excessively bright sounding system.

Bass Tilt: This control offers three attenuation levels for the bass response of the loudspeaker below 2 kHz, usually necessary when the loudspeakers are placed near a wall or other room boundaries. The attenuation levels are -2 dB (switch 6 "ON"), -4 dB (switch 7 "ON"), and -6 dB (both switches "ON").

Bass Roll-Off (Switch 4): This control activates a -4 dB filter to the lowest bass frequencies (65 Hz). This can be used for compensating excessively heavy bass reproduction typically caused by loudspeaker placement near room boundaries.

Suggested Tone Control Settings

Table 1: Suggested tone control settings for differing acoustical environments
Loudspeaker Mounting Position Desktop Treble Tilt Bass Tilt Bass Roll-Off
Flat anechoic responseOFFOFFOFFOFF
Free standing in a damped roomOFFOFFOFFOFF
Free standing in a reverberant roomOFFOFF-2 dBOFF
Near field or console bridgeONOFFOFFOFF
Near to a wallOFFOFF-4 dBOFF
On a deskONOFF-2 dBOFF

The factory setting for all tone controls is "OFF" to give a flat anechoic response. Always start adjustment by setting all switches to "OFF" position. Measure or listen systematically through the different combinations of settings to find the best frequency balance.

Visual Guides (Diagram Descriptions)

Speaker Placement: Diagrams illustrate correct speaker placement for optimal stereo imaging and soundstage, forming an equilateral triangle with the listening position. Incorrect placement, such as too close to boundaries or asymmetrical positioning, is shown with a prohibition symbol (?).

Vertical Angle: Diagrams depict the correct vertical angle for loudspeakers, ensuring the acoustic axis is directed towards the listener's ears. An incorrect angle, where the speaker is too high or too low, is indicated with a prohibition symbol (?).

Symmetry of Room Installation: Diagrams demonstrate the principle of symmetrical room installation, where left and right speakers are equidistant from the listening position and the room's center line. Asymmetrical placement is shown with a prohibition symbol (?).

Speaker Angle and Distance: Diagrams illustrate recommended speaker angles (e.g., 30° between each speaker and the center, 110° total) and distances from the listening position for optimal stereo imaging. Incorrect angles and distances are shown with a prohibition symbol (?).

Tone Control Examples: Diagrams show typical tone control switch settings for different acoustic environments: "Corner" (-6 dB Bass Tilt) and "Against a wall" (-4 dB Bass Tilt).

Suggested Tone Control Settings: Diagrams show typical tone control switch settings for "Free standing in adapted room" (-2 dB Bass Tilt), "Free standing in a reverberant room" (-2 dB Bass Tilt), and "Nearfield setting" (-2 dB Bass Tilt).

Figure 1: Location of the Acoustic Axis: Illustrates a side view of a speaker, indicating the acoustic axis and a minimum distance of 0.7 meters and a height of 145 mm.

Figure 2: Type of cable needed if unbalanced source is used: Shows an example of an RCA output from a source connected to an XLR input on the speaker, including the cable screen connection.

Figure 3: Control and Connector Layout on the Rear Panel: Depicts the rear panel of the 8020D, labeling the REFLEX PORT, THREADS FOR CEILING AND WALL MOUNTS, TONE CONTROLS, POWER SWITCH, SENSITIVITY CONTROL, CONNECTOR PANEL (HORIZONTAL), and Iso-Pod™ TABLE STAND. Includes safety warnings (⚠️).

Figure 4 Description: This graph shows the effect of the "Bass Tilt", "Treble Tilt", "Desktop 200 Hz", and "Bass Roll-Off" controls on the free field response of the 8020D, plotting dB SPL against Frequency Hz.

Figure 5 Description: This graph displays frequency responses at 0°, 15°, 30°, 45°, and 60° angles, along with the power response in full space, with an input level of -20 dBu. It plots dB SPL against Frequency Hz.

Mounting Considerations and Options

Align the Loudspeakers Correctly

Always place the loudspeakers so that their acoustic axes (see figure 1) are aimed towards the listening position. Vertical placement is preferred, as it minimises acoustical cancellation problems around the crossover frequency.

Maintain Symmetry

Check that the loudspeakers are placed symmetrically and at an equal distance from the listening position. If possible, place the system so that the listening position is on the centerline of the room and the loudspeakers are placed at an equal distance from the centerline.

Minimise Reflections

Acoustic reflections from objects close to the loudspeakers like desks, cabinets, computer monitors etc. can cause unwanted colouration of the sound image. This can be minimised by placing the loudspeaker clear of reflective surfaces. For instance, putting the loudspeakers on stands behind and above the mixing console and tilting them down to point the acoustic axes to ear level at the listening position usually gives a better result than placing the loudspeakers on the meter bridge.

Minimum Clearances

Sufficient clearance for cooling of the amplifier and functioning of the reflex port must be ensured if the loudspeaker is installed in a restricted space such as a cabinet or integrated into a wall structure. The surroundings of the loudspeaker must always be open to the listening room with a minimum clearance of 3 centimeters (13/16") behind, above, and on both sides of the loudspeaker. The space adjacent to the amplifier must either be ventilated or sufficiently large to dissipate heat so that the ambient temperature does not rise above 35 degrees Celsius (95°F).

Mounting Options

The Genelec 8020D offers several mounting options: The Iso-Pod™ (Isolation Positioner/Decoupler™) vibration insulating table stand allows tilting the loudspeaker for correct alignment of the acoustic axis. On the base of the loudspeaker is a 3/8 in UNC threaded hole compatible with a standard microphone stand. On the rear, there are two M6x10 mm threaded holes for wall or ceiling brackets or the keyhole wall mount adapter provided with the loudspeaker.

Maintenance, Safety, and Compliance

Maintenance

No user serviceable parts are to be found within the loudspeaker. Any maintenance or repair of the 8020D must only be undertaken by qualified service personnel.

Safety Considerations

Although the 8020D has been designed in accordance with international safety standards, the following warnings and cautions should be observed to ensure safe operation and to maintain the loudspeaker under safe operating conditions:

Guarantee

This product is guaranteed for a period of two years against faults in materials or workmanship. Refer to supplier for full sales and guarantee terms.

Compliance to FCC Rules

This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions: This device may not cause harmful interference, and this device must accept any interference received, including interference that may cause undesired operation.

Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

Modifications not expressly approved by the manufacturer could void the user's authority to operate the equipment under FCC rules.

Specifications

System Specifications

Lower cut-off frequency, -6 dB:< 56 Hz
Upper cut-off frequency, -6 dB:> 25 kHz
Accuracy of frequency response:62 Hz - 20 kHz (± 2.5 dB)
Maximum short term sine wave acoustic output on axis in half space, averaged from 100 Hz to 3 kHz:at 1 m > 100 dB SPL
Maximum long term RMS acoustic output in same conditions with IEC weighted noise (limited by driver unit protection circuitry):at 1 m > 93 dB SPL
Maximum peak acoustic output per pair, at 1 m distance with music material:> 107 dB
Self generated noise level in free field at 1 m on axis:< 5 dB (A-weighted)
Harmonic distortion at 85 dB SPL at 1 m on axis:Freq: 50...200 Hz < 3%; >200 Hz < 0.5%
Drivers: Bass105 mm (4 in) cone
Drivers: Treble19 mm (3/4 in) metal dome
Both drivers are magnetically shielded
Weight:3.2 kg (7.0 lb)
Dimensions: Height (including Iso-Pod™ table stand)242 mm (9½ in)
Dimensions: Height (without Iso-Pod™ table stand)230 mm (9¹⁄₁₆ in)
Dimensions: Width151 mm (6 in)
Dimensions: Depth142 mm (5⁵⁄₈ in)

Crossover Section

Input connector:Input: XLR female, balanced 10 kOhm, pin 1 gnd, pin 2 +, pin 3 -
Input level for 100 dB SPL output at 1 m:-6 dBu at volume control max
Sensitivity control range relative to max output:-12 dB (constantly variable)
Crossover frequency, Bass/Treble:3.0 kHz
Treble tilt control operating range:0 to -2 dB at 15 kHz
Desktop 200 Hz control:-4 dB at 200 Hz
Bass roll-off control:-4 dB at 65 Hz
Bass tilt control operating range in -2 dB steps:0 to -6 dB at 100 Hz
'CAL' position:With all tone controls set to 'off' and the input sensitivity control to maximum (fully clockwise).

Amplifier Section

Bass amplifier output power:50 W
Treble amplifier output power:50 W
Long term output power is limited by driver unit protection circuitry.
Amplifier system distortion at nominal output: THD< 0.05 %
Mains voltage:100-240 V AC, 50-60 Hz
Voltage operating range:±10 %
Power consumption: Idle3 W
Power consumption: Standby<0.5 W
Power consumption: Full output60 W
Models: 8020D, 4 Inch Powered Studio Monitor

File Info : application/pdf, 9 Pages, 615.31KB

manual8020d

References

itext-paulo-155 (itextpdf.sf.net-lowagie.com)

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